
A Rio Carnival parade will tell the story of a trans woman nearly burned at the stake
Born as Francisco Manicongo in what was then known as the Kingdom of Kongo, Xica Manicongo was captured and enslaved in Brazil's northeastern Bahia state . Authorities from the Portuguese Inquisition threatened her with execution for cross-dressing and having same-sex relations, both practices the Catholic Church deemed heretical.
To avoid death, she agreed to wear men's clothing and use her male birth name — and so denied her identity.
She was rechristened Xica in 2010 in an effort to right the wrongs of the past.
The parade, scheduled for Tuesday night, four days after Carnival officially kicks off, is the creation of Paraiso do Tuiuti, one of Rio's 12 top-flight samba schools competing in the iconic Sambadrome. Tuiuti hopes the tale of Manicongo will dazzle millions of spectators watching from the bleachers and their homes, and serve as a wake-up call.
Jack Vasconcelos, Tuiuti's Carnival director who created its theme, said he wanted to give younger generations of trans women a sense of belonging to history.
'They deserve to appear on television, to appear to the whole world, not just in the murder statistics. They are women who produce. They're lawmakers, they're teachers, they're artists,' said Vasconcelos. 'They're not people on the margins of what has happened in the world and what is happening now.'
Since Tuiuti embraced Vasconcelos' proposal, the school's hundreds of members have been preparing for their performance. Like other parades, the show will feature sequined costumes and elaborate floats. One of its innovations is a section exclusively comprised of trans women.
'It's a historical reparation,' said Alessandra Salazary, who has been attending weekly rehearsals for the past few months. 'Paraiso do Tuiuti is giving us an opportunity to be stars in front of the cameras. This is very special for us and will really go down in history.'
The parade will feature other notable figures, including Brazil's first trans lawmakers, Duda Salabert and Erika Hilton; Rio state lawmaker Dani Balbi and Bruna Benevides, who heads Brazil's trans rights group Antra. Benevides identifies as 'travesti,' a term referring to a specific Latin American identity that activists say is claimed by people assigned the male gender at birth, but who experience the female gender and should be treated as such. She and Tuiuti say Manicongo was likewise a travesti.
The specter of violence Manicongo faced five centuries ago hasn't vanished.
Brazil remains the world's deadliest country for transgender people, with 106 murders last year, according to Transgender Europe, a network of global nonprofit organizations that tracks the data. It marked the 17th consecutive year Brazil claimed this grim distinction.
Such statistics are at least partially driven by poor reporting elsewhere and Brazil's active network of advocates, but experts agree transphobia is ubiquitous. During last year's local elections, trans candidates were assailed with death threats and trans people continue to struggle to land jobs or secure places to live.
Benevides has been working with Tuiuti to provide trans women and travestis with opportunities. For months, she has organized two classes: one teaching samba, so they can get work as professional dancers, and another for costume design. The parade has been an opportunity to strengthen bonds between the samba and trans communities while conveying a political message, Benevides said.
'We are seeing a strong anti-trans agenda in the world trying to reverse our rights, direct attacks, politically motivated attacks against our existence,' she said.
Samba schools' parades often make political statements . Tuiuti last year told the story of João Cândido , who led a revolt in 1910 against the use of whips in the Brazilian navy. He was tortured and kicked out of the navy. Vasconcelos said at the time that he chose the theme because violence reminiscent of slavery continues to this day.
Onemonth after last year's Carnival, Brazil's federal public prosecutor's office reinforced its demands for financial reparations to Cândido's family.
Rio's Carnival — watched by millions on local and national television broadcasts — can spark dialogue and deliver impact, said Fátima Costa de Lima, a Carnival researcher and scenic arts professor at Santa Catarina State University.
Carnival 'is a great megaphone that encourages Brazilian society to discuss something often kept off the table,' Costa de Lima said.
