Cancer Diaries: On Superman — The ‘E' in Evil stands for ‘easy'
Still, I couldn't resist watching Superman though it meant watching it during non-peak hours (mornings on weekdays).
Like Superman I have dodged way too many bullets but while his were literal, mine came in the form of infections and injuries.
Every outing now has a risk assessment after all my falls and near-falls.
I couldn't possibly trip (again) sitting in a cinema seat, right?
It was worth waking up early for the show as I got to enjoy a waffle in an empty café though I did have to wolf it down quickly to make the screening.
I was thankful that the sound drowned out my ugly sobbing at parts in the cinema — yes, I am a marshmallow at the movies and cry very easily.
Superman was the superhero of my childhood, the true poster boy for what a superhero should be and as an old school fan I think James Gunn's version of him was a lot more palatable than Zack Snyder's vision.
Synder's films feel too much like they were made by a child who played with action figures by bashing them together, then grew up to be a film director.
People who complain about the film being a bit too on the nose about do good-erism seem to forget that's what Superman films were made for.
Director James Gunn attends a premiere for the film "Superman" at the TCL Chinese theatre in Los Angeles, California, U.S., July 7, 2025. — Reuters pic
In an age where the actress who played Marvel's Black Widow proudly schills for Zionism, it's almost refreshing having a superhero film that states quite plainly targeting civilians in a land grab excuse of an invasion is bad, actually.
Yet what stayed with me watching the film is how casually the people who work for the villains in the story go along with what their employers do.
There is no hesitation nor remorse about just plain murdering civilians, whether unarmed children or a reporter investigating what is pretty much a war crime.
I thought, right then, that the 'e' in evil stood for 'easy'.
It is easier to go along with the flow, to keep taking the pay cheques, to obey directives, to work in Alligator Alcatraz than to say no, this is wrong.
That's what superhero movies do well: they demonstrate that doing the right thing is the harder choice.
Whether you're wearing a cape or working for a supercorporation, there will be consequences but, the movies argue, you should do the right thing anyway.
Easier to leave a nasty comment, ignore a person who collapsed suddenly or is being harassed on a train or only sympathise with refugees if they prove themselves to be deserving by being the meek, grateful and downtrodden people you want them to be.
If it takes a thousand superhero movies to convince people to take the harder road because it is the right one, then make them — I will watch them all.
Another thought made me smile when I left the cinema; how as a child I watched superhero movies but I didn't want to be Superman or Supergirl.
I wanted to be Lois Lane.
No, I didn't want a superhero boyfriend.
I believed then as I believe now that journalists do have a role in making the world a better place... though I don't think they should be put on pedestals for it, either.
As that Foo Fighter song goes, so many of us are looking at the sky to save us.
We forget that we can all be superheroes even if it means we can only be that hero for just one person, and even if it means we won't get an award, a thank you or even acknowledgement.
The late Connie Francis who passed away last week comes to mind.
Francis was a sexual assault survivor, and lost her brother when he was murdered by the Mafia for testifying against them.
She grew up under a controlling father, struggled with PTSD and mental health issues and while she called her personal life 'a regret from A to Z', Francis was an advocate for rape victims and mental health awareness.
By suing the hotel where she was assaulted, she helped improve hotel safety in general.
She said in an interview: 'It was a struggle to reconcile all of the tragedies that had occurred in my life, and I'd like to be known for my music. I'm always honoured and privileged when people remember, and it brings back happy memories for a lot of people, and that makes me happy.'
Francis had never had it easy throughout her life but she made the best of sometimes tragic circumstances.
In her later life she worked with veterans, even helping create support groups for them as she personally understood the effects of PTSD, which is common among veterans.
'We all have it in us to make a difference in someone else's life. The more you help others, the more it enriches your life, too,' she said.
May we all find our own inner superheroes.
