‘Duck Dynasty: The Revival' Sets May Premiere Date (TV News Roundup)
A&E has set the premiere date for 'Duck Dynasty: The Revival' for Wednesday, May 28 at 9 p.m. ET/PT. In January, the network announced the revival of the once-massively popular series, which in 2014 became a headache for A&E. In a profile in GQ, 'Duck Dynasty' patriarch Phil Robertson made homophobic and racist remarks, leading to A&E suspending him, which then caused outrage among right-wing pundits. Regardless, the show's ratings declined, and it eventually ended in 2017.
The official synopsis for the 10-episode revival reads: 'As the family business expands beyond ducks, Willie and Korie Robertson bring their signature wit and down-home charm while they explore the future of Duck Commander, support their children through marriage, parenthood, and entrepreneurship, and work to keep their legacy alive. However, Willie quickly realizes that this next generation isn't as Robertson as he originally thought.'
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'The Revival' was given a two season, 20-episode order, meaning that more is to come. At the original show's height during fall 2013, 'Duck Dynasty' was averaging as much as 14.6 million viewers in Live+7 ratings.
This new season is produced by Wheelhouse's Spoke Studios and Tread Lively Productions for A&E. A&E holds exclusive worldwide distribution rights.
A new game show called 'Greg Gutfeld's What Did I Miss?' is set to debut on FOX Nation, with host Greg Gutfeld.
The series premieres over a three-day window. The first episode releases May 12, with the subsequent two releasing May 13 and 14.
The show features four participants who were cut off from technology, including the internet, social media, television and phones, during a stay in upstate New York from January 20 to April 13. They must compete in front of a live audience and panel to correctly parse what news stories occurred during their isolation. The prize is $50,000.
'Truth can be stranger than fiction and who better to help isolated Americans catch up on the headlines they missed during an unprecedented news cycle than Greg Gutfeld,' Lauren Petterson, FOX Nation president, said in a statement. 'We are excited for FOX Nation subscribers to have exclusive access to America's most-watched late night host's game show debut as he informs contestants about what really happened while they were completely off the grid and isolated from the outside world.'
Simon Helberg ('The Big Bang Theory') and Raegan Revord ('Young Sheldon') are set to guest star on 'Night Court' Season 3's finale.
Helberg will make a cameo — in a 'Big Bang' reunion — that, according to an official synopsis, 'could really shake things up for Abby,' the judge on the show played by Melissa Rauch. Revord will play a teenage runaway named Shelby who is driven to marry her soulmate. Additionally, Marsha Warfield is returning to reprise her role as Roz from the original series.
Helberg is also set to return for 'Poker Face' Season 2 opposite Natasha Lyonne and is currently in production on Jonathan Glatzer's 'The Audacity' for AMC alongside Billy Magnussen and Zach Galifianakis.
The 'Night Court' Season 3 finale is set to air Tuesday, May 6 at 8:30 pm. ET/PT.
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Miami Herald
an hour ago
- Miami Herald
Black Film Festival spotlights Black storytelling with a made-in-Miami film
Kionne McGhee is a lot of things: The son of a South Dade bean picker. A former 5000 Role Models mentee. Howard University alum. Liberty City native. An attorney and a Miami-Dade commissioner. But in his film 'The Reject,' based on his two books 'A mer[e] I Can is American' and 'Conquering Hope,' we meet a child with dyslexia and ADHD, who struggled academically and dealt with chronic absenteeism, and confronts the deaths of his father and brother. And he's not ashamed of any of it, describing his film as one that tells the story of neurodiversity and how Black children can overcome those challenges to achieve success. 'The film tells the story of how those gifts, if taken in the right light and nurtured, can be beneficial to the person that God has given those gifts to and that person then can turn around and be of benefit to the community as a whole,' he told the Herald. McGhee's story is one of several powerful narratives that highlight Black South Florida stories to emerge in the past few years. 'The Reject' is showing at the American Black Film Festival, a showcase of Black talent, networking event for indie filmmakers and a who's who of Black actors, directors and producers that takes place this week in Miami. This year's festival, now in its 29th year, features an array of panels dedicated to Black storytelling, full-length films, documentaries and shorts films. Saturday's premier event, 'Remembering Love Jones' highlights the significance of the '90s film 'Love Jones' and features a conversation with co-stars and ABFF ambassadors Nia Long and Larenz Tate. There is also ABFF Community Day on Sunday which will include a screening of 'The Reject.' While McGhee's film is the only one set in South Florida featured in this year's lineup, it is the latest in a string of films set in the Miami area that center on Black stories to be produced in the last several years. Other films include 'Mountains' by Monica Sorelle, the Regina King-directed 'One Night in Miami,' the now-canceled HBO series 'Rap Sh!t,' and of course Academy-award winning movie 'Moonlight.' Creating films that focus on Black Miami comes at a crucial moment: Efforts to suppress Black history and literature in classrooms and libraries have been at a fever pitch in Florida and nationally, even as local activists, educators and historians push back against those attempts. Tate said it's important to normalize telling Black stories with an authentic, truthful voice and in unapologetic ways. 