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‘Jaws' 50th Anniversary Documentary Sets Summer Release Date on National Geographic, Disney+, and Hulu
Just when you thought it was safe to go back in the water, 'Jaws' is circling the boat yet again. In honor of the legendary blockbuster's 50th anniversary, National Geographic is premiering 'Jaws @ 50: The Definitive Inside Story' in July. From 'Faye' and 'Music by John Williams' filmmaker Laurent Bouzereau, the documentary will explore the notoriously troubled shoot, its groundbreaking release, and the ripple effects the movie had on the industry and beach culture. 'Jaws @ 50' will air at 9 p.m. ET on July 10 on National Geographic and then stream the next day on Disney+ and Hulu. Spielberg, along with production designer Joe Alves, actors Jonathan Filley, Lorriane Gary, Carl Gottieb, Jeffrey Kramer, Jeffrey Voorhees, and composer John Williams are all interviewed. The documentary will also feature insight from high-profile fans and filmmakers, including Jordan Peele, Steven Soderbergh, James Cameron, Cameron Crowe, Emily Blunt, Greg Nicotero, J.J. Abrams, George Lucas, and Guillermo del Toro. More from IndieWire 'King of the Hill' Creators and Cast Share Revival Details: 'A Whole World of Things to Annoy Hank' Why Netflix Moved on from 'CoComelon' - and How It Hopes to Replace It in the Kids Programming Wars Soderbergh told IndieWire's Filmmaker Toolkit podcast in January that he was working on an 'inside baseball' book, intended just for filmmakers, on the 'Jaws' production. 'After they've done all the land shooting, and they get out into the ocean … it starts to go bad,' Soderbergh said. 'As a filmmaker, reading these logs and these descriptions, it's excruciating, it's painful. I know what it's like to have things not happening [right], but this is on a level that is just mind-blowing.' The chaotic 'Jaws' history is perhaps best known for its malfunctioning shark. During a 1995 documentary interview, Richard Dreyfuss recalled the months-long location shoot in Martha's Vineyard. 'There were all these radio mics all over the island … so wherever you were on the island, you could hear the radio mics, and they were always saying, 'The shark is not working. The shark is not working. Repeat, the shark is not working.' No matter where you were and for months,' Dreyfuss recalled. 'Jaws @ 50' is the latest in a string of celebrations for the classic, which will culminate in the unveiling of the Academy Museum of Motion Picture's ambitious 'Jaws: The Exhibition' on September 14. In addition to 'Bruce the Shark,' the 25-foot-long full-scale shark model from the movie that has been on display since the museum's opening in 2021, 'Jaws: The Exhibition' will include numerous artifacts and rare documents related to the film, many of which come directly from Spielberg himself. 'Jaws' cost less than $9 million to produce, but it grossed over $470 million worldwide, beating out a crowded 1975 slate that also included 'Dog Day Afternoon,' 'Shampoo' and 'One Flew Over the Cuckoo's Nest.' 'Jaws @ 50' premieres July 10 on National Geographic, and July 11 on Disney+ and Hulu. Watch the trailer below: Best of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie The 55 Best LGBTQ Movies and TV Shows Streaming on Netflix Right Now
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Screen Talk's Winners and Losers of the 2025 Cannes Film Festival
As IndieWire wraps up our Cannes Film Festival coverage — see our favorite films of the festival here and our annual critics survey here — so does the Screen Talk podcast. This week, hosts Anne Thompson and Ryan Lattanzio debate the late-breaking premieres like 'The History of Sound' and 'The Mastermind,' finally get a chance to gush over 'Sentimental Value,' and speculate on what countries might submit Cannes premieres for the International Feature Oscar. Since Iran will never submit its dissident director Jafar Panahi, who's back in his home country post-Cannes despite legal battles and decades of censorship attempts by the Islamic Republic, for Palme d'Or winner 'It Was Just an Accident,' we're going with Luxembourg as the country to pick this film for the Oscars. Both France and Luxembourg have production stakes in the film, though France will have plenty of other contenders to work with. More from IndieWire Cannes 2025 Films Sold So Far: Kino Lorber Buys 'Amrum' from Director Fatih Akin Ariana Grande Joins 'Meet the Parents 4' Cast with Ben Stiller and Robert De Niro Norway, no question, will submit Grand Prix winner 'Sentimental Value' from Joachim Trier, which Anne says has one of the great onscreen sister bonding moments of all time shared by actresses Renate Reinsve and Inga Ibsdotter Lilleaas. Both could be in the Oscar running with the right Neon campaign. (Check out our no-holds-barred interview with Tom Quinn on the ground here.) Anne finally saw 'Sîrat,' the French-Spanish co-production directed by Oliver Laxe, another late-festival Neon pick-up, despite watching some of it with her hands over her eyes. She compares the film to 'The Wages of Fear' and its remake 'Sorcerer' as a road odyssey in which trucks plow across the Moroccan desert. The great Sergi López stars as a father who, traveling with his young son, searches for his missing daughter amid marauding throngs of drug-fueled ravers. Ryan rewatched the film and has a better grasp of what it's trying to say now. That morning in Cannes, he just wasn't in the mood for this particularly