
Allan Ahlberg obituary
Ahlberg had been working as a primary teacher for 10 years when his wife, Janet, an artist, asked him to write a children's story for her to illustrate. Later he described that moment as feeling as if he were a clockwork toy and 'she had turned the key'. Their first book together, Here Are the Brick Street Boys, was published in 1975, and the Ahlbergs went on to become one of the most successful writer/illustrator partnerships in children's literature.
A very close couple, they enjoyed an intimacy that also characterised their working lives. One secret of their success lay in the dynamic relationship they created between word and picture; another was their joint ability to view the world as if through the eyes of a child. They shared a gentle, quirky sense of humour that was conveyed with great warmth. When their daughter, Jessica, was born in 1980, her various stages of growing up provided further inspiration for their work. Perhaps the most memorable volume from this period was The Baby's Catalogue (1982), a simple but brilliant idea based on the fact that babies loved spotting other babies in catalogues and magazines.
Each Peach Pear Plum (1978) was about as perfect as a picturebook could be, and the deserving winner of their first Kate Greenaway medal, with its simple 'I spy' game and a rhyme based on playground skipping games and nursery rhyme characters. Peepo! (1981) was a book to accompany the familiar 'peek-a-boo' that adults play with babies. The Ahlbergs raised the game a notch or two by adding a hole to literally peep through, running throughout the book, and setting it during the second world war, with fascinating period detail.
Ahlberg described the visual aspect of this book as being based on his memories of his own poor, Black Country childhood, in a small house with tin bath and outside privy. 'I am the Peepo baby,' as he put it. He would return to that world in 2013 in the prose and poetry recollections of The Bucket: Memories of an Inattentive Childhood.
The Jolly Postman (1986, followed by The Jolly Christmas Postman and The Jolly Pocket Postman) was the Ahlbergs' masterpiece, and the Postman series as a whole their biggest commercial success, winning the couple their second Kate Greenaway medal and the Emil/Kurt Maschler award, with sales of over 6m copies worldwide. Children, teachers and critics alike were mesmerised by the book's originality; this wonderfully playful text changed forever the scope of what picturebooks could aspire to.
Although sophisticated paper engineering was nothing new, no one had come up with such imaginative 'props' within a picturebook before. It required active reading from the book's young audience, as it not only demanded physical interaction, but also expected them to draw on knowledge of traditional nursery rhymes and fairy tales. It used the widest and most inventive range of text-types up to that point – from letters, postcards, invitations and catalogues to tiny books, newspapers, recipes and advertisements. While children were delighting in the book, they were simultaneously embracing the wider culture of the society they lived in.
Ahlberg's time working in primary schools had given him the opportunity to observe children, and he put this knowledge to good use in all his books, especially his poetry, where one can detect the viewpoint of the benevolent teacher. Please Mrs Butler (1983) was his earliest collection and is still the most popular, though he wrote excellent further volumes, illustrated by Fritz Wegner and Charlotte Voake. His Collected Poems was published in 2008.
Born in Croydon, south London, Allan was the son of a single mother. After being adopted by a working-class family – his adoptive parents worked as an office cleaner and a labourer – he grew up in Oldbury, near Birmingham, and, he said, 'scraped' in to the local grammar school. A lifelong supporter of West Bromwich Albion, he initially hoped to play football as a career. He met Janet Hall at teacher training college in Sunderland and they married in 1969.
Despite living most of his life elsewhere (for many years near Bath), Ahlberg was always happy to drop into Black Country dialect. He was very proud of the 2011 exhibition of the couple's work at the Public arts centre in Sandwell, near Oldbury, which included children's responses to their books. What's in the Book? (2006), a show for Seven Stories: The National Centre for Children's Books in Newcastle, described the Ahlbergs' working method: 'I do the words (takes me about a day) and Janet does the pictures (takes her about six months). Then we send the words and the pictures to the publisher and the publisher sends us some money. And I get half for my day's work, and Janet gets half for her six months' work: the basis of a happy marriage …'
Allan was devastated when Janet died of cancer in 1994, but found a therapeutic way of addressing the terrible loss by putting together a tribute volume as a private publication, Janet's Last Book (1997), based on his personal selection of her work.