'We have a history of other groups telling our stories, shaping up the narrative from the prism of non- Blacks and that being the standard, and it was normalized,' Tate told the Herald. 'That's what needed to change. And when we are able to tell our stories in the most truthful, honest way, the most creative way, you know, the impact is everlasting, and that's what we need.' Tate said Black people need transition from being consumers of entertainment to being producers. 'We as a group, we support entertainment, we consume it,' he said. 'So it's important for us to balance the things out by not only being consumers, but also producers, and that's why I think it's really important for us to tell our stories.' The 'Moonlight' effect Tate said ABFF plays a crucial role in ensuring the success of Black artists such as Ryan Coogler and Liberty City native Barry Jenkins, whose first film, 'Medicine for Melancholy,' debuted at the festival. 'It is a place where we all can come in, have that synergy, to network and whatever experiences that we have over that week, we take that with us.' South Florida-based filmmaker Rachelle Salnave credits South Florida and ABFF with the start of her filmmaking career, even after having her first film, 'Harlem's Mart 125: The American Dream,' rejected for a screening at the festival years ago. At the time, Salnave had just received a hefty severance package after being laid off from a job. 'I got a pass to come to ABFF, and I was like, you know what? I'm not going to let their rejection stop me. I'm going to make everybody in this festival think that my film is in that festival,' she told the Herald. 'I did and it worked.' Salnave said she took a trip to the 2010 ABFF where she connected with a film professor and pitched Robert Townsend a short. 'I raised my hand real quick, and I got up there, and I was able to pitch to him live in front of 500 people,' she recalled. Salnave said the growth in Black Miami films is in part due to the success of 'Moonlight.' University of Miami film professor Terri Francis echoed that sentiment, noting that those who worked on that set, such as director Faren Humes, have gone on to have thriving careers in film. This year her friend's daughter, Ruby Rose Collins, has a short film about her late grandmother and filmmaker Kathleen Collins called, 'all the love i could handle' screening at the festival. 'The expertise that we're seeing in current independent films in the city, and also the legibility of their films does come from the work experience, and, of course, the accolades from that film,' Francis said, who has had Jenkins speak to one of her previous classes. 'Their films are all super different. People are not making 'Moonlight' over and over.' 'It's encouraging' Apart from the success of 'Moonlight,' South Florida documentary filmmaker Cathleen Dean, noted there are grants that have helped fuel the influx of Black films set or based in Miami. Still, she noted that even with that filmmakers aren't simply waiting for the funds to trickle in before they pick up a camera. 'It's encouraging that we have a lot of young filmmakers who are ambitious, who are not sitting around waiting for grants, and they're just getting out there, and they're doing their thing, and they're utilizing these new tools of social media and inexpensive cameras to get their stories told,' she said. Al Martin, chair of the University of Miami's Cinematic Arts department, said platforms such as Tubi have also diversified where independent filmmakers can post their movies. 'We have so many platforms on which stories can be told. For all of the discursive shade that gets thrown on Tubi, the fact is, is that it is giving a number of young Black filmmakers the opportunity to have their work shown on Tubi, and that is not unimportant,' he said. For as many Black stories that come out of South Florida, Dean hopes more are told and that the kinds of stories told are diversified. 'They need to be amplified, and not just sit in Miami-Dade at art house theaters, but show that these stories are important to the nation,' she said. She noted that McGhee's story is a step in encouraging diverse Black stories out of South Florida. 'It's inspiring, and it's encouraging to other people, to other young Black boys and girls,' she said. 'They know that they can come out of the projects and end up sitting in a seat of power up in Tallahassee.- Tate echoed those sentiments, saying ABFF is in many ways necessary to celebrate success for Black filmmakers and create opportunities for budding filmmakers. 'It's really important for us to have these types of festivals and these types of spaces [and] that we can look to each other, to celebrate each other and work with each other, and not look for permission from anyone else outside of what we're doing,' he said. 'Creatives from the entire diaspora that are coming together to celebrate and recognize one another.' If you go: What: American Black Film Festival When: June 11-15 Where: Miami Beach Convention Center, O Cinema, Lyric Theatre, New World Center - Performance Hall, Cost: Screenings range from free to $16; Remaining festival passes are as low as $680; Community Day is free Info:
