logo
Why music festivals feel so expensive in 2025

Why music festivals feel so expensive in 2025

Axios30-04-2025

The prices of some of America's biggest music festivals are cranking up alongside the thermometer as we move toward summer.
Why it matters: In an environment where food and housing costs remain high, it's harder to justify the luxury of attending events like music festivals — especially as the looming impact of tariffs threatens to further dent Americans' spending power.
Between the lines: At events like Coachella and Bonnaroo, fans also have to consider the cost and hassle of camping at the event in addition to the price of entry.
Younger fans are increasingly relying on payment plans in order to see their favorite acts at festivals.
Fans bemoaned the prices to attend All Things Go in Maryland, saying prices were lower in previous years.
What they're saying: One festival organizer says higher artist fees have led to more expensive tickets.
Breakaway Festival co-founder Zach Ruben says they try to stick to a tight talent budget, since talent costs correlate to what they charge for tickets.
"Artist festival fees have continuously gotten up. For us, artist fees make up about 40%, maybe 45% of our total festival budgets for any given weekend. That's pretty significant."
Zoom in: Prices for Breakaway, a mostly EDM festival that travels the country, start at $69 for a one-day general admission ticket.
The highest single-day tickets range from $499 to $794, depending on location.
The other side: Playing live shows isn't always financially beneficial for musicians, even as their fees increase.
After the release of her Grammy-winning album "Invasion of Privacy," rapper Cardi B said she spent almost $300,000 of her own money to perform at Coachella in 2018, but was only paid $70,000 per weekend.
The bottom line: Seeing megastars perform at festivals will cost you, but there are other options.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

This corny ‘conservative credit card' ad signals a very scary future for AI
This corny ‘conservative credit card' ad signals a very scary future for AI

Yahoo

timean hour ago

  • Yahoo

This corny ‘conservative credit card' ad signals a very scary future for AI

A fresh glimpse at our AI-filled future arrived this week, in the form of an unmemorable ad by a company most people have never heard of. The ad is kind of flat and will probably scan as goofy to everyone outside its target demo, but don't write it off just yet: It could signal the beginning of some very big (and scary) changes. Why you're catching the 'ick' so easily, according to science Waymo is winning in San Francisco Supersonic air travel gets green light in U.S. after 50-year ban lifted The upstart fintech company Coign claims to be a 'conservative credit card company,' a distinction that boils down to the founders' pledge to never donate to liberal causes and candidates. And while that self-definition raises some questions, it pales in comparison to the actual ad. The 30-second clip is a patriotic parade of red-blooded, red-voting Americans boasting about recent Coign-fueled purchases such as deer-hunting gear, a stack of cartoonish gold bars, and the 'biggest American flag' available. But here's the most striking thing about the ad: All of those situations, and all of the actors, were created by AI. There's something a little off about Coign's ad, to be clear. The pacing of the phony satisfied customers' movements feels too jittery at times, and there's an eagle at the end that is not exactly natural looking. While the ad is spiritually the same AI slop as Shrimp Jesus, it doesn't carry the same overtly synthetic visuals. In that regard, it's a lot more casually AI-generated than many of its predecessor ads. When Coca-Cola released an AI-generated holiday spot last fall, it sparked an uproar. Creatives were livid about such a monumentally successful company neglecting to splash out on an all-human production, and even casual observers noticed the glaring flaws in the video: The truck's tires glided over the ground without spinning, Santa's hand was bizarrely out of proportion with the Coke bottle it gripped, and the entire ad sat squarely in the 'uncanny valley.' The same goes for the ad Toys R Us released last year using OpenAI's text-to-video tool Sora: The kindest thing one could say is that its human characters looked marginally more lifelike than the unsettling, motion-captured Tom Hanks from The Polar Express two decades earlier. So far, AI-generated ads have been rare enough and mostly the domain of heavy-hitter companies, making them lightning rods for attention and backlash just about every time a new one is released. The simple fact that they were AI-made has been enough to generate headlines, even before factoring in the slop. But maybe not for much longer. If the Coign ad is any indication, there may be an entire class of AI ads coming that will be subject to far less attention—and far less scrutiny. We're at a precarious moment with AI, collectively feeling out its least objectionable uses through trial and error. So far, uncanny ads from massive companies have triggered backlash, but when lesser-known brands dabble—especially without obvious visual glitches—they often escape notice. Advertising legend David Droga once noted the existence of a 'mediocre middle' in marketing and entertainment, and that may be exactly where AI quietly thrives: in ads from companies too small to spark outrage. Advertising, after all, is already the most disposable and least emotionally protected form of media—expensive to make, widely avoided, and largely unloved. That makes it the perfect Trojan horse for AI—slipping past scrutiny not because it's good, but because few people care enough to notice. On a moral and economic level, the advertising industry should not be diving headlong into a technology that makes large swaths of professional workers expendable. And on an aesthetic level, just because AI technically can create an ad doesn't mean it can create a good one. Once a seemingly harmless use case eases people's minds about a given technological breakthrough, it's only a matter of time before the more flagrantly objectionable use cases take hold. The facial recognition tech that first allowed Facebook users to tag their friends in photos was eventually used to strengthen the surveillance state and threaten privacy everywhere. Today's drones that make aerial photography easier become tomorrow's drones that mistakenly blow up weddings in other countries and threaten to displace delivery workers. Obviously, AI is going to play some role in humanity's future. The size of that role, however, is not yet set in stone. As machine learning creeps into all creative fields, workers need regulations to ensure the technology doesn't spread too far too fast. The good news is that a majority of Americans seem to want AI regulation. Although the House of Representatives recently passed a major tax and spending bill with a provision forbidding state governments to regulate AI over the next 10 years, that clause is getting bipartisan blowback. According to a recent poll, 81% of voters agree that 'advances in AI are exciting but also bring risks, and in such fast-moving times, we shouldn't force states to sit on the sidelines for a full decade.' Even the CEO of generative AI company Anthropic is a full-throated advocate for stricter AI regulation. The people have spoken. Whether they are listened to is another matter altogether. A single, silly credit card ad may seem an unlikely step toward a dystopian future of unfettered AI and full unemployment, but if we laugh it off now, the bill may still come due later. This post originally appeared at to get the Fast Company newsletter: Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data

