
Designer Vince Ropitini Reasserts The Art Of Passive Resistance
Vince Ropitini scooped two awards for his collection The Art Of Passive Resistance at iD Dunedin Fashion Week. The designer speaks to Madeleine Crutchley about threading histories of protest together and the influence of contemporary Māori art.
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Scoop
36 minutes ago
- Scoop
Lighting Up Christ Church Cathedral For Matariki
Press Release – Christchurch Cathedral Reinstatement Hurihanga transforms the Cathedral's exterior into a canvas of light, honouring stories of renewal, remembrance, and whakapapa through breathtaking visuals and mtauranga Mori. Flare Ōtautahi Street Art Festival, Offline Collective and Christ Church Cathedral Present As part of Ōtautahi's Matariki celebrations, the city's most iconic heritage building has been illuminated by a powerful projection created by the Offline Collective's Sam Emerson (Ngāi Tahu) in collaboration with collective members Michael Duggan and Charlie Pitts. Hurihanga transforms the Cathedral's exterior into a canvas of light, honouring stories of renewal, remembrance, and whakapapa through breathtaking visuals and mātauranga Māori. Flare project manager Selina Faimalo said this latest public art activation invites us to pause, wonder, reflect and connect in a conversation. ' Hurihanga adds meaningful layers to the iconic Cathedral to reflect Ōtautahi's navigation of our past, present and future to reveal our connections to place and each other in recognition of Matariki' she said. The Cathedral's Dean, Ben Truman, noted Christ Church Cathedral has a long history of celebrating all kinds of special and civic occasions, alongside diocesan events. He said, 'offering the Cathedral as a canvas for this Matariki celebration display continues our Anglican legacy of bicultural celebration and is an exciting way to unite our community around whakapapa and whakapono, remembering our personal and collective histories of family and faith.' Hurihanga has been made possible by many donors who supported a crowdfunding campaign, highlighting the power of the community. The artistic lead Emerson said, 'We created Hurihanga to reflect ancestral stories and the significance of Puaka, the star to which Te Waipounamu looks for Matariki. The brightest star in Tautoru (Orion's Belt), in Māori mythology Puaka's appearance means Te Waka o Raki is rising to bring loved ones to their final resting place in the celestial kingdom, a reminder to acknowledge those who came before us, but also to celebrate the present, and to dream for the future.' 'Hurihanga harnesses this wairua and draws on the symbolism of the cycles of time, of wind, rain, lightning and the growing, harvesting and storage of food, to create a sprawling, transformative story that takes viewers on a journey far beyond the physical setting,' Emerson said. Suggesting the power of art and the diverse ways we can creatively activate our shared landscape, through the powerful lens of Te Aō Māori imagery and storytelling, Hurihanga is a must-see! Explore a new way of seeing the heart of the city this winter with this striking collaboration every day from 6pm – 10pm from tonight. Wednesday 11 June, for one month.


Scoop
2 hours ago
- Scoop
Lighting Up Christ Church Cathedral For Matariki
Flare Ōtautahi Street Art Festival, Offline Collective and Christ Church Cathedral Present Hurihanga As part of Ōtautahi's Matariki celebrations, the city's most iconic heritage building has been illuminated by a powerful projection created by the Offline Collective's Sam Emerson (Ngāi Tahu) in collaboration with collective members Michael Duggan and Charlie Pitts. Hurihanga transforms the Cathedral's exterior into a canvas of light, honouring stories of renewal, remembrance, and whakapapa through breathtaking visuals and mātauranga Māori. Flare project manager Selina Faimalo said this latest public art activation invites us to pause, wonder, reflect and connect in a conversation. ' Hurihanga adds meaningful layers to the iconic Cathedral to reflect Ōtautahi's navigation of our past, present and future to reveal our connections to place and each other in recognition of Matariki' she said. The Cathedral's Dean, Ben Truman, noted Christ Church Cathedral has a long history of celebrating all kinds of special and civic occasions, alongside diocesan events. He said, 'offering the Cathedral as a canvas for this Matariki celebration display continues our Anglican legacy of bicultural celebration and is an exciting way to unite our community around whakapapa and whakapono, remembering our personal and collective histories of family and faith.' Hurihanga has been made possible by many donors who supported a crowdfunding campaign, highlighting the power of the community. The artistic lead Emerson said, "We created Hurihanga to reflect ancestral stories and the significance of Puaka, the star to which Te Waipounamu looks for Matariki. The brightest star in Tautoru (Orion's Belt), in Māori mythology Puaka's appearance means Te Waka o Raki is rising to bring loved ones to their final resting place in the celestial kingdom, a reminder to acknowledge those who came before us, but also to celebrate the present, and to dream for the future." "Hurihanga harnesses this wairua and draws on the symbolism of the cycles of time, of wind, rain, lightning and the growing, harvesting and storage of food, to create a sprawling, transformative story that takes viewers on a journey far beyond the physical setting," Emerson said. Suggesting the power of art and the diverse ways we can creatively activate our shared landscape, through the powerful lens of Te Aō Māori imagery and storytelling, Hurihanga is a must-see! Explore a new way of seeing the heart of the city this winter with this striking collaboration every day from 6pm - 10pm from tonight. Wednesday 11 June, for one month.