The Adventures of Bert (2001) and A Bit More Bert (2002) were illustrated by Raymond Briggs, and The Runaway Dinner (2006) and The Pencil (2013) by Bruce Ingman. Jessica went on to become a successful author in her own right, and father and daughter collaborated on several books, including The Goldilocks Variations (2012).
In 2014, Ahlberg was set to receive the Booktrust lifetime achievement award, but decided to turn it down because sponsorship came from Amazon. When his fellow authors Philip Pullman and Mark Haddon heard about this, they decided to create an alternative, a compilation of tributes from other writers and illustrators which they called the Shoestring award, in appreciation of the Ahlbergs' work.
Ahlberg married for a second time, to Vanessa Clarke, his editor at Walker Books, and became stepfather to her two daughters, Saskia and Johanna. They, and Jessica, survive him.
Allan Ahlberg, children's writer, born 5 June 1938; died 29 July 2025
Morag Styles died in January 2025.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
7 minutes ago
- Daily Mail
ITV confirm Coronation Street favourite is set for a sensational return to the cobbles as new Rovers Return landlord - and she's not alone!
ITV have confirmed that Coronation Street favourite, Eva Price, will be returning to the cobbles this autumn – and she's taking over the Rovers Return. Actress Catherine Tyldesley, 41, is back filming top-secret scenes in Weatherfield – and she's not alone. Joining her are two major new cast members: Shameless and Bohemian Rhapsody star Aaron McCusker, 46, and comedy legend Pauline McLynn, 63, best known as Mrs Doyle in Father Ted. The pair will arrive as Eva's new partner Ben Driscoll and his meddling mother Maggie, with the trio unveiled as the new owners of the Rovers in scenes set to air in October. It marks the first time Eva will be pulling pints behind the iconic bar since 2018, and the new Price-Driscoll clan looks set to shake things up in a big way. In upcoming episodes, Eva will be reunited with her sisters Leanne and Toyah while catching up with old friends and neighbours. But what has she been up to since she left Weatherfield? And how will this new clan fit into the drama on the Street? Also joining the cast will be Ben's two sons, along with Eva's daughter Suzie, making this new blended family one to watch. Coronation Street fans will recognise Pauline from her roles in Father Ted, Shameless, and EastEnders, where she played Yvonne Cotton in 2014. Aaron also starred in Shameless as Jamie Maguire and famously played Freddie Mercury's boyfriend Jim Hutton in the Oscar-winning Bohemian Rhapsody. Catherine originally left Coronation Street in 2018 after seven years on the show. Since then, she's appeared in a string of dramas including Viewpoint, Suspicion, Scarborough and most recently The Good Ship Murder. Speaking about Catherine's return, Coronation Street producer Kate Brooks said: 'We are beyond thrilled that Eva is returning as the landlady of the Rovers, with her new blended family in tow. 'The Driscolls do not arrive quietly, so expect big drama, explosive secrets and raucous knees ups galore. 'To have actors of Catherine, Aaron and Pauline's considerable calibre at the beating heart of this family is absolutely wonderful, and we can't wait for you to get to know and fall in love with them as much as we have already done. She concluded: 'Strap yourselves in, it's going to be an exciting and eventful ride.' An insider told The Sun earlier this week that producers took their time finding the perfect actor to play Eva's new husband, and once Aaron and Catherine were paired, they knew they had struck gold. They told the publication: 'Corrie bosses were never going to take EastEnders ' shrewd decision to reinstate Kat and Alfie at the Vic lying down. 'So they took their time looking for the perfect actor to play her husband to Eva as she makes her return to Corrie as the new boss of the Rovers. 'When Aaron walked in, and once paired with Catherine, bosses knew they had the perfect partnership to run the soap's iconic pub.' Describing the pair's chemistry as 'electric', the insider noted that Aaron will bring his Irish charm to the pub as the pair put on a 'happy and loved-up' display. However, despite having all the friendliness associated with the Irish, the insider stressed that Aaron is not a character to be messed with. They added: 'It's the start of an exciting new chapter in the pub's history.' News of the latest change on the cobblestones comes after it was announced that the show had been pulling in record viewers after making one recent change. The change took place in October 2024, when the long-running show became available to view on ITVX from 7am on the day of broadcast. This meant that soap fans could either choose to tune in early or watch their favourite soaps at a time that better suited them. The decision to make the change came after BBC soap EastEnders made a similar switch to iPlayer a few years ago. Following the change, both Corrie and Emmerdale, which also made the switch, have enjoyed a record 124 million streams in 2025's first quarter. This meant that there have been an impressive one billion streams on ITVX so far this year. To put the change into context, compared to this time last year, soap viewing has increased by 35 percent. ITV's Managing Director of Media and Entertainment, Kevin Lygo, said: 'We have totally transformed our streaming offer with ITVX over the past couple of years. 'All our teams internally, alongside the best producers in the business, have helped deliver these brilliant numbers by producing, promoting and delivering this fantastic content to audiences to stream.'


