
House fans must watch Hugh Laurie's 'edge of your seat' thriller now streaming for free
The Night Manager was a huge hit when it was first broadcast on the BBC back in 2016 and now fans can watch the whole series for free. It also stars Tom Hiddleston and Olivia Colman
Hugh Laurie fans will be thrilled to learn they can now binge-watch another one of his shows.
In the highly acclaimed BBC series The Night Manager, Laurie shares the screen with an all-star cast of British talent, including Tom Hiddleston, Olivia Colman, Tom Hollander, David Harewood, and Elizabeth Debicki. With such an impressive lineup, it's no wonder the show boasts an impressive 91% approval rating on Rotten Tomatoes.
One reviewer expressed their enthusiasm by stating: "From start to finish, perhaps the best show ever made."
Although it's a relatively short miniseries, the industry seems to agree, having awarded it both an Emmy and multiple Golden Globes.
Since its initial airing in 2016, The Night Manager has had viewers sitting on the "edge of their seats" across its six episodes. One review praises it as: "One of the best miniseries ever produced, if not the best of recent years.
"It's no surprise, given LeCarre as the source material. An edge-of-the-seat thriller with great pacing and an exceptionally well-cast lineup, particularly Laurie and Holland, who are fantastic."
This miniseries has received widespread acclaim and captivated audiences with its gripping storyline and stellar performances, making it a must-watch. Jonathan Pine, portrayed by Hiddleston, is the night manager of a Cairo hotel and becomes romantically involved with a local woman who is also the girlfriend of a notorious gangster.
Her connection to the criminal underworld provides her with damning information implicating an English billionaire, played by Hugh Laurie, in illicit arms dealing, reports Surrey Live.
Tragically, she is soon found dead, prompting Pine to fear for his safety and escape to a hotel in Switzerland. Four years on, when the billionaire visits the Swiss establishment, Pine is recruited to surveil Roper for British Intelligence.
The narrative plunges into a perilous web of deceit as Pine seeks vengeance. After watching the series, one viewer commented: "It's got wit, intensity, and deep human emotion. 10/10," while another declared: "I think this show is perfect."
Fans of House will be captivated by Laurie's departure from his iconic role as he embodies a villain in The Night Manager, a performance that earned him a Golden Globe for Best Supporting Actor in a limited series and garnered widespread acclaim.
A critic noted: "The storyline was interesting and moved right along, and the cast was great. Who knew Hugh Laurie would be such a great bad guy?" Another viewer hailed his portrayal in the series as "fabulous".
Thriller enthusiasts have been on the edge of their seats awaiting a sequel, and earlier this year, their prayers were answered with an announcement that a second series is en route. The big reveal came from none other than BBC's Chief Content Officer, Charlotte Moore, who broke the news in April.
Enthusiastically sharing the details, they said: "After years of fervent speculation, I'm incredibly excited to confirm that The Night Manager is returning to the BBC for two more series. The multi-award-winning show was lauded by audiences and critics and catapulted British drama onto the global stage in 2016."
Discussing the impact of the show, they added: "Glamorous and sophisticated, it had the nation hooked. Bold storytelling and a stellar lineup up in front of and behind the camera made it unmissable viewing, and the scale and ambition behind the new season will take it to even greater heights."
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Spectator
4 hours ago
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Doors swung open for Gus, but everything Gwen did involved a struggle, initially with their father, Edwin. When he would not let her go to Paris to be taught by Whistler, Gwen marched round the house singing 'to Paris, to Paris' until he gave in. When Edwin then told her that she looked, in the white dress she had copied from a painting by Manet, like a prostitute, she excised him from her life. Included in the Paris trip was Ida Nettleship, Gwen's best friend at the Slade before she became Gus's wife when they were both aged 23. His maîtresse-en-titre, the beautiful and otherworldly Dorothy 'Dorelia' McNeill, was similarly stolen from Gwen, who then tried to steal her back when Dorelia joined her on a walking tour to Rome. The two women set off together, says Mackrell, like a 'giddy eloping couple', but there was what Dorelia called a 'hard and queer' quality to Gwen's character and, having got as far as Toulouse, she eloped instead with a Belgian called Leonard. No one was allowed to leave Gus, who importuned Dorelia to separate first from Gwen and then from Leonard, and live instead in 'wonderful concubinage' with himself and Ida. Gwen, with nothing left to lose, now sided with her brother. Even Ida, who wanted her freedom back, could see the benefits of including Dorelia in the household. Living with Gus, 'a mean and childish creature', was pushing her towards a breakdown. And so docile Dorelia, who did what others wanted her to do, returned to England and devoted the next 60 years to Gus and his spawn. When Ida died exhausted, aged 30, after giving birth to her sixth son, Dorelia (who died in 1969) took over the household, at which point this once radiant figure disappears from view. It is not surprising, given his raids on her emotions, that Gwen now cordoned herself off from Gus. Moving to France, she refused to visit her nephews and nieces in England or use the studio that Gus built for her in his garden. Family was everything to Gus, while for Gwen, 'the family has had its day. We don't go to Heaven in families now, but one by one'. Gwen behaved like a stalker, besieging her love objects with daily letters, waiting on their every word While Gus's unconventionality became a pose to sell his paintings, Gwen's refusal to conform to any socially acceptable female norm was the cost of competing as an artist on equal terms with men. He was greedy, but she was an extremophile. As a student, she was so poor that she would break into abandoned buildings in order to sleep. When she lost her adored cat, she slept in the forest. She died, aged 63, in Dieppe, where she had gone for an overnight stay without bringing any luggage. In the chaos of war, the cause of her death, which appears to have been starvation, was left unspecified on her death certificate, and the details of where she was buried were lost. Her friend Louise Roche described Gwen at the end as 'treating her body as though she was its executioner… To go to the doctor inconvenienced her, to take solid nourishment inconvenienced her'. As tough and implacable as a medieval saint, Gwen painted for God. Her pictures were 'prayers', not objects to be bought and displayed. Despairing of her unworldliness, her patron, the American collector John Quinn, despatched his mistress, Jeanne Robert Foster, to form a friendship with his elusive genius. 'All the pathetic dramatisation of life has fallen away,' Jeanne reported to Quinn. 'Gwen is real.' Her life, said Wyndham Lewis, was 'chaste and bare and sad'. Why, he wondered, had she kept herself 'so isolated from the influences of her age'? She influenced, however, our own age: the successor of Gwen John is Celia Paul. Gwen's intransigence and resolve, what Mackrell calls her 'stubborn grit', can be seen in her first self-portrait, painted in 1899-1900, when Gus and Ida were falling in love. Here was a woman, hand on hip, who would be no one's wife or mother, who saw anything but the most primitive domestic conditions as 'bourgeoise'. Gwen was not eccentric: she had a demon inside her. It is hard to tell, Mackrell says in her opening pages, if Gus and Gwen were 'admirable or awful'. By the end of this haunting book they seem admirable in their awfulness.