Kate Moss launches Festival Collection for Zara
Kate Moss launches Festival Collection for Zara

Yahoo

time5 hours ago

  • Yahoo

Kate Moss launches Festival Collection for Zara

Kate Moss has tapped into her love of music to launch a new Festival Collection for Zara . The supermodel teamed with the high street giant last year to release her first Kate Moss x Zara collection and now she's back with a second range which is themed around music festivals and features Moss in a campaign alongside Primal Scream legend Bobby Gillespie, who is married to the collection's co-designer - stylist Katy England. Moss said: "It was such an evolved process this time. Because it's Spring/Summer and festival season, I suppose, I expected it to be more about wafty dresses. "But it's a bit tougher than that. That's because all the masculine energy was coming in from Bobby doing his collection at the same time. You could feel it coming over and we ended up going somewhere quite unexpected that I didn't think we would." The festival collection includes mini-dresses, a leopard print skirt, a sheer floral maxi-dress, suede ankle boots and a leather-studded bralette as well as accessories including sunglasses, studded belts and bracelets. The festival collection also features menswear pieces. The advertising campaign also features Gillespie's model son, Lux, 21, and Moss' 22-year-old daughter, Lila. The collection launches online and in stores on June 10. Moss spoke about the collection to and insisted she never pre-plans her outfits - especially when it comes to clothes she wears to festivals. She told the outlet: "Planned outfits never work for me. I don't do that ... I just think overly thought-out outfits are a bit … for a festival? "When I look at Coachella I just think … are they even having fun?" Kate previously included a silver dress inspired by an outfit she wore to Glastonbury Festival in 2005 in her last collection for Zara. It comes after Kate admitted she hates fashion "trends" because she can't stand seeing the same "shoe and bag" in every shop. During an appearance on Bella Freud's 'Fashion Neurosis' podcast, she explained: "I hate fashion codes. I hate like: 'Oh this bag's in fashion so everybody designs the same f****** bag.' I hate that kind of thing. Like oh this is fashionable so everybody has to have that in their shop. I really don't like that. "Like I walked through the airport the other day and in every shop was the same shoe and the same bag from like every designer. I was like: 'What the f*** is the point in doing that?' I don't understand ... "They might put it on the runway different but when it gets to the shop it's all the same. Like why? It's not fun when it's fashionable. "You know like the trends. That's what they call them. The trends ... Trends are awful. [As soon as it's a trend] you can't wear it any more."