The Sun
7 minutes ago
- The Sun
EuroMillions results and numbers: National Lottery draw tonight, August 5
THE draw for tonight's National Lottery EuroMillions (August 5, 2025) has taken place, with life-changing cash prizes at stake. Check the results to see if you have just won a fortune and bagged enough to start that jet-set lifestyle you always dreamed of. 2 Every EuroMillions ticket also bags you an automatic entry into the UK Millionaire Maker, which guarantees at least one player will pocket £1million in every draw. You can find out if you're a winner by checking your ticket against tonight's numbers below. Tonight's National Lottery EuroMillions winning numbers are: 01, 03, 05, 42, 47 and the Lucky Stars are: 05, 10. The UK Millionaire Maker Selection winner is: XHMB84675 Tonight's National Lottery Thunderball winning numbers are: 08, 15, 17, 23, 24 and the Thunderball is 03 TOP 5 BIGGEST LOTTERY WINS IN THE WORLD £1.308 billion (Powerball) on January 13 2016 in the US, for which three winning tickets were sold, remains history's biggest lottery prize £1.267 billion (Mega Million) a winner from South Carolina took their time to come forward to claim their prize in March 2019 not long before the April deadline £633.76 million (Powerball draw) from a winner from Wisconsin £625.76 million (Powerball) Mavis L. Wanczyk of Chicopee, Massachusetts claimed the jackpot in August 2017 £575.53 million (Powerball) A lucky pair of winners scooped the jackpot in Iowa and New York in October 2018 The first EuroMillions draw took place on February 7, 2004, by three organisations: France's Française des Jeux, Loterías y Apuestas del Estado in Spain and the Camelot in the UK. One of the UK's biggest prizes was up for grabs on December, 4, 2020 with a whopping £175million EuroMillions jackpot, which would make a winner richer than Adele. Another previous UK winner who's whole life was altered with their jackpot was a player who wanted to remain anonymous on October 8, 2019. They walked off with a cool £170,221,000. Colin and Chris Weir, from Largs in Scotland, netted a huge £161,653,000 in the July 12, 2011. Adrian and Gillian Bayford, from Haverhill, Suffolk, picked up £148,656,000 after they played the draw on August, 10, 2012, while Jane Park became Britain's youngest lottery winner when she scooped up £1 million in 2013. The odds of winning any EuroMillions prize are 1 in 13. Could tonight's jackpot of £157 million see you handing in your notice and swapping the daily commute for slurping champagne on a super yacht or lying back on a private beach in the Bahamas? 2


Times
7 minutes ago
- Times
Oasis fan ‘left bruised after Liam's maracas wrestled away from her'
Oasis had just finished another epic gig, concluding the set with Champagne Supernova as fireworks lit up the sky. Leaving the stage on Sunday, Liam Gallagher, the band's lead singer, threw his tambourine to one side of the Wembley crowd and a pair of tied maracas to the other. The latter landed straight in the hands of Chantal Arpino, a 42-year-old mortgage adviser from Buckinghamshire. But before she could pocket her memento, she claims two men ripped the maracas from her, pulling back her fingers, drawing blood and leaving her with cuts and bruises. Arpino, who paid more than £1,000 for two tickets for her and her partner, said: 'I caught them in the air. I've got my hands on both of them but they are strapped at the handle and my hands were twisted holding on to them.