logo
Selena Gomez struggles to announce Kneecap win at the Baftas 2025

Selena Gomez struggles to announce Kneecap win at the Baftas 2025

Yahoo16-02-2025

Selena Gomez made a hefty blunder on the stage of the Baftas 2025 when it came to giving an award to the Irish drama Kneecap. The Irish-language film's director Rich Peppiatt won the award for Outstanding Debut by a British Writer, Director or Producer.
Gomez presented the prize alongside her Emilia Pérez co-star Zoë Saldaña, but appeared to struggle when she saw the name Kneecap inside the envelope. She monetarily looked to Saldaña for support before getting herself back on track.
Gomez and Saldaña took to the stage to present the award, which Peppiatt won ahead of fellow exciting debutants, including Dev Patel for Monkey Man. But when she and Saldaña opened the envelope, Gomez poured and muttered "I don't know how to say...", pushing the card towards Saldaña.
The star eventually gathered herself and was able to announced that Peppiatt's quasi-biopic of the titular band — who play themselves in the movie — had won the award. One viewer on Twitter suggested that "Selena Gomez saw Gaelic and panicked".
Read more:
The 5 Bafta-nominated movies you have to watch from Kneecap to Conclave (Yahoo Entertainment, 5 min read)
See All the Best Looks from the 2025 BAFTA Film Awards Red Carpet (IndieWire, 1 min read)
Baftas 2025: the winners, the jokes, the snubbed A-Listers (The Standard, 2 min read)
In a heart-warming speech, Peppiatt explained how the film came about. "15 years ago, I actually met my wife and a decade later she convinced me to move to Belfast. Within two weeks of moving to Belfast, I met Kneecap, and now I'm standing here. It's weird how life works like that," he said.
The filmmaker then turned his attention to the wider meaning of Kneecap, especially given events elsewhere in the world. He said: "Kneecap is more than a film. It's a movement. It's about how everyone should have their language respected. They should have their culture respected and they should have their homeland respected. And so this award is dedicated to everyone who's out there fighting that fight."
David Tennant served as host for the Baftas telecast, which opened with a entertaining musical number in which he marched through the theatre encouraging a sing-along of Proclaimers hit I'm Gonna Be (500 Miles). Fittingly, fellow Scottish actor Brian Cox got the segment started.
It was a great night from the start for Wallace and Gromit: Vengeance Most Fowl, which won two awards. There was British talent on show throughout, including a musical performance from Take That, whose song Greatest Day was used in the opening scene of Anora.
The Bafta Film Awards aired on BBC One and is streaming now on BBC iPlayer.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Circus Vegas presents BRAND NEW show for 2025
Circus Vegas presents BRAND NEW show for 2025

Yahoo

time21 minutes ago

  • Yahoo

Circus Vegas presents BRAND NEW show for 2025

Circus Vegas's new production is now on tour in Glasgow until June 22nd! From the producers of some of the world's finest circuses comes a brand-new show specially created for a brilliant Scottish tour in 2025. A one-of-a-kind performance, featuring the most talented dare devil performers and extreme® acts from all four corners of the globe, world-class music, youthful energy, high-level talent, and showcasing a Las Vegas production! It has to be seen to be believed! In an age where so much entertainment is digital, pre-recorded, or enhanced by special effects, the raw, real-time spectacle of Circus Vegas offers a breath of fresh air. Every feat performed live under the Big Top will have audiences questioning their own eyes. Highlights include: The jaw-dropping Globe of Death, as motorbike riders loop vertically and horizontally within a giant mesh sphere From Cuba, Mayrelis presents her world-renowned Hair Hanging act, floating high above the ring suspended only by her hair Making a special UK appearance on the Aerial Chandelier, the acclaimed British performer Amber joins the cast for the very first time — performing a breath-taking aerial routine at times suspended entirely by her teeth The incredible Wheel of Death, hula hoop artistry, juggling, and our troupe of dancers — all bringing never-before-seen twists to the UK stage From Tanzania, the awe-inspiring Bellagio Warriors bring a burst of African energy to the ring with their high-octane acrobatic displays – a thrilling fusion of strength, rhythm, and spectacle guaranteed to have audiences on their feet Legendary circus character Papeluxo brings comedy and charm throughout the show And standing at just four feet tall, the world's smallest stuntman, George the Dragon (Jorge Cabrera Matachana), amazes with daring tricks and fearless showmanship This truly is a show with something for everyone — whether you're a petrolhead, thrill-seeker, theatre-goer, or simply looking to experience one of the most exciting live events of the year. The show runs for approximately two hours and takes place in a climate-controlled, theatre-style Big Top with comfortable seating. This circus is the finest show to come to town under the Circus Vegas banner, and this famous name has always been your guarantee of a great show, a rare treat, great fun, and something for all ages. Circus Vegas will be in the Scotland for a limited run — so make certain this sure-fire hit is a definite for your diary. A show for everyone with that special showbiz glitz! It's like Vegas on wheels Tickets available now at Glasgow Show Times: Silverburn Shopping Centre, Green Car Park, G53 6AG Friday June 13th… 5pm & 7.45pm Saturday June 14th… 2pm, 5pm & 7.45pm Sunday June 15th… 2pm & 5pm Mon June 16th… No Performances Tues June 17th… 7pm ONLY Wed June 18th… 7pm ONLY Thur June 19th… 5pm & 7.45pm Fri June 20th… 5pm & 7.45pm Sat June 21st… 2pm, 5pm & 7.45pm Sun June 22nd… 12 Noon & 3pm Shows also taking place: Dundee, Riverside Park, DD2 1UG Wed June 25th to Wed July 2nd 2025 Inverness, Caledonian Thistle FC, IV1 1FF Fri July 4th to Wed July 9th 2025 Stirling, Kings Park, FK8 2RF Fri July 11th to Tue July 15th 2025 Livingston, Howden Park, EH54 6AE Fri July 18th to Tue July 22nd 2025 Aberdeen, Beach Links (Opp. Burger King), AB24 5EN Fri July 25th to Tue Aug 12th 2025