fatalistic, dance-until-we-die apocalyptic vision. The hosts are split on Kelly Reichardt's anti-heist movie 'The Mastermind,' which rigorously stages with impeccable 1970 detail a story of a clumsy art thief (Josh O'Connor) falling down the hole of his own poorly hatched plan. Anne points out that Reichardt is 'slow as molasses' as ever, while Ryan lapped up the period elements and casting, even if the charismatic Alana Haim is gravely underused. Also, we wanted more heat (i.e. sex) from Oliver Hermanus' 'The History of Sound,' which features a great O'Connor performance as well as another moving turn from Paul Mescal. Ryan likes this film more than Anne, though they both admit it's a perhaps too handsomely made period love story. Finally, we share thoughts on the season finale of 'The Last of Us,' which ends with a soap-operatic-level cliffhanger that will keep us on edge for the show's return more than a year from of IndieWire Nightmare Film Shoots: The 38 Most Grueling Films Ever Made, from 'Deliverance' to 'The Wages of Fear' Quentin Tarantino's Favorite Movies: 65 Films the Director Wants You to See The 19 Best Thrillers Streaming on Netflix in May, from 'Fair Play' to 'Emily the Criminal'
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Own Your Audience, Shape Your Future: How Filmmakers Are Rewriting the Rules at Cannes
'When you own your audience, you own your future.' That line set the tone at 'Build Your Audience, Own Your Future,' a panel at the 2025 Cannes Film Festival hosted by the American Pavilion. The takeaway: If you're a filmmaker, your success doesn't depend on getting picked. You can start building your path now. More from IndieWire Tom Cruise to Be Celebrated at MoMI with 'Above and Beyond' Retrospective Festival Cannes 2025 Films Sold So Far: Janus Films Acquires Hlynur Pálmason's 'The Love That Remains' Filmmaker Richard Olla shared how her short film 'Cow Heavy and Floral,' a split-screen portrait of a postpartum writer, didn't follow the traditional festival route. 'You wait 12 to 18 months to see if the festivals say yes,' she said. 'But that was unacceptable to us.' Instead, she and her team built their own screenings, connected with parenting groups and policy advocates, and created a companion initiative called Meals About Motherhood to host conversations around the film. 'We're not trying to do it for the money,' Olla said. 'But we have to make it accessible. And it makes me feel like the joy of creating is back in my hands.' The result is a film that's now screened in 19 states and never had a festival premiere. Producer Leila Meadow O'Connor, co-founder of The Popcorn List, took a different approach to audience-building. Her platform, which has been called 'the Black List for undistributed films,' collects strong festival titles that haven't yet found distribution. 'Art houses needed new films,' she said. 'Great movies were out there. We created a signal boost.' The Popcorn List has already highlighted nearly 40 features, many from first-time directors. Next up: a national tour to bring these films to theaters in 10–15 cities. 'Filmmakers may not have money,' O'Connor said, 'but they have social capital. We're asking: How can we all lift each other up?' Few people understand the indie landscape like Ted Hope, who's produced dozens of films including 'American Splendor' and 'Martha Marcy May Marlene.' But even he's looking forward, not back. 'I don't need your films,' he said. 'I've already picked every movie I want to see before I die. The only reason I need your work is because it reflects today's world. That's your power.' Hope now runs Hope for Film, a Substack and filmmaker community focused on ownership, transparency, and sustainability. His big prediction? 'In five years, distribution will be a service,' he said. 'And the core of that shift will be your relationship with your audience.' He encourages filmmakers to think beyond one project. Post updates. Share lessons. Build a community. Just start. 'Success isn't measured by money,' he said. 'It's about sustaining your practice without needing permission.' The message was clear: You don't have to wait. Whether you're making a short, a doc, or your first microbudget feature, you have the tools to reach people now. But it starts with clarity. 'Ask yourself: What's your goal?' Olla said. 'Is it prestige? Impact? Community? That answer shapes everything else.' As the panel wrapped, Ted Hope handed out QR codes for his newsletter—and reminded filmmakers to give something of value, right there in the room. 'The cinema is no longer just your neighborhood,' he said. 'It's global. Everything you've felt has already been felt by someone else, somewhere else. And they're waiting to hear from you.' Best of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie The 55 Best LGBTQ Movies and TV Shows Streaming on Netflix Right Now
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Pete Davidson Uncovers a Retirement Community Serial Killer in ‘The Home' Trailer
