
Once a quarry, now a village
A row of houses sits perched on a rocky cliff, squeezed between large boulders, creating a stunning landscape that contrasts from the dense cluster of Seoul's typical apartment and office buildings.
Changsin-dong Cliff Village is a distinctive residential area that lies 125 meters above sea level on Naksan, one of the mountains in inner Seoul, along which still stands remnants of a fortress from the Joseon era.
The village's history traces back to the Japanese colonization of the Korean Peninsula (1910-1945), when Seoul witnessed a surge in new building constructions by the colonizers.
From the early years of colonial rule until the late 1920s, the Japanese government established several state-run quarries in Changsin-dong to extract stone. The granite mined here was used in the construction of iconic structures, including the old Seoul Station, the headquarters of the Bank of Korea, the former Seoul City Hall and the Japanese Government-General of Korea building.
The quarries continued operation until the early 1960s. After they ceased operations, impoverished urban migrants began building homes on the abandoned quarry site, gradually turning the area into a village that is now regarded as among Seoul's unique neighborhoods.
Irregular in shape, the houses sitting on the cliffs may seem to be perched precariously from a distance, but up close, the rock beneath them appears to provide solid support.
Beneath the cliffs lies another village, the distinctive vibes of which make it a popular filming location. Featuring tightly clustered multifamily homes, many of the houses — constructed between large rocks in the past — have mismatched proportions. This village has been featured in several Korean productions, including popular tvN series 'Guardian: The Lonely and Great God' and hit romance film 'Architecture 101.'
Once hub of sewing industry
Changsin-dong was once a bustling sewing town, with bikes constantly moving materials and clothes to and from small fabric factories.
The secondhand clothing trade, through which the new settlers in Changsin-dong made a living, expanded into large sewing factories, turning the area into a production base for nearby wholesale clothing markets like Pyounghwa Market in Dongdaemun, the biggest wholesale clothing market in Korea.
Amid the explosive growth of the country's garment industry and large shopping malls, Changsin-dong enjoyed the heyday of its sewing industry until the 1990s, but as the industry shifted to lower-wage China and Southeast Asian countries in the mid-2000s, the village began to face a swift downturn.
Late last year, the Seoul Metropolitan Government announced a redevelopment plan for Changsin-dong and nearby Sungin-dong, both considered to be among the city's most underdeveloped areas. The project will include the construction of a 6,400-unit residential complex, city officials said.
Changsin-dong Cliff Village is famous among locals for its views of Namsan, thanks to its geographical advantage of being located on the northeastern side of Seoul's central mountain.
With trendy cafes and restaurants emerging in the village to take advantage of its scenic views, Changsin-dong has begun to attract younger crowds in recent years.
Hong Ji-eun, who was visiting a dessert cafe in the village on Monday afternoon, said, "It's a peaceful spot to relax while enjoying the city view.'
While strolling through the village, visitors may come across a cavelike building housing a children's playground known as 'Sanmaru.'
Inside is a large jungle gym. Walking along the gentle slope surrounding it and visitors eventually reach the top to enjoy a panoramic view of Namsan and the surrounding Dongdaemun area.
Outside the playground, a small courtyard with tiered seating hosts various family-oriented events on pleasant days.
'Even though the neighborhood may seem worn-down, it offers a great view of Namsan, and with its unique playground and numerous alleyways, it's the perfect place for a light stroll with kids. I'd say it's definitely one of Seoul's hidden gems,' said Kang Young-ok, a 64-year-old villager and deacon at a church in Changsin-dong.
cjh@heraldcorp.com
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
18 hours ago
- Korea Herald
Podo Museum exhibition poetically reflects on human vulnerability
SEOGWIPO, Jeju Island — Distrust, jealousy and endless desires drive us to fight and wound each other. Wars take place one after another across the globe, claiming the lives of innocent civilians. We often forget how fragile and small human beings are in the vast universe. 'We, Such Fragile Beings' at the Podo Museum on Jeju Island began with that thought. Bringing together 13 artists from around the world, the exhibition offers comfort and compassion to visitors who are grieving, whether directly or indirectly. 'While preparing for this exhibition, I reflected on how we often get caught up in the struggles and conflicts of everyday life. If we can expand the 'common denominator,' whether through religion, music or any experience that transcends our immediate concerns, we can see those daily challenges from a much broader perspective,' said Chloe Kim, executive director of Podo Museum, Friday at the museum. Seemingly a curtain with an image of countless stars and planets in the Milky Way, the installation 'Drawings on Newspaper' by Japanese artist Sumi Kanazawa consists of newspapers with densely drawn lines using soft, dark 10B pencils. Events from different times and dates are seen where the pencil has skipped over. Standing before the work, which feels meditative, one may realize just how many things are concurrently going in this vast universe. Lebanese artist Annabel Daou's scroll-like work unfurls from the gallery wall and spills out onto the floor, beginning with the phrase from the American Declaration of Independence from which it takes its name, 'When in the Course of Human Events.' Unlike the declaration's urgent call to action, the hundreds of sentences written in white correction fluid on black microfiber by ordinary people continue with phrases emphasizing needs, hopes and desires 'to breathe deeply,' 'to reach out' and 'to hold back tears.' 'It was in 2019 that I began working on it at a time when there were protests all across the world. I had this kind of sense that this was the moment, a pivotal moment. "I started asking people to complete the sentence, and what was really interesting to me is that it was the sense of excitement — the possibility of rewriting or adapting the form of this US document that was written by wealthy white men and to put it in the voice of people across the world,' the New York-based artist said. A white hallway of the museum is filled floor to ceiling with 560 white clocks, the sound of their ticking like falling rain. Each clock has a name, a job and a country. The installation by Korean artist Lee Wan shows each clock is ticking at a different speed. "There is a formula for calculating the speed of the clocks. By entering data from the people I interviewed, such as their income, the cost of living in their country and how much they pay for a single meal, I was able to determine the pace of time for each person. 'However, this pace does not represent an eternal speed. The speed of time for everyone represented in the clocks will continue to flow as it does at this very moment,' he said. Outside the museum is an installation by Robert Montgomery where light-emitting diode bulbs create the sentence: 'Love is the revolutionary energy that annihilates the shadows and collapses this distance between us.' The exhibition runs to Aug. 8, 2026 at the museum owned by SK Group.


