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Pacific Symphony celebrates Iranian New Year with Pournazeri Trio

Pacific Symphony celebrates Iranian New Year with Pournazeri Trio

Nowruz, the Iranian or Persian New Year, marks the rebirth of nature and the arrival of spring. To celebrate, Pacific Symphony presents 'Nowruz: The Concert — Return of the Masters.' Sponsored by the Farhang Foundation, the Cyrus Society and Anoosheh and Alan Oskouian, this traditional Iranian concert has become a beloved tradition for Orange County's Iranian community.
'Sold-out Nowruz concerts with Pacific Symphony have been some of the most emotionally rewarding concerts I have attended,' John Forsyte, Pacific Symphony president and chief executive officer, said in a statement. 'The audiences are so passionate about the concerts, artists and the beautiful poetic expression of the music we hear.'
Now in its eighth year, the March 29 concert at the Renée and Henry Segerstrom Concert Hall in Costa Mesa will feature the Pournazeri Trio, Iranian soloists and the Pacific Symphony, led by music director Carl St.Clair.
The Pournazeri Trio is comprised of Iranian family members who are each talented musicians in their own right. Kaykhorso Pournazeri, founder of Shams Ensemble and highly regarded as the father of Sufi music, will be joined on stage by his two sons, Tahmoures and Sohrab Pournazeri. Other Iranian musicians in the evening's program include guest vocalists Sahar Boroujerdi and Donya Kamali, and violinist Tina Jamegarmi.
'We are thrilled to once again share the stage with these exceptional artists and to bring audiences together in a celebration of renewal, heritage and the universal language of music,' Forsyte said.
Founded in 2008, the Farhang Foundation was established to promote and celebrate Iranian arts and culture and the upcoming event is one way the organization shares its heritage with a larger audience.
'Through music, we honor the timeless traditions of the Iranian New Year while sharing its universal message of renewal, unity and joy with the wider community,' Farhang Foundation's executive director, Alireza Ardekani, said in a statement.
The Farhang Foundation emphasizes it is a 'non-religious, non-political and not-for-profit organization' that focuses on the areas of poetry, literature, music, fine arts and film, as well as Iran's history, language, traditions and cuisine.
The symbolism of renewal in Nowruz makes the sacred holiday a time to wash away the past and prepare for new blessings to come. In Iranian households, families might prepare by deeply cleaning their homes or by giving gifts. Many also set a special table known as a 'Haft Seen' or 'Haft Sîn,' with seven symbolic items that all begin with the 15th letter of the Persian alphabet. Traditional displays might include 'seeb' (an apple), which symbolizes beauty and health, and 'serkeh' (vinegar), which signifies age and patience.
While the March 29 concert begins at 8 p.m., pre-concert festivities will take place in the lobby at 7 p.m. Guests can expect performances from traditional Iranian musicians and dancers as well as a grand Haft Sîn display.
Forsyte hopes the display and the music will encourage attendees unfamiliar with the holiday to embrace it and inspire others to reconnect with the traditions.
'Music has the power to unite communities and this concert is a profound way to honor a 3,000-year-old tradition while embracing the beauty of cultural exchange,' he said.
'Nowruz: The Concert — Return of the Masters' takes place on March 29, at 8 p.m. at the Renée and Henry Segerstrom Concert Hall in Costa Mesa. For tickets visit pacificsymphony.org.
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Christophe de Menil, Art Patron and Designer, Is Dead at 92
Christophe de Menil, Art Patron and Designer, Is Dead at 92

