Today's top TV and streaming picks: The Secret Headliner, Paddington 2 and Octopus!
Legacy RTÉ One, 6.30pm
New four-part documentary series offering insights into 15 entries in the National Historic Properties portfolio. The opening episode focuses on centres of power – Dublin Castle, Oldbridge House, Derrynane House and Pearse Museum.
Sloinne TG4, 8.30pm
A new run of the series delving into the history of Irish surnames starts with Mac Gearailt, or Fitzgerald. Lecturer Rónán Mac Gearailt explores the life of JFK's great-grandfather, while Stella Bass profiles fellow singer Ella Fitzgerald.
The Secret Headliner Virgin Media One, 8pm
New music show in which a top act plays a secret gig for an unsuspecting crowd, supported by local talent. First into the fray are Picture This and Simple Things, who perform at Cork's Crane Lane.
Unforgotten: The Bradford City Fire BBC Two, 9pm
Moving documentary which is broadcast 40 years to the day since a blaze began at Bradford City's match against Lincoln City. In just four minutes, it took hold in an old wooden stand at the Valley Parade stadium, resulting in 56 deaths. Here, survivors and members of the bereaved families recall their experiences.
Paddington 2 BBC One, 3.55pm
One of the greatest sequels of all time sees the beloved bear framed for a theft he didn't commit. After being jailed, he wins over his fellow inmates, and becomes involved in an audacious escape attempt. Hugh Grant co-stars as the villain of the piece, while Ben Whishaw voices Paddington.
Ambulance RTÉ One, 9.30pm
Crime drama in which an army veteran desperate for money to pay for his wife's medical bills reluctantly agrees to help his charismatic career criminal adoptive brother carry out a bank heist. Yahya Abdul-Mateen II and Jake Gyllenhaal play the pair.
A Deadly American Marriage Netflix, streaming now
The story of Jason Corbett and Molly Martens was always going to be made into a Netflix documentary. Corbett, a widower, got married in 2008 to Martens, his Tennessee au pair. They left Ireland to start over in North Carolina with his kids, Jack and Sarah. Their story took a dark turn in August 2015, when Molly and her dad, former FBI agent Thomas Martens, were in an altercation resulting in Jason's death. Molly later entered a no-contest plea, claiming self-defence, while Thomas was found guilty of voluntary manslaughter in 2023. After their 2024 prison release, uncertainty remained about certain facets. Directed by Jessica Burgess and Jenny Popplewell, this documentary includes exclusive interviews providing insight into the divergent perspectives of those involved, leaving some grappling with the question of: 'Who was the real victim?' And, given Jack and Sarah's unbelievably brave contributions, the answer to that would be: the kids.
Octopus! Prime Video, streaming now
Narrated by Phoebe Fleabag Waller-Bridge, this marvellous mash-up chronicles being killed by a lover, losing yourself in Mexico, spotting a unicorn, befriending a competitive quilter, exploring our connection with aliens, and extra Tracy Morgan. This is how all nature documentaries ought to be produced from now on.
Rose International Dance Prize Marquee TV, streaming now
For those unfamiliar with Marquee TV, it's your global streaming platform for the arts. This 60-minute film, narrated by Fiona Shaw (Bad Sisters, Harry Potter, plus too many more to mention), sees internationally acclaimed choreographers compete for dance's version of the Oscars.
