logo
Poet Andrea Gibson, candid explorer of life, death and identity, dies at 49

Poet Andrea Gibson, candid explorer of life, death and identity, dies at 49

Boston Globe15-07-2025
The film — exploring the couple's enduring love as Gibson battles cancer — is directed by Ryan White and includes an original song written by Gibson, Sara Bareilles and Brandi Carlile. During a screening at Sundance in January that left much of the audience in tears, Gibson said they didn't expect to live long enough to see the documentary.
Get Starting Point
A guide through the most important stories of the morning, delivered Monday through Friday.
Enter Email
Sign Up
Tributes poured in Monday from friends, fans and fellow poets who said Gibson's words had changed their lives — and, in some cases, saved them. Many LGBTQ+ fans said Gibson's poetry helped them learn to love themselves. People with cancer and other terminal illnesses said Gibson made them less afraid of death by reminding them that we never really leave the ones we love.
Advertisement
In a poem Gibson wrote shortly before they died, titled 'Love Letter from the Afterlife,' they wrote: 'Dying is the opposite of leaving. When I left my body, I did not go away. That portal of light was not a portal to elsewhere, but a portal to here. I am more here than I ever was before.'
Advertisement
Linda Williams Stay was 'awestruck' when her son, Aiden, took her to hear Gibson perform at a bar in San Francisco a decade ago. Their poetry was electrifying, lighting up the room with laughter, tears and love. Gibson's poetry became a shared interest for the mother and son, and eventually helped Stay better understand her son when he came out as transgender.
'My son this morning, when he called, we just sobbed together,' Stay said. 'He says, 'Mom, Andrea saved my life.''
'I know,' she responded.
Gibson's poetry later helped Stay cope with a cancer diagnosis of her own, which brought her son back home to St. George, Utah, to help take care of her. They were delighted when Gibson accepted their invitation to perform at an event celebrating the LGBTQ+ community in southern Utah.
'It was truly life-changing for our community down there, and even for our allies,' Stay said. 'I hope that they got a glimpse of the magnitude of their impact for queer kids in small communities that they gave so much hope to.'
Gibson was born in Maine and moved to Colorado in the late 1990s, where they had served the past two years as the state's poet laureate. Their books included 'You Better Be Lightning,' 'Take Me With You' and 'Lord of the Butterflies.'
Colorado Gov. Jared Polis said Monday that Gibson was 'truly one of a kind' and had 'a unique ability to connect with the vast and diverse poetry lovers of Colorado.'
Advertisement
In a 2017 essay published in Out magazine, Gibson remembered coming out at age 20 while studying creative writing at Saint Joseph's College of Maine, a Catholic school. Identifying as genderqueer, Gibson wrote that they didn't feel like a boy or a girl and cited a line of their poetry: 'I am happiest on the road/ When I'm not here or there — but in-between.'
Comedian Tig Notaro, an executive producer on the documentary and Gibson's friend of 25 years, shared on Instagram how the two came up together as performers in Colorado. Hearing Gibson perform for the first time was like witnessing the 'pure essence of an old-school genuine rock star,' and their words have guided Notaro through life ever since, she said.
'The final past few days of Andrea's life were so painful to witness, but simultaneously one of the most beautiful experiences of all of our lives,' Notaro said. 'Surrounded by real human connection unfolding in the most unlikely ways during one of the most devastating losses has given me a gift that I will never be able to put into meaningful words.'
Gibson's illness inspired many poems about mortality, depression, life and what happens next. In the 2021 poem 'How the Worst Day of My Life Became My Best,' Gibson declared 'When I realized the storm/was inevitable, I made it/my medicine.' Two years later, they wondered: 'Will the afterlife be harder if I remember/the people I love, or forget them?'
'Either way, please let me remember.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Atlanta rapper Cash Out gets life sentence after RICO, sex trafficking conviction
Atlanta rapper Cash Out gets life sentence after RICO, sex trafficking conviction

Los Angeles Times

time7 hours ago

  • Los Angeles Times

Atlanta rapper Cash Out gets life sentence after RICO, sex trafficking conviction