New York Times

time2 hours ago

  • New York Times

Christophe de Menil, Art Patron and Designer, Is Dead at 92

Christophe de Menil, a costume designer, oil heiress, philanthropist and financier of scores of the world's leading figures in art, design and architecture, died on Aug. 5 at her home in Manhattan. She was 92. Her death was confirmed by her brother George de Menil, who said she had been bedridden with arthritis. Ms. de Menil, a tall, graceful, even regal woman, lived a life of extraordinary wealth and artistic involvement, not unlike that of her parents, John and Dominique de Menil, who used their immense fortune from the Schlumberger multinational oil-field services company — her mother was a Schlumberger — to amass one of the world's largest private art collections and to finance the building of museums. For two decades, Ms. de Menil was a costume designer for the avant-garde theater director Robert Wilson, who died on July 31. An art collector herself, she was a patron of Willem de Kooning as well as the choreographer Twyla Tharp. She introduced the Los Angeles architect Frank Gehry to New York as the designer of her Upper East Side carriage house in Manhattan. And as a society grande dame she was an inveterate party giver whose guests included Robert Rauschenberg, Merce Cunningham, Kitty Carlisle Hart, Susan Sontag, John Cage and Patricia Kennedy Lawford. Hers was a privileged life that began in Paris between the world wars. Her father came from a titled but relatively poor family and worked as a banker. Her mother, a mathematics graduate of the University of Paris, was the principal heiress to a family textile fortune accrued in the 19th century before her own father and a great-uncle formed the Schlumberger enterprise. The parents met at a ball in Versailles, married in 1931 and, as an upper-class young couple, rode horses in the sylvan Bois de Boulogne in Paris. Marie-Christophe de Menil was born in Paris on Feb. 5, 1933, her parents' eldest child. With the onset of World War II and invading Nazis arriving in Paris, the mother fled to Marseilles with Marie-Chistophe, her sister Adelaide and her baby brother George. In Marseilles, the two girls contracted chickenpox, and their mother wrapped them in loden coats to conceal their spots. Making their way west to Bilbao, in northern Spain, they boarded a small freighter for Cuba. In Havanna, they were met by the children's father, who had arrived from his base in Romania, where he had run the Schlumberger company operations. They went on to Houston, the company's American base, and it was there that Christophe grew up and another brother, Francois, and a sister, Philippa (known as Phip), were born. The de Menils led an opulent, cultured life in Houston. Today, the city is home to the Menil Collection, a museum that houses the extensive art holdings accumulated by Ms. de Menil's parents. In New York, where they also maintained a residence, the family's social circles included artists, architects, poets, playwrights and Black activists. Each child was endowed with a formidable financial legacy, thanks to their grandfather Conrad Schlumberger, a physicist, and the great-uncle, Marcel. Together the two men pioneered well-logging, which, using the electrical resistance of the earth, determines with considerable accuracy the location of oil deposits. When the five de Menil brothers and sisters were still young, their parents placed half of their Schlumberger company shares in trust funds for them. At her debut in 1952, Ms. de Menil was already showing an unconventional if not eccentric side. She wore a white four-leaf clover gown by Charles James, a renowned designer for society women. The dress weighed nearly 15 pounds but allowed her to glide effortlessly across the ballroom floor. Beneath it, she wore pedal pushers. In the spring of 1959, she married Robert Thurman, who was eight years her junior and who would enter Harvard that fall. He dropped out two years later with wanderlust and headed toward India by way of Turkey and Iran in search of enlightenment through Buddha. He left behind his infant daughter, Taya, as well as his wife, who, he was quoted as saying, was 'nervous, scared of the whole thing.' Ms. de Menil maintained for years that it was not India where he had been headed but the mountains of Mexico, where he proposed to camp and explore mind-altering drugs, neither of which she felt was appropriate for an infant. The marriage ended in divorce, and Mr. Thurman, who became a distinguished scholar of Buddhism and a monk, later married a German-Swiss model who had divorced Timothy Leary, the proponent of LSD. One of their children, born in 1970 in Mexico, is the actress Uma Thurman. In 1963, Ms. de Menil entered Columbia University to study religion and launched her 'Midsummer' series of