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Shah Rukh Khan's former co-star Suchitra Krishnamoorthi apologises after questioning sole survivor of the Ahmedabad plane crash

Shah Rukh Khan's former co-star Suchitra Krishnamoorthi apologises after questioning sole survivor of the Ahmedabad plane crash

Economic Times4 hours ago

Suchitra Krishnamoorthi faced criticism for questioning Vishwas Kumar Ramesh's survival story in the Air India crash. She alleged he fabricated his presence on the flight. Social media users quickly debunked her claims. The hospital confirmed Vishwas was indeed a survivor. Subsequently, Suchitra deleted her initial post. She then issued an apology for spreading misinformation.
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Who is Vishwas Kumar Ramesh?
Shah Rukh Khan's Co-Actress from ' Kabhi Haan Kabhi Naa Suchitra Krishnamoorthi recently landed in controversy after she accused Vishwas Kumar Ramesh , the only person to survive the deadly Air India plane crash in Ahmedabad, of lying about his survival. However, after facing backlash, she deleted her post and apologised.The issue started when Suchitra posted on social media, raising doubts about Vishwas's story. She referred to a rumour that claimed Vishwas had faked being on the plane. In her now-deleted post on X (formerly Twitter), she called him a liar and questioned how his family and his brother's funeral were part of the story.'So this #vishwaskumarramesh lied about being a passenger on the plane & the only survivor? This is seriously weird. Didn't his family in the UK corroborate his story? What about his brother's funeral that he was seen giving kandha to? Deserve not only some serious punishment but some mental asylum time if this is true uff."Social media users quickly pointed out that the hospital in Ahmedabad had confirmed Vishwas's story. Many criticised Suchitra for spreading false information without any proof.Realising her mistake, she removed the post and later tweeted an apology:'Took out my last tweet on the Air India crash survivor. Seems to be false news circulated for God knows what reason. My apologies.'Vishwas Kumar Ramesh is the only survivor of the tragic Air India crash in Ahmedabad on June 12 that killed at least 260 people. He is a 40-year-old British citizen.He was sitting in seat 11A, near an emergency exit on the Boeing 787 Dreamliner. When the plane crashed, he managed to escape and survived, while all other passengers and crew members died. He was treated at the Civil Hospital in Ahmedabad and was discharged a week later.Vishwas had been travelling with his brother Ajay. The two were visiting family in Diu, their hometown, and were on their way back to London. Sadly, Ajay did not survive the crash. His body was handed over to the family after Vishwas's hospital discharge, and the funeral was held soon after.Vishwas's family had flown from the UK after hearing about the crash

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Report: Architecture and Design Film Festival 2025
Report: Architecture and Design Film Festival 2025