* This is the personal opinion of the columnist.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Malay Mail
11 minutes ago
- Malay Mail
Tom Lehrer, musical satirist and maths prodigy behind ‘Poisoning Pigeons', dies at 97
WASHINGTON, July 28 — Tom Lehrer, the acclaimed humorist and pianist whose satirical songs made him one of America's favorite prophets of doom before he retreated to academia, has died, US media reported Sunday. He was 97. The singer-songwriter died Saturday at his home in Cambridge, Massachusetts, his friend David Herder said according to The New York Times. Lehrer's sardonic numbers, backed up by a dazzling prowess at the piano that reflected his love for up-tempo Broadway show tunes, enchanted audiences in the 1950s and 1960s. But Lehrer was always much more than the sum of his parts. A child prodigy, he graduated from Harvard at 19 and later taught at the elite Massachusetts Institute of Technology. Well ahead of his time on issues like pollution and nuclear proliferation, Lehrer made his mark with biting humor and zany rhymes. He was also wickedly funny on random subjects like murder, conjugal discord, chemistry, and his distaste for pigeons. Poisoning pigeons Poisoning Pigeons in the Park, one of Lehrer's signature tunes, conjures up a couple enjoying a spring pastime of slaughtering pigeons with strychnine—It just takes a smidgen! Songs seemed to drip off his palette matched with insouciant melodies like Folksong Army, which mocked 1960s protesters. But his activism was persistent, with songs including Who's Next about nuclear weapons, and Pollution warning that 'You can use the latest toothpaste, then rinse your mouth with industrial waste.' The seemingly bottomless well of sly, even cynical creativity captured audiences from 1953 until it appeared to go dry in 1965, although Lehrer briefly returned to performing in 1972 for a children's public television show, The Electric Company. Rumor had it that Lehrer stopped composing when his prophecies began coming true, or that he quit in protest over Henry Kissinger being awarded the Nobel Peace Prize in 1973. But Lehrer, in an interview with the satirical news website The Onion in 2000, dispensed with the second rumor, saying he had 'quit long before that happened.' There was nothing abrupt about it, he said. 'I figure I wrote 37 songs in 20 years, and that's not exactly a full-time job. Every now and then I wrote something, and every now and then I didn't. The second just outnumbered the first.' He claimed to have gone 'from adolescence to senility, trying to bypass maturity.' Periodic table While most of Lehrer's compositions were original, one adaptation stood out for its genius, his dizzying recitation of all 118 chemical elements to the tune of A Modern Major General from the Gilbert and Sullivan operetta The Pirates of Penzance. The piece earned adoration from none other than Harry Potter actor Daniel Radcliffe. 'Tom Lehrer in my opinion is the cleverest and funniest man of the 20th century, and he's kind of my hero,' Radcliffe said, before singing a rendition of The Elements on a British comedy show in 2010. Born on April 9, 1928, to a secular Jewish family, Lehrer grew up in Manhattan's Upper East Side. He attended the prestigious Horace Mann and Loomis Chaffee preparatory schools before entering Harvard at age 15, graduating magna cum laude with a degree in mathematics three years later. He went on to teach mathematics at MIT as well as Harvard, Wellesley College and the University of California, Santa Cruz. — AFP


Malay Mail
11 minutes ago
- Malay Mail
‘Fantastic Four' reboot rockets to US No. 1 with US$118m debut, knocks ‘Superman' to second
LOS ANGELES, July 28 — The Fantastic Four: First Steps, Disney's hotly anticipated reboot of the Marvel Comics superhero franchise, conquered the North American weekend box office, earning US$118 million and sidelining 'Superman,' industry estimates showed yesterday. Fantastic Four—starring actor-of-the-moment Pedro Pascal, Vanessa Kirby, Emmy winner Ebon Moss-Bachrach and Joseph Quinn (Stranger Things) — tells the story of a team of heroes trying to save a retro-futuristic world from the evil Galactus. 'This is an outstanding opening,' said David A. Gross of Franchise Entertainment Research. 