
Sir David Attenborough writes back to Pembrokeshire five-year-old
A five-year-old boy's dream came true when he received a letter from his hero, Sir David Attenborough.Max Evans-Browning from Neyland, Pembrokeshire, drew 99 animals to mark the renowned British biologist's 99th birthday.His endeavours reached "far and wide" and even caught the attention of Sir David himself.After receiving a reply, Max's mum Samantha said he was "doing little flips" on the bed in excitement.
"It's literally been a month and I was starting to think we weren't going to get anything," she said.But when Samantha arrived home on Thursday she found a letter which was addressed to Max."When I picked him up, I acted really casual," she said.When she gave him the letter, she said his eyes immediately went to Sir David's printed name at the bottom."He can read really well, and he saw the name."He was doing little flips on the bed and shouting that his card had been in David Attenborough's hands. It was the reaction that I wanted."Trying to get him to sleep then was an absolute nightmare."Samantha said they would be framing the letter - in which Sir David wrote he "greatly enjoyed" seeing Max's drawings - and hanging it "pride of place" in Max's animal-themed bedroom."It was so nice that he had hand-written the whole thing. It made that bit more special."
She said the reaction from the media and public since she shared Max's drawings had been overwhelming."People have been so nice, we've seen all the comments and I'm making Max a photo book of them."When he watches David Attenborough, of course it's all around the world [so] he couldn't get over how many people from different countries could see [his drawings]."We're usually quite a private family, but I knew there could be somebody who knew where I could send it, and it just went a little bit mad. He's gone a little bit famous."He couldn't believe it."Samantha added Max can sometimes lack confidence in his drawing, but the experience had been really good for improving that and had reaffirmed his desire to be "the next David Attenborough"."Obviously we are proud of him, but it's just been nice for him to realise all those people who don't know him have made the effort as well."It's boosted him even more."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Telegraph
26 minutes ago
- Telegraph
Lionel Richie, O2 Arena: a glorified karaoke show, and you'd be mad not to sing along
'I am not the show,' Lionel Richie declared to the O2 Arena. 'The show is the audience.' That might have sounded a tad rich coming from a Grammy-winning R&B hitmaker in a fancy jacket on a gloss-black stage, accompanied by an even glossier grand piano and regular bouts of dry ice. But in a way, he was right. A Lionel Richie show isn't just a chance to salute the legacy of a household name. It's also an enjoyably glorified karaoke night, and from the first song 'Hello' – the obvious opener, after the affable balladeer had risen majestically from beneath the thrust stage – the crowd were in fine singing fettle. 'When you come to my show, the last person you'll hear singing is me,' he later jested. Particularly so when that show is part of a greatest hits tour, as this was. An opening montage charted the career of the Alabamian tennis scholarship kid who joined a college R&B band eventually called the Commodores, made a few multi-platinum hits with them, then even more as a solo artist. His music has had half a century to marinate in people's lives, becoming part of culture's common parlance. It would almost be insulting not to sing along. His own voice sometimes lost out not only to the audience but to his band, who beefed up the songs and moves, often flanking him like unconventional bodyguards. Despite the occasional fluffed line, though – unlike fellow 75-year-old Bruce Springsteen, Richie doesn't rely on an autocue – for almost two age-defying hours he breezed through his discography: immortal songs built on the sturdy foundations of Motown. There was the familiar solace of Easy and Say You, Say Me, the exquisite country undercurrents of Sail On, as well as a slightly less gratifying medley of Commodores' party funk tracks including Sweet Love and Lady. Richie is an old-school showman who knows that audience interaction is as important as the music for making an arena feel intimate. He cracked jokes, grumbled about the weather, and broadcasted someone's video call to their mother on the big screen – all part of the shtick, but charming nonetheless. 'When you see me jumping and running, sliding, running up stairs, running down stairs, I want you all to know one thing: I'm in pain,' he quipped. A greatest hits show can seem as though it's operating on autopilot – especially when your hits include Dancing On The Ceiling, We Are The World (written, famously, with Michael Jackson), and All Night Long – but there was nothing impersonal about these songs, nor their singer: the night was a warm celebration of music that has meant so much to so many over the last fifty years.