Hindustan Times

time39 minutes ago

  • Hindustan Times

Report: Architecture and Design Film Festival 2025

The annual Architecture and Design Film Festival (ADFF), which had its first edition in New York in 2009 — made its South Asian debut at the National Centre for Performing Arts (NCPA) in Mumbai earlier this year. The venue designed by Philip Johnson served as the perfect location because of its proximity to the city's business quarter, the arts district, historically important buildings that date back to the British era, and Marine Drive, a public space where people across socio-economic backgrounds gather by the glorious Arabian Sea. 'The way people move in Mumbai is very similar to New York. It is chaotic but people know how to navigate the density. There is a similar energy in both cities. People are in a hurry but there is a lot of friendliness too,' said Kyle Bergman, Director and Founder, ADFF at the event that was held from January 9 to 12. Inviting participants to plunge into the experience, he added, 'The conversations that architects and designers have with each other are much more inclusive when there is a broader audience representing people from different walks of life.' The highlight of the premiere night was a keynote address by Martino Stierli, Philip Johnson Chief Curator of Architecture and Design at New York's Museum of Modern Art (MoMA). Taking off from German philosopher and cultural critic Walter Benjamin's ideas about the affinity between film and architecture, Stierli said, 'Both depend on the involvement of the viewer's body; they entail what we can call an embodied spectatorship.' The difference is this: the person engaging with architecture relates to 'immobile and static material objects' whereas the person who is watching a film relates to 'mobile and immaterial images'. A large contingent of students pursuing courses in architecture and design showed up to participate in the event. Amit Gupta, founder of STIR, the curatorial agency that brought the festival to Mumbai, revealed that they wrote to deans and professors and requested them to send their students as they wanted to create a platform for youth and not only for stars in the field. 'We wanted to invite both professionals and enthusiasts to engage with architecture and design. What could be more accessible than cinema? Disciplines build walls around themselves, and we hoped to create some porosity,' said festival curator Samta Nadeem. Apart from films, the event included talks, panel discussions, installations, exhibits, workshops, performances and a visit to an art gallery. Gupta said, 'We have a lot of industry initiatives like trade fairs, but there is a huge gap when it comes to dialogue and discourse. When I attended ADFF in New York three years ago, I thought we needed it in India to have meaningful conversations and cultural commentary about how the built environment is perceived, and how it will be perceived in the future.' Some of the films screened explored a singular artist or designer's practice in depth. Among these were Beatrice Minger and Christoph Schaub's E.1027: Eileen Gray and the House by the Sea (2024), Valentina B. Ganeva's Schindler Space Architect (2024), Afdhel Aziz's The Genius of the Place: The Life and Work of Geoffrey Bawa (2023), Jan Schmidt-Garre's The Promise: Architect BV Doshi (2023), Stéphane Ghez's Charlotte Perriand: Pioneer in the Art of Living (2019), and Nathaniel Kahn's My Architect (2003). While each film worked as a stand-alone experience, the programming also intended for them to be in conversation with others. In the film about Indian architect BV Doshi, for instance, his mentor Le Corbusier—the French architect who created the master plan for Chandigarh — is invoked as someone to be venerated. However, in the film about Irish architect Eileen Gray, who built an avant-garde house by the sea, Le Corbusier comes across as an insecure man threatened by the brilliance of a female contemporary. He painted murals on the villa which Gray viewed as an act of vandalism. Doshi, a towering figure in the history of Indian architecture, assisted Louis Kahn as well when the latter designed the Indian Institute of Management in Ahmedabad. Kahn's son Nathaniel was at the festival to speak about his father's work, which is the subject of his film, My Architect. Incidentally, Nathaniel's mother Harriet Pattison too was an architect. The film on Sri Lankan architect Geoffrey Bawa found a suitable companion in photographer Dayanita Singh's exhibition Photo Lies, which was hosted not at the NCPA but at the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya where festival attendees were taken for a walk through. Singh, who is interested in how both architecture as well as photography play with light, included photographs of the Kandalama hotel designed by Bawa in her exhibition. Bawa's 'tropical