
The 25 Essential Seafood Dishes to Eat in Tokyo
That bounty, not to mention the skill and knowledge of Japanese chefs, makes choosing Tokyo's 25 essential seafood dishes a challenge. Up to the task were Keiji Nakazawa, a sushi master with Sushi Sho restaurants in Tokyo, Honolulu and Manhattan, who lives in New York City; Yukari Sakamoto, a Minnesota-born, Tokyo-based food writer and market guide, who's married to a Tokyo fish buyer; Sonoko Sakai, a cookbook author who grew up in Japan and lives in Los Angeles; Nao Motohashi, one of Tokyo's few female head chefs, who serves seasonal modern Japanese cuisine at her restaurant, Julia; Niki Nakayama, a Japanese American chef whose N/Naka restaurant in Los Angeles specializes in kaiseki, or Japanese multicourse haute cuisine; and Hisashi Udatsu, whose Udatsu Sushi in Tokyo, Hong Kong and Los Angeles brings contemporary touches to a venerable sushi tradition.
After all of our six panelists came up with their 10 nominations, we gathered on a video call to narrow the list to 25, as part of T's ongoing T 25 series (which has also featured essential dishes from Mexico City, Paris, New York City and Italy). There was surprisingly little overlap among our panelists' picks but also surprisingly little acrimony as we slashed 60 choices to the final selection below.
The country that changed modern culture and design, from A to Z
At the outset of the discussion, all the panelists agreed on one thing: 'It's difficult to make bad sushi in Tokyo,' as Nakazawa said, citing easy access to quality ingredients. But as Sakai pointed out, a fine sushi meal is about far more than the interplay between seafood and rice: A sublime experience, in the end, depends on the relationship between chef and diner. She and the others referred to the importance of 'consuming hospitality' along with the meal. 'You have to be relaxed to enjoy sushi,' said Sakai, which is why she favors unassuming neighborhood places (see Osushi Isobe, No. 22). The importance of that relationship is also why Nakazawa had such difficulty making his choices. 'Selecting the best place in Tokyo is very difficult as you're selecting the personality of the sushi chef,' he said.
Explore More
Read the editor's letter here. Take a closer look at the covers.
Want all of The Times? Subscribe.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


NBC News
42 minutes ago
- NBC News
Vampires, romance and billionaires: The bite-size Chinese shows gaining U.S. fans
HONG KONG — As U.S. television series produce longer and fewer episodes, a new genre from China is gaining American fans by going in the opposite direction. Known as minidramas, micro dramas or vertical dramas, they are soap operas condensed into a minute or two per episode. Each show, reminiscent of a telenovela, is split into dozens of chapters, each about two minutes long and with all the soapy elements: cheesy romance, over-the-top drama and abundant cliff-hangers. 'The revenge ones, oh, my God, they're so good,' California-based retail business owner Jacarius Murphy told NBC News in a video interview. Murphy is a fan of the minidramas, known as duanju in Chinese, which focus heavily on romance, revenge and fantasy. The stories tend to involve wealthy characters such as a chief executive who's secretly a vampire or a billionaire living a double life — characters often played by American actors. 'People want this fast dopamine hit, and they can snack on it while they're waiting,' said Anina Net, an American actress based in Los Angeles who has worked on minidramas for the past four years. The genre originated in China, where production companies have tapped into the popularity of short-form, vertical-produced, TikTok-style video content. About half of China's 1.4 billion people consume dramas in this style, according to a report released in March by the state-owned China Netcasting Services Association. The industry made $6.9 billion in revenue last year, more than China's total box office sales. The shows are 'still quite limited in genre, mostly romance-focused, with sweet, domineering CEO tropes and modern settings,' said Kaidi Dai, a Shanghai-based minidrama producer. Now, having figured out the Chinese market, the same companies are expanding into the U.S., where minidramas are finding success just a few years after the failure of Quibi, a short-lived, short-form mobile streaming service. The shows are available on platforms such as ReelShort, DramaBox and GoodShort, which offers free episodes and in-app purchases as well as subscriptions. Minidramas cost far less to make than standard TV shows and can make millions of dollars in revenue through a combination of user purchases and advertising. But adapting them to the U.S. market takes some tweaking, said Chinese filmmaker Gao Feng, also known as Frank Tian, who has a minidrama production company based in New York. Rather than remaking Chinese shows, his company hired longtime U.S. residents to craft stories that would appeal to American audiences. 