HOKA Speed Loafer 秋季回歸：「Birch」與「Walnut」兩款新色登場
隨著秋季腳步逐漸接近，HOKA 為 Speed Loafer 準備了兩款全新配色：「Birch」和「Walnut」。其中「Birch」以黑色 Vibram Megagrip 大底和 Speedgoat 5 鞋底工具開頭，並與麂皮擋泥片相呼應，接著再運用米白色調點綴流蘇樂福鞋鞋面；「Walnut」則是以棕色系為主，結合紫色內襯和流蘇，貫穿整體鞋款。
HOKA Speed Loafer 兩款新色「Birch」和「Walnut」，預計將在 8 月 8 日於HOKA 官網及指定零售商發售，建議售價為 185 美元。
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Los Angeles Times
6 hours ago
- Los Angeles Times
Bad Bunny's residency gives local artists the chance to tell Puerto Rico's real history
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As other parts of the Spanish-speaking world grapple with being priced out of their own communities, and a watering down of their long-standing cultures, artists in Puerto Rico are using their work to give visitors a not-so-gentle reminder: No one can kick them out of their own home. Last week, the Latinx advocacy group Mijente — alongside the art collective AgitArte — collaborated with local Puerto Rican artists and organizations to present a free art exhibition that highlights the everyday societal struggles of Boricuas. Located in the Santurce barrio of San Juan, the 'De Aquí Nadie Nos Saca' exhibit is marketing itself as a spiritual companion piece to Bad Bunny's album, 'Debí Tirar Más Fotos,' by delving into the musical joy and ongoing resistance movements of the island. The name of the exhibition itself is a play on the lyrics from Bad Bunny's track 'La Mudanza,' in which he sings, 'De aquí nadie me saca' — 'nobody can get me out of here.' But the space has more than just a thematic connection to the Grammy-winning artist. Members of AgitArte and one of its affiliated community theater collectives, Papel Machete, contributed to the 'La Mudanza' music video by providing a giant papier-mâché puppet named La Maestra Combativa. It can be seen in the last minute of the video, holding up a colorful sign that reads 'De aquí nadie me saca.' The momentum of Bad Bunny's latest album and subsequent tour met Mijente's mission at a serendipitous time that led to the creation of the new showcase. 'The socio-cultural moment and the political moment needed different kinds of things, not just the normal playbook of social work,' said Mijente communications director Enrique Cárdenas Sifre. 'We needed to experiment a little bit more.' According to Cárdenas Sifre, part of the hope for the exhibition is to combat a pervasive narrative that Latinx people are more conservative-leaning than they realize. Bad Bunny's sentiment of 'todo el mundo quiere ser latino' — and the universal praise and online utilization of 'Debí Tirar Más Fotos' — allowed for Mijente to reopen the conversation about the true values of Latinx people in Puerto Rico. 'We can use the opportunity of a mainstream event to experiment with reoccupying and reutilizing all the cultural work for our causes,' he said. 'For immigration causes, for liberation, decolonization, social, racial, gender equity and struggles ... especially in Puerto Rico. So all of that came together at the same time.' With hundreds of thousands of tourists descending upon the island to watch the 'Baile Inolvidable' singer perform, it seemed like the right time to challenge tourists to engage with some of the more difficult and harrowing experiences of Puerto Ricans. 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One thing that Cárdenas Sifre wanted to make clear is that the exhibit is not affiliated with any electoral political alliance, but rather a 'real new alliance of the folks doing the work on the ground every day.' 'These organizations and artists don't always have a space to come together to talk about the work that [they] are doing, talk about the struggles they are facing. [It's about] generating a little space [to] conspire the next [steps for] the movement in Puerto Rico.' Julio Salgado is a visual artist based in Long Beach. His work has been displayed at the Oakland Museum, SFMOMA, and Smithsonian American Art Museum. (@juliosalgado83) Unless otherwise noted, all stories in this section are from the L.A. Times. SoCal heat wave: When can you expect relief? Sadly, not anytime soon
Yahoo
11 hours ago
- Yahoo
20 Contenders for the 2025 Song of the Summer