modernism' is highly respected by practitioners of sustainable architecture and environmentally conscious design, as it uses locally available building materials, incorporates rainwater harvesting systems, and uses energy-saving cooling techniques. The relationship between the built environment and the natural one was explored in Francesca Molteni and Mattia Colombo's documentary, Green Over Gray (2024), on the work of Argentinian-American artist Emilio Ambasz, a pioneer of green architecture. It is also the theme of Rikke Selin Als and Kaspar Astrup Schröder's documentary, Making a Mountain (2020), about Danish architect Bjarke Ingels's project CopenHill — a man-made mountain, 'the world's cleanest waste-to-energy plant, with a rooftop ski slope'. Nature lovers had a chance to enjoy Ataliba Benaim and Fernanda Heinz Figueiredo's film Biocentrics (2022), which draws attention to a practice called biomimicry that involves drawing lessons from nature to devise strategies and processes to solve human problems. Also on the schedule was Becky Hutner's film Fashion Reimagined (2022) about award-winning London fashion designer Amy Powney whose conscience pushed her to transform her business model and create an ethical and sustainable collection. This journey involved learning about the supply chain and confronting issues such as deforestation, farmer suicide and animal mutilation. The festival had a corner set up by brothers Parminder Pal Singh and Sukhvinder Singh, co-founders of Loco Design, to show how waste generated within the design industry can be transformed into 'treasured objects that tell unique stories, whilst minimising impact on the environment'. Their sustainable brand, Caur, creates 'excessories' out of materials such as leather, wood and metals that are left over from manufacturing processes. The session titled 'Sustainable Fashion: Reality versus Rhetoric' had articulate and entertaining panelists in Sanjay Garg, Founder of Raw Mango, a label that works with karigars across Rajasthan, Uttar Pradesh, Madhya Pradesh, West Bengal, and Mevin Murden, who is the Director of Education at Istituto Marangoni School of Fashion and Design in Mumbai. It was moderated by design curator and creative brand strategist Kamna Malik. Garg took delight in being provocative. He said, 'What does 'sustainable' really mean? What are we sustaining? Some people think they are more intelligent and woke than others. They know what's happening in London and Los Angeles but not their neighbourhood in Gurgaon.' He called sustainability 'a sales gimmick' by people who cater to South Mumbai and South Delhi and have no connection with places like Kanpur and Nashik. Murden pointed out that clothing marked as sustainable is often quite expensive, and out of reach for most people. 'It must be made more accessible if we want more people to adopt and embrace it,' he added. Another session, titled Occupy! Making Space of/for/by the Subaltern, examined the politics of space with Ambedkarite artist Siddhesh Gautam, Sudheer Rajbhar, founder of Chamar Studio, Aravani Art Project team members Poornima Sukumar and Karnika Bai, and Priya Dali, Creative Director of Gaysi Family. Moderated by artist and writer Ranjana Dave, the panel looked at practices of exclusion and reclaiming in the city. A city is more than its architecture; it is nothing without its people, neighbourhoods, and communities. The festival had an interactive corner set up by the youth group Blue Ribbon Movement, where visitors could play a card game called Aamchi Mumbai. It was designed with the aim of enabling citizens to connect more deeply with their city as a shared space and take responsibility for making it a more beautiful place for themselves and fellow citizens. Another wonderful component of the festival was a pop-up intervention by Juhu Reads, a silent reading community that meets once a week at the Kaifi Azmi Park in Juhu. Diya Sengupta, founder and co-curator of Juhu Reads, said, 'The festival's themes around sustainability, design, and open spaces felt like a natural extension of what Juhu Reads stands for.' Participants were welcome to read anything of their choice, without any gatekeepers of taste prescribing must-reads or dismissing titles that do not measure up to their personal standards. Sengupta views this reading community as a refuge for people who 'want to rekindle their relationship with reading' and for people who want to be silent but 'never solitary'. The first edition of the festival in Mumbai was memorable because of its novelty. One hopes that future editions will bring in more films, architects and designers from India's neighbours and other countries in the Global South if they are serious about being truly international. Chintan Girish Modi is a Mumbai-based journalist who writes about books, art and culture. He can be reached @chintanwriting on Instagram and X.