parties and exhibits in the Hamptons, showcasing artists like Ms. Tharp, the avant-garde composer La Monte Young and the multimedia artist Robert Whitman. There she got to know de Kooning while working as a sound coordinator on Hans Namuth's documentary about him. She eventually became a collector of de Kooning's works. Ms. de Menil married for a second time — to Enrique Castro-Cid, a Chilean artist — in 1971. They divorced three years later, and she never remarried. By 1976, Ms. de Menil was ensconced in New York and a country house on the East End of Long Island. In Manhattan, she purchased a three-story Georgian townhouse with a lap pool on East 69th Street that had been a carriage house. She hired a young up-and-coming Frank Gehry to redesign it, but the relationship ended in tears when she fired him over a glass of champagne, unhappy with his idea of gutting the townhouse and creating two buildings, one for Ms. de Menil and one for her teenage daughter, with a bridge connecting them. 'I think she was afraid of it,' the architect Paul Lubowicki, an associate of Mr. Gehry's, told The Los Angeles Times in 1998. To finance her transformation of the house into what became effectively a fashion atelier, she sold more than $2 million worth of major paintings at a Sotheby Parke Bernet auction in 1965, a sum equivalent to about $20.7 million today. Ms. de Menil sold the house in 1987 to the art dealer Larry Gagosian and moved to a Park Avenue apartment. By then she had developed a talent for creating clothes and jewelry and had been discovered by Robert Wilson, the avant-garde theater director. He started turning to her for costume designs in 1980 and would continue to do so for the next two decades or so. Among his productions she worked on was 'The Golden Windows' and his 12-hour opera, 'The Civil Wars: A Tree Is Best Measured When It Is Down,' with music by Philip Glass. Her fashion creations were less design than invention. She delighted in shocking people, as she did with a gown of ivory foam rubber that she wore to a waltz in 1984. That was the year she presented her first major collection, called XS. The fashion reporter John Duka of The New York Times pointed out that the name could be read as ''Excess,' in case anyone missed the point.' 'I'm extreme, and I have strong tastes,' Ms. de Menil told The Times in 1986. 'I get that so much from my mother — decide what you're aiming at and strike out after it. Before, I did things for others, and now I'm doing something for myself. Flowering, in a way. Expanding. Now I have a vocation and much better bearings.' At the same time, she was using her considerable fortune to back a stable of artists, including Mr. Glass, Mr. Young, Ms. Tharp, the choreographer Trisha Brown (for whom she also designed costumes) and the composer Terry Riley. It was funds from Ms. de Menil that allowed the Metropolitan Museum of Art to purchase Michael Heizer's 46-ton Guennette sculpture, created from warm pink granite, originally for the plaza of the Seagram Building on Park Avenue. In addition to her brother George, she is survived by another brother, Francois de Menil; two sisters, Adelaide de Menil Carpenter and Fariha de Menil; a daughter, Taya Thurman; two grandchildren; and three great-grandchildren. A grandson, Dash Snow, an artist whose work was shown at the 2006 Biennial at the Whitney Museum of American Art, died of a drug overdose at 27 in 2009. Ms. De Menil was briefly in the news again in 2021, when Alina Morini, who said that she had been Ms. De Menil's longtime live-in companion at her recent Manhattan home, on East 81st Street, sued Taya Thurman, contending that Ms. De Menil, who was ailing at the time, had been subjected to 'forced and currently ongoing isolation' at the hands of her daughter. Ms. Morini said that she herself had been 'falsely arrested' on trespassing charges and detained by the authorities for 30 hours. The suit was dismissed in New York State Supreme Court the next year. Beyond promoting the careers of artists, Ms. de Menil prided herself on her own creative work, her fashion and jewelry designs, and saw it as rivaling that of her more celebrated peers. When she made her debut presentation in 1984 before a who's who of fashion and society, including Marie-Hélène de Rothschild and Bianca Jagger, Mr. Duka wrote in The Times, 'When Miss de Menil descended the stairs to greet her audience, she may have thought she had joined the ranks of Carolina Herrera and Jacqueline de Ribes.' Years later her self-confidence remained intact. At a society event in East Hampton in 2012, a young blogger posed with Ms. de Menil and asked her, 'Who is your favorite designer?' 'Alexander McQueen,' Ms. De Menil answered. 'And also myself.' Adam Nossiter and Ash Wu contributed reporting. Susan C. Beachy contributed research.