Korea Herald
20 hours ago
- Korea Herald
Korean, Vietnamese content industry leaders forge deeper ties
Korean and Vietnamese entertainment executives and government officials have vowed to expand cooperation, citing the growing appetite for K-content in Vietnam and the shared ambition to strengthen respective countries' creative industries. At the Korea-Vietnam Cultural Industry Cooperation Roundtable held in Seoul on Monday, Culture, Sports and Tourism Minister Chae Hwi-young noted that "now is the time to elevate bilateral cultural exchanges to the next level.' Chae outlined Korea's blueprint for cultural industry growth, which includes expanded policy financing, tax incentives, and research and development in cultural technology, alongside an AI-driven innovation strategy spanning content creation, production and distribution. Vietnam's Minister of Culture, Sports and Tourism Nguyen Van Hung expressed his country's willingness to 'actively learn from Korea's advanced cultural industry' and hoped the two nations would 'share more valuable experiences based on mutual trust and cultural commonalities.' The roundtable also brought together the two countries' leading content companies. From Korea, executives from HYBE, Krafton and Carriesoft presented success cases in music, gaming and animation, respectively, while BHD CEO Ngo Bich Hanh, VAC founder Dinh Ba Thanh and YeaH1 CEO Le Phuong Thao offered insights into industry trends and challenges in Vietnam. Youth-driven market in Vietnam For Sohn Ki-won, CEO of Kim Jonghak Production, the company behind many popular Korean shows, Vietnam's demographic profile is a key reason for targeting the market. 'Vietnam is a young country with great growth potential,' she said, noting that the average age is around 33, with 40 percent of the population living in urban areas and a high proportion of content-consuming 20- and 30-somethings. Sohn pointed to Vietnam's high receptivity to Korean culture — from K-pop to Korean food — and its government's commitment to digital infrastructure development as fertile ground for collaboration. 'Coupled with Korea's own AI industry growth policies, we see the potential for sustainable cultural industry growth through cooperation,' she said. Kim Jonghak Production is exploring both remake proposals using its existing intellectual property and joint planning of original projects, including casting Vietnamese actors in Korean TV shows and co-producing Vietnamese shows. While there is no fixed release date, Son said romantic comedies and family dramas are genres that resonate strongly with Vietnamese audiences. Anticipated challenges include cultural and production differences. 'Despite our cultural affinity, there are differences in sentiment, storytelling and social taboos,' Sohn said, adding that language, time zones and decision-making pace could also slow processes. 'We need to address these from the early planning stage and proceed step-by-step.' From remakes to co-production BHD Vice President Ngo Bich Hanh highlighted her company's long history of bringing Korean content to Vietnam. In 1997, BHD became the first company to license a Korean show from KBS for broadcast on national TV. Since then, it has distributed numerous Korean films and produced remakes of major titles such as "Descendants of the Sun" and "Good Doctor." This year marks a shift toward deeper collaboration. BHD, together with Film and TV Asia, has signed a memorandum of understanding to co-produce an original Vietnam-Korea film, set to begin filming in Vietnam in March 2026 with release targeted for the end of that year. Ngo emphasized the need for institutional support. 'We hope Korea's government organizations will provide more incentives for international co-productions and location filming. Cinema is facing difficulties worldwide, so additional funding and location support will be crucial to staying strong and promoting Vietnamese and Korean culture together," she said.


Korea Herald
a day ago
- Korea Herald
'Golden' from 'KPop Demon Hunters' tops music charts in US, UK
Song from Netflix film reaches No. 1 on Billboard's Hot 100, becoming 9th associated with Korean pop to reach highest spot The hype around Netflix's "KPop Demon Hunters" shows no sign of abating, with a song from its soundtrack emerging as the summer's biggest pop hit since its release in June. "Golden" has climbed to No. 1 on Billboard's Hot 100 singles chart, beating out Alex Warren's "Ordinary" for the top spot, according to Billboard on Monday. This marks the ninth song associated with Korean pop to reach the highest spot on the chart, joining "Seven" by Jungkook and "Like Crazy" by Jimin, both of BTS, in 2023, among them. Sung by the fictional girl group Huntrix — voiced by Ejae, Audrey Nuna and Rei Ami — it is also the first such song by female vocalists, according to Billboard. The Billboard Hot 100 ranks the most popular songs in the US based on streaming, radio airplay and sales data. After debuting at No. 81 early last month, the hit song has steadily risen through the ranks, climbing to No. 23, then No. 6, No. 4 and No. 2, before finally reaching the highest spot. The track is also the first No. 1 on the Billboard Indonesia Hot 100 chart by any fictional act since the ensemble No. 1 "We Don't Talk About Bruno," which reigned for five weeks in February-March 2022, Billboard added. Earlier this month, "Golden" climbed to No. 1 on the British Official Singles Chart Top 100, which ranks the UK's biggest songs of the week, based on audio and video streams, downloads, CDs and vinyl, compiled by Official Charts Co. It marked the first K-pop act to reach the top position since Psy topped the chart with "Gangnam Style" in 2012. "It represents another landmark moment for the globally dominating South Korean genre," Martin Talbot, chief executive officer of Official Charts, commented in an article published on the company's website on Aug. 1.