
Moment cuckold husband who ‘hacked love rival's penis off with machete before slicing him to death' is shackled by cops
The gory series of events unfolded in the Brazilian state of Sao Paulo on Sunday.
3
Nilton Vieira Junior was found in the backyard of his home with cuts to his neck, wrists, and legs, as well as severed genitals
Credit: Newsflash
3
Police arrest suspect of killing and removing man's genitals in Americo de Campos
Credit: Newsflash
3
Picture shows suspect's clothes seized by police
Credit: Newsflash
The victim, Nilton Vieira Junior, 38, was found dead with his genitals in a pool of blood
next
to him.
His body was discovered at his home in Americo de Campos.
Suspect Adilson Ferreira da Silva, also 38, was arrested the
next
day.
Cops had discovered that da Silva's wife had been having an affair with the victim in the lead up to his death.
read more in world news
Video footage shows the suspect being hauled into the police station in handcuffs and leg shackles.
He had allegedly gone to the victim's home and sliced him to pieces with a machete, according to local media reports.
Police reportedly found evidence of forced entry on the front door.
When the gory crime scene was discovered, the victim's body was in his backyard with cuts to his neck, throat, wrists, legs and groin.
Most read in The US Sun
According to local media reports, both residents and professionals who worked at the crime scene were deeply shocked at what unfolded.
The suspect's wife was also admitted to hospital with injuries believed to be caused by her husband.
Inside Brazil's dark 'child fight clubs' run by gangsters with 13-year-old girl offered as 'prize'
He is understood to have found intimate messages from Junior on her phone.
She remains hospitalised at Santa Casa de Votuporanga, according to local media reports.
According to Brazilian
news
website G1, she was assaulted by her husband and received death threats.
The suspect's wife also told the cops that da Silva said he would kill Junior.
He is now expected to be charged with premeditated murder.
People familiar with the pair say the victim and suspect worked together at a butcher shop, Gazeta de Rio Preto has reported.
The victim's body was reportedly buried in the municipal cemetery on Monday morning.
The Department of Internal Affairs is continuing to investigate the circumstances surrounding the shocking crime.
If you or someone you know is affected by any of the issues raised in this story, call the National Domestic Violence Hotline at 1-800-799-7233 or chat at

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Irish Examiner
a day ago
- Irish Examiner
If we want to stop crime, we have to talk to those committing it
The latest figures on severe overcrowding in Irish prisons have prompted renewed calls for creative thinking, but here's an idea that rarely gets traction: we need to include prisoners in the discussion. How can we tackle crime if we don't listen to the people who commit it? Thousands of books — and myriad articles — have been written about men in prison, but so very few are written by the men themselves. That is why What We're Made Of, a new book written by men in Mountjoy Prison, should make us sit up and take notice. Written by a section of society that gets little support — and less empathy — it challenges, inspires and chips away at the kind of prejudice that leads many inmates to say they feel they have been sentenced twice; once by the judges and, on release, by the indelible stigma that locks them out of so much. But this is not, in any way, a sentimental call to go soft on crime. Instead, it is a clear-eyed look at its root causes and an impassioned call to society to help break the cycle of poverty and violence that traps so many people within it. 'What We're Made Of' brings together an exceptional body of work created by men in Mountjoy as part of The Factory on the Royal Canal project, a year-long programme facilitated by Senator Lynn Ruane, pictures' and artist Grace Dyas. Picture: Gareth Chaney/Collins As one prisoner writes: 'I am sorry to every person I have ever harmed. I wish I could take it back, I genuinely do. But I can't. I have to live with that shame for the rest of my life. My goal now is to stop the cycle. I want to share my experiences so that the next generation doesn't have to make the same mistakes.' What We're Made Of, however, does more than simply share those experiences. It brings together an exceptional body of work created by men in Mountjoy as part of The Factory on the Royal Canal project, a year-long programme facilitated by Senator Lynn Ruane and artist Grace Dyas. In that time, prisoners were encouraged to become writers, actors, set designers and directors. They wrote two original plays, Prison Rules and Pedro's Dream, which were staged in the prison for an invited audience of 150 decision-makers, politicians and advocates. Taking inspiration from Augusto Boal, the Brazilian creator of Theatre of the Oppressed, the audience was invited to become 'spect-actors', that is, spectators who watch, listen and then take action. This is theatre as an agent of social change. The audience was also asked a question which permeates What We're Made Of: What have you done to tackle the embedded structural inequalities that mean most, if not all, of the people in prison come from working-class backgrounds? If that all sounds a little theoretical, it roars into vivid life when Pedro — the pen name chosen by all the contributors — takes the stage at the book's launch (by Ray D'Arcy) in the Museum of Literature Ireland (Moli). Here's a sample of his powerful performance, which comes from the prologue to Prison Rules: 'Ask any 10-year-old child sitting in a so-called 'Deis' classroom what they would like to be when they are older. I am