Trinamool Congress Slams Kesari Chapter 2 And The Bengal Files For Insulting Freedom Fighters, Demands Apology
Trinamool Congress Slams Kesari Chapter 2 And The Bengal Files For Insulting Freedom Fighters, Demands Apology

NDTV

time44 minutes ago

  • NDTV

Trinamool Congress Slams Kesari Chapter 2 And The Bengal Files For Insulting Freedom Fighters, Demands Apology

Two films have stirred a controversy in West Bengal over the content portrayed in them. Akshay Kumar's Kesari Chapter 2 has been at the centre of a social media storm for allegedly distorting the names of freedom fighters who hailed from Bengal. In a short film clip that has been widely shared on X (formerly Twitter), Akshay Kumar is seen using the name of Khudiram Bose as Khudiram Singh. Released in April, the period drama highlights India's freedom struggle against the British regime and was recently released on Netflix. . @akshaykumar We strongly protest and condemn your steps to change the names of Bengali freedom fighters. You named Shahid Khudiram Bose as Khudiram Sing, Barin Ghosh as Barin Kumar. In your film the names were distorted. This is clear insult of Bengali history and freedom… — Kunal Ghosh (@KunalGhoshAgain) June 19, 2025 Speaking to the media, Trinamool spokesperson Kunal Ghosh said, "Bengali freedom fighters have been insulted in the film. Khudiram Bose has been changed to Khudiram Singh. What is this? The basic facts and names have been distorted. Bengal's history of the freedom struggle and the history of freedom fighters have been insulted in a planned manner. We are strongly opposing and condemning this. Akshay Kumar and the unit should apologise for this. Some people are talking about taking legal action, and that's rightly expected." However, there has been no response from either the filmmaker or the actors regarding this uproar in West Bengal, even as an FIR has been filed in Bidhannagar South Police Station for "distorting historical facts". The Chief Minister of Bengal also didn't let it pass. While addressing a news conference on Wednesday, she said, "There are attempts to undermine the role played by Bengali revolutionaries during the independence struggle. We condemn this. The BJP has been targeting Bengal and our cultural heritage." But the BJP has refused to take the blame. Rajya Sabha MP Samik Bhattacharya called it an "unnecessary" controversy. Speaking to the media, he said, "Character names are often changed in films. The TMC is using this to stir political sentiments." On the other hand, TMC Youth Wing has filed a police complaint against filmmaker Vivek Agnihotri's upcoming film The Bengal File s. The complaint against the director & producers of the film states - "The film's ulterior motive is to trigger communal unrest in the state". The film is slated to release on September 5.

Conor McGregor aligns himself with world's highest IQ holder
Conor McGregor aligns himself with world's highest IQ holder

Time of India

timean hour ago

  • Time of India

Conor McGregor aligns himself with world's highest IQ holder

Conor McGregor endorses viral statement about the Bible on X UFC fighter Conor McGregor added his voice to a trending post about religious belief by reposting a message from YoungHoon Kim , a figure who claims to be the 'world's highest IQ record holder.' The brief post made by McGregor, simply saying 'Yes', came in response to Kim's controversial statement regarding the Bible. Kim's original post, published on June 19 and viewed over 2 million times, read: 'As the world's highest IQ record holder, I believe the Bible is the perfect, eternal, and final Word of God. Therefore, the Bible doesn't need to be updated. The world needs to catch up.' by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Buy the Dip: Top 5 Dividend Stocks with Growth Potential Seeking Alpha Read Now Undo — TheNotoriousMMA (@TheNotoriousMMA) Also read: Michael Chandler hints at January 2026 UFC return fight with Conor McGregor The message has generated widespread online attention and debate, with many users expressing either agreement or skepticism. McGregor's repost brought additional visibility to the statement, signaling his public alignment with Kim's view. Live Events McGregor's social media influence and faith-based posts McGregor, known as much for his outspoken nature as for his fighting record, frequently uses social media to share personal beliefs and commentary on a range of topics. Though he is best known for his mixed martial arts career, McGregor has also used his X (formerly Twitter) platform to discuss religion, personal development, and political views. Over the past several years, McGregor has referenced his Catholic background and posted about the role of spirituality in his life. While his online presence often features brash or controversial content, Friday's, June 20, repost marked a more introspective or faith-oriented signal. The timing of McGregor's latest endorsement comes amid broader conversations around religion in public life, especially when supported or dismissed by celebrities. Though YoungHoon Kim's IQ claim is widely debated and not officially recognized by any governing authority, the viral nature of his message has drawn attention from influencers and public figures across platforms. Also read: Conor McGregor meets Donald Trump at White House on St. Patrick's Day, calls for US support on Ireland's issues Public reaction and ongoing discussion Reactions to McGregor's repost were mixed. Some followers praised the fighter for aligning with traditional religious values, while others questioned the credibility of Kim's claim and the broader message about biblical infallibility. Neither McGregor nor Kim has elaborated further on the post. McGregor's 'Yes' response remains his only comment on the matter as of press time. Given his history of sparking viral dialogue, McGregor's brief but impactful endorsement is likely to remain part of ongoing cultural debates at the intersection of faith, intellect, and influence.

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