logo
I Will Survive icon Gloria Gaynor insists she's not a 'feminist'

I Will Survive icon Gloria Gaynor insists she's not a 'feminist'

Perth Now27-05-2025

Gloria Gaynor doesn't consider herself a "feminist".
The 81-year-old disco icon - who is best known for her defiant anthem 'I Will Survive' - has insisted she "loves men", and explained that the notion she embraces feminism is the biggest misconception people have about her.
She told the Metro newspaper's 60 Seconds column: "People say to me, 'And since you're a feminist...' Erm, no. Not really.
"I love men. I grew up with five brothers, and I love men.
"I love men who know who they are and are strong enough to take their place, but also strong enough to recognise a woman's strengths and who are able to allow her to exercise those strengths and realise that women are to be partners and not opponents."
Gloria noted that her 2003 documentary 'Gloria Gaynor: I Will Survive' - which reflected on the previous 10 years of her live - was a way for her to show her true self for her fans.
She said: "It's sort of an outgrowth of the song 'I Will Survive' because, you know, you can have a dinner for people and you can serve wonderful dishes and all of that, but I wonder how many of them questioned, did you get this from the supermarket?
"Did you get this from a restaurant? Or did you make it yourself?
"And when you can show them the ingredients that went into making whatever it is you made, then they can enjoy it better and they can experience it more fully, and they can make it their own, so that's what I've done."
Gloria embraced the same approach with her own life, and explained how people often project their own feelings and experiences on their favourite artists.
She added: "I think that, when people see an artist, they make up in their minds different things that they feel about them from what they've seen on stage, but what they are really doing is adding things to their own lives, because that's all they have to work with, until something like a documentary comes out and shows them what the real ingredients are."

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Spotify AI tool Seat Belters promotes driver safety with playlist hack, based on fresh research
Spotify AI tool Seat Belters promotes driver safety with playlist hack, based on fresh research

West Australian

time4 days ago

  • West Australian

Spotify AI tool Seat Belters promotes driver safety with playlist hack, based on fresh research

You're driving down the freeway and a car screams past with frenetic music blasting from the windows. There's every chance those blaring beats are directly linked with the driver's reckless behaviour. We know music can have a powerful effect on our emotions, and it turns out it has a major impact on how safely we drive, too, with studies showing songs with a beat-per-minute count of more than 120 to be the worst culprits. These up-tempo tracks have been proven to negatively affect reaction times and overall awareness, producing more erratic driving patterns and riskier on-road attitudes. New research from Allianz Australia reveals one in three (32 per cent) Aussie drivers believes music affects their driving, with a third of those (33 per cent) reporting decreased concentration when listening to high-bpm music on the road. But if you think this category of music is reserved for heavy metal or bass-rich techno, think again. Your favourite song may well be within the BPM danger zone. Taylor Swift's pop banger Shake It Off and OutKast's Hey Ya! both come in at 160bpm, while Beat It by Michael Jackson (138), I Will Survive by Gloria Gaynor (132) and Bye Bye Bye by NSYNC (173) are all well over what is considered safe for on-road listening. At exactly 120bpm, Lady Gaga's Poker Face, Mark Ronson and Bruno Mars' Uptown Funk, Adele's Rolling In The Deep and ABBA's Dancing Queen are also just out of bounds. According to Allianz's data, more than half (52 per cent) of Aussie drivers sing along to music while in their car and 44 per cent will crank up the volume when their favourite song comes on, potentially creating dangerous conditions without us even realising. Road safety expert Andry Rakotonirainy has investigated the connection between auditory inputs, like music, and cognitive performance while driving and was fascinated by the findings. 'The emerging data from Allianz Australia is particularly interesting to me, as it shows how music tempo can influence concentration, reaction time and even speeding, highlighting the need for me to explore this further, especially as in-car entertainment becomes more pervasive and immersive,' Dr Rakotonirainy says. 'When we think about running, we often choose fast-tempo music to push our pace. The same concept applies to driving, as higher bpm tracks can subconsciously encourage faster speeds and reduce concentration. 'It's not surprising that the tempo of the music we listen to can influence how we behave behind the wheel.' Yet clearly it's hard to pick a harmonic hazard if earlier examples are anything to go by. Dr Rakotonirainy says there are some genres that are more likely to have a lower bpm, in the 'ideal' range of 60-80, including classical, ambient, acoustic and jazz. 'These types of genres generally have slower tempos and fewer sudden changes, which could help maintain a steady pace and reduce the likelihood of risky driving behaviours, such as speeding or reduced reaction times,' he explains. Some popular songs that fall into the 60-80bpm category are The Beatles' Let It Be (72), Etta James' At Last (87), Billie Eilish's Ocean Eyes (73), Sam Smith's Stay With Me (84) and TLC's Waterfalls (89). However, we don't have to manually look up the bpm of our favourite songs to make sure they are suitable for driving. Bolstered by the research, Allianz has partnered with Spotify to create a new in-app tool, Seat Belters, which generates personalised playlists that sit within the 60-80bpm range while considering users' music interests. Utilising Spotify's steaming intelligence to promote a more focused state for those behind the wheel is a crucial innovation, Dr Rakotonirainy says. 'Tech platforms like Spotify have enormous reach and can personalise content in real time,' he says. 'By embedding safety-focused experiences like Allianz Seat Belters into everyday music listening and making the experience available to all Spotify users, Allianz is helping to encourage safer driving behaviours at scale.' He adds, 'If Australians could take a moment to consider the music they are listening to before getting behind the wheel, it could have a positive impact on their behaviour.' As for whether there is a genre of music that can turn us into better drivers, there isn't yet conclusive research. 'Driving behaviour is closely linked to psychological states such as mood and arousal,' Dr Rakotonirainy says. 'Music has the potential to positively influence mood and enhance the driving experience. However, from a research perspective, isolating the effect of specific types of music on driving performance is methodologically complex, due to individual variability in music preferences, baseline mood and driving context.' While there is no one-size-fits-all solution, Seat Belters aims to strike a balance — especially when 58 per cent of Aussie drivers say they 'always' listen to music while on the road and 13 million people around the country are active Spotify users every month. 'The in-app experience is a great chance for music lovers to combine safety and entertainment in a fun, relatable and accessible way,' Dr Rakotonirainy says. As artificial intelligence infiltrates our daily life at an exponential rate, Dr Rakotonirainy is continuing to investigate the intersection between technology and driver safety. 'While many people are familiar with automated or driverless cars, technologies heavily reliant on AI, its potential goes well beyond automation — it will improve safety,' he says. 'AI can also enable real-time monitoring of driving conditions, detect distraction or drowsiness, assess cognitive load, and even adapt in-car environments or vehicle speed accordingly. 'Beyond music, AI could also enhance route planning and deliver smarter in-vehicle alerts, creating a more responsive and human-centred driving experience.' + To create your own personalised Seat Belters playlist, visit + Allianz's research was conducted in April 2025 and sampled more than 1000 Australians aged 18 and above who hold valid driver's licences and listen to music while driving.