The Match Netflix, streaming now
If you're watching season two of The Devil's Plan and wondering why there's always a Go master in the line-up, this cut-throat drama could give you some context. For something at the other end of the spectrum entirely, Vince Vaughn, Susan Sarandon and a rake load of other famous people star in Nonnas.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Irish Sun
an hour ago
- The Irish Sun
‘Crass' cops slammed for playing ‘snog, marry, kill' with mugshots of local call girls and felons
LAYING 'snog, marry, avoid' with colleagues at work could be sexual harassment, a tribunal has ruled. The 'crass' and 'inappropriate' game may breach the Equality Act, an Employment judge said. The risqué quiz involves naming three people and then asking a person to pick which one you would like to kiss, which one you would get married to and which one you would steer clear of altogether. In the BBC hit comedy Gavin and Stacey, Pam, Mick, Gavin and Smithy played a version of it featuring celebrities during a car ride from Essex to Wales. However, the tribunal found it may break workplace laws. The ruling came in the case of a police officer who sued Derbyshire Police after a female colleague involved him in the game — using mugshots of sex workers. READ MORE UK NEWS The officer candidly admitted to the tribunal that she had 'jokingly' played the game with co-workers and included PC Shafarat Mohammed in their discussion. PC Mohammed claimed that during the discussion in May or June 2022 he was only shown images of black women and was asked what he liked about one of them. He said he was 'embarrassed' and 'offended' by the questioning and felt it was inappropriate. The tribunal judge said: 'We agree that the questions were inappropriate.' Most read in The Sun However, the tribunal found there was no racial or religious element to it as the sex workers were of varying ethnicities. PC Mohammed lost his case for racial and religious discrimination and harassment. Two top cops accused of mocking a colleague's Irish accent in 'grossly offensive' leaving video 1 A cop sued Derbyshire Police after a female colleague dragged him into a game of 'snog, marry, avoid' using sex worker mugshots (stock picture) Credit: Getty
The Irish Sun
3 hours ago
- The Irish Sun
Only in UK could we be forced to pay for BBC then have to cough up for best TV on streaming services – it's got to stop
TURN on your TV today and you'll find schedules filled with true crime thrillers and celebrity reality shows or, at the other extreme, indulgent tripe pandering to Gen Z snowflakes. But unless the Big Five channels stop making so much b****ks and grow some balls, they're going to kill British TV as we know it. 5 Blind Date, a much-loved TV format that was once on ITV but has now been snapped up by Disney+ Credit: Getty Images - Getty 5 Subscription services are now making the most electrifying programmes on the planet, pictured hit White Lotus Credit: AP 5 Netflix's gritty drama Adolescence could easily have been done by Channel 4 Credit: Netflix Because BBC One and BBC Two, ITV , Channel 4 and 5 — whose listings increasingly read like a suicide note — are entering the final stages of a fight for their survival. They're up against Netflix, Sky , Prime Video and countless other corporations with deep pockets and big ambitions. Proof came this week in the unlikely form of Blind Date, a much-loved TV format that was once on ITV but has now been Only in Britain could we be forced by law to shell out for a home-grown broadcasting service, only to find the best TV shows are increasingly made by largely foreign-owned streamers Rod Yeah, that's right, Disney+. Paying through nose Years ago, the subscription services started out providing an alternative to traditional telly, then they began copying the traditional providers and, recently, they've started stealing their big-name talent — Jeremy Clarkson, Emma Willis, Amanda Holden, Holly Willoughby. Now the Blind Date deal shows that the super streamers are literally out to thrash the Big Five at their own game. The gloves have come off . . . but the increased competition won't stop us paying through the nose. Only in Britain could we be forced by law to shell out for a home-grown broadcasting service, only to find the best TV shows are increasingly made by largely foreign-owned streamers. Then — in the ultimate rip-off — we have to cough up even more money to watch them. That's the enraging situation we find ourselves in in the year 2025. Although there are some notable exceptions on the BBC , ITV and Channel 4, the consensus is that subscription services are now making the most electrifying programmes on the planet. Brassic Bids Farewell: Michelle Keegan's Final Series Think about it. Dramas including Adolescence, Baby Reindeer, Rivals, The White Lotus, Slow Horses. And consider the shows that have given us the biggest laughs over the past few years — hits like Last One Laughing, None of the above was delivered by the traditional Big Five terrestrials. So, why can't the channels we already pay for make more of the TV that gets us excited? The obvious response from the top UK channels would be that they are still giving us blockbusters — Strictly, I'm A Celebrity , Bake Off, The Traitors, Love Island and dramas like Happy Valley or Mr Bates Vs The Post Office . 5 Last One Laughing, on Amazon Prime Video, has been giving us more laughs than anything on the traditional Big Five terrestrials Credit: Supplied 5 Why can't the channels we already pay for make more of the TV that gets us excited like Brassic? Credit: Sky UK Limited. They are all, to be fair, brilliant. But so much of it is old now. It's predictable. And the new hits are few and far between. Though the streamers obviously have pots of cash to spend, it's not just a money problem either. Look no further than the recent co-production between Disney+ and the BBC on Doctor Who. It's easy to understand why other shows that are laden with CGI and big Hollywood stars end up on the streamers, but why is it that comedies like Ted Lasso never seem to pop up on ITV? Rod It was, by most people's standards, an unmitigated disaster. The studio giant pumped millions into cutting-edge special effects, sets that dazzled rather than wobbled and genuinely monstrous monsters. And what did the BBC do? They squandered it by turning a sci-fi classic into a series of woke lectures that had viewers turning off in droves. Now the Disney+ deal is hanging in the balance and they're having to bring back David Tennant. It's easy to understand why other shows that are laden with CGI and big Hollywood stars end up on the streamers, but why is it that comedies like Ted Lasso never seem to pop up on ITV? ITV, by the way, recently spent millions launching The Genius Game, with And the one thing I thought while watching the brilliant, gritty drama Adolescence was, this could easily have been done by Channel 4. Neither Adolescence nor Ted Lasso would have cost that much to produce, surely? It's not Star Wars or Bridgerton. Pure extortion Part of the problem, it seems, is that a lot of creatives and execs now don't just chase the money — they also chase trends and credibility. At last month's TV Baftas, around a third of the nominations went to streamers — a figure that's been growing rapidly over the past decade. That, too, could reach a tipping point in a couple of years. The solution is glaringly obvious, but not easy. If Disney+ steal Blind Date, come up with the next Blind Date. If they lose Clarkson to Prime Video, find the next Jeremy. If Netflix do Bridgerton, come up with another twist on the period drama. They need to stop the rot in terrestrial telly, because one day a cluster of these streamers will start offering a one-price-buys-all subscription deal that will make the licence fee look like pure extortion. Then public service broadcasting's days really will be numbered.