Epoch Times
4 hours ago
- Epoch Times
Australia's Public Broadcaster Axes ‘Q+A' Show After 18 Years on Air
The ABC has confirmed it will not bring back its flagship panel program Q+ A, ending an 18-year run. The weekly show, which went on break last month, will not return to air, the national broadcaster announced on June 11. Hosted by Patricia Karvelas since 2023, Q+A earned a reputation as a high-profile forum for political and public debate. ABC News Director Justin Stevens acknowledged the program's legacy in shaping national dialogue. 'Discontinuing the program at this point is no reflection on anyone on the show. We always need to keep innovating and renewing, and in the two decades since Q+A began, the world has changed,' Stevens said. Stevens said the ABC would now focus on finding new ways to engage the public in political and national discussions. 'It's time to rethink how audiences want to interact and to evolve how we can engage with the public to include as many Australians as possible in national conversations,' he said. The announcement follows Network 10's decision to axe The Project after 16 years, with the final episode set to air on June 27. Karvelas to Expand ABC Reporting Role While Q+A ends, Karvelas will continue in her other ABC roles, including Afternoon Briefing, the Politics Now podcast, and her regular column on the ABC News site. 'Patricia (Karvelas) also recently reported for Four Corners, and we've now asked her to do more for Four Corners as time permits,' Stevens said. ABC staff were informed that the show's cancellation would involve some job losses. In place of Q+A, the ABC will expand its long-form current affairs content, including the creation of a new executive producer role for documentaries and specials. The public broadcaster will also permanently roll out Your Say, a public engagement initiative first launched during the last federal election. The project is aimed at including more community voices in ABC reporting. 'Your Say ensures we have a strong framework for putting the public's views, concerns, and questions at the heart of our journalism, complementing our daily commissioning and reporting,' Stevens said.
Yahoo
5 hours ago
- Yahoo
Scott Wolf and Wife Kelley Wolf Break Up After 21 Years of Marriage
Originally appeared on E! Online Scott Wolf and Kelley Wolf are no longer a party of two. The Party of Five star's wife revealed June 10 that she and her husband of 21 years are going their separate ways. 'It is with a heavy heart that Scott and I are moving forward with the dissolution of our marriage,' Kelley wrote on Instagram. 'This has been a long, quiet journey for me—rooted in hope, patience, and care for our children.' And while the Real World: New Orleans alum explained she would 'not speak publicly about the details' of their separation, she noted, 'I feel peace knowing that I've done everything I can to walk this path with integrity and compassion.' Kelley—who shares kids Jackson, 16, Miller, 12, and Lucy, 11, with Scott—also praised the Doc actor for being a great dad to their kids. 'Scott Wolf is one of the best fathers I've ever known and one of the best partners a woman could have the privilege of sharing life with,' she continued. 'He is kind, thoughtful, funny, and beautiful in spirit.' More from E! Online 1000-Lb Sisters: Tammy Slaton Unveils Transformation After Skin Removal Surgery Bachelorette Star Jenn Tran and DWTS' Sasha Farber Break Up After Less Than a Year of Dating Justin Bieber Slams "Transactional Relationships' After Hailey Bieber Split Rumors Kelley added, 'We both look forward to an extraordinary life centered around the most extraordinary children. My priority has always been their wellbeing—and my own healing. That will never change.' Though the 48-year-old did not specify any stressors from her relationship, she emphasized that moving forward she is 'stepping into a chapter of peace, freedom, and protection—with grace.' In a final call for privacy, Kelley petitioned, 'May we all remember: healing isn't loud. It's sacred.' For his part, Scott has not spoken out about the couple's separation. Most recently, though, he celebrated his wife and their daughter in a touching Valentine's Day post. 'To my forever Valentines. You have my whole heart and always will,' he wrote on Instagram in February alongside a picture of Kelley and Lucy. 'The most beautiful, kind, wise, brave, powerful people in my life. I love you so very much.' Read on for more stars who have called it quits this year. Sasha Farber & Jenn TranScott Wolf & Kelley WolfDakota Johnson & Chris MartinRyan Lochte & Kayla Rae ReidRomeo Beckham & Kim TurnbullFortune Feimster & Jacquelyn "Jax" SmithMatt Bolton & Colleen ReedJoJo Siwa & Kath EbbsSavannah Chrisley & Robert ShiverRami Malek & Emma CorrinGleb Savchenko & Brooks NaderMark Cuevas & Aubrey RaineySydney Sweeney & Jonathan DavinoHolly Madison & Zak BagansSia & Dan BernardEmily Osment & Jack AnthonySimone Ashley & Tino KleinValerie Bertinelli & Mike GoodnoughLily Allen & David HarbourMamie Gummer & Mehar SethiShemar Moore & Jesiree DizonAngelina Pivarnick & Vinny TortorellaJamie Foxx & Alyce HucksteppJames Kennedy & Ally Lewber For the latest breaking news updates, click here to download the E! News App
