CMAT shouts ‘Free Palestine' and wades into Glastonbury crowd during lively set
Plenty of festivalgoers could be seen doing the viral dance to the song, which has taken social media by storm in recent months.
Kicking off her set with Have Fun! the singer, who wore an all-purple ensemble with white boots, sang while lying flat on the floor before getting to her feet and shouting: 'Glasto!'
The musician, who blends pop and rock with folk and country influences, performed from her back catalogue, receiving rapturous applause while singing hits including I Don't Really Care For You.
The singer also encouraged fans to dance along to the 'Dunboyne County Meath two-step' while singing I Wanna Be A Cowboy, Baby!
'I think we might be about to break a personal record for the very sexy CMAT band,' she told crowds.
'We've never attempted it (the dance) with this many people so I'm a little scared,' the singer added.
Introducing herself, she told crowds: 'My name is CMAT and I'm literally just a young one from Dunboyne/Dublin, depending who you ask.'
'This is the scariest moment of my life but it will probably singlehandedly be the best and most amazing thing I'll ever do,' she added.
Towards the end of her set, she waded into the crowd to sing her popular song Stay For Something and chanted 'Free Palestine' in reference to the ongoing war in Gaza.
CMAT released her debut album, If My Wife New I'd Be Dead, in 2022, and followed it up with Mercury Prize-nominated Crazymad, For Me in 2023.
Her third studio album is set for release on August 29.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
11 hours ago
- Daily Mail
Country star Kane Brown shows off 'insane' body transformation and fans can't believe their eyes
is showing off the results of months of dedication to his fitness. The 31-year-old country star, best known for Miles On It, has been documenting his health and workout progress, keeping fans in the loop every step of the way. On Friday, Kane shared a striking shirtless photo on Instagram, comparing his physique from April to his current look. In the side-by-side shots, Brown shows off his tattooed body and newly sculpted muscles, complete with chiseled six-pack abs. 'From April- August and we just getting started!' he captioned the post, letting fans see just how far he's come. The reaction was immediate, with Taylor Lautner commenting, 'Dude what are we talkinggg about,' while fellow country singer Chris Lane added, 'That's insane- teach me your ways buddy.' Adding to his exciting summer, Kane will also appear in a cameo for the premiere of ABC's new series 9-1-1: Nashville. The transformation reveal comes after the star was praised for his heartwarming interaction with a young fan who revealed to the musician that he was bullied. The Be Like That hitmaker stopped his Denver, Colorado concert to give a young boy who was being bullied for 'the color of his skin' a hug. The boy, who was named Keylan, came to Kane's concert donning a cowboy hat and country ensemble as well as a heartbreaking sign that read, 'Bullied for the color of my skin. I just want a hug from Kane.' Keylan's tear-jerking poster caught the attention of the music sensation as he performed his hit Good As You, prompting him to exit the stage and give his fan a hug. Kane - who has previously revealed he was bullied as a child - made his way to the audience while busting out a few tunes as he approached the youngster before then sharing what the 'sweet' moment meant to him. Continuing to bust out his hit song, he approached Keylan and said, 'What does your sign say?' After the young fan showed the poster to the camera, Kane gave him a fist bump and hug before autographing the sign. People on the web flooded the videos with comments expressing their admiration for the singer. In the past, Kane has opened up about his experience growing up poor and how being bullied because of his lack of money affected him. He told Entertainment Tonight: 'I grew up a little different. I was bullied at school, so that was hard and I grew up with hardly any money and I feel like there's a lot of scenes in here where you can actually really see how I was raised, so I can't wait to see the finished product of this music video. 'We didn't have anywhere to stay and we stayed in a car for, like, two weeks at a time. 'I grew up with nothing and I'm just glad that I can support myself now, and support my mom and my nana if they need anything.'