Pete Davidson is making his horror debut with the latest thriller from 'The Purge' creator James DeMonaco. After starring in killer comedy 'Bodies Bodies Bodies,' Davidson fully leans into the genre with DeMonaco's 'The Home' which is set in a retirement community. Davidson plays a rebellious twentysomething who is sentenced to community service at the seemingly-quiet nursing home. However, the residents on the fourth floor are strictly off-limits due to their 'special care' procedures. As the logline teases, 'as his suspicions grow and he digs deeper, he uncovers a chilling secret that puts both the residents' lives and his own in grave danger.' John Glover and Bruce Altman also star. DeMonaco directs from a script he co-wrote with Adam Cantor. More from IndieWire Cannes 2025 Films Sold So Far: Janus Films Acquires Hlynur Pálmason's 'The Love That Remains' Ana de Armas 'Hated' Singing in Ron Howard's 'Eden': 'I Would Rather Do 100 Stunts' 'When I set out to create 'The Home,' I aimed to capture the spine-chilling eeriness of 70's horror, where suspense simmers and ultimately erupts into glorious chaos,' DeMonaco said. 'Joining me is my Staten Island brother, Pete Davidson, who unveils a darker, dramatic side as his character navigates a bizarre group of residents in an old age home. The growing tension culminates in an epic blood-soaked finale, designed to leave audiences gasping, terrified, and cheering. I can't wait for everyone to visit The Home. Cover your eyes, folks.' 'The Home' is produced by Bill Block and Sebastien K. Lemercier. In addition to 'The Home,' Davidson recently has appeared in 'Riff Raff' and is set to star in 'The Pickup' alongside Eddie Murphy. Davidson also returned to 'Saturday Night Live' for the 'SNL50' event earlier this year; the actor starred on the sketch series from 2014 to 2022. 'I think I was very lucky to get my own own video [during the 'SNL50' special],' Davidson told Variety. 'There's 1,000 cast members and hundreds that are more popular and did better work than I did while I was there. I was just very grateful to be in a sketch and have a video and even just be invited. It was very surreal to see.' Davidson added, 'I know I was there for almost a decade but even when I came back and hosted, I was like, 'Wow, I do know all these guys.' I know [creator] Lorne [Michaels], I know most of the cast. It just hits different when you see, like, Meryl Streep doing a sketch. And I also know it was a bunch of people who were in nothing so I'm just very grateful. It was a really surreal moment, and I'm happy that it went well for Lorne and just for the history and the integrity of the institution.' He added that Michaels, who executive produced Davidson's meta Peacock series 'Bupkis,' was a father figure to him. Lionsgate and Roadside Attractions will co-release 'The Home' in theaters July 25. Check out the trailer below. Best of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie The 55 Best LGBTQ Movies and TV Shows Streaming on Netflix Right Now
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Tom Cruise and Christopher McQuarrie Are Having ‘Serious Conversations' About a ‘Tropic Thunder' Spinoff
Though still in the thick of promoting 'Mission: Impossible — The Final Reckoning,' writer/director Christopher McQuarrie and Tom Cruise are already working on their next pair-up — it just might not be what you expect. 'The conversations we've had about Les Grossman are so fucking funny,' McQuarrie said in a recent interview with Josh Horowitz on his 'Happy Sad Confused' podcast. More from IndieWire 'Mission: Impossible': Director Christopher McQuarrie Climbed Onto the Wing of a 140-mph Plane Himself All 8 'Mission: Impossible' Movies, Ranked Worst to Best Cruise played the fictional Hollywood power player in the 2008 satire 'Tropic Thunder' from director Ben Stiller. Heavily modeled on Scott Rudin, Grossman is a Diet Coke-swilling, obscenity-prone producer with no filter and tendencies toward anger, as well as dance. It may sound silly to center an entire film around him, but McQuarrie and Cruise are actively looking for a way in. 'We're having serious conversations about it and how best to do it,' McQuarrie said. 'It ultimately comes down to what that character is.' The big question remains whether people will want to watch a film with Grossman as the lead character. McQuarrie explained that the 'leading man' status Cruise holds makes it difficult to place him in roles that are so monstrous. Even with 'Magnolia,' which earned Cruise an Academy Award nomination, the actor was part of a very large ensemble, making it easier for him not to have to carry the whole film. 'Ethan Hunt, a character of whom people can be critical, is on rails,' said McQuarrie. 'There's so little he is able to do outside of his responsibilities as a leading man and when you try and push those boundaries, 'Mission' instantaneously cease to become 'Mission.'' Right now, McQuarrie and Cruise are not trying to figure out a plot to drop Grossman into as much as they're thinking of specific scenes they'd like to see him play. Moreover, discussing ideas around this character has offered a welcome reprieve from their other responsibilities, particularly on 'The Final Reckoning.' 'Just to be sitting at the breakfast table, not talking about the movie we're making for a minute,' McQuarrie told Horowitz, 'is such decompression. And just riffing with Tom, playing to Les Grossman — it was one of the real joys of making this movie.' In addition to this possible 'Tropic Thunder' spinoff, McQuarrie and Cruise are also working on a number of other ideas, including a 'Days of Thunder' sequel, another installment in the 'Top Gun' franchise, and a musical. Watch McQuarrie's full interview on 'Happy Sad Confused' below. 'Mission Impossible: The Final Reckoning' is currently in theaters from Paramount Pictures. Best of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie The 55 Best LGBTQ Movies and TV Shows Streaming on Netflix Right Now