'I believe that scripts determine 65-70% of a project's success,' he said in an interview. 'Apart from werewolves, CEO romances and hidden identities, we should explore new genres.' While many short dramas have been based on successful Chinese stories, 'if a platform cannot innovate continuously, it will face significant challenges,' he added. Among the most popular shows is 'The Double Life of My Billionaire Husband,' which tells the story of a woman whose husband is better off financially than he appears. All 60 episodes can be viewed in less than 70 minutes on ReelShort, the California-based, Chinese-backed minidrama platform that released it in 2023. 'Hilariously bad, oddly addictive,' reads one IMDb review of the show, which had more than 485 million views on ReelShort as of Friday. The Chinese-backed short-video app has vied with TikTok as the most popular product in the entertainment section of Apple's U.S. app store. 'The short videos on TikTok have laid a solid foundation for the popularity of short dramas,' Yan Min, who helped organize an industry conference in China last year, said in an interview. Min said ReelShort and other companies were advertising on platforms such as YouTube and TikTok to attract new users, catering to the 'evolving viewing habits of younger generations, who have grown up with platforms like TikTok and are accustomed to short, engaging content.' U.S. entertainment companies have taken notice of the trend. Netflix said in May that it was testing a vertical feed made up of clips from its shows and movies, while Disney said last month that it was investing in DramaBox through its accelerator program. Though minidramas seeking U.S. audiences are increasingly using actors with American backgrounds, they often shoot in scenic Chinese locations like the coastal city of Qingdao, with its Western-style villas and architecture, for greater authenticity. 'We seek actors and screenwriters who grew up in the U.S. and naturally embody an American style. Then we incorporate some Chinese elements,' said Ann An, a Beijing-based freelance producer for several minidramas made for foreign audiences. Turnarounds are incredibly fast in the industry as producers strive to keep costs low. An said a show can finish filming in 10 days, with a budget of under $70,000. The biggest key to the success of minidramas, though, is the cliff-hangers, which push viewers to keep paying for the next episode. 'The scriptwriters know exactly where to place these cliff-hangers, and they execute them very well,' said Apple Yang, a minidrama director based in London. That helps explain the appeal of minidramas even if their overall quality is sometimes 'underwhelming,' said Ying Zhu, a professor at Hong Kong Baptist University's Academy of Film. 'Make the dialogue real and less mechanic. Make it funny when possible and biting when needed,' Zhu said. 'One minute can pack in a lot of info if done well.'
Yahoo
6 hours ago
- Yahoo
Demon Slayer: Infinity Castle fans are not too happy about Channing Tatum being cast in the English-language version of the anime film
When you buy through links on our articles, Future and its syndication partners may earn a commission. As new anime movie Demon Slayer: Infinity Castle continues to rule over the Japanese box office, Channing Tatum's casting in the upcoming English-language version has left many Demon Slayer fans confused. The Deadpool & Wolverine star has been cast as Keizo in the English dubbed version of Demon Slayer: Kimetsu no Yaiba Infinity Castle. However, many anime fans believe that the casting is not fair to other voice actors in the industry, and feel that Taum has only been cast because he is a big Hollywood name. "There are some [English-language voice actors] who are not happy that Channing Tatum was cast in the latest Demon Slayer movie... and the complaints are 100% valid," said one fan on Twitter (X). "Any VA would and should feel slighted when a big-name actor is cast in an anime role, especially in a movie as big as Infinity Castle." It seems like other fans feel the same, as one replied, "Love Channing Tatum... I just feel this is kinda a slap in the face to everyone else." Another added, "This might potentially be the