
Top amateur jockey Derek O'Connor aiming for Galway Plate glory on Anyway
More evocatively titled rivals such as Down Memory Lane and Nurburgring are also among the maximum 20-strong field for the summer's steeplechase highlight, off at 6.40pm and live on RTÉ.
But the big-race answer to what's in a name didn't stop a rosy outcome for the inelegantly named Inothewayurthinkin in the Cheltenham Gold Cup in March. Nor did it stop
Aidan O'Brien
winning the Oaks in 2012 with Was.
Only the subsequent Grade One winner Caldwell Potter prevented Anyway from pulling off a 125-1 upset at Cheltenham in March for his Cork trainer Ken Budds.
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His only start since then yielded a first win over fences at Kilbeggan last month and he will be ridden for the first time by top amateur Derek O'Connor, who memorably rode Inothewayurthinkin to win a Kim Muir at Cheltenham in 2024.
O'Connor will concede nothing to top professional rivals that include the former British champion jockey Harry Cobden. He flies in to team up with the dual-Cheltenham Festival winner Jazzy Matty, while Paul Townend has opted for Adamantly Chosen from a
Willie Mullins
trio.
Gordon Elliott
dominates the race numerically as he pursues a record fifth victory in the historic €270,000 highlight with seven runners. Bookmakers reckon Down Memory Lane will be Elliott's number one, but Jack Kennedy will also fancy his chances on Three Card Brag.
Nurburgring has been popular in ante-post betting as
Joseph O'Brien's
runner zeros in on a rare double.
JJ Slevin got HRI's Ride of the Year prize for his initiative at the start on Nurburgring in last year's Galway Hurdle. The road is open to pulling off a big festival double, last achieved by Ansar. He won the Hurdle in 2001 and landed the Plate back-to-back in 2004-05.
If Anyway would be a popular local success for his Galway-based jockey, so too would a win for the high-class hurdler Buddy One, representing Paul and Jack Gilligan. He is a course and distance winner and had an ideal warm-up when successful on the flat nine days ago.
Jesse Evans lines up here rather than having a fifth attempt at Thursday's big Hurdle, while Emmet Mullins relies on Sea Music. When the race is run, all the opposition may have left to say is 'Anyway'.
Racing opens up with the Ebor favourite Hipop De Loire getting an unusual prep for the upcoming big York handicap in a maiden hurdle. Arctic Gale is likely to also figure closely in another handicap over flights.
Dermot Weld's Sujet looked a transformed proposition after being gelded when scoring impressively at the Curragh on Derby day. A 10lb hike may not prevent him following up in a mile handicap.
Last Ammo's only career win came in the concluding two-mile handicap in 2023. He's back for another crack at the race off a similar mark.
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Irish Examiner
7 hours ago
- Irish Examiner
Wonderful Whirl powers to Nassau Stakes glory
Aidan O'Brien's Whirl dominated the Qatar Nassau Stakes at Goodwood, to record her second Group 1 success of the season. The previous race, the Gordon Stakes, was subject to a small delay due to a torrential downpour and when almost 30 millimetres of rain fell in half an hour, the going was changed to heavy. With lightning in the area, too, the starting stalls were deemed too dangerous to use and following a flag start Ryan Moore took the bull by the horns and sent the Oaks runner-up into the lead. The Musidora and Pretty Polly winner, who lost out only narrowly at Epsom to stablemate Minnie Hauk, was always in control and while See The Fire briefly looked a threat, Moore had saved plenty and Whirl pulled five lengths clear as the 6-5 favourite. Cecerne, a surprise winner of the Coronation Stakes, kept on well for second on her first run over 10 furlongs. O'Brien said: "It's incredible really, she's a home-bred filly by Wootton Bassett who has all the options in front of her. She could go to the Arc, the Arc trials, and the Breeders' Cup as well. "In the spring when the fillies worked it was Whirl who came up in front. Minnie Hauk is a great traveller, a great cruiser, and we won't see the best of her until she goes up in class against older horses. "Even when she was following this filly at Epsom she was finding it very easy to follow her, but listen, we don't know what this filly is yet either. We saw what happened at Epsom, where Ryan (on Minnie Hauk) was very confident that he was going to go and get her but she just kept coming with him. "When they do come together we will find out who is the best." For his part, Joe Murphy could hardly have been more proud of Cercene following her second-placed finish. "We were delighted with the filly, Gary said she was wheel-spinning on the ground and she still ran a great race," said Murphy. "We do know she needs good ground but she's just sheer courage, she's a wonderful thing. "She's unbelievable, she really is. No words can describe how genuine and honest and tough she is. She loves life. "She gets the trip no problem, but I think we'll go back for the Matron (Stakes, over a mile at Leopardstown) and hope the ground is good. "She's the best filly I've ever trained and I've had some really good fillies. "She just comes out on top, you could see for yourself the courage. Pure courage. I am proud, I'm proud of everyone. I'm proud of myself as well!" On whether he considered withdrawing her when the rain fell so heavily, the trained quipped: "When you look at the prize pot and see the cheque you could get... we need the money!" Andrew Balding's See The Fire was the third-placed horse at 5-2 under Oisin Murphy, beaten six and a quarter lengths in total. "Conditions weren't ideal obviously, but who is to say we would have beaten the winner anyway?" said the trainer. "She didn't have a terribly hard time and seemed OK afterwards. We will kick on to York for the Juddmonte International."


Extra.ie
8 hours ago
- Extra.ie
WATCH: 'It's all happening' at the Galway Races as designer shoes get caught in storm drain
RTÉ correspondent Teresa Mannion has summed up the week that is the Galway Races, as the racing festival reaches Ladies Day. The summer festival returned earlier this week, with the highlight of the week being Ladies Day — which will see horse racing and fashion as the two main items on the menu. And while racegoers will be dressed to the nines for the occasion, sometimes items go missing due to punters being *ahem* a bit uninhibited — with RTÉ's Teresa Mannion, who's a Galwegian, sharing a hilarious video of a high heel getting caught in a storm drain. Teresa gave an impromptu interview to the woman, who was trying to pull the heel out of the drain, with her tagging the designers Manolo Blahnik — whose heels fetch prices of around €600. 'A trapped designer heel, recycled hat, former Ladies Day winner turned judge,' Teresa wrote. 'It's all happening at the Galway Races. Winners to be announced later this afternoon.' Incredibly, this isn't the first time that such designer shoes were discarded in the streets of Galway, as back in 2023 Teresa spoke to security at the festival; who said that they found a pair of Manolo Blahnik stilettos in the bin. The Galway Races returned this week, with Ladies Day being a highlight of the festival. Pic: Seb Daly/Sportsfile 'Security staff at Ballybrit were bemused to find a pair of designer shoes worth 660 euros dumped in a bin!' Teresa tweeted. 'Even a pair of #ManoloBlahniks couldn't sustain a lady at the #GalwayRaces.' People were left in stitches at the dumping of the shoes — which, according to racecourse security, were left after a woman gave them to her partner, who then put them in the bin as she continued barefoot. 'The boom is back (for a select few only) hope the ladies kept them tbh [to be honest],' one person tweeted, while another joked 'Carrie Bradshaw would never' — a nod to the fact that a blue version of the suede stiletto were made famous by Sarah Jessica Parker's character in Sex and the City. The pumps are made by Spanish designer Manolo Blahnik, and were made famous by Ms Carrie Bradshaw — who made a throwback to her blue pumps in a teaser for And Just Like That. The Galway Races continue in Ballybrit.


Irish Times
8 hours ago
- Irish Times
‘I loved every day I worked with Seán and will miss him': tributes paid to beloved RTÉ presenter Seán Rocks
President Michael D Higgins , friends and colleagues have paid tribute to Seán Rocks , the RTÉ broadcaster and actor, who died on Wednesday after a brief illness, aged 64. Rocks presented the nightly arts and culture show Arena on RTÉ Radio 1 since the show's inception in 2009. He was also an actor, appearing in plays at the Gate , Peacock and Abbey theatres, and he was recognised and admired for the knowledge and empathy he brought to his role interviewing some of the country's best known arts figures. In a statement, the President said Ireland had lost 'one of its finest broadcasters and advocates for the arts'. [ Seán Rocks: Ireland has lost one of its great cultural champions Opens in new window ] 'Seán's show Arena on Radio 1 was an example, for all generations of listeners, of the deep, wide and supportive curiosity that he delivered from a rich insight into all aspects of the arts and culture. Seán's interest in all forms of the arts shone through on every topic and he expanded so many people's appreciation of performance and culture of all kinds,' the President said. READ MORE Sinéad Egan, series producer of Arena, told The Irish Times that Rocks's time as an actor gave him a 'fascinating' perspective. 'It meant that he appreciated how important every single piece of art was to the people involved, no matter the scale,' she said. 'Seán was beloved in RTÉ radio and within the arts community. It is impossible to overstate Seán's warmth and empathy as a person and as a broadcaster. He knew that for guests on Arena, art is life. Making radio with Seán was a privilege and a joy. Time and again, the best writers, visual artists, musicians, actors and film-makers came to Arena to talk to Seán because they knew he would engage fully with their work and ideas. His loss is profound. I am devastated for Seán and for his beautiful family.' Donal Ryan, author Seán was a deeply warm, funny and kind man with an incredible intellect and vast empathy. He always made people around him feel special and appreciated. I remember meeting him years ago in the RTÉ canteen and he could tell that I was nervous. He put his arm around me and said, 'Ah Donal, you'll be grand,' and I was. There was nothing like turning on the radio on a long drive home and hearing that Arena was about to start. It was miraculous, to have such a rich, entertaining and expansive show every day, presented with such easy brilliance. Seán is a huge loss to all of us, but I can only imagine his family's devastation. My deepest sympathy to Catherine, Morgan, Christian and all of his loved ones. Kay Sheehy, former series producer of Arena If there is magic in radio it has to be on air, and Seán Rocks had plenty of magic moments. But for me, thinking back with sadness and love for my friend and colleague Seán, the magic I liked most was in our pre-show tussles. We just loved to have a good old barney about a play, book or performance we had seen. We'd bicker and bark with disbelief about what the other 'could possibly' have admired or hated. It may have got the critical juices flowing for the show ahead, but for me it was fun, because he was fun. A producer's worst fear is some hare-brained idea they have being dismissed by an all-knowing presenter. That was never the case with Seán. 