logo
Lineker delivers emotional farewell as MOTD era ends at the BBC

Lineker delivers emotional farewell as MOTD era ends at the BBC

Yahoo3 days ago

Emotional farewell for Gary Lineker as BBC and Match of the Day era ends
Lineker's long goodbye and a moment that changed everything
There are farewells, and then there are reckonings. Gary Lineker's final appearance on Match of the Day felt like a reluctant blend of both, a parting scripted not just by personal reflection but by political backlash, institutional caution, and the inevitable pressure of public scrutiny. It wasn't supposed to end like this, but then nothing at the BBC quite does anymore.
After more than 25 years as the defining voice of the BBC's Premier League coverage, Lineker bid goodbye to his role with a wry quip and a heavy heart. 'It wasn't meant to end this way,' he said, opening his final show. 'But with the title race over and the relegation places confirmed, the Champions League was all we had left to talk about.'
Photo: IMAGO
Except, of course, the subtext was about far more than football. It was about tone, timing and a misjudged social media post that collided with the long-brewing culture wars that have increasingly engulfed British public life — and which ultimately cost one of the country's most recognisable broadcasters his seat at the heart of its sporting tradition.
End of an era framed by emotion and applause
Lineker's last appearance on MOTD was a mix of poignancy and performative farewell. The BBC, in a gesture both generous and polished, rolled out a farewell montage that stitched together highlights from his 26-year tenure. Messages poured in — Alan Shearer, Ian Wright, Pep Guardiola, Virgil van Dijk, even Andrea Bocelli — in a tribute that managed to be moving without ever entirely masking the discomfort that preceded it.
Photo: IMAGO
'I'd like to wish Gabby, Mark and Kelly all the very best when they sit in this chair,' Lineker said of his successors — Gabby Logan, Mark Chapman and Kelly Cates. 'The programme is in the best of hands.'
Advertisement
Joined by Shearer and Micah Richards, Lineker ended with familiar humour and humble appreciation: 'Rather like my football career, everyone else did all the hard work and I got the plaudits. It has been an absolute privilege to have hosted Match of the Day for a quarter of a century. It has been utterly joyous.'
Photo The Times
He was handed a MOTD cap, a golden boot and a standing ovation. But beneath the warmth lingered the unmistakable awkwardness of a departure shaped by digital outrage and institutional risk aversion.
Apology, amplification and the fine print of online expression
It is worth revisiting the moment that prompted this final act. On 13 May, Lineker reposted an Instagram video from a group called Palestine Lobby, captioned 'Zionism explained in two minutes'. It also included a cartoonish image of a rat — a symbol with undeniable antisemitic connotations. Lineker later deleted the post and issued an unreserved apology.
Advertisement
'I would never knowingly share anything antisemitic,' he said. 'It goes against everything I believe in.' He added: 'It was an error on my part for which I apologise unreservedly.'
But the storm had already formed. The Campaign Against Antisemitism called his position 'untenable' and launched a petition for his dismissal. Figures from across the political spectrum weighed in. The BBC — already battered from previous Lineker controversies — quickly moved from planning to retain him for FA Cup and World Cup coverage, to letting him go entirely.
As Tim Davie, BBC Director-General, noted: 'Gary has acknowledged the mistake he made. Accordingly, we have agreed he will step back from further presenting after this season.'
Public broadcaster meets private ideology
What remains striking in this whole affair is the BBC's delicate dance between impartiality and integrity, between freedom of expression and the demands of public neutrality. Lineker has long been more than a football presenter. He has been a political voice, a humanitarian commentator, and at times, an avatar for the BBC's internal contradiction — outspoken, popular and uncomfortable.
Advertisement
His previous run-in with the broadcaster in 2023, when he compared the government's immigration rhetoric to 1930s Germany, had already tested the limits of what was permissible for a public figure on a public salary. Then, he was suspended and reinstated amid backlash. This time, the red lines were crossed more definitively.
And yet, as Lineker said: 'Football has been at the heart of my life for as long as I can remember — both on the pitch and in the studio.' His affection for the game and its culture never waned. But this latest controversy exposed a deep tension between those personal convictions and a media environment increasingly allergic to ambiguity.
Farewell from a figure who reshaped football on TV
Lineker's exit should still be noted for what it symbolised. He changed how football was talked about on television — smart, sharp, unafraid to laugh, but also serious when needed. He was a bridge between generations, between dressing rooms and studio lights. At a time when the sport became hyper-commercialised, Lineker's presence retained a kind of levity and sincerity that grounded Match of the Day in something recognisable.
Photo IMAGO
His departure ends an era, not just of broadcasting, but of how sport sits within culture. MOTD will carry on, but the voice that once linked Shearer's analysis with a joke about zonal marking is gone. And with it, perhaps, a small part of the BBC's soul too.
Lineker's final message was one of grace, reflection and, in spite of it all, accountability: 'I care deeply about the game, and about the work I've done with the BBC over many years… Stepping back now feels like the responsible course of action.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Martha Hall Kelly draws inspiration from her family tree for her new historical novel set on Martha's Vineyard
Martha Hall Kelly draws inspiration from her family tree for her new historical novel set on Martha's Vineyard