____
Follow AP's coverage of Latin America and the Caribbean at https://apnews.com/hub/latin-america
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
2 days ago
- New York Post
Bill Maher clashes with liberal actor over Trump, immigration policy
Bill Maher and liberal actor John Leguizamo clashed over their perceptions of President Donald Trump and the country's immigration system on Maher's latest 'Club Random' podcast episode. Leguizamo blasted top Trump official Stephen Miller as a racist and architect of Trump's mass deportation policy, but Maher retorted that the last administration bore blame. Advertisement 'Part of this is a backlash to how badly Biden handled the immigration situation. It can't just be like 'Come one, come all,'' Maher said. 'There's plenty of room here,' Leguizamo told a skeptical Maher. 'There's plenty of room in America, come on. There's no lack of room in America.' 'It's never about room. It's about resources … Countries have to have a border,' Maher said. 'I mean, they've done surveys and something like 200 million people around the world when asked, 'Would you come to America if you could?' 'Yes, I would.' Why wouldn't they? Lots of countries, excuse me, are s–tholes, and they would love to be here.' 3 Bill Maher went toe-to-toe with Leguizamo on the 'Club Random' podcast. Club Random Podcast/Youtube Advertisement Trump was fiercely criticized by the left during his first term when he used that disparaging term for countries like Haiti and El Salvador. 'The places aren't s–tholes,' Leguizamo replied to Maher. 'Well, they are,' Maher said. 'That's why they want to come.' Leguizamo, an outspoken liberal activist, claimed that issues in Latin American countries were often because of actions taken by the United States. Advertisement 3 'There's plenty of room here,' Leguizamo told a skeptical Maher. 'There's plenty of room in America, come on. There's no lack of room in America.' Leguizamo also recounted meeting Trump before he entered politics and claimed Trump had once called him 'so articulate,' which he took as a racist slight against Latinos to suggest they generally weren't. He added he found Trump 'so meek,' which surprised him. 'I wouldn't call it meek,' Maher said. 'What I would call it is knowing how to make everybody – it's ironic because he's known as the greatest egomaniac, and he is quite an egomaniac – and you're interested in what they're saying. He's good at that.' Maher met with Trump at the White House earlier this year and recounted that the president was 'gracious and measured,' although Maher said he wouldn't pull his punches in criticizing Trump going forward. Advertisement 3 Leguizamo claimed that issues in Latin American countries were often because of actions taken by the United States. Club Random Podcast/Youtube Leguizamo countered that Trump was 'obsequious,' and Maher conceded that Trump's alleged remarks about the actor being articulate were 'just obnoxious.' Maher added that Trump, who turned 79 last month, was also not a racist but rather a 'product of his time,' to which Leguizamo shot back, 'Some of us overcome our times.' 'That is true and fair to say,' Maher said. Leguizamo hosts an MSNBC program, 'Leguizamo Does America,' where he travels to different Latino communities across the country in an effort to spotlight their culture.


Boston Globe
2 days ago
- Boston Globe
‘No Me Quiero Ir De Aquí': Bad Bunny's 30-night homecoming that's powering Puerto Rico
Get The Gavel A weekly SCOTUS explainer newsletter by columnist Kimberly Atkins Stohr. Enter Email Sign Up But it's more than a concert series. Puerto Rico's tourism agency, Discover Puerto Rico, projects that the residency will draw around 600,000 visitors — roughly double the typical number for that time of year, Advertisement Bad Bunny performs at the Coliseo de Puerto Rico José Miguel Agrelot, in San Juan, Puerto Rico on July 11, 2025. Alejandro Granadillo/Associated Press Advertisement Bad Bunny's latest album, his sixth, is in many ways a love letter to the island, As someone who teaches a Bad Bunny course, Rivera-Rideau said that a lot of her students, including students from Puerto Rico, don't know much about Puerto Rican history. 'A lot of Americans don't even realize that Puerto Rico is a territory of the United States. There have been many, many times where I've heard Americans talk about how they're surprised they don't need a passport.' While Bad Bunny's work 'is party music and it's fun,' it also teaches. For instance, 'in 'LA MuDANZA' he talks about Eugenio María de Hostos, who of course was a big abolitionist and independence fighter,' she said. Advertisement For Elsa Mosquera, cofounder and principal of 'Bad Bunny is one of the most important Puerto Rican cultural expressions we've seen in decades,' Mosquera told me. 'There are layers of meaning in his songs, in everything he does. If you're not Puerto Rican — if you're not connected to what's happening on the island — you might not fully get it.' To understand the Bad Bunny phenomenon, Mosquera said, you have to understand Puerto Rico's colonial status. 'Puerto Rican identity is always in question. We're not fully Latin American and we're not fully American. So when someone like Bad Bunny insists 'I'm not leaving,' it's a powerful affirmation of who we are. It's saying: If you want to see me, come to my land.' 'Culture is always political,' she said. Bad Bunny is doing the economic work of a tourism board 'but he's also creating something deeper: a culture of connection,' she said. Mosquera created the Bad Bunny's residency is not just a homecoming. It's a declaration of cultural sovereignty. On an island that has been under colonial rule since the 1500s, he's offering the rest of the world a blueprint on how to marry art and activism. And he could have gone anywhere. Instead, he stayed and gave Puerto Rico gifts far greater than a concert: He gave the island a mirror and a megaphone. Advertisement Marcela García is a Globe columnist. She can be reached at
Yahoo
5 days ago
- Yahoo
Temporary route announced for Battle of Flowers
Organisers have announced a new temporary route for Jersey's Battle of Flowers. The new route through St Helier town centre was subject to permission from the Bailiff's Public Entertainment Panel, they said. The carnival, due to be held on 8 and 9 August, would start and finish on the Esplanade, said organisers. A spokesperson for the Battle of Flowers said said: "We are a new team, brimming with enthusiasm for the future of the Battle of Flowers." More news stories for Jersey Listen to the latest news for Jersey They added: "We are a new team, brimming with enthusiasm for the future of the Battle of Flowers. "This August is about celebrating our incredible community and the enduring spirit of this unique festival and keeping it alive. "We're focused firmly on the road ahead - revitalising the event, ensuring its sustainability, and creating even more magical moments for Jersey and our visitors. "Subject to final Bailiffs permission we invite everyone to join us for these two special one off free parades as we embark on this exciting new journey together." Follow BBC Jersey on X and Facebook. Send your story ideas to Battle of Flowers cancelled: What do people think? Jersey Battle of Flowers 2025 dates confirmed Battle of Flowers