BreakingNews.ie
31 minutes ago
- BreakingNews.ie
Jonathan Bailey says Wicked sequel is ‘darker' and will ‘go there politically'
Actor Jonathan Bailey has said the Wicked sequel is 'darker' and is 'going to go there politically as well'. The Bridgerton star, 37, plays Prince Fiyero in the films, also starring Cynthia Erivo and Ariana Grande, which are adapted from the musical of the same name. Advertisement 'Being slightly off the M1 in Munchkinland, with Ari singing a beautiful mezzo soprano, and then seeing cars pulling up on the hard shoulder trying to record it, and then seeing men in the sky, (which) turned out to be microlights and drones, it was like Independence Day,' he told British GQ. View this post on Instagram A post shared by British GQ (@britishgq) He added: 'I remember having four hours to learn how to do a dance move. I did it with Ari, headbutted her, and was like, 'Gotta go!'. 'I think she might have even headbutted me, but it was a meeting of minds, literally.' Wicked's next instalment will arrive in cinemas in Ireland and the UK from November 21st and will cover the years after Elphaba, played by Erivo, parted ways with her friend Glinda (Grande). Advertisement Wicked: For Good will also show Elphaba being demonised by those in Oz, and transformed into The Wicked Witch Of The West. The films have been adapted from the musical, which was based on Gregory Maguire's 1995 novel – which was in turn inspired by the story first told in L Frank Baum's 1900 children's novel, later adapted into the 1939 film starring Judy Garland as Dorothy Gale. Bailey said: 'It's darker, and I've got a sense it's going to go there politically as well. 'Fiyero's arc really kicks off and he literally is transformed by the end.' Advertisement Other stars of Wicked include Malaysian actress Michelle Yeoh as Madame Morrible, and US actor Jeff Goldblum as the Wizard. View this post on Instagram A post shared by British GQ (@britishgq) Both Bailey and Goldblum are part of the Jurassic Park franchise. Goldblum played Dr Ian Malcolm in the original 1993 adventure/sci-fi while Bailey stars as Dr Henry Loomis in Jurassic World: Rebirth, which is yet to be released. 'We'll see how it goes, but there might be a few films down the line where me and him can appear in Jurassic together,' Bailey said. Advertisement He added: 'Dr Ian Malcolm and Dr Henry Loomis on a night out.' Bailey stars on the cover of the summer Heroes issue of British GQ and will be speaking at the GQ Heroes conference, taking place at Soho Farmhouse, Oxfordshire from July 2nd to 4th. The Heroes Issue of British GQ is available via digital download and on newsstands on June 10th.


Telegraph
an hour ago
- Telegraph
There's no better way of spending a family evening than Gifford's Circus
Celebrating its 25th anniversary yet seeming to have been a fixture in the circus landscape for aeons, the old-world charm of the Cotswolds-based Giffords Circus offers an antidote to everything that's miserable about the UK at the moment. The sight of Giffords' big-top, with attendant gypsy caravans – as if spirited from the pages of Dickens but serving lots of good grub and drink too – is itself enchanting. And the bucolic vision of its late founder Nell Gifford of like-minded artists pitching up on village greens is honoured by the picturesque stop-offs. But the visual delight is maximised by the 1950s America-themed show itself, which, with Cal McCrystal directing, has the aura of a fully-fledged theatre production. Projected imagery of rippling water bathes the ring-floor to help conjure a dreamlike resort inspired by Atlantic City. There's neon signage for Sal's Motel, a soda bar booth, palm trees, and a bandstand. The retro music, performed live, emits a sunshine blast of nostalgia. An opening bout of beach-ball, for instance, is conducted to the happy-clappy sound of doo-wop hit Lollipop, a grinning acrobatic troupe from Ethiopia casually juggling clubs and stepping in time to the tunes. This isn't one for those craving a lot of spectacular death-defying daring – no one is flying from a trapeze, being shot from a cannon or whizzing at speed on motorbikes. Much entertainment is provided by irrepressible resident buffoon Tweedy. Cast as the motel bellboy, he kicks things off with inspired ineptitude involving a deck-chair, and continually tries to sabotage the cheesy variety magician (Maxi), his yearning for ice-cream climaxing in a drenching melée. The animal contribution is also lo-fi and reassuringly genteel: a brazenly bribed Shetland pony and an eager Patterjack are the cutest mascots. It's all very English, with a put-on American accent. Yet while homespun, it still reaches for the stars – and takes risks. The young Garcia brothers (Antonio and Connor) elicit awe with their lithe, gravity-defying handstands, spinning headstands and Charles Atlas physiques. Their parents, Pablo and Vikki provide tongue-in-cheek jeopardy, dangling from a renegade vintage air-plane. Spanish beefcake Randy Forgione Vega whirls high in the air, wielding hand-straps and old-school machismo. But for elegance, grace and a sensuousness that defines the show's judicious mix of flamboyance, flesh and family-friendly fare, there's no beating Daniela Muñoz Landestoy from Cuba and Noémi Novakovics who hails from Hungary. The pair ascend to the sound of Gershwin's Summertime (blissfully sung by Nell O'Hara) and hang suspended and twirling using just their hair for support (ouch!). It's all over in a flash, yet you intuit the long dedication and sense of personal destiny behind it. We must treasure these folk – and their art-form. An art-form perpetuated with toil, sweat and thrilling bravura by Giffords. Tours to Sept 28; tickets: giffordscircus