Times
17 hours ago
- Times
The great American road trip that music lovers will adore
Out they stream, hands a-clappin' and feet a-tappin', a whirl of crimson cowboy shirts and petticoat-boosted skirts. Saturday night is square dance night at the Grand Ole Opry and the packed house is loving it, the woman sitting next to me more than anyone. 'That's my granddaughter,' she says proudly, pointing up at one of the dancers. 'Let's go, Casey!' Grand Ole Opry, America's longest-running radio programme, turned 100 this year. Broadcasting live musical performances (with the odd high-kicking interlude) from Nashville, it is known as the show that made country music famous, showcasing everyone from Hank Williams to Taylor Swift (tickets from £32; There is a full calendar of special events to mark the centenary, including the Opry's first foray overseas, at the Royal Albert Hall in September, when the golden boy Luke Combs will headline. I was at the start of a week of pure musical indulgence, going from the honky-tonks of downtown Nashville to the blues bars of Memphis and the jazz joints of New Orleans: a 600-mile dream of a road trip with a no-skip playlist. The Opry has been staged at a snazzy 4,000-capacity venue next to an out-of-town shopping mall since the mid-Seventies. Actually, the shopping mall is relatively new; until 1997 there was a theme park here called Opryland. What I would give to have seen Dolly Parton riding the log flume while Johnny Cash minded the bags and nibbled at a corn dog. For the real romance of the Opry you have to go downtown to the Ryman Auditorium, the former church that hosted the show for the 30 years beforehand. Built by a riverboat captain who found God, the Ryman is where the likes of Patsy Cline and Elvis Presley took some of their first steps towards stardom, performing in front of audiences perched on wooden pews. The Opry may have moved on, but the magic of the Ryman lingers and a tour will give you backstage access (from £35; Not that everyone wants to linger behind the scenes. Nip out of the rear door and you're in the alley that separates the Ryman from the country bars, or honky-tonks, of Lower Broadway. Plenty of musicians have livened up a soundcheck with a few sharpeners or an impromptu set at Robert's Western World or Tootsie's Orchid Lounge; Willie Nelson even sang of the '17 steps to Tootsie's and 34 steps back'. Lower Broad, as the street is known in this patch of Tennessee, is very much the party strip in this booming city. Thirty or so bars, most with live bands, jostle for space while neon signs flash and party buses cruise the street. The open-backed buses all seem to be filled with women in pink cowboy hats holding on to stripper poles and screaming along to Shania Twain. Alcohol may be involved. Welcome to Nash Vegas, hen-do capital of the US. The three-hour, 200-mile drive west to Memphis is largely unremarkable, other than the odd church sign on the side of the road telling me that 'Satan is on a rampage'. But there are points of interest if you know what you're looking for. Interstate 40 takes you right past Jackson, where Carl 'Blue Suede Shoes' Perkins is buried, as well as Brownsville and Nutbush, Tina Turner's old stomping grounds. I know to look out for these places because of a guy called Aubrey Preston, whom I'd met in Leiper's Fork, a pretty village half an hour's drive south of Nashville. Preston is a music nut and his passion project is the Americana Music Triangle, an initiative that uses live music events and guided driving routes to champion the stories of the musicians and places dotted between the three cities I'm visiting ( • 10 of the best places to visit in the US Over a plate of barbecue at Fox & Locke, the village's main bar (mains from £6; we chatted about how British and Irish immigrants moved inland from the Appalachians towards Nashville, bringing their fiddles and ballads. And about how that music mixed with the banjos, drums and rhythms of enslaved Africans, the folk songs of Cajun settlers, Spanish guitars and countless other influences that made their way up and down the Mississippi River. 'It all came crashing together inside this triangle, like in a big washing machine,' Preston said. 'And what came out of it was country, blues, jazz, rock'n'roll, gospel … everything. It's all related. And there's music everywhere.' It's something I thought about as I checked out of the Dark Horse Estate the next morning. A rustic retreat between Leiper's Fork and the small city of Franklin, the Estate is a working recording studio with a handful of simple, comfortable, overpriced rooms, primarily for artists to stay in while making albums. Keith Urban, Carrie Underwood and Tim McGraw have all recorded here, although I don't know who was playing drums as I packed up the car. Pulling off the highway into Memphis, the contrast with the country music capital is immediate and obvious. While Nashville felt glossy and prosperous, Memphis feels gritty and unvarnished. But what the city lacks in glitter, it makes up for in soul. And blues. And rock'n'roll. For soul there's the Stax museum, a fabulous shrine to the record label that gave us Otis Redding and Isaac Hayes (£15; For rock'n'roll there's Sun Studio (£15; where Elvis cut his first record, and Graceland, his mansion on the outskirts of town, which has huge exhibition halls covering every rhinestone-encrusted inch of Mr Pelvis's life (from £38; And for blues? Well, as Lower Broad is to Nashville, so Beale Street is to Memphis: a live music hot box dripping in neon and party people. Musicians have been stopping to play here since the mid-1800s, its heyday coming a hundred years later, when big hitters like Muddy Waters and BB King would clamber up on to various stages here, helping to define Memphis blues. • 10 of the most beautiful places in America After a finger-lickin' dinner of crispy chicken and fried green tomatoes at Gus's, a local paper plate and plastic cup favourite (mains from £8; I leave the car back at my hotel, the grand, old-school Peabody. They say the Mississippi Delta starts in the lobby here; I don't know about that, but I do know that it's home to Lansky Bros, the outfitters who used to dress Elvis in all those fabulous suits he wore when he was starting out. I also know that twice a day crowds gather to watch a man in a red tailcoat escort a parade of ducks to and from the lobby fountain. It's a five-minute waddle from the Peabody to Beale Street, where I