Irish Post
4 hours ago
- Irish Post
Birmingham's Balti, blinders and Irish backbone
MY eyes started to bulge, beads of sweat began to drip from my brow — I realised that my nascent journey through Birmingham's cultural chicane was about to hit the wall when I started to taste a bowl of fiery Hot and Sour Soup ( Suan La Tang ) at a lively Chinatown restaurant. Sichuan peppercorns seemed to be gouging dents in my tongue deeper than West Midlands potholes. And the accompanying fried rice, with its semi-volcanic red chilli paste, was failing to douse the flames. Luckily, I was saved soon after when a very welcome Guinness helped to soothe the pain at the Queen's Arms, a friendly and traditional Art Nouveau pub in Birmingham's Jewellery Quarter. Another pint followed and, quite soon, normal service was (almost) restored, Well, at least I was able to talk again. Such risks are at the heart of any trip into a metropolis which is a melting pot (literally) of so many of the world's cultures and cuisines, from Irish and Caribbean to Chinese and an abundance of South Asian. The previous day, I had voyaged into the heart of the city, along with my partner and photographer Sue Mountjoy, on a hired narrowboat in which we had tucked into our own version of the Birmingham Balti, cooked previously and frozen at home. James with the Wren tied up in the heart of Birmingham Our onboard meal was based on a recipe from Shababs, one of the city's original Balti houses that refined the legendary Pakistani curry, named after its wok-shaped cooking pan, the Balti, meaning bucket in Hindi and created locally in the 1970s. It was a delightful mix of spices, but our cooking skills hardly matched those of the local aficionados who, despite so much competition from burgers, desserts, pizzas and gastro pubs, can still be found across a city which served 20,000 Balti meals a week in the boom decades between 1990 and 2010. Of course, our four-day journey along the Worcester and Birmingham Canal was as much a relaxing wander through idyllic spring countryside as an exploration of the history of the waterway itself and the countless Irish labourers who sweated, bled and died carving its 22-mile route from Alvechurch Marina to Birmingham's historic Gas Street Basin. During the golden age of canals – a relatively short period, from 1760 to 1800 – it is not known how many Irishmen flocked to regions like the West Midlands, the epicentre of the network with 160 miles of canals (more waterways than Venice, it's claimed), most of which still survive, having come through the eras of the railways, roads and now enjoying a halcyon period of leisure use. Many of these men hid their identities and remain unrecorded by history, suspicious of often aggressive authorities and locals who accused them of taking their jobs by undercutting their already meagre wages. James tries out his onboard Balti curry Yet they came in their thousands, many to handle the harvests of the great English and Scottish estates, before switching to the canals for the better pay for the punishing work of digging 20 tons of earth a day, living amid the disease and violence of nearby shanty towns, where beer and brawling were the key distractions. It was hard not to think of their sacrifices when we faced our first and only real challenge, the seemingly endless and gloomy depths of the Wast Hill Tunnel, which is over a mile and a half long and took us over 35 minutes to pass through with just our boat headlight as our guide. It took the navvies three brutally hard and very dangerous years to dig by hand and build the brickwork (from 1794-97). I wondered how many had died there and had been the legendary 'heavy diggers' of Connemara or the 'tunnel tigers' from Donegal – both had a reputation as hard workers and, even today, have renowned skills in construction, particularly subterranean work. Wast Hill proved passable safely with steel-eyed concentration and, once through, gave me a light-headed sense of achievement when that light emerged and we savoured the warmth and birdsong at the end of its shiveringly dank depths. Even so, our cruise – with not a single ancient lock to negotiate - was ideal for a beginner and for boaters who prefer a gentle cruise through a tapestry of rolling Worcestershire countryside dotted with ancient waterside cottages and elegant grey herons who stared at us intently from the towpaths, hopeful that our propellor