The trial, which began in June, alleged that Cash Out and his family members had forced women into sex work. Rapper Cash Out, whose real name is John-Michael Hakeem Gibson, was sentenced to life in prison plus 70 years on Monday after being found guilty in his RICO and sex trafficking case. On Friday, the 34-year-old artist received a guilty verdict in an Atlanta court. According to WSB-TV Atlanta , the life sentence plus 70 years will run concurrently. His mother, Linda Smith, was sentenced to 30 years, and his cousin, Tyrone Taylor, was sentenced to life in prison plus 70 years. Gibson is known for his 2014 platinum hit 'Cashin' Out' and 'She Twerkin.' He released one studio album in 2014, 'Let's Get It,' and six mixtapes. Advertisement His career was stalled when he was arrested in a Georgia prostitution sting in June 2019. The trial, which began this past June, brought forth allegations that Gibson, his cousin and his mother had forced women into sex work. When they operated the 'house of horrors,' they were also said to have coordinated the sale of women and the corresponding payments. Prosecutors presented text messages from eight different phones as evidence. 'This has been going on for seven years,' Fulton County prosecutor Earnelle Winfrey said to the Atlanta courtroom on Friday. 'This ain't just straight pimping — this is trafficking.' She added that though they were 'pimping, for sure,' it was the 'force and cohesion' of the operation that made it trafficking. Advertisement Gibson first faced charges in June 2023. His legal team claimed that victims were pushed to testify. In closing arguments, his team argued that the women involved were not forced. His mother claimed that she was unaware of the trafficking, but prosecutors cited payment receipts linking her to the offenses. This included a leased residence where some of the victims were said to be housed. Additionally, witnesses claimed that Smith had engaged in prostitution herself.

A Lonely Portrait of Lifelong Friendship
A Lonely Portrait of Lifelong Friendship