‘We Did Not Make ‘Animal Farm' for Any Algorithm': Director Andy Serkis on Animating Orwell
‘We Did Not Make ‘Animal Farm' for Any Algorithm': Director Andy Serkis on Animating Orwell

Yahoo

timean hour ago

  • Yahoo

‘We Did Not Make ‘Animal Farm' for Any Algorithm': Director Andy Serkis on Animating Orwell

'Animal Farm' has always been, since its first publication in 1945 by British novelist George Orwell, both a timeless tale and a story of its time. It is no surprise, then, that Andy Serkis' animated adaptation feels so deeply rooted in our own contemporary world. Bringing the film to its global premiere at the Annecy Animation Festival yesterday, Serkis appeared moved and delighted to present 'Animal Farm' in front of a packed Bonlieu. The film features a star-studded cast led by Seth Rogen (voicing a rowdy/eerie version of Napoleon), Gaten Matarazzo (Lucky), Woody Harrelson (Boxer) and Laverne Cox (Snowball), along with talents such as Iman Vellani, Kieran Culkin, Glenn Close and Serkis himself. More from Variety Nickelodeon, Paramount Animation Smurf Up Annecy Crowds With Packed Slate and Exclusive SpongeBob SquarePants Preview Cartoon Network Studios Icons McCracken, Tartakovsky, Sugar, Quintel, Ward and Muto on The Studio, State of the Industry and What Inspires Them Taicca and Gobelins Paris Announce Partnership at Annecy to 'Nurture Original Stories from Taiwan': 'Dream Bigger and Reach Further' Back for the second year at an event that he, according to artistic director Marcel Jean, 'immediately fell in love with,' Serkis spoke with Variety about the film, decades in the making. Firstly, what compelled you to adapt this particular story? I have such strong memories of reading the book when I was around twelve. Along with the 'Hobbit' book, those were the two books that really resonated with me. Then I saw a theatrical production at the National Theatre in London in the 1980s, and I thought, wow, there's a way of telling this story visually as well. Smash cut to 2011, when I was working on 'The Rise of the Planet of the Apes,' and we were shooting the sequence where Caesar, the character I was playing, leads the apes to freedom in a sort of rebellion. And suddenly I realized that there hadn't been a cinematic representation of 'Animal Farm' for a long time. We started to work on it and did a lot of experimenting, which led us to realize that animation was the right medium for this adaptation. That allowed us to keep the innocence of the storytelling that the original book had, while being able to say much more than live action would allow us to do. In live action, such a story would necessarily have been darker from the outset. Whereas with an animated movie, breaking those ties with reality and keeping Orwell's book, which he described as a fairy tale, in that realm gave us much more freedom to still have emotional engagement with the characters, keep it innocent, and then progressively let the darker themes come in underneath that. Humor also plays a great part in your modern adaptation, especially through Napoleon's character. Why was it important to you? We didn't want to create a cardboard cutout sort of villain from the start, where it was obvious that he was scheming, plotting and planning. Our world is a lot more complex now. The notion of truth is almost destroyed so that we are blinded by what is happening. When we started writing Napoleon many years ago, there was already a sense that the world was changing and that the pillars of our society we took for granted were already being undermined and destroyed. Having a charismatic leader who leans on funny at the same time seemed to work for us. I've said it many times, but the book is 80 years old, and it still feels as fresh and relevant today as it ever was. How have your casting choices shaped this adaptation, if they have in any way? They definitely have. We spoke to Seth Rogen about 12 years ago, when it was still going to be a performance-capture live-action film, same for Jim Parsons and Glenn Close as well, and they remained loyal to the project even though it took such a long time to complete. When we decided to turn it into an animated movie and things started to ramp up, we wanted great actors who could really embody the roles fully. We brought Steve Buscemi, Iman Vellani, Laverne Cox on board. In truth, we felt so blessed because everyone wanted to do it because of the passion for the book they had. To whom did you create this film for? What audience did you have in mind when building this project? I would say this is a film for people of all ages. We've screened it for young kids, and they absolutely loved it, and I think it's because it's not patronizing to them. It actually asks them to put themselves in the central character's position. That was a big decision on my part, to find a central character that is innocent, becomes corrupted and realizes that he is corrupted. I wanted to take our young audience into that world where they have to do some adult thinking, and vice versa. Family films tend to either be patronizing to children or feel like they have to satisfy the adults, and it feels like it's just doing a job of ticking boxes. We did not make this film for any algorithm. We made it because we feel that this is the right way to tell a story. Orwell wanted to write for young inquiring minds who had to make tough decisions, and that guided us for this adaptation. How has working with the animated medium shaped your vision of cinema? I've always loved animation, back to my very first memories of watching Disney classics such as 'Snow White and the Seven Dwarfs' or 'The Aristocats.' It's the first time you get to experience emotions other than your own in a shared environment, and it transports you. Even though it didn't start as one, I'm so glad that this project ended as an animated movie, and I've learned a huge amount as a director. I'd definitely like to do more animation, but at the same time when we were into production, I thought I would never want to do animation again. Animation is a very long process, but in it you learn to value every single frame, because everything in them is thought precisely and woven carefully. Every decision has to be made because you're basically creating every single pixel on screen, and that's a beautiful thing. It makes you realize how valuable every moment is. Going back to Lucky's character: Around the end of the film, Lucky rouses all animals by asking them to remember what brought them together in the first place. As human beings, what would you want us to remember today? To really remember that truth is something to be valued. Honesty, selflessness as well. We have all become self-driven, and I think it's worth reminding ourselves that there is satisfaction to be had in working not for yourself but for the benefit of others. That all sounds very woolly and, in a way, utopian. But I do think that there are certain core human values that are slipping away, and I think that our story somehow questions that. Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week