'Fantastic Four was a modest and struggling superhero series; it just caught up with the biggest and the best.' Superman, the latest big-budget action film featuring the iconic superhero from Warner Bros. and DC Studios, slipped to second place at US$24.9 million, Exhibitor Relations said. That puts the global take of the film, starring David Corenswet as the Man of Steel, over the US$500 million mark. Jurassic World: Rebirth—the latest installment in the blockbuster dinosaur saga—finished in third place at US$13 million. Its worldwide total stands at US$672.5 million. The Universal film, starring Scarlett Johansson, Jonathan Bailey and Mahershala Ali, takes viewers to an abandoned island research facility, where secrets—and genetically mutated dinosaurs—are lurking. F1: The Movie, the Apple and Warner Bros. flick starring Brad Pitt as a washed-up Formula One driver who gets one last shot at redemption, moved up to fourth place at US$6.2 million. Smurfs, the latest film featuring the adorable blue creatures and starring Rihanna as Smurfette, slipped to fifth place in only its second week in theaters with US$5.4 million in North American ticket sales. 'The box office is on an excellent run that started two weeks ago,' Gross said. 'These are not the good old days, but Fantastic Four and Superman are performing extremely well. Superheroes are showing some swagger, and it's good news for the industry.' Rounding out the top 10 were: Know What You Did Last Summer (US$5.1 million) How to Train Your Dragon (US$2.8 million) Eddington (US$1.7 million) Saiyaara (US$1.3 million) Oh, Hi! (US$1.1 million) — AFP


Malay Mail
41 minutes ago
- Malay Mail
Star Wars creator George Lucas wows Comic-Con with museum tribute to storytelling
SAN DIEGO, July 28 — Comic-Con fans pulled out their lightsabers yesterday to welcome 'Star Wars' creator George Lucas to the prominent pop culture convention for the very first time. Attendees lined up for hours to grab a seat inside the 6,500-person capacity venue in San Diego, California to see the legendary filmmaker behind the 'Indiana Jones' franchise speak at the event on its final day. Comic-Con, which draws some 130,000 attendees, has become an important platform for movie studios and their stars to showcase the latest film and television offerings, especially those with a genre fan base. 'We've been waiting five decades for this!' said panel moderator Queen Latifah, who oversaw the discussion by Lucas and other filmmakers. Instead of discussing his film works, however, Lucas graced the convention to preview the Lucas Museum of Narrative Art—opening in Los Angeles in 2026 — which the director co-founded with his wife, businesswoman Mellody Hobson. 'I've been collecting art since I was in college,' Lucas, 81, told the crowd, adding that he has amassed tens of thousands of pieces in his collection. 'I've been doing this for 50 years now, and then it occurred to me that what am I going to do with it all because I, I refuse to sell it. 'I could never do that, it's just, it's not what I think art is—I think it's more about an emotional connection,' the director said. In his description of the museum, Lucas said the institution will feature a blend of works. They include illustrations by Normal Rockwell, Jessie Willcox Smith and N.C. Wyeth; artworks by Frida Kahlo, Jacob Lawrence, Charles White and Robert Colescott; and pieces by cartoonists and artists like Winsor McCay, Frank Frazetta and Jack Kirby. 'This is sort of a temple to the people's art,' he said in summation. The museum, housed in a sleek, curved building, will also feature items from Lucas's films and other exclusive pieces. For the 'Star Wars' mastermind, the museum aims to be a tribute to the importance of narrative art. 'When you're born, the baseline is fear. And as you go through life, you're curious about things, but you're especially curious about things you don't understand, and therefore that's a threat to you. 'And as a result, you make up stories to make it feel good,' he continued. 'Science fiction is a myth... but we've made it real because of science fiction books and art.' 'A critical moment' Among the other members of the panel were Oscar-winning director Guillermo del Toro and production designer Doug Chiang, who shaped the aesthetic of the 'Star Wars' universe for decades. 'What's remarkable about George is that he leads from the heart, and this museum is him,' Chiang said. Del Toro, who will release his latest film 'Frankenstein' in November, said many of the museum's pieces will celebrate freedom of speech. 'We are in a critical moment in which one of the things they like to disappear is the past, you know, and this is memorializing a popular, vociferous, expressive and eloquent moment in our visual past that belongs to all of us,' Del Toro said. The fantasy filmmaker also described comics as a medium with 'a lot of social conscience' and joked that comic artists 'were the first one to punch a Nazi' in their works. 'What a panel!' said attendee Jesse Goldwater, who traveled to San Diego from Los Angeles. 'They are the embodiment of Comic-Con itself, without them Comic-Con wouldn't exist.' — AFP