Tim Minchin likes to know his music can 'make people cry'
Tim Minchin likes to know his music can 'make people cry'

Perth Now

time6 days ago

  • Perth Now

Tim Minchin likes to know his music can 'make people cry'

Tim Minchin is glad his music can "make people cry". The 49-year-old comedian and musician - who is set to release his second studio album 'Time Machine' in July - is glad songs like 'Moment of Bliss' on new collection can impact people just as much as his more lighthearted tracks. He told the Metro newspaper's 60 Seconds column: "Yeah, we're funny monsters, aren't we? I'm really pleased about that. I like making people cry." Tim was told by the interviewer how the line "In my moment of bliss no one and nothing can hurt me" brought on the tears. He responded: "We as a species don't seem to acknowledge very much how often we feel scared or not OK. "So, I'm not surprised that line got you. It was emotional to write." Tim - who is also known for his work writing for Broadway shows like 'Matilda the Musical' and 'Groundhog Day' - explained how his new album and upcoming UK tour is part of a wider "conscious decision". He explained: "Your job is to do your job, which in my case is reflect the human experience in songs and art and be a good dad and a kind friend. "This tour and album are part of my conscious decision that I don't need to be spending my life lying awake at night trying to figure out how to fix the world. "Everyone thinking they can fix the world is part of the problem." Instead, he is focused on what he can achieve, including charity work on tour, and "speaking his truth on stage". He added: "I will be speaking my truth on stage about all this, but mostly I want to make people cry and give people comfort and entertain the living f*** out of them."

I Will Survive icon Gloria Gaynor insists she's not a 'feminist'
I Will Survive icon Gloria Gaynor insists she's not a 'feminist'

Perth Now

time27-05-2025

  • Perth Now

I Will Survive icon Gloria Gaynor insists she's not a 'feminist'

Gloria Gaynor doesn't consider herself a "feminist". The 81-year-old disco icon - who is best known for her defiant anthem 'I Will Survive' - has insisted she "loves men", and explained that the notion she embraces feminism is the biggest misconception people have about her. She told the Metro newspaper's 60 Seconds column: "People say to me, 'And since you're a feminist...' Erm, no. Not really. "I love men. I grew up with five brothers, and I love men. "I love men who know who they are and are strong enough to take their place, but also strong enough to recognise a woman's strengths and who are able to allow her to exercise those strengths and realise that women are to be partners and not opponents." Gloria noted that her 2003 documentary 'Gloria Gaynor: I Will Survive' - which reflected on the previous 10 years of her live - was a way for her to show her true self for her fans. She said: "It's sort of an outgrowth of the song 'I Will Survive' because, you know, you can have a dinner for people and you can serve wonderful dishes and all of that, but I wonder how many of them questioned, did you get this from the supermarket? "Did you get this from a restaurant? Or did you make it yourself? "And when you can show them the ingredients that went into making whatever it is you made, then they can enjoy it better and they can experience it more fully, and they can make it their own, so that's what I've done." Gloria embraced the same approach with her own life, and explained how people often project their own feelings and experiences on their favourite artists. She added: "I think that, when people see an artist, they make up in their minds different things that they feel about them from what they've seen on stage, but what they are really doing is adding things to their own lives, because that's all they have to work with, until something like a documentary comes out and shows them what the real ingredients are."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store