logo
JOHN RAMBO Origin Movie Is Charging Into Development With The Director of SISU — GeekTyrant

JOHN RAMBO Origin Movie Is Charging Into Development With The Director of SISU — GeekTyrant

Geek Tyrant15-05-2025

John Rambo is coming back, but this time he'll be younger, angrier, and with a whole war ahead of him. Millennium Media is officially launching John Rambo , a prequel to Rambo: First Blood , and they're taking it to market at Cannes.
Stepping in to direct the origin story is Rare Exports , Big Game , and Sisu director Jalmari Helander, a guy who knows his way around gritty action with emotional punch.
The script comes from writing duo Rory Haines and Sohrab Noshirvani ( Black Adam, The Mauritanian, Informer ), with production aiming to kick off in Thailand this October.
Casting is still in progress, but it's going to focus on a young Rambo during the Vietnam War.
As for Sylvester Stallone, he's aware of the project but not currently involved. However, producers haven't ruled out a potential role for him. If the right part comes along, the door's open. Stallone had his own vision for a prequel film, previously sharing:
'I always thought of Rambo when he was 16 or 17 – I hope they can do the prequel – he was the best person you could find. He was the captain of the team; he was the most popular kid in school; super athlete. He was like Jim Thorpe, and the war is what changed him. If you saw him before, he was like the perfect guy.'
Millennium President Jonathan Yunger called the new chapter 'a tribute to one of the best franchises in movie history,' adding:
'We are thrilled to introduce a fresh new chapter to the Rambo legacy. This project is a tribute to one of the best franchises in movie history that will appeal to both longtime fans and new audiences alike.
'With Jalmari Helander at the helm—a filmmaker of exceptional vision and energy—we've found the perfect director to deliver a high-concept action-packed experience.'
Helander, who's clearly living a childhood dream, said:
'I have been the biggest fan of Rambo since the age of 11. It is so surreal to be in a situation where I can actually make my own Rambo movie.
'The chain of events that got me here makes, in a fantastic way, my whole childhood make sense. I can't wait to bring the greatest action hero back to the big screen where he belongs!'
This is the first time the Rambo universe is peeling back the layers of its legendary hero to show who he was before the bloodshed began. While details about the story are still under wraps, given the creative team involved, expect it to be intense and loaded with crazy action.
The original First Blood hit theaters in 1982 and was based on David Morell's novel. Stallone's portrayal of the tormented Vietnam vet turned survivalist icon launched a five-film franchise that earned more than $800 million worldwide. The most recent installment, Rambo: Last Blood (2019), brought in $92M at the box office.
John Rambo is being produced by Kevin King-Templeton, Les Weldon, Jonathan Yunger, and Avi Lerner, with executive producers Trevor Short, Dallas Sonnier, and Amanda Presmyk.
One thing's clear… Rambo's legacy is far from over.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Alice Notley, poet celebrated for ‘restless reinvention,' dies at 79
Alice Notley, poet celebrated for ‘restless reinvention,' dies at 79