'Let's go to the Abbey and do a deep dive show on Conor McPherson's The Weir with the writer, director Caitríona McLaughlin , actor Brendan Coyle and cast interpreting the play?' He would jump at the chance. 'Let's do a Trad Fest special with Janis Ian, with others singing her songs as her voice is no longer up to it'? Again it was a yes. I loved every day I worked with Seán and will miss him. Elaine Feeney, author Seán Rocks was so brilliant and smart, he was deeply supportive of the arts (of all persuasion of arts), and his knowledge and understanding of culture was unparalleled. He understood what creativity meant, and was a light on the many evenings I listened to him, even on dark days when the whole world seemed off kilter, he was reliable and reassuring. I am so very sad to hear of his untimely passing. (From Instagram) Olan McGowan, former producer of Arena Seán Rocks was the best, the most natural presenter I ever worked with. It was a pleasure producing Arena, going through material before the show and it was always a pleasure sitting in studio when he was in the chair. Nobody had a greater appreciation of the arts than Seán. His ability to go from the latest Netflix series to a highbrow author and then back to music of any genre, all in one show, was unparalleled. I always said Arena was a very good show with a very good team, but it was Seán that made it great. He is irreplaceable. (From Instagram) Edel Coffey, author and former RTÉ radio researcher I started working on Arena a long time ago, which is how I got to know and love Seán Rocks. He was always brilliant and interested and smart and informed, but also he was always kind and funny and great fun. I have lovely memories of chair-dancing in the studio with him as we reviewed albums. He was very special, a total gentleman. This is devastating news for him, his family, the arts community and radio broadcasting. Joseph Chester, singer-songwriter Going on to Arena to talk to Seán was always a bit more nerve-racking than any other interview simply because his knowledge of the arts was so deep and you knew he would never let you get away with blather and cliches. You had to be prepared for an interview with Seán. For that reason I think that his interviews had a depth and understanding that few others had. He was also so supportive to me, inviting me on the show whenever I had an album coming out. I was in with him just a few weeks ago, talking about Françoise Sagan, sadness and life and playing a few pieces for him. He was in great form, curious and warm and talking off air about his family. He will be so missed. (From Instagram) Roisín O'Donnell, author People talk about feeling seen, and I think that's what Seán did for everyone who walked into his studio. He had that rare gift for making people feel seen, heard and understood. Back in 2016, I was a very nervous young writer, just starting out, but Seán put me instantly at ease, and talked about my stories with such insight and empathy. I walked out of there feeling like a million dollars. His wit, intelligence and passion for the arts in all forms was truly remarkable. The Irish arts scene has lost a real legend. (From Instagram) Sinéad Gleeson, author and Arena contributor I am – along with so many in the Irish arts community – devastated to hear about the death of Seán Rocks, presenter of @rte_arena . An intelligent, curious, warm broadcaster who lifted us all up, but more importantly, was a wonderful person. A total gentleman, always smiling who put people at ease. I loved the studio chats before the mic was live, where we often talked about our kids. I was only on air with him nine days ago and I couldn't make it to studio, and now I wish I had. He was one of a kind and will be so missed. (From Instagram) Nadine O'Regan, Irish Times journalist and Arena contributor Seán Rocks was one of the most lovely people you could ever encounter. He was gas off air – with plenty of anecdotes and wisecracks – and professional, good-humoured, thoughtful and wise on air. There were so many lessons you could take from Seán as a presenter. He was a brilliant listener, with a finely tuned ear for a turn in a conversation, or a change in tone. He was extremely respectful to his guests – whether you were a huge star or a small contributor, he treated everyone the same. He was ego-free. And he was consistent – he always gave the show his all. Just the other week, I was saying to one of Arena's team how brilliant the show was, and how much I enjoyed contributing to it. 'Everything stems from the presenter,' she said. 'Seán is the same off-air as on – and he brings that atmosphere with him.' Éilís Ní Dhuibhne, poet and author Dinner with Seán Rocks A year ago I started having dinner with Seán Rocks. I light the candles, pour a glass of wine And set my plate upon the table. Then Arena starts. 'Imagine turning up For an interview with that!' he says. Novelists and singers. My favourites are the film critics: so frank and honest. It's March. I turn on the radio. The dark locked garden calls for candles. After the clock springs on In April they're not really needed. But still I persist. Dinner with Seán Rocks, at seven every evening. It's March again. A year has passed, The year of Covid. I light the candles, set My plate upon the table. Rice and chicken. 'I want to Finish with something I know you love!' You know what I like about Seán Rocks? He's nice. He has a melodious voice. He's not pompous, never perky. He speaks decent Irish. 'Anois an Nuacht ó Mháire de Bhailís' He says before his show begins. 'That is our lot for this evening.' Much has happened Since last March. Birth and death. And yet 'Tá sé díreach in am do John Creedon.' (from Facebook)