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Here, Benito did better than just concoct an irresistible banger to quake out of every bodega and block party all summer; he rallied the Nuyorican diaspora for its new anthem. –Eric Torres PinkPantheress: 'Illegal' On 'Illegal,' PinkPantheress' sugariest hit to date, the singer/producer cleverly compares the time-warping headrush of getting overly fried to navigating a situationship at the height of its passion while staving off paranoia and overanalysis. A sticky haze of two-step drums and fizzing synth pads, the track is so blissed-out it's just a little bit scary. When it all concludes in a sequence of shallow, rapid breaths, it's equal parts erotic and erratic: The thrill of losing control becomes the whole appeal. –Jude Noel PLUTO & YKNIECE: 'Whim Whamiee' This is that fried glossolalia we need to unite the world in 2025 (WHIM WHAM!). The phrase hits like a roundhouse kick, five shots swigged at once, a maniacal grin after you clinch the jackpot (WHIM WHAMEEEE!). There's an infectious arrogance to the song, these women so convinced of their own charisma, success, swagger (LULULEMON!). 'We forever gettin' money, you forever gon' be mad,' Pluto cries as the drums do a little winner twerk in your loser ass face (AH-HA-HA!). Funkmaster Flex can keep hating (BOMB SOUND EFFECT) but I'm about to play this as much as 'SkeeYee' (BOMB SOUND EFFECT MIXED WITH A GLORIOUS 'WHIM WHAMIEEEEEE' SOARING OUT OF THE ASHES). –Kieran Press-Reynolds Sabrina Carpenter: 'Manchild' Can 'Manchild' be a song of the summer if you really have to pay attention in order to fall in love with it? I thought this song was bad, but maybe I was just being, as Sabrina suggests, slow! A couple listens in, you start to appreciate its clever, playful misandry and really love Carpenter's soft rhyme of 'hard to get' with 'incompetent.' Best of all, it sounds like K.K. Slider sitting in on a jam with Fleetwood Mac and ABBA circa 'If It Wasn't for the Nights.' –Shaad D'Souza Sayuri & Sopholov / Fuentes Prod: 'Secunena' Porn stars, infidelity, being a lifelong flirt: Sayuri & Sopholov tell all on their breakthrough single 'Secunena,' a reggaeton howler that captures the delirious highs of the genre's first wave. They sing lines like schoolyard chants, and with every repeated lyric the production amps up its cartoonish ambitions, serving up synthesized beats and melodies with cocksure flair. Producer Fuentes understands how to make every sound a noisemaker, but also a chance to feel the music in your body. Each summer needs a horned-up anthem this fun, this bawdy, that celebrates sex as an unruly romp. –Joshua Minsoo Kim Justin Bieber: 'Daisies' 'Daisies' is less a statement than a secret that Justin Bieber was waiting to whisper in our ear—surprising in both its sensibility and the sheer fact of its existence. Levity has hardly been a hallmark of modern-day Bieber, but this first single off his unexpected seventh album moves lightly as linen, with evident ease in its ambling beat and achingly simple, petal-plucking conceit. The man pulling the (guitar) strings here is the anti-pop hero whose smudgy playing gives the song texture. From a pop star whose career has been defined by slick and 'expensive-sounding sounds,' 'Daisies' is proof that scaling back your ambition can yield sweet results. –Olivia Horn MOLIY: 'Shake It to the Max (FLY) (Remix)' [ft. Silent Addy, Skillibeng & Shenseea] It isn't a New York summer without a dancehall hit. And, this year, 'Shake It to the Max (FLY)' (the remix, specifically) is as ubiquitous in Flatbush as the aroma of jerk chicken and the sound of dollar cabs honking. It's the song that wafts through the air as I bike down Church Ave., that Funkmaster Flex plays when he wants to switch it up from the government-mandated Kendrick, Drake, and Chris Brown. It's all about MOLIY's slinky, chipmunky shadow of a hook sandwiching cocky, snappy verses from Skillibeng and Shenseaa. It's the real sound of a heat wave. –Mano Sundaresan Addison Rae: 'Headphones On' In the doldrums of summer, I often feel like a bug trapped in amber trying to claw my way towards a life worthy of the grandiose expectations that the season carries. The closest I've gotten to finding a sense of direction during these hot, neverending days has been the Zen musings of Addison Rae. Her song 'Headphones On' is about accepting pain and discomfort as inexplicably tied to joy, about seeing the ordinary as sublime, about recognizing that any one moment in your life is as significant as another. Singing as gossamer as chiffon and as gently as a babbling stream, Rae reminds me that no one is coming to save me from my ennui, but that I can always take one small step—putting on my headphones and playing my favorite song—and make it my whole life. –Vrinda Jagota Drake / PARTYNEXTDOOR: 'Somebody Loves Me' This is what that Drake/PARTYNEXTDOOR album should've sounded like: two disgruntled men searching for love like