‘Ginny & Georgia' Season 3 Opens With 17.6 Million Views in Four Days
‘Ginny & Georgia' Season 3 Opens With 17.6 Million Views in Four Days

Yahoo

timean hour ago

  • Yahoo

‘Ginny & Georgia' Season 3 Opens With 17.6 Million Views in Four Days

Season 3 of 'Ginny & Georgia' was the most-watched TV title on Netflix during the week of June 2-8, racking up 17.6 million views after its June 5 premiere. In addition, the release of Season 3 drew viewers back towards Seasons 1 and 2, which also landed in the weekly Netflix Top 10 at No. 6 on the English-language TV chart with 3 million views and No. 9 with 2.5 million views, respectively. More from Variety Netflix's 'Little House on the Prairie' Reboot Begins Filming, Drops First Photos of the New Ingalls Family Cast Together How 'American Primeval,' 'Daredevil' and 'The Last of Us' Pulled Off Some of the Year's Biggest Stunt-Filled Action Set Pieces Netflix to Invest Over $1.2 Billion in Spain Over 2025-28 The only title to beat 'Ginny & Georgia' was the Tyler Perry's 'Straw,' which led the English-language movies chart with 25.3 million views. Back on the TV chart, the second-place title for June 2-8 was 'Dept. Q,' which jumped to 8.9 million views after debuting at No. 3 with 6 million views the week before. It was followed by 'Sirens,' which reached 7.9 million views in its third week on the chart. 'The Survivors' debuted at No. 4 with 5.3 million views, followed by the fourth week of 'American Manhunt: Osama bin Laden' with 3.4 million views. In between Seasons 1 and 2 of 'Ginny & Georgia,' at No. 7 and No. 8, were 'Cold Case: The Tylenol Murders' with 2.9 million views in its second week and the June 2 edition of 'Raw: 2025' with 2.7 million views. In tenth place was 'Ms. Rachel,' which hit 2.1 million views in its 14th appearance on the chart. See the Netflix Top 10 charts for June 2-8 below, starting with English-language series and movies and followed by non-English-language series and movies. Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store