certain they won't say: homeless, drug-addicted, drug-dealer, alcoholic, prisoner, or dead before their time after falling through the cracks in our broken society. But too often this is the case… I believe there is a subtle oppression at play here, the soft bigotry of low expectations.' Here's another thought-provoking snippet: 'As [actor and playwright] Emmet Kirwan so eloquently put it on the Late Late Show, it wasn't the people in tracksuits who bankrupted the country and caused untold misery, it was the people in business suits. White-collar crime and cronyism cost the exchequer millions a year but there are no white-collar criminals or politicians on my landing.' A cell in Mountjoy Prison: Prisons condemn thousands of people to spend 'demoralising groundhog days' on the inside before being released with a stigma that can't be expunged. And, finally, a thought experiment from the play's epilogue: Before returning to his 12x6 cell, Pedro asks us to imagine a hospital, a clean, state-of-the-art, publicly funded hospital that costs tens of millions of euro a year. There is, however, one big problem. For every 10 people it treats, seven come back with the same issue within a year. It wouldn't be long before such an ineffective money-pit was closed down, but prisons — with those very same statistics — condemn thousands of people to spend 'demoralising groundhog days', to use another Pedro's evocative term, on the inside before being released with a stigma that can't be expunged. Actor Neilí Conroy, playing the part of Ireland, gives a jolting performance that lays bare a truth that we don't want to face. It is so much easier to paint all prisoners as rule-breaking, drug-taking 'scum' and lock them up. "Go into that cell now,' she says, 'I don't wanna look at you. I'm getting your father to build a high wall all around you.' Then, from the back of the room — just behind me — a man stands up to challenge her. For one toe-curling moment, the assembled invitees think there is going to an awkward scene. And indeed there was a scene, a deeply moving one that was all part of the launch performance. Except it is not a performance at all. As Pedro (a now-former prisoner) starts talking, it is crystal clear that we are, if not guilty, then responsible for perpetuating stereotypes and failing to look at the reasons people end up in jail. The solution?: 'If I had help when I was a child… maybe I would not be here today… I ask you [Ireland] to let me help you help those who were in my position… so the next generation of broken children don't cause the pain that I have caused. "Please don't wait till they are in prison to fix them. Let's work together to teach these young people about themselves.' What We're Made Of provides a manual, one that is urgent now as Irish prisons, creaking at the seams, are forced to pack three or four people into cells designed for two. As Pedro says: 'I am here as punishment, not for punishment.' It might not be a popular message but, as Pedro points out, the cycle of violence can end only if everyone is included: 'It takes many parts of society — the gardaí, the teachers and the State bodies — to perpetuate the cycle. It will take all of us to end it.' Speaking of ends, there are no plans to rerun a project that prisoners and their families said gave them a kind of hope they had never felt before. The draft budget for a new 19-24 month programme for 40 men is €110,000, says Senator Ruane. To put that in context, it costs almost €100,000 to keep one prisoner in jail for a year. 'The men are putting every penny from the book sales into a prospective new project with younger men. Their ambition is to create a meaningful legacy and give the younger men opportunities they didn't have,' she says. Ask artist Grace Dyas what she hopes to do next and she'll tell you she wants to be sent back to prison. We might do all we can to help her get there. What We're Made Of costs €20 and is available from Books Upstairs:


Sunday World
2 days ago
- Sunday World
Failed US actor jailed for Dublin rape had tried to present himself as a star
Kevin Yungman (32), who has an address in Florida, raped the 19-year-old Brazilian au pair at an Airbnb on Usher's Quay on June 4, 2018 A US actor and singer jailed for five years for raping a Brazilian woman in Dublin desperately tried to present himself as a star, despite failing to make it in the film and music industries. Kevin Yungman (32), who has an address in Florida, raped the 19-year-old Brazilian au pair at an Airbnb on Usher's Quay on June 4, 2018. The Central Criminal Court heard how he had placed his arms around the neck of the woman causing her to pass out before he raped her. The woman described in her victim impact statement that she had experienced panic attacks, mood swings, anxiety, suicidal thoughts, dysfunctional relationships and losing her faith in God, in the aftermath of the rape. Kevin Yungman News in 90 Seconds - Saturday, August 2 Yungman was arrested as he tried to board a flight out of Ireland after the rape and questioned by gardai before being released while a file was prepared for the Director of Public Prosecution who directed he be charged in 2020. He was eventually arrested in the US in August last year and extradited to Ireland. Yungman was born in Buenos Aires in Argentina but moved to the US as child and chased fame from an early age as an actor and singer. However, his acting career never really took off as his credits, according to his own IMDB page, include a small role in a Spanish language children's TV show Grachi, an uncredited role in Step Up 4 and a credit for reenactment scenes in a TV series about killer kids. He also bizarrely listed himself as playing the 'lead' in the 1999 animated film version of The King and I which was made when he was aged just six. He is not listed in the the actual credits of the film and appears to have added the entry himself to IMDB. Despite his lack of TV and film fame, Yungman was big into self-promotion on various websites including YouTube, Instagram and Facebook. Three years before carrying out the rape, he described himself as a '22 year old Natural Problem Solver, Networking Rockstar, Relentless Optimist, & Lean Mean Transformation Machine.' Writing about himself in the third person, he said: 'Kevin Yungman was born in Argentina where he began his singing 'career' at the age of 2. Since his childhood, he has always had an inclination towards the arts. Kevin could be consistently found asking his parents to take him to local productions, performing in school plays, and singing everyone in his house (and sometimes himself) to sleep.' He goes on to say he and his family moved to Utah in the US when he was seven. 'Not knowing much English was a struggle, but even though the language and customs changed, his desire for singing and acting remained strong,' Yungman wrote about himself. 'Any chance he could get to perform, he would take it. Just as he was beginning to get accustomed to everything, his family moved again. Landing in sunny Florida was an adventure in itself, beaches weren't exactly common in Utah.' He went on to say how he attended acting and singing classes and claimed to have received 'first place trophies in multiple national singing competitions'. He also said he guest starred in a touring Broadway show Cirque Dreams Jungle Fantasy when it was staged in Florida and claims to have performed for celebrities and political figures including the 'vice president of the United States'. He also claimed to have been 'part of multi-million dollar full length feature films' despite none being listed on his IMDB. Despite his acting and singing careers never really taking off, Yungman presented himself online as a star and bizarrely described himself living in Los Angeles 'where he is continuing to grow his performing career at an alarming rate'. At the same time he was making this claim he was also describing himself as a motivational speaker and said he considered himself 'one of the hottest and fastest growing speakers on the market'. He also described himself on websites as a successful entrepreneur. Despite his bold claims about his success in singing, acting, motivational speaking and business, he was also offering private singing lessons online or in person to make some cash. Ironically, the publicity hungry failed actor has now had more media coverage than he did in his entire acting and singing careers after being convicted of rape. The Central Criminal Court heard he first met the Brazilian woman in Paris three months previously when they both happened to be on a walking tour of the city. She was 19 at the time and had been working in Dublin. Yungman was 25 years old. They had never met before. They spent the day together, had wine and chocolate at the Eiffel Tower and returned to his accommodation where they had consensual sex. However, during this meeting Yungman had told the woman at one point to start breathing fast, take a deep breath and hold it in before he placed a hand on her neck causing her to pass out. The woman told him that she had been scared by it. They stayed in contact and agreed to meet again in Dublin the following June. They rented an AirBnB and again there was consensual sexual activity before Yungman raped the woman. He placed his arms around her neck and squeezed hard. She tried to keep his arms away from her but she could not move out. She later told gardaí she was not strong enough. She told gardaí that at that point she passed out. Yungman tried to turn her over and told her 'that's my girl, that's my girl' before he raped her. The woman told gardaí she could not cope with it and asked him to 'please stop' telling him 'my body cannot take it'. Yungman said he would give her a break and they could go back to it later.

The Journal
3 days ago
- The Journal
Brazilians burn effigies of Donald Trump over punishing new tariff
BRAZILIANS HAVE SET fire to effigies of US President Donald Trump in protests across several cities today, denouncing his new tariffs. Anti-Trump protests were held in Brasilia, Sao Paulo and Rio de Janeiro after he decided to impose a 50% tariff on Brazilian exports and to sanction a Brazilian judge. Trump openly admitted he is punishing Brazil for prosecuting his political ally, ex-president Jair Bolsonaro. Far-right politician Bolsonaro is currently on trial for plotting a coup after failing to win re-election in 2022. Bolsonaro supporters stormed Brazil's congress in January 2023, ransacking the chambers and attacking police, in scenes reminiscent of Trump supporters' attack on the US Capitol two years before on 6 January 2021. A Brazilian general has given evidence that the alleged plotters also wanted to assassinate leftist President Luiz Inacio Lula da Silva and several other public officials. Advertisement Trump has called the trial a 'witch hunt' and his Treasury Department has sanctioned Supreme Court Justice Alexandre de Moraes in response, who is the presiding judge in the coup trial of Bolsonaro. Trump also signed an executive order slapping 50% tariffs on Brazilian imports, which is due to enter into force on August 6. Demonstrators at the Sao Paolo protest today Alamy Alamy Moraes, in a rare public address, said today he pledged to 'continue working' despite Trump's efforts to punish him. 'This Court, the Office of the Attorney General, and the Federal Police will not bow to these threats,' he said during a court session. And he vowed the court would remain 'absolutely uncompromising in defending national sovereignty and its commitment to democracy'. © AFP 2025