Boston Globe

time2 hours ago

  • Boston Globe

Alice Notley, poet celebrated for ‘restless reinvention,' dies at 79

Ms. Notley took traditional forms of poetry such as villanelles and sonnets and laced them with experimental language that fluctuated between vernacular speech and dense lyricism. She also created pictorial poetry, or calligrams, in which she contorted words into fantastical shapes. In her 2020 collection, 'For the Ride,' one calligram took the form of a winged coyote. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up 'The signature of her work is a restless reinvention and a distrust of groupthink that remains true to her forebear's directive: to not give a damn,' David S. Wallace wrote in The New Yorker in 2020. Advertisement As Ms. Notley herself said in a 2010 essay, 'It's necessary to maintain a state of disobedience against ... everything.' She wrote without restraint, saying that she never edited or revised her work. And she largely shunned academia; poetry, she said in a 2009 interview with The Kenyon Review, 'should feel hugely uncomfortable in the academy.' Advertisement Though often identified as a key figure in the second generation of the New York School of poets -- alongside Ron Padgett, Anne Waldman, and Ted Berrigan, who became her first husband -- Ms. Notley shirked the labels critics gave her: feminist, expatriate, avant-garde provocateur. 'Each of these labels sheds a little light on Notley's work, but it's the fact of their sheer number that's most illuminating,' the poet Joel Brouwer wrote of her 2007 collection, 'In the Pines,' in The New York Times Book Review. 'This is a poet who persistently exceeds, or eludes, the sum of her associations.' Padgett praised Ms. Notley for her 'vastness of mind.' 'Alice's main influence was herself and her interior life,' he said in an interview, 'and by interior life, I mean both her conscious waking thinking and her dream life, especially.' Ms. Notley realized early in her career that, as she wrote in a 2022 essay for the website Literary Hub, her 'dreaming self was better at some aspects of poetry writing than I, awake, was.' Her dreamlike style lent a 'sort of seer quality' to her poems, Waldman said in an interview. 'There's this traveling through realms,' she added. 'There's a great fluidity in her poetry, a lyric quality -- these different voices and modes -- and then there's magic: dreamlike connections where it shifts and suddenly you're somewhere else.' In the 1980s, several of Ms. Notley's loved ones died: her husband, Berrigan, in 1983 from complications of hepatitis; her stepdaughter, Kate Berrigan, in 1987 after she was struck by a motorcycle; and her brother Albert Notley, a Vietnam War veteran who suffered from post-traumatic stress disorder, in 1988. Advertisement Ms. Notley said their voices had continued to speak to her, so she translated them into poetry. 'At Night the States,' written two years after Berrigan's death, reflects on the absence of a person: At night the states I forget them or I wish I was there in that one under the Stars. It smells like June in this night so sweet like air. I may have decided that the States are not that tired Or I have thought so. I have thought that. The poem 'Beginning With a Stain' is an elegy for her stepdaughter. And 'White Phosphorus,' one of her most acclaimed poems, was written for her brother: 'He said, 'I've come home; I've finally come home' then he died' 'flowers' 'Magnolias & lilies' 'innocent now' 'I've come home. Who's there? at home? all the dead?" 'To come home from the war' 'years after' 'To die' Albert Notley's death also influenced Alice Notley's best-known work, 'The Descent of Alette' (1992). Mired in grief, she began riding the subway in New York City. 'I would go from car to car and imagine these fantastic scenes,' she said last year in an interview with The Paris Review. 'I conceived of the subway as being this place that no one could leave.' In 'Alette,' a story evoking the descents into the underworld in Greek mythology, a female narrator, banished to the depths of the subway, must kill an all-powerful tyrant. She imagined 'Alette' as a feminine epic that sought to reclaim the form from men; in 2010 she called it 'an immense act of rebellion against dominant social forces.' Painter Rudy Burckhardt, a friend, called Ms. Notley 'our present-day Homer.' Advertisement Alice Elizabeth Notley was born Nov. 8, 1945, in Bisbee, Ariz., and spent most of her childhood in Needles, Calif., on the edge of the Mojave Desert, where her parents, Beulah (Oliver) and Albert Notley, ran an auto supply store. The Latin lessons she took in high school would later inform the prosody of her poems, as did folk and country songs. Her childhood was happy, 'but I was very impatient to grow up, and I wanted to leave Needles,' she told The Paris Review. 'I knew I had to, because I was going to become a weirdo.' She moved to New York to attend Barnard College in 1963. After graduating, she pursued a master's degree in fiction and poetry at the Iowa Writers' Workshop, where she forged a close relationship with poet Anselm Hollo, who taught there, and met Berrigan. They married in 1972 and lived nomadically, keeping afloat through Berrigan's teaching jobs. They briefly stayed with painter Larry Rivers in the garage of his home in Southampton, N.Y. In Bolinas, Calif., in Marin County, they resided in what she called a 'chicken house' that belonged to writers Lewis and Phoebe MacAdams. Ms. Notley's early work, in the 1970s and '80s, centered on new motherhood -- her sons, Anselm and Edmund, were born in 1972 and 1974 -- and her writing was colored by the intermingling voices of her and her sons. 'Mommy what's this fork doing?/What?/It's being Donald Duck,' she wrote in her 1981 poem 'January.' 'Notley wrote extensively about pregnancy, childbirth and child-rearing at a time when the poetry world was often inhospitable to women,' Wallace wrote in The New Yorker, adding that 'her influence for a later generation of poets exploring these same subjects is hard to overstate.' Advertisement In early-1970s Chicago, she edited Chicago, an important mimeographed magazine, and helped build the avant-garde scene there. In New York, she taught workshops to a generation of influential poets, including Eileen Myles, Bob Holman, and Patricia Spears Jones. Despite their prominence in the community, she and her husband struggled financially and lacked medical care; Berrigan's hepatitis went untreated. 'We had 20 dollars on the day Ted died,' Ms. Notley said. Throughout the 1980s, her poems grew longer and acquired more mythical tones. That trend continued in the 1990s, when she moved to Paris with poet Douglas Oliver, whom she married in 1988. They founded two literary magazines there, Gare du Nord and Scarlet. Oliver died in 2000. In addition to her sons, Ms. Notley leaves two sisters, Rebecca White and Margaret Notley, and two granddaughters. This article originally appeared in

Thailand's Opal Suchata Chuangsri named Miss World 2025
Thailand's Opal Suchata Chuangsri named Miss World 2025

Yahoo

timea day ago

  • Yahoo

Thailand's Opal Suchata Chuangsri named Miss World 2025

Opal Suchata Chuangsri of Thailand was crowned Miss World on Saturday in India, where the international pageant was held this year. Chuangsri topped a field of 108 contestants in the contest held in India's southern Hyderabad city. Hasset Dereje Admassu of Ethiopia was the first runner-up in the competition. Ms Chuangsri received her crown from the 2024 winner Krystyna Pyszková, from the Czech Republic. The 72nd Miss World beauty pageant was hosted by Miss World 2016 Stephanie del Valle and Indian presenter Sachiin Kumbhar. India hosted the beauty competition in 2024 as well. India's Nandini Gupta exited after making it to the final 20. Six Indian women have won the title, including Reita Faria (1966), Aishwarya Rai (1994), Diana Hayden (1997), Yukta Mookhey (1999), Priyanka Chopra (2000) and Manushi Chillar (2017).

Tom Cruise's Final ‘Mission Impossible' Tops China Box Office
Tom Cruise's Final ‘Mission Impossible' Tops China Box Office

Bloomberg

timea day ago

  • Bloomberg

Tom Cruise's Final ‘Mission Impossible' Tops China Box Office

Mission: Impossible – The Final Reckoning posted the biggest opening for a US film in the country this year, defying trade and geopolitical tensions between Washington and Beijing. Paramount Global 's eighth installment in the action franchise earned $25.2 million across 11,847 locations in China during the opening weekend, the studio said in a statement. The film is likely to become the top-performing US release in the country for 2025, with Warner Bros Entertainment Inc. 's A Minecraft Movie so far holding the lead with about $29 million since its April 4 debut, according to ticketing platform Maoyan.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store