Arthurian knights on their quest for the Holy Grail. If 'NOKIA' was an easy layup to score a hit, 'Somebody Loves Me' is a deep contested three that somehow goes in. It's got the feel of an R&B demo, with PARTYNEXTDOOR and Drake skittering around a half-time beat doing impassioned Future Hendrix impressions. When they take turns singing that big, despondent hook—'Who's out there for meeeeeeeee'—you can almost imagine them falling to their knees on the dancefloor. –Mano Sundaresan The House Favorites Zara Larsson: 'Midnight Sun' It wasn't supposed to happen like this. I'd always kept Zara Larsson—10-year-old Swedish singing competition winner-turned-pop workhorse—safely sequestered in cell block six of the Khia Asylum. But 'Midnight Sun' is simply too much my shit: Ray of Light via Jersey club by way of Lisa Frank, seemingly designed in a lab to short-circuit gay guys' critical thinking. So try to believe me when I insist that there is subtle craft at work here, in the mixolydian arpeggios that undergird the song's second verse, and the synth bass that flirts with Larsson's (highly capable) voice as she sings, 'It's been a while since I cried over something so nice.' And by its final chorus, 'Midnight Sun' gives up on syncopation entirely and begins jackhammering towards transcendence. Who needs subtlety anyway? –Walden Green Bamby: 'Pas Jalouse' [ft. Kerchak] She rides a motorcycle and doesn't need a man. He only came to the party to stir up trouble. But there's one thing she can't get off her mind: the way he looks underneath the ski mask he never takes off. She's Bamby, the lightning-hot French Guianese singer whose collaborations with Martinique shatta queen Maureen and Amsterdam dancehall producer Kybba dominate my summer playlist. He's Kerchak, the basso-voiced young French drill rapper recognizable by balaclava. And this is 'Pas Jalouse,' a will-they-won't-they dancefloor heat check with gothy orchestral ambiance and absolutely no right being this funny. –Anna Gaca Lana Del Rey: 'Henry, come on' Frustrated with what he saw was an inauthenticity in the way Americans were told to understand something so primal, the legendary boxing writer Jimmy Cannon once quipped that Howard Cosell was a guy who 'changed his name, put on a toupee, and tried to convince the world that he tells it like it is.' But over the course of Lizzy Grant's time as Lana Del Rey, her project—of using artifice as a lens onto spiritual truths—has only come to seem better suited for our world. On 'Henry, come on,' the Christian God and Icarus and Levi Strauss and John Wayne (né Marion Robert Morrison) conspire to make the speaker feel at peace in her abandonment, alone in the West, motionless on the edge of a frontier. –Paul A. Thompson Haim: 'Relationships' What's summer without making a little mess? On 'Relationships,' the melancholy high point of their new album, the Haim sisters try to figure out what's not working: why happiness can feel so sad, who really started that fight, whether two people can ever truly work out their differences. Caught in a wistful groove that seems to skip and loop on end, they throw platitudes at the problem until it seems like everything is about to break down. Until, suddenly, things start blooming—the sturdy bassline picks back up; the piano flutters in gentle harmony; and, for a second, it seems like maybe this time it really will be easy. –Sam Goldner Jorjiana: 'Shark (Remix)' [ft. Babyfxce E & Chuckyy] I like to think I'd be shredding waves at the Rockaways every summer if I never heard John Williams' Jaws theme. Fifty years on from the Spielberg hit, there's a new frightening fish-inspired song: Jorjiana's viral 'Shark,' where the cartoonishly deadpan Indiana rapper terrorizes faceless bozos like they're beachgoers in Martha's Vineyard. With the kind of simple and repetitive hook that is sort of annoying until it inevitably gets stuck in your head, she gets spicy and reworks old Veeze flows over a minimalist beat that keeps the ominous Jaws vibe intact. Babyfxce E and Chuckyy match her energy with punchline-fueled verses that build up the tension until Jorjiana swings back for another round of 'Shark, shark, shark, shark, shark, shark, shark a bitch.' It's so goofy and irresistible that I bet even 93-year-old big John would dig it. –Alphonse Pierre Left-Field Bangers Eli Escobar: 'i'll wait all day (4 U)' New York DJ Eli Escobar's 'i'll wait all day (4 U)' takes the architecture of the classic deep-in-the-feels club anthem and strips it to its essence: sunrise chords, a quick-stepping house rhythm, and a choppy, sped-up vocal hook that affixes itself to your heartstrings with a golden set of pliers. A bubbling synth arpeggio drifts and glistens, as bittersweet as a small, perfect thing behind glass. The effect is euphoric. 