The Spinoff
2 hours ago
- The Spinoff
Gold Guitar winner criticises awards, says ‘brown faces' were treated unfairly
Micro-aggressions and a difficult history with te reo Māori is why last year's Gold Guitar winner says she won't return to the ceremony or its homeland of Gore. Country singer and 2024 Gold Guitar main prize winner Amy Maynard has vowed publicly to never return to the ceremony and its host town of Gore, after facing what she believes were racially-charged micro-aggressions. She said the ceremony has a history of failing to recognise te reo Māori, and hopes her experience could push the Gold Guitar organisers to create a safer environment for Māori performers and punters. But the organisers say they'd rather sort out their differences in private. Aotearoa's premier country music awards, the Gold Guitar Awards, have been held every year since 1974 (excluding 2020) in Gore, as the last hurrah in the Tussock Country Music Festival schedule. Its honourees include the likes of Tami Neilson and Kaylee Bell, and in 2024, Maynard picked up the ceremony's senior award. Maynard told The Spinoff she had spent most of the festival last year – her first time at the ceremony – keeping to herself, and focusing on performing in several spots across the awards circuit. Returning this year as a one-off performer and attendee, Maynard says the environment at the awards was 'really disheartening'. She said that in her experience, the awards' security were more likely to reprimand 'brown faces' for actions such as singing, dancing or talking during performances. Her 16-year-old son, dressed in baggy clothing, was also stopped multiple times and questioned about why he was at the awards. It was not just staff, but attendees that Maynard said made the awards feel unwelcoming. While one singer performed a reo Māori waiata, Maynard said an older Pākehā couple made disparaging comments about the choice of song. When The Spinoff called the Gold Guitar office, convener Phillip Geary answered. 'I don't want to comment in a public forum,' Geary replied, when asked about Maynard's experience. In 2012, a Gore District Council employee left their job after criticising the Gold Guitar Awards. She had competed in the Gold Guitar Young Ambassador Awards, and wrote on Facebook that she 'kicked ass at everything and then didn't win, go figure … I think I was too brown for them bro'. At the time, Geary said he didn't believe Green needed to resign. 'With the way social media is these days, we've got to expect stuff like this. We're not overly concerned about it.' 'As a Māori woman in this industry, it's hard when you're constantly fighting this uphill battle,' Maynard told The Spinoff. 'These people have built this idea of what you're going to be in their minds'. Maynard also criticised the awards' policy that bars anyone other than the slated performer from appearing onstage. Maynard requested her mother and daughter sing with her, as 'you should be allowed to provide and perform the show that you would like to put on for people … for me, that includes highlighting and showcasing my family, because whakawhanaungatanga is always going to be something I'm huge about'. The response from the awards was that it would 'set a bad precedent'. The rule affected another act, Sharon Russell and Lesley Nia Nia, who had won the previous year's classic award. Russell had travelled to the ceremony without Nia Nia, who could not attend for personal reasons, but with her grandson as a replacement. Maynard claims Russell was told she couldn't perform and her act was replaced. Maynard shared these experiences in a long social media post, which The Spinoff understands the Gold Guitar organisers have seen. Television personality Mike Puru, who MC'd the event, left a message of support on Maynard's post promising to take her comments to the ceremony's board. 'I'm so sorry that happened – I had no idea … I'm saddened by all of that, especially being a Māori fella from Gore,' Puru wrote. 'I know what you mean.' In the last year, against the backdrop of the Treaty principles bill and Toitū Te Tiriti hīkoi, Maynard said she had noticed anti-Māori rhetoric had become more 'vocal'. The singer, who lives in Hamilton, said she doesn't feel comfortable returning to Gore or to the Gold Guitar Awards. 'I hope this opens a conversation for them.'