What to wear to Glastonbury: 8 best celebrity outfits ever to help you pack the ultimate festival wardrobe
What to wear to Glastonbury: 8 best celebrity outfits ever to help you pack the ultimate festival wardrobe

Cosmopolitan

time8 hours ago

  • Cosmopolitan

What to wear to Glastonbury: 8 best celebrity outfits ever to help you pack the ultimate festival wardrobe

Glastonbury Festival. Aka the holy grail of fashion and music. A place where, according to Glasto style icon Alexa Chung, no matter how "terrible" your outfit choice is, "it still looks great." And so, for the lucky ones who managed to bag a ticket to the UK's grittier version of Coachella, you're likely now in full wardrobe planning mode. With many, perhaps looking back to previous Glastonburys for some inspiration, especially from your favourite celebs. Whether you're throwing it right back to 2007 Kate Moss, or looks from recent years are more your vibe (Maya Jama's 2024 Dior 'Plan de Paris' outfit was a standout), behold some of the best celebrity fits alongside their highstreet alternatives. How can we not start with Alexa? She's a festival fashion veteran, after all. In terms of this dress, it ticks all the boxes: stylish, comfortable, and goes with everything. At Glasto, you want something you can just throw on but still look like you've made an effort. Basically, you can never go wrong with a slip dress, rain or shine. Remember, you're going to be walking for miles, so you need something that blends comfort and fashion. This year, it looks like it's going to be good weather, so you may not need those Hunter wellies. (Pack them just in case, obvs.) Instead, opt for a pair of statement black boots like Dua Lipa. They're so versatile because they look great with different styles: from cute white lace prairie mini-dresses to frayed denim shorts. We *love* a two-piece. They're also really handy for festivals, as you don't have to think about how you'll make the rest of the outfit pop. The co-ord does all the talking! Be sure to pair the skirt/skort/shorts with a plain top underneath, like Maya did last year. This way, you've still got a fire outfit if you remove the jacket. Getting the right bag for Glasto can be tricky. It can't be too big, but it can't be too small. It also needs to match most of your outfits. If you're going for 2005 Kate Moss vibes, a black faux leather satchel that can hang over your body is a perfect shout. It's understated but cool, and can fit the festival essentials in like lipgloss, face powder, and your purse. Let's face it, even though the sun might be shining, there's always going to be a chance of rain at Glastonbury. It's the UK, after all. But just because you have to prepare for bad weather, doesn't mean that you can't make it fashion. Opt for a bright pop of colour when picking your raincoat, like Annie Mac did last year. If you're into the maximalist look, she also styled it with a lime green mini satchel and leopard print trousers, which is a whole festival inspo fit in itself. That dry shampoo not doing it for you anymore? As you near the end of Glastonbury (and not to sound minging), there's only so much a baby wipe wash can do. The solution? A good old hat. While Saffron Hocking understood the method dressing assignment, going for farm chic, there are so many headwear variations you can go for. For example, last year, it was all about the furry bucket hat. Or, keep it more casual with a baseball cap, loved by celebs from Dua Lipa to Cara Delevingne. Glastonbury style is way more cool and casual than Coachella, meaning an assortment of shorts in your case is a non-negotiable. You don't just have to go for the classic frayed denim look if that's not your style. Scalloped white shorts also give off that classic Glasto boho vibe, and look both effortless and timeless. It's the last day, and while you still want to look good, it's more about achieving the perfect balance of casual and comfy. With that, it's all about baggy combats and oversized shirts and jackets. If you can bag an artist tee, even better. Sophie Williams is a Freelance Journalist and Copywriter, covering everything from Fashion to Entertainment to music, Lifestyle and Features. She has interviewed a range of musical artists and authors including Alyssa Edwards, Courtney Barnett, Confidence Man, The Vaccines, Loyle Carner, Gabrielle, and John Niven, and has written for publications like Metro, Reader's Digest, ITV's Woo! and Vice's NBGA. She is also working on a book for HarperCollins about Taylor Swift, due to be published in 2024.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store