spend the evening dipping in and out of its two dozen music bars. I pull up a stool at the BB King's Blues Club for last orders and the final few songs from the All-Stars (£7; before slipping over the road to an alleyway with a stage, a ramshackle bar and a blistering blues band who laugh in the face of closing time. The next morning, after a breakfast of great sausage, delicious biscuits and grim, tasteless grits at the Arcade diner, an old Elvis hangout (mains from £8; I point the car south. As with the route from Nashville to Memphis, there's not much to see on the six-hour, 400-mile drive down Interstate 55 to New Orleans, but I have good company. Al Green and Jerry Lee Lewis play me through Tennessee and Mississippi, before I hit Louisiana and my old friends Dr John and Fats Domino usher me into the Big Easy. Peering out over Bourbon Street from my hotel room balcony that evening, I can see a group of teenagers drumming on upturned buckets and, further along, a brass band cranking out some wild Dixieland tunes. The street's trickle of revellers clutching overpriced cocktails in novelty glasses is slowly turning into a river. The Bourbon is starting to flow. But this strip is for the amateurs; everyone knows the best music in New Orleans is on Frenchmen Street. I load up on rich, tangy turtle soup and soft, sweet, pecan-crusted catfish at Palace Café on Canal Street (mains from £13; then hop on a streetcar and head Frenchwards. • Read our full US travel guide A small, rickety, dimly lit joint with a stage by the door, the Spotted Cat is jumping, courtesy of the Jumbo Shrimp Jazz Band, who are laying down some playful, horn-heavy jazz, mixing in a little country twang and bluesy muscle (drinks from £7; I spend the rest of the night moseying between the dozen or so bars, stopping to listen to a soul singer here, pausing to catch a zydeco band there. At Preservation Hall the next afternoon the atmosphere is more cerebral. This is a peach of a venue, a dilapidated room in the French Quarter with wooden benches for the audience and a stage where master musicians play a handful of short trad jazz sets each day (from £20; There's no a/c, booze or loos and I booked my ticket late so have to stand at the back. Yet hearing the house band steam through standards like When the Saints Go Marching In and Basin Street Blues in this hall, in this city, is so good I almost weep. I leave and wander down towards the Mississippi, passing saxophonists on street corners and bars with trios playing to day drinkers. Past the French Market, where a jazz band entertains the beignet brigade at Café du Monde, and on to Elysian Fields Avenue, the setting for A Streetcar Named Desire. I cross Frenchmen Street and find my way to Louis Armstrong Park, named after one of the city's most famous sons and home to Congo Square. In the early 19th century this square was the only place where enslaved Africans were allowed to gather, on Sunday afternoons, and express their culture through music and dance. Those were the rhythms that are thought to have formed the foundations of New Orleans jazz. And those were the rhythms that travelled up the Mississippi and into Aubrey Preston's incredible washing machine. Now there's a name for a band. See you at the Albert Hall in Atkins was a guest of the Tennessee Department of Tourism ( New Orleans ( Sheraton Grand Nashville Downtown, which has room-only doubles from £121 ( Dark Horse Estate, which has one night's self-catering for four from £290 ( the Peabody Memphis, which has room-only doubles from £148 a night ( Hyatt Centric French Quarter, which has B&B doubles from £160 ( and Wexas, which has 11 nights' B&B from £2,495pp on the All-American Music Tour, including flights and car hire (
Daily Mail
2 days ago
- Daily Mail
Film star's Grade II listed Georgian mansion he once bought with wage from 'terrible movie' goes on sale for £10million
The Grade II listed Georgian mansion bought by Sir Michael Caine using the wage he received from a 'terrible' movie he starred in has just gone on the market for £10million. The Hollywood star lived in the sprawling Rectory Farm House on the banks of the River Thames in Wallington, Oxfordshire, for 15 years. He and his wife, Shakira, carried out extensive renovations, adding a cinema room and home spa to the 'quintessentially English country house'. Sir Michael, now 92, once admitted the revamp was funded by the reported $1million he earned for starring in Jaws: The Revenge. He said: 'I have never seen Jaws 4, but by all accounts it was terrible. However, I have seen the house that it built and it is terrific.' The movie, which flopped at the box office, was released while Caine was living in the Rectory Farm House. The Alfie and Italian Job star recalled buying the property 'on the spot' after his wife fell in love with it as they drove through the gates. He said: 'As we drove up through the gates marked 'Rectory Farmhouse', Shakira leaned over to me and whispered, 'We've got to have it!' 'We haven't even bloody seen it!' I grumbled, but deep down, I should have known better.' The Alfie and Italian Job star sold the house in 1998 for £1.9 million before it was sold again in 2001 for £3.75 million. The stunning property, which includes numerous features designed by the Oscar-winning actor, is on the market again for £10million. Estate agent Savills, which is handling the sale, said: 'Michael Caine extensively added to the house and planted many of the specimen trees to be found in the grounds. 'The driveway sweeps round to the front of the house, with its impressive portico entrance.' The 11,660 square foot main house has six bedrooms, several reception rooms, a boot room, library, two kitchens, music room and wine store. There is even a sauna to fully switch off from the worries of life The sitting rooms in the cottage also boasts of a fire place perfect for the cold winter evenings The grounds also include Caine's dovecote, a two-bedroom cottage used as staff accommodation. Nestled in 8.3 acres, the property boasts three lakes, a summer house and a boathouse with a mooring jetty accessing the River Thames. A tennis court and croquet lawn, which were both designed and built by Caine and his wife, are sited close to the extensive vegetable garden and orchard. Savills added: 'The hexagonal Georgian dovecote, which once housed Michael Caine's Port collection and whose shelves still bear the labels written by him, provides ample storage for wine.'