Atlantic

time16 hours ago

  • Atlantic

A Lonely Portrait of Lifelong Friendship

The English novelist E. M. Forster believed that people know the characters in the novels they read better than they know one another. In fiction, he argued, a character's true nature and deepest secrets are plainly available, whereas 'mutual secrecy' is 'one of the conditions of life upon this globe.' This idea is strikingly isolating. Can it possibly be true? By the end of Stephanie Wambugu's debut novel, Lonely Crowds, I could see where Forster was coming from. Following the decades-long convolutions of an intense and volatile friendship between two women, Ruth and Maria, Lonely Crowds poses similar questions about the limits of personal relationships. As the girls grow older and their unhealthy childhood patterns repeat in adulthood, their friendship begins to seem more dangerous than idyllic. Perhaps the most prevailing myth about childhood friends is that they know each other completely and love each other best. Wambugu counters such sentimentalism by revealing the many secrets and misunderstandings at the core of Ruth and Maria's friendship. In their world, a lifelong bond is not a comfort but a liability. Lonely Crowds begins in the contemporary present with Ruth, as an adult, seeming very lost at her own birthday party. As the novel's title suggests, a crowd full of people can be a remarkably lonely place. 'That Maria wasn't here at the party was a source of great distress,' Ruth thinks, blowing out the candles. Ruth recalls that when she met Maria years ago, 'I learned that without an obsession life was impossible to live. I'd forgotten. Now, I remembered.' Despite her success as an art professor and painter, Ruth feels adrift and bitter. She thinks she sees Maria everywhere. As she falls asleep the night after her party, she recollects her history with Maria, starting from the beginning. Ruth's obsession with Maria sparks from their first encounter, in a uniform shop for the Catholic school where they will soon be classmates. The scene is a small spectacle of shame: Ruth watches while Maria's aunt tries to buy a uniform for Maria on layaway, promising to pay when her disability check comes through. The owner refuses and castigates Maria's aunt in front of a long line of customers, throwing the two of them out of the store. As they leave, Ruth makes eye contact, and Maria 'looked back at me as she crossed the threshold, wide black eyes, perfect. Then she was gone. I felt doomed.' Ruth decides she will befriend the girl at her new school and spends the rest of the summer besotted with the idea. Maria and Ruth meet again on the first day of third grade at Our Lady in Providence, Rhode Island, where the two are the only Black girls in their class. They're the same age, but to Ruth, Maria seems much older and wiser. During their first real conversation at school, Maria brags about her pearl earrings, a gift from a teacher, offering to let Ruth borrow them if she's careful. 'Oh, I'm not careful,' Ruth responds. 'I'm careless.' Her utterly honest response demonstrates Wambugu's knack for capturing the humor of childish intransigence on the page. But the scene also looms large for young Ruth: Maria's earrings represent the mysterious world of adults, one that Ruth is hungry to learn more about. That the gift is inappropriate simply does not register for her. Ruth is an only child, sheltered by her parents, who are Kenyan immigrants to a working-class neighborhood in Pawtucket, outside of Providence. Her mother values hard work and minding one's own business, while her father is 'lonely, mercurial, romantic,' often changing jobs and exacerbating marital tensions. Ruth's upbringing is strict but stable. Maria lives with her aunt, who is severely bipolar, after her mother's death by suicide. The girls' first playdate sets the stage for the uneven dynamic they'll share for the rest of their friendship. After inviting Maria home from school with her, Ruth reminds herself to 'come across as measured, impassive, and confident.' By the end of supper, Maria's politeness and intelligence have charmed Ruth's parents. But the success of the evening is punctured when Maria, as she is leaving, turns around to ask Ruth, 'What's your name again?' Although Ruth never tells the reader how she feels about the question, nor how she responds, the moment feels pivotal, capturing how Ruth's earnestness and longing are so often met with coolness, even rejection. But she soon wins Maria over, and eventually Maria comes to be a part of Ruth's family. Like her biblical namesake, Ruth is loyal and steadfast to her friend, while Maria is independent and creative, often controlling the narrative of their relationship and even determining their future trajectories: Maria is an extrovert, so Ruth must be an introvert. Maria is the type to never settle down, while Ruth is going to get married. Ruth always looks to Maria for advice and approval, and Maria's responses to her vary among love, tolerance, and disgust. Reading scene after scene in which Ruth is so passive can be frustrating. She is content to be molded by Maria, unaware of the danger: She is becoming a person who knows herself only in relation to her friend. When Maria decides she wants to be an artist in New York, the girls both apply to and get into Bard College, where Ruth takes up painting and Maria studies film. Maria sees this moment as her great escape from bleak Pawtucket, while Ruth worries that she, too, is part of the past that her friend wants to leave behind. Maria is clear about one thing. 'When we go to school, we have to go our own way,' she tells Ruth. 'We don't have to be together all the time. We still can be close and be … separate.' In college, Ruth and Maria do pursue different paths and new relationships. The biggest test of their friendship comes when they move to New York City after graduation and both try to make it in the art world of the 1990s. Their childhood competitiveness grows into an adult professional envy: Where Maria meets easy success as a filmmaker, Ruth's path is more complicated, riddled with self-doubt and jealousy. Like a piece of cherished childhood clothing, their friendship appears more and more ill-fitting as time passes. The two grow apart, not because they change, but because they do not; they are stuck in the same dynamics, unable to find new ways to connect to each other. As the novel progresses, Ruth often stops existing on the page, overtaken by her endless loops of fixation on the thoughts and feelings of others. In part because the reader has no insight into Maria's perspective, Ruth's narrative voice makes it hard to discern what either woman gets from their friendship, or even the extent to which they know each other at all. I don't believe that Maria enjoys Ruth's overbearing attention, or that Ruth likes being consistently rejected by Maria. After a final confrontation, the women appear to accept their incompatibility, and their friendship becomes something more distant. But even when Ruth gets a prestigious fellowship at Bard and moves upstate with her new husband, her obsession with Maria never really disappears; it just morphs. If Ruth never stands up to Maria, it's because nothing is worth the risk of losing her. When they're teenagers, Maria asks Ruth to throw away the many portraits that Ruth painted of her; Ruth complies. 'I had a hard time forgiving her for that,' Ruth reflects, though she never tells that to Maria. Decades later, in New York, Maria uses footage of Ruth in a video without asking her permission. Watching herself on-screen, Ruth is unable to 'shake the feeling that there was a violent thrust to the video and that something had been done to me that I hadn't asked for.' Yet when Maria asks her what she thinks, Ruth demurs, telling Maria the piece is 'cool.' 'I would have been content spending the rest of my life walking behind her,' she thinks, as the two women cross the gallery back to their partners. It's an insight that makes the risk of their friendship clear: For Ruth, losing her friend would mean losing herself, too.

Chick-fil-A offers rewards on the Code Moo game: How to win free food
Chick-fil-A offers rewards on the Code Moo game: How to win free food

Indianapolis Star

time17 hours ago

  • Indianapolis Star

Chick-fil-A offers rewards on the Code Moo game: How to win free food

Chick-fil-A fans have a chance to play an online game to win free food. The restaurant chain announced on July 14 the return of its animated Code Moo digital game with three weeks of new missions, available on the Chick-fil-A app. Players can complete each mission to unlock a food reward – last week's reward was a medium fry, this week's reward is a chocolate chunk cookie, and next week's reward is a 5-count of chicken nuggets. New missions launch every Tuesday from July 15 through Aug. 4 in the Chick-fil-A app. According to Chick-fil-A, players can team up with a trio of its beloved cows – Daisy, Sarge, and Carrots – to sneak into Circus Burger headquarters and take on their longtime rival. More food news: In-N-Out CEO airs California grievances, talks Tennessee expansion in podcast appearance Chick-fil-A also announced on July 14 the return of its Cow Collection merchandise, featuring "returning favorites and fresh new swag." The collection features items such as bucket hats and pickleball sets, according to the company, and will be available online, along with select merchandise being available in participating restaurants, while supplies last.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store