Creedence tribute and Susie McCabe head to Airdrie
Organisers say McCabe's show promises to be 'bigger and better' than her previous appearance at the venue.
The comedy night will also feature Iain Hume, Mick Murphy, and Billy Kirkwood as the MC.
Tickets, costing £18, are on sale now at https://tinyurl.com/ve26vabx and are expected to sell out quickly.
Read more:
Thunderstorm warning issued for Glasgow today as temperatures soar
Those wishing to attend can contact the box office on 01698 274545 or visit culturenl.co.uk.
Meanwhile, rock and roll fans can look forward to Creedence Clearwater Review performing The Cosmo's Factory Tour at Airdrie Town Hall on September 20.
The tribute band will be celebrating the legendary Cosmo's Factory album, along with timeless hits like "Bad Moon Rising," "Proud Mary," and "Fortunate Son."
Having performed across the UK and Europe, including a special performance at the O2 Arena's VIP Lounge in London for John Fogerty's guests in 2018, the band is recognised as the UK's number one tribute to Creedence Clearwater Revival.
Their performance promises to be an authentic 60s experience, complete with vintage instruments and 60s-inspired outfits.
Tickets for the Creedence Clearwater Review concert are priced at £24 and can be purchased at https://tinyurl.com/mt6yubnt.
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Edinburgh Live
9 hours ago
- Edinburgh Live
Edinburgh local who 'despises' Fringe brands festival an 'embarrassment' in tirade
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info An Edinburgh local has shot out online about the Edinburgh Fringe, calling it an "embarrassment" where tourists have "no respect for locals". They posted an angry video to TikTok, showing a mobbed Edinburgh street packed with tourists amid the capital's busiest time of year. In the caption they included a tirade against Festival season and the crowds it brings to Edinburghers' doorsteps. They said: "Words cannot describe how much I DESPITE this sh**** festival. There's little in the world I hate more than the embarrassment that is the Edinburgh Fringe. "Nobody has any respect for the people who live here. Just full of the same unfunny middle class English shows every year. "I could write a book on why this festival needs to be terminated." Fellow capital residents joined ranks in the comments to share their frustration at the Fringe. One commented: "At this point Edinburgh is just a theme park for the English". A miffed parent added: "My daughter has to elbow her way to work from Waverley during August. She booked her own holiday days this year to miss some of it". Another shared: "I do wish BBC would give more coverage to the Edinburgh festival, not the Fringe". However, there were many Edinburgh residents in who disagreed with the hot take and offered alternative points-of-view on the festival. One said: "We live somewhere with the world's largest arts festival on our doorstep. We're so lucky." Another offered: "I stayed in Edinburgh for about 20 years and it's one of the best things about the city. Can't beat a wee sunny afternoon in the Pleasance Courtyard". A third penned: "Disagree and I've lived in Edinburgh during the festival. It's amazing for tourists and culturally important". Others added: "It's an essential tool for people who want to get into the arts and it's a feeder for some of the best British theatre and TV".
The National
20 hours ago
- The National
Are the Edinburgh Fringe food trucks worth it? Here's my verdict
There are a whopping 3352 shows across 265 venues, which can often result in a mad dash across the city between shows. You might not have a lot of time to grab food in between performances. Sometimes a meal deal or a Greggs is enough to get me through it, but I thought I'd explore some of the food options which are on offer at Fringe venues. READ MORE: I went to the 'first legal wedding' at the Edinburgh Fringe – here's what it was like With that in mind, I was kindly invited to try out the various food stalls at the Pleasance Courtyard – one of the festival's best known venues. Here's my honest review of everything I tried. Location Pleasance Courtyard is one of the main Fringe venues – and the one you're probably most likely to recognise in photos. Set in a literal courtyard (which is part of Edinburgh University), and spanning over several levels, there's plenty of things on offer here. And there should – theoretically – be plenty of places to sit, too. But more on that later. (Image: NQ) There's various food stalls dotted around the venue, and they're in a prime location for people who are already in the Courtyard, making it a great quick fix for anyone feeling a bit peckish in between shows. Options There's a good range of stalls at the venue. Here's everything that was on offer: Harajuku Kitchen: Japanese street food Japanese street food Mimi's Bakehouse: Coffee and sweet treats Coffee and sweet treats Mint: Flatbread wraps Flatbread wraps Pizza Geeks: Pizza (clue's in the name, really...) Pizza (clue's in the name, really...) Total Meltdown: Grilled cheese sandwiches There are also six bars across the venue, which are all excellently stocked. I started off with half a pint of Aspall's cider, which I got from Arthur's Bar and cost just over £3. I don't feel the need to review the drink itself, because you can get it pretty much everywhere! (Image: NQ) There was a lot of choice and the staff were really friendly. I can imagine it can get quite overwhelming when it's busy, but they were all lovely and I got some great service. I'd recommend walking past the bar in the main courtyard and visiting a bar on one of the other levels to avoid the worst of the queues. It can take a very long time to get a drink otherwise, but I didn't have to wait too long at one of the smaller bars. READ MORE: 'Kiss my a**': TV star hits out at BBC over 'disgraceful' Strictly Come Dancing snub It was difficult to pick where I wanted to eat from (I could have tried something from everywhere!) but I settled with Total Meltdown, a stall specialising in toasties. It's a very simple kitchen staple – quite difficult to get wrong – so I thought it would be interesting to see how they would make it stand out. (Image: NQ) (Image: NQ) There were loads of different options, and it looked great for vegans, which must be difficult to achieve when the main ingredient in the dish is cheese. I chose the Reuben, which had cheese, pastrami, sauerkraut and a creamy Thousand Island dressing, which is made from a mayonnaise, either ketchup or tomato puree, and chopped pickles. (Image: NQ) It tasted good. The sauce was nice, and it worked well with the pastrami, which I've never had before. But it was also £12. It was very small for that price, and the bread wasn't anything particularly special. I would have expected a bit more – both in quality and quantity – for that much. Honestly, it felt a bit like a rip off, especially for anyone who is buying for more than one person. I did really like the look of all the different flavour combinations, though – I would have loved to have tried the kimchi one. I just wish there was more of it. For dessert, I paid a visit to Mimi's Bakehouse, which I'm a big fan of anyway. You can find them nestled inside the children's area, which I think is a lovely idea for parents who might be in need of a coffee boost. (Image: NQ) They had a fantastic selection of sweet treats. I have a soft spot for carrot cake, so I went with one of their cupcakes. It didn't disappoint, it was very soft and had the perfect amount of icing. (Image: NQ) This is a great option for anyone looking for a change from the typical street food-style vendors you get everywhere else at the Fringe. I didn't try it this time, but I would highly recommend Harajuku Kitchen. It's one of my favourite places to eat in Edinburgh – I promise you won't be disappointed by the karaage chicken. I would also have liked to try Mint. The chicken and halloumi wrap is apparently a firm favourite among festival-goers. Price It goes without saying that the food here is expensive. There are less options in the area surrounding the courtyard, so I suppose people are less likely to be fussy (or they're too hungry to be that bothered) about paying a bit extra. READ MORE: Mel Gibson shows interest in Scottish producer's historic film about Irish king If you're prepared to pay that, that's fine. But the Fringe is an incredibly expensive festival as it is, and I don't feel as though this is going to be a realistic option for many people. Verdict The location of these food stalls could not be more perfect. There's so much choice, lots of meat-free options, and all the vendors are local to Edinburgh, which is fantastic. The venue had a great atmosphere to it, and it felt nestled away from the rest of the city, which I appreciated. You also have a good chance of spotting some famous faces, if that's something you're into. In the two hours I was there, I saw Rosie Jones, Jazz Emu and a Gogglebox star. With that said, it is pricey. This isn't unique to the Courtyard, however, and you're likely to pay a similar price at any of the food stalls you come across at the Fringe. Another point worth mentioning is that for anyone who struggles with big crowds or can get overstimulated, this may not be the place for you. It's incredibly busy and noisy, and despite there being lots of seating options they were all full when I was there – I ended up eating my cupcake sat on a wall. For anyone with accessibility needs, I'd bear this in mind. There is definitely something for everyone here, and I can imagine it being particularly useful when you have a day packed full of shows.