Boston Globe

time38 minutes ago

  • Boston Globe

Martha Hall Kelly draws inspiration from her family tree for her new historical novel set on Martha's Vineyard

At age 58, Kelly's second act had arrived. The '75 alum of Hingham's Notre Dame Academy said her history teacher, Mary Glasheen, sparked a love of history and women's stories. 'She got me interested in history, because she told it from a female point-of-view — stories about women. I was hooked after that.' Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up 'Miss Glasheen' might be proud to know that today, her student's name is synonymous with Advertisement Kelly's fifth and latest, ' The novel's plot in a nutshell: In 2016, 30-something Mari Starwood is on Martha's Vineyard, talking to Mrs. Devereaux, a 90-something Vineyard painter. The artist is telling Mari about the Smiths, who lived on the Vineyard during World War II. Advertisement In 1942, Cadence, 19 and a columnist for the Vineyard Gazette, and younger sister Briar, a 16-year-old eager to catch German spies in their midst, hold down the family farm with Gram after their brother Tom goes off to war. A book lover, Cadence starts the titular club. Soon Briar says she sees German U-boats lurking off the island's shores, Cadence falls for a British soldier, and they find a mysterious German soldier washed ashore… A love letter to books and book clubs, Kelly's new novel is ripe for summer reading — especially in this neck of the woods, where you could hop a ferry to see the real spots mentioned. Kelly has a I called her ahead of Martha Hall Kelly, author of 'The Martha's Vineyard Beach and Book Club.' Handout Q. This book was inspired by your family's history on Martha's Vineyard. You've summered on the Vineyard your whole life. A. I've always wanted to write about my family. They came to Martha's Vineyard in 1891. My great-grandmother and great-grandfather worked the mills in New Bedford. He was off the boat from Scotland. She'd worked the mills since she was 6, picking up spools. When they retired, they went to Martha's Vineyard and started a farm in West Tisbury. The stories are, my great-grandfather was not a very nice person. He chopped off the finger of farmer Green next door. There was a property dispute, farmer Green put his hand on the fence, and my great-grandfather took his hoe and chopped his little finger off. Advertisement Then my grandmother, Emma, and my grandfather raised their four kids, including my mother, on Martha's Vineyard. My mom [Joanne] met my father after the war when she was working as a medical secretary at the military hospital, now the He proposed, they were off to the races. They moved to Hingham, originally. Years later they moved back to the Vineyard. Q. You were born in Milton. A. Right. I grew up in Pembroke, later we moved to Hanson. I went to Syracuse, then Northwestern for journalism, graduating in 1981. Q. Did you always want to be a writer? A. When I realized I could write advertising for a living, I was hooked. But I was never really good at it — I was always trying to make the commercials into continuing characters, and the clients were like, 'No, this is just one commercial; you can't do a whole story.' I should've known I really wanted to write novels. Q. Cadence is based on your mom. She wasn't a newspaper columnist, but she did have a book club. A. She did. She grew up with two best friends: Betty Cottle and Shirley Kennedy. Shirley is still with us. Shirley filled me in on so much I didn't know about my mother — old boyfriends, old jobs, trouble they got into doing this and that. Advertisement They were avid readers, swapping books like you wouldn't believe. All they did was read. Members of the military prepared to depart for Martha's Vineyard from Woods Hole. Handout Q. A major plotline centers on A. Isn't that amazing? I'd never heard of them. They were full books, no bigger than a deck of cards. While Germans were burning books, we printed some 1.5 million of those little books. It made a whole generation of men into readers. 'The Great Gatsby' was not a hit, but Q. Gram, a good cook, is based on your grandmother. A. My grandmother sold doughnuts to soldiers for 25 cents a dozen. I don't know how she made money on that. The soldiers on My mother was 14 at the time, but she remembered how handsome they were. A lot were from always talked about how sad that was. The author Martha Hall Kelly's mother, Joanne Hall, and her friend Betty Cottle. Handout Q. How did you research the island's World War II history? A. My mom told me firsthand some stories, but I did a lot of research. Tom Dresser, a historian who lives on the island, [co-wrote] Advertisement Q. What was the most surprising thing you discovered? A. The mock invasion. I didn't realize they sent invasion barges practicing for Normandy to Lambert's Cove Beach in West Tisbury — I grew up on that beach. I had no idea. They had flour bags to simulate bombs going off, they had barrage balloons, the Navy was strafing the beach in planes. People reported seeing soldiers on their bellies working their way through their gardens. They were freaked out. Q. I'm curious: In your acknowledgments, