
Discontinued chocolate bars Brits miss the most ranked
From the crunchy honeycomb centre of a Malteser to the gooey caramel of a classic Mars, everyone's got a favourite chocolate bar.
Most of us will also link our favourite chocolate to memorable moments such as school days or that walk home from our first job.
So, when they disappear from the shelves, we wait longingly for a comeback.
Now, a survey by a brand that is part of Smooth Radio has revealed the nation's top ten most-loved bars that Brits would like to see return.
The discontinued chocolate bar Brits want to return
Surveying 2,000 people across the UK, the results found that the minty twist on the classic Wispa bar came out on top, with more than one in five (22%) naming it as the chocolate they'd most like to see return.
A member of the Wispa family, the mint version first hit shelves in 1995 but was sadly discontinued in 2003 - much to the frustration of chocolate lovers.
Kit Kat Caramac, which was discontinued two years ago after 64 years due to declining sales, came in joint second with 20% of the vote.
Milky Way Crispy Rolls, pulled from production by Mars in 2022, also tied for second place.
White chocolate fans were left disappointed when Cadbury Dream was discontinued in the UK over two decades ago - and it seems they still miss it, as nearly one in five (18%) named it their preferred discontinued treat.
Known for its rich milk chocolate combined with smooth white chocolate, Cadbury Marble followed close behind with 16% of the vote.
It was discontinued in 2012, while Orange Crunchie - which featured a tangy orange-flavoured honeycomb centre - placed alongside it.
Rounding out the top five were other nostalgic favourites like Mars Delight, Cadbury Aztec, SnowFlakes, Quality Street Toffee Deluxe, and Mint Crunchie, each earning 13% of the vote.
Discontinued chocolate bars you'd most like to bring back
Wispa Mint 22%
Caramac 20%
Milky Way Crispy Rolls 20%
Cadbury Dream 18%
Cadbury Marble 16%
Orange Crunchie 16%
Mars Delight 13%
Cadbury Aztec 13%
SnowFlakes 13%
Quality Street Toffee Deluxe 13%
Mint Crunchie 13%
Cadbury's Tiffin 12%
Kit Kat Senses 12%
White Crunch Bar 11%
Toffo 11%
Fox's Echo 9%
Snaps 6%
Taz 4%
Recommended Reading:
Which chocolate is making a comeback?
However, it's not all bad news, as several various chocolate bars have made a comeback in recent months.
Mars Wrigley brought back Maltesers White Chocolate after more than a decade in May, much to the delight of fans.
While Cadbury Crispello, that was also discontinued in 2014, was recently spotted on the shelves at B&M.
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Compare that to Robbie Williams (not to cause issues between the two artists), in 2005, it would take 4 hours and 11 minutes to pick up a ticket to see the former Take That member. In 2025, that has only increased by 14 minutes (4 hours 25 minutes) to grab a ticket; a similar situation with Busted too, according to the study. What has led to the increase in concert ticket prices? It clearly can't just be inflation, right? If we were to adjust ticket prices in line with inflation, a ticket to see Oasis in 2025 should have cost £57.20, while to see Coldplay would have cost £62.40, according to Dark Horse's study. There are several factors considered why concert tickets have become a luxury rather than a privilege; AJ Sutherland, a production manager who has worked with artists like Tate McRae and Mura Masa, explained that the surge in concert ticket prices is a trend rooted in the economics of the modern music business. 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Production costs have also driven up the price of putting on concerts, from the cost of fuel for our buses and trucks, wages for an entire crew of lighting techs, to the price of renting state-of-the-art equipment and the venues themselves have escalated dramatically. Advertisement Hide Ad Advertisement Hide Ad But the industry shift, in an era where physical and streaming sales are not what they once were, newer 360 deals might have a part to play in the increase in ticket prices. Traditional record deals would see a label's primary source of income coming from a percentage of album sales, but as that is no longer viable, more and more labels have adopted 360 deals that take a cut not only of their music sales, but other revenue streams too including a cut of any live performances. 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