The Guardian
20 hours ago
- The Guardian
How scary can theatre really be? My horror marathon in search of stage frights
I am a wimp. When my friends used to gather to screech over horror movies after school, I would sit watching Countdown with one of their mums until it was over. I had to watch The Blair Witch Project with all the lights on and I never got through the opening scene of The Ring. But when it comes to horror on stage, I've rarely been fazed. Bar the odd jump scare, how scary can theatre really be? I set out to find out by watching a full day of horror shows at the Edinburgh fringe. I start off gently with Elysium, a winding eat-the-rich tale told through lilting song. The gated community of Elysium Court is designed to keep the riff-raff out, but the inhabitants should be more worried about what they're locking in. With the air of two friends casually making music in their garage, Milly Blue and Jessie Maryon Davies of Ghouls Aloud unpack the concept that exclusivity equals safety, watching from a distance as the containment crushes everyone in Elysium Court into the same make and model – or destroys them if they attempt to stand out. Blue's storytelling is sweet and unsettling, though occasionally veers off into tangents that don't serve the story. Davies laces tension through with moody piano, with Blue looping her voice in climbing harmonies above, as strange events begin to haunt Elysium's newest resident. Digging into the soil beneath the standard-issue astroturf that clamps down every garden in the Court, old monsters start to emerge. The darkness creeps in slowly and the script wants tightening, with some songs pausing the action rather than driving it on, but I decide I like my horror being sung to me. Maybe this was the problem all along. From the candy-pink satire of Elysium, the pitch-black Scatter: A Horror Play couldn't be a sharper shift. The room is so dark it's a struggle to even find your seat. This low lighting continues as Patrick McPherson's jaw-clenching show of hereditary haunting reserves any bright light for blinding flashes. Liberally smattered with jump scares, the show sometimes leans so heavily on Will Hayman's intense shadows and sharp, saturated filters that the design comes to feel like the main event rather than an anchor to sink us deeper into the story. McPherson plays Tom, a young man reluctantly recounting the trip he and his brother took to scatter their father's ashes in rural Wales. In the predictably traumatising process, they discover that their dad's end-of-life aggression, previously brushed off as delirium, was something far more sinister, his acts of violence actually a deeply troubled form of protection. Jonny Harvey's direction makes repeated use of the classic torch sweeping around a blackened room and heavy, breathless silences followed by piercing, sinew-shaking screams. These old tricks are effective. I sink into my seat every time the torch winds up. A traditional folk horror, Scatter takes itself seriously. You can't help wondering if the balance of tension would intensify if some lightness was buried anywhere in the text; McPherson's performance, though convincing, starts off dour and stays similarly severe throughout. The ending is rushed, but Scatter sets out to scare, and it succeeds. As we pick our way out of the theatre, my heart takes a moment to return to its regular pace. Later that afternoon, in another about-turn, Jed Mathre does a stellar job of making a whole room want to punch him in the face. Melanie Godsey's existential comedy, Sponsored By the Void, offers a queer awakening through the form of a supernatural visitor. Mathre plays the emotionally illiterate boyfriend to Leah (Kelly Karcher) who is so overburdened by his uselessness that she's close to bursting. When The Void (Jennifer Ewing) waltzes in, Leah is immediately felled by her hot dom energy and her demand that Leah does exactly what she wants. 'Do you eat?' Leah asks her, quivering. 'I devour,' The Void replies. Created by Seattle-based company The Co-Conspirators, this goofy, sultry sci-fi horror revels in Leah's uncompromising newfound confidence, with Kennedy looking on in horror and Leah's friend Val (Be Russell, funny to her bones) watching with delight as she rejects everything she has previously accepted without resistance. Subservience to men is the real horror here. Eschewing subtleness, the play asks direct questions of how a woman can get trapped into a role she never asked for, and how she can – with support of a sexy, suited-up otherworldly entity – break her way out of it. 'I just want you to know what you're getting into,' David Alnwick says as he pops his head around the door, checking we're not actually here for the musical cabaret going on upstairs, before leaping to the side of the stage to fiddle with the video setup. Where a handful of these horror shows use film to enhance the spookiness, Alnwick's The Dare Witch Project is the only one to rely on it. Soldiering through technical issues, our eager host talks us through the footage he supposedly found in an old VHS he got off eBay. The man in the recordings looks surprisingly like him, with his clothes and his voice, and a determination to complete a challenge inspired by the infamous found-footage movie The Blair Witch Project. While most of the tension from this Free Fringe show comes from the screen, as Alnwick presents these clips of the mysterious doppelganger recording himself in the woods, there is a singular, inspired physical magic trick used to beautifully creepy effect. The looping inevitability built into the show mounts tension as we wait, nervously, for what we know is coming, but it takes too long to get there to truly shake any nerves. I find myself wanting to be more scared than I am. Perhaps I'm becoming a horror convert after all. The last show of the evening is the least terrifying. Maria Teresa Creasey's toothless attempt at a vampiric comedy-horror, Degenerate, begins ominously, as the writer-performer lies face-down, bound and gagged, waiting for one of us to untie her. But that's the end of the innovation. Pitched as experimental, Creasey's babbling speech acts like a fly being swatted, scattily returning to a smattering of ideas but never settling long enough to offer a performance worth our time. Hazily buzzing around the notion of women being deemed irrelevant as they age, Creasey's character eventually flits towards the eternal youth of the vampire and lip-syncs to clips of scary movies. She wants to last for ever. I'm glad this performance does not. Elysium is at Gilded Balloon at Appleton Tower until 24 August; Scatter: A Horror Play is at Underbelly, Cowgate, until 24 August; Sponsored By the Void is at Greenside @ Riddles Court until 16 August; David Alnwick: The Dare Witch Project is at PBH's Free Fringe @ Voodoo Rooms until 24 August; Degenerate is at Pleasance Courtyard until 23 August