would expose a doomed fish or two for lunch. The Wren moored in central Birmingham Our first mooring was at Bournville, the UK's 'Chocolate Town' and home to the all-embracing Cadbury business started in 1824 by Quaker John just four miles away in Birmingham's Bull Street - now American-owned and one of the world's biggest confectionery brands. We had a fascinating wander round the elegant and green Arts and Crafts model village, which the Cadbury dynasty built to provide workers with better living conditions than the cramped Victorian city. But it was in among the giggling children at the Cadbury World exhibition centre (over 500,000 visitors each year) that we saw how clever marketing and continuous change made us both obsessed as children with Dairy Milk! Next day, a small boy Ollie (3) and his great grandmother stopped to chat and look over our 49-foot steel monster, between train spotting on the adjoining Cross-City rail line into Birmingham. 'How fast does it go?' he asked. 'Not very, I'm afraid,' I replied honestly, to his clear disappointment. Yet, as we cast off with the help of our neighbouring boat owner and with advice about the big city's attractions from a young man living in his boat opposite, we appreciated that life at 4-miles-an-hour is a wellbeing antidote to today's busy world. Even as busy Birmingham crept up on us, through the fields, suburban warehouses, and graffiti-emblazoned walls of Selly Oak, Edgbaston and eventually through heart of the city's waterways, the 230-year-old canal nerve centre, Gas Street Basin, and our final mooring berth, Brindley Place, once grimy and choked with industry but now home to countless lively bars, restaurants and such attractions as the National Sea Life Centre, Legoland and the Symphony Hall. For two nights, despite being surrounded by such full-on nightlife, our mooring proved oddly peaceful, with several friendly passing dog walkers, pram-pushers and cuddling couples stopping to chat whenever we stepped out. And by foot and buses, we immersed ourselves in the many cultures of a city which has been home to the Irish for over two centuries, with over 15,000 Irish immigrations arriving by the mid 19th century, attracted by work on the canals, railways and construction industry. The Wren sails through the lengthy Wast Hill Tunnel Our trips took us to some of the city's iconic centres, including Digbeth, the spiritual home of the Irish, and the fascinating Back-to-Backs Museum, where the National Trust spent £3 million preserving three 19th century houses that show the disease, landlord cruelty and squalor those families endured. Interestingly, our guide informed us that due to the high water table locally, the poorest families had not been forced to live in the dark and windowless house cellars as so many arriving Irish had had to endure in 19th century Liverpool. After our return to Alvechurch Marina, we handed back the 'Wren' and drove to Dudley to spend the day at the remarkable Black Country Living Museum, whose grim canal yard featured in the earliest episodes of television's long-running Birmingham drama, Peaky Blinders. The dramatized Blinders on TV are a violent group of organised criminals with Irish roots (led by Tommy Shelby played by Cillian Murphy) but the truth of the fearsome late 19th and early 20th century Birmingham 'slogging' gangs is more complex. Some, grew out of the anti-Irish Catholic violence stirred up by roving preachers who encouraged widespread looting and destruction of the impoverished Irish homes around Park Street in the 1860s. For protection, many youngsters signed up to what became an early youth cult of the day. Today, the Blinders are long gone. And, despite Birmingham's recent headlines over bin strikes and council finance chaos, we enjoyed a city with great pubs and live trad music and learned how their modern-day Irish descendants are now the poets, writers, teachers, builders and musicians that have helped construct the kaleidoscopic culture of a city that can certainly float your Balti boat. FACTFILE For canal trip details visit or call 0344 984 0322 ABC Boat Hire or call 0330 333 0590 Hire prices for the 'Wren,' for example, start at £699 for a short break (three or four nights), £999 for a week. Boats range from 32ft to 70ft and can accommodate from two up to 12 people. For more information about the canal network, visit See More: Balti, Birmingham, Irish, Travel