AMC Entertainment (AMC) Reports Break-Even Earnings for Q2
AMC Entertainment (AMC) Reports Break-Even Earnings for Q2

Yahoo

time8 hours ago

  • Yahoo

AMC Entertainment (AMC) Reports Break-Even Earnings for Q2

AMC Entertainment (AMC) reported break-even quarterly earnings per share versus the Zacks Consensus Estimate of a loss of $0.04. This compares to a loss of $0.43 per share a year ago. These figures are adjusted for non-recurring items. This quarterly report represents an earnings surprise of +100.00%. A quarter ago, it was expected that this movie theater operator would post a loss of $0.61 per share when it actually produced a loss of $0.58, delivering a surprise of +4.92%. Over the last four quarters, the company has surpassed consensus EPS estimates three times. AMC Entertainment, which belongs to the Zacks Leisure and Recreation Services industry, posted revenues of $1.4 billion for the quarter ended June 2025, surpassing the Zacks Consensus Estimate by 3.68%. This compares to year-ago revenues of $1.03 billion. The company has topped consensus revenue estimates four times over the last four quarters. The sustainability of the stock's immediate price movement based on the recently-released numbers and future earnings expectations will mostly depend on management's commentary on the earnings call. AMC Entertainment shares have lost about 26.4% since the beginning of the year versus the S&P 500's gain of 8.6%. What's Next for AMC Entertainment? While AMC Entertainment has underperformed the market so far this year, the question that comes to investors' minds is: what's next for the stock? There are no easy answers to this key question, but one reliable measure that can help investors address this is the company's earnings outlook. Not only does this include current consensus earnings expectations for the coming quarter(s), but also how these expectations have changed lately. Empirical research shows a strong correlation between near-term stock movements and trends in earnings estimate revisions. Investors can track such revisions by themselves or rely on a tried-and-tested rating tool like the Zacks Rank, which has an impressive track record of harnessing the power of earnings estimate revisions. Ahead of this earnings release, the estimate revisions trend for AMC Entertainment was mixed. While the magnitude and direction of estimate revisions could change following the company's just-released earnings report, the current status translates into a Zacks Rank #3 (Hold) for the stock. So, the shares are expected to perform in line with the market in the near future. You can see the complete list of today's Zacks #1 Rank (Strong Buy) stocks here. It will be interesting to see how estimates for the coming quarters and the current fiscal year change in the days ahead. The current consensus EPS estimate is -$0.08 on $1.31 billion in revenues for the coming quarter and -$0.57 on $4.92 billion in revenues for the current fiscal year. Investors should be mindful of the fact that the outlook for the industry can have a material impact on the performance of the stock as well. In terms of the Zacks Industry Rank, Leisure and Recreation Services is currently in the bottom 27% of the 250 plus Zacks industries. Our research shows that the top 50% of the Zacks-ranked industries outperform the bottom 50% by a factor of more than 2 to 1. Lucky Strike Entertainment (LUCK), another stock in the same industry, has yet to report results for the quarter ended June 2025. This company is expected to post quarterly loss of $0.07 per share in its upcoming report, which represents a year-over-year change of -16.7%. The consensus EPS estimate for the quarter has remained unchanged over the last 30 days. Lucky Strike Entertainment's revenues are expected to be $293.95 million, up 3.6% from the year-ago quarter. Want the latest recommendations from Zacks Investment Research? Today, you can download 7 Best Stocks for the Next 30 Days. Click to get this free report AMC Entertainment Holdings, Inc. (AMC) : Free Stock Analysis Report Lucky Strike Entertainment (LUCK) : Free Stock Analysis Report This article originally published on Zacks Investment Research ( Zacks Investment Research Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data