'i'll way all day (4 U)' is a song for falling in love on the dancefloor, for greeting the sunrise with a best friend, for coming out the other end of a long, hard slog and discovering that the secret to happiness lies inside yourself after all. –Philip Sherburne Media Puzzle: 'Bundy Vision' Nothing quenches musical thirst in summer quite like back-to-basics pop, and Media Puzzle figured out how to morph their fidgety punk into a satisfying sugar rush. Abiding by the genre's unspoken rules—less is more, sharpen the hook, at least one motto-ready lyric in the chorus—the Australian egg-punks are reclaiming pop songwriting from the grips of chart-chasers to make their own hit, 'Bundy Vision.' From the carbonated bassline to the angelic vocal harmonies cut short, it's got the right ingredients to go down easy. –Nina Corcoran Samba Jean-Baptiste: 'born again freestyle (shed a tear).mp3' Samba Jean-Baptiste is an artist who conjures the feeling of flipping through tear-stained scrapbook pages. Most exemplary is his bare-bones, string-laden 'born again freestyle,' a frigid track that's followed me between rainy days and heatwaves this summer. Nestled somewhere between Kid Cudi's earnest crooning and Dean Blunt's dry thespianism, Jean-Baptiste beckons for his lover to stay in spite of himself. 'A lot of good things come in weird packages, baby,' he sings, and I can picture that sheepish, give-me-one-more-chance kinda smile on his face. We've all been there, right? –Olivier Lafontant Smerz: 'Feisty' Stop, this is my soooooong! Like I'm the only girl in the wooooorld. OK OK, pee faster, pee faster, gotta get back out there!! Oh my God, no, of course, here, I'll pass you some toilet paper. Ugh, did you see him out there too? I can't believe we matched on Tinder, he's so not my type. You think he's flirting with me? Oh noooo—I mean, did you see his shoes? I guess that's what they're calling fashion these days. Ugh, is my eyeliner bleeding? Oh my God girl yes, of course you can borrow my lip gloss. Fuck, you look amazing! I love you, girl. You're right, fuck him. Hey, what's your name? –Arielle Gordon dexter in the newsagent: 'Special' Have you ever been so in love that you start talking crazy? On the brisk 'Special,' London's dexter in the newsagent meets us there, in those moments when the summer sun kisses our crushes so gracefully that we're ready to give it all away. She's reserved yet assured as she makes big promises behind sweet guitar plucks: 'I can love you like you want me to,' 'I can give you all you want and more.' It's a lot to offer, but it sounds so dreamy, the sort of love you want to root for. –Rae-Aila Crumble Sickboyrari: 'Can I gaal Yu' Summer is for flings, and also, in some cases, obsessively reinventing yourself in order to impress said flings. Just ask Sickboyrari, a lovelorn emo-rap legend who also answers to Black Kray, Gvcci Kray la Goth, 400 Dagree GothBwoi, Persian Cellphone Prince, and, a million other made-up monikers. Call it disingenuous, but there's a certain honesty in customizing yourself, presenting as the person you would rather be. On 'Can I gaal Yu,' he commits his most brazen act of shape-shifting yet—up-pitching, contorting, and layering his voice into a yearning squeak, like a small army of horny mice. The vocals might not sound human, but the desire certainly does. –Samuel Hyland Originally Appeared on Pitchfork Solve the daily Crossword
Yahoo
14 hours ago
- Yahoo
📷 How cool does that look?! Real Madrid unveil third kit!
Real Madrid has already presented their home and away jerseys for the 2025/2026 season in the past weeks. Now, the Royals have completed the set for the coming year and also introduced their away shirt. The new jersey is entirely in blue and white and comes across as almost prohibitively elegant. Real explained that the jersey was "inspired by the legendary blue seats of the old Santiago Bernabéu." In addition, it says: "The white jagged stripes are a tribute to the famous blue shoe box from adidas, while a subtle diagonal pattern provides additional structure and depth." Moreover, the kit reminds us of the good old days and a certain Cristiano Ronaldo. What do you think of the new jersey? Let us know in the comments! This article was translated into English by Artificial Intelligence. You can read the original version in 🇩🇪 here. 📸 JUAN MABROMATA - AFP or licensors