start of US dubbing companies phasing out actual experienced anime dub actors for Hollywood talent. And that would be a very bad thing." However, other Demon Slayer heads feel that Tatum, who is a fan of the series, deserves a chance. After all, the star is only in a minor role. "But what if he does a completely fine and normal job at it?" pointed out one fan. It is important to note that big actors being cast in anime projects is no new thing, with Robert Pattinson starring in The Boy and the Heron, and Star Wars actor Mark Hamill appearing in the anime series Immortal Grand Prix, just to name two examples. Tatum joins the original English dub voice cast from the Demon Slayer: Kimetsu no Yaiba anime series, including Zach Aguilar as Tanjiro Kamado, Abby Trott as Nezuko Kamado, Aleks Le as Zenitsu Agatsuma, Bryce Papenbrook as Inosuke Hashibira, Johnny Yong Bosch as Giyu Tomikoa and Erika Harlacher as Shinobu Kocho. Directed by Haruo Sotozaki, the movie is the first of an upcoming trilogy based on the Infinity Castle arc from the Demon Slayer: Kimetsu no Yaiba manga. The film follows demon slayer Tanjiro Kamado as he faces his biggest challenge yet when he is plunged into a demon's stronghold known as the Infinity Castle in a bid to save the head of the Corps. Demon Slayer: Infinity Castle will hit US and UK cinemas on September 12, 2025. For more, check out the best anime you should be watching right now, and keep up to date with new anime heading your way.


Buzz Feed
7 hours ago
- Buzz Feed
Childlike Habits Adults Refuse To Give Up
Since everyone's always talking about "healing their inner child," let's talk about the things we're doing to make that happen. I recently bought myself a Squishmallow and felt my soul light up again. If you need inspiration, you're in luck. In one Reddit thread (which you can see here), people shared the "little kid" things they still do in adulthood, and honestly, I need to start doing more of these. Here are 18 childlike things that people love doing as grown-ups: "I always use 'The Force' to open automatic doors." "Every single time I go to Target, I have to walk down the Lego aisle. I don't even buy them, I just like to look at the big, complicated sets and imagine building them." –BiscottiCute1 "I never miss an opportunity to test my balance. Curb raised higher than the sidewalk? I'm balancing and walking on it. As a kid, I walked miles balancing on railroad tracks. I'm almost 70 years old, and the same idea applies." "Watching cartoons. As an adult living in today's world, I just need a break from reality and want something funny and innocent." "Buying dino nuggets. I'm a legal adult who can cook actual food, but sometimes you just have a bad day and the only cure is dinosaur-shaped chicken." –joannamiller05 "I'm 36. I still sleep with quite a few stuffed animals in my bed and have a special blanket too. No fucks given, love my big ass stuffed animals and blanket very much. Indulge yourself, who cares? And if they do, they ain't a friend." "Rainbow sprinkles on my ice cream. They look so cheerful and I like the crunch. Chocolate sprinkles are not an acceptable substitue. I want every color of food dye or no deal." –baby_armadillo "Mimicking the Olympic event I just watched, especially if it's gymnastics or figure skating. Must say 'I can do that' with confidence and then immediately not do it in any remotely accurate or successful way. The only problem now is I break furniture AND body parts." "Going into pet stores just to look at all the fish, reptiles, and other animals there. Bonus points if there are cats, too." –NoSoup5774 "Looking for frogs and crayfish in creeks and ponds. I'll never be too old to get excited over catching a frog!" "Coming home with cool-looking rocks in my pockets." –MikrokosmicUnicorn "I love anything sparkly. I'll be the only one in the nursing home with a bedazzled walker." "Driving by farm animals and saying their names out loud. 'Hi, cows!' 'Horses!' 'Have a nice day, goatie goats!'" –I2AMDOOM "Putting crisps in sandwiches (that's chips to my American friends)." "Buying action figures and collectibles. I will never stop collecting, and they are for all ages." "I will never stop climbing trees. I've been scolded in parks by elderly people who seem to think that 35 is too old to be in a tree." –WillyBluntz89 "Running up the basement stairs on all fours like a cryptid because it's dark and spooky down there. I'm 19. I know there's no monster, but my lizard brain says 'go fast' and that's the fastest way." What are the "little kid" things you'll never stop doing? Let me know in the comments!