The Pulse of the Chinese Warrior Dance: Dance Drama "Odes to Heroes" Sets Beijing Ablaze
The Pulse of the Chinese Warrior Dance: Dance Drama "Odes to Heroes" Sets Beijing Ablaze

Yahoo

time20 hours ago

  • Yahoo

The Pulse of the Chinese Warrior Dance: Dance Drama "Odes to Heroes" Sets Beijing Ablaze

BEIJING, Aug. 11, 2025 /PRNewswire/ -- Following the dance dramas Awakening Lion and LOONG, the large-scale ethnic dance drama Odes to Heroes, another masterpiece by the Guangzhou Song and Dance Theatre, was staged at the Beijing Tianqiao Performing Arts Center from July 31 to August 3, 2025. It was jointly produced by the Publicity Department of the CPC Guangzhou Municipal Committee, the Guangzhou Municipal Bureau of Culture, Radio, Television and Tourism, and Guangzhou Cultural Development Group under the guidance of the Department of Culture and Tourism of Guangdong Province. This spectacular performance offered a double feast for both the eyes and souls to the capital's audience. With the intangible cultural heritage "Yingge" at its core, the dance drama has quickly become a cultural sensation in Beijing, resonating deeply with the audience through its profound cultural roots and artistic expression on the modern stage. A Phenomenal Dance Drama Sparkles in the Capital As a blockbuster performance of the 2025 "Tianqiao Dance and Performance Season," Odes to Heroes debuted alongside other acclaimed works such as The Eternal Wave and The Journey of a Legendary Landscape Painting, captivating the audience with its passionate patriotism and exquisite stage art. Excerpts from the drama had previously been featured in the "Hundred Flowers Welcoming Spring: Spring Festival Gala for the Chinese Literature and Art Circles" and the CCTV's 2025 "Cultures of China, Festival of Spring" Global Chinese New Year Gala. This premiere in Beijing has presented a newly refined version to show the perfect blending of intangible cultural heritage and contemporary spirit. Why Has the Fervor for "Odes to Heroes" Never Stopped? The dance drama Odes to Heroes has ignited lasting fervor nationwide, not only for its top-tier creative team and star-studded cast, but for the emotional and cultural resonance it delivers on stage. Currently, the dance drama has undergone 38 tours in 19 cities across the country. It was further refined in June, evolving with the Yingge dance at its core and the epic history of overseas Chinese as its soul, reimagined through a contemporary lens to tell the epic story of overseas Chinese and their patriotic spirit during the War. As the drama unfolds through striking choreography, symbolic imagery, and a moving narrative of separation, reunion, and self-discovery, it awakens a profound "bloodline awakening" among audiences—a cultural self-confidence and pride in heritage. Blending rich elements of Lingnan culture such as wood carvings, embroidery, iron-branch puppetry, beef balls, oil-paper lanterns, and it's worth mentioning that the theme song of Odes to Heroes is in the Chaoshan dialect rap style. The production bridges tradition and modernity. Each performance becomes a powerful expression of shared memory, identity, and hope—bringing the spirit of Yingge and the voices of generations past and present to life. Curtain Falls and Echoes Remain The year 2025 marks the 60th anniversary of the Guangzhou Song and Dance Theatre and the 80th anniversary of China's victory in the Anti-Japanese War and the World Anti-Fascist War. To commemorate this historic year, the theatre presents its Lingnan trilogy—Awakening Lion, LOONG, and Odes to Heroes—as a tribute to six decades of artistic excellence. Odes to Heroes honors this immortal history through powerful stagecraft, where the clash of the Yingge mallet and the emotion in "overseas letters" evoke the patriotic spirit of two generations. Following a successful premiere in Beijing, the production has left a lasting cultural impression and rekindled public appreciation for traditional heritage. The theatre will continue telling Lingnan stories through contemporary dance, promoting Chinese culture on the global stage. View original content to download multimedia: SOURCE Guangzhou Municipal Culture, Radio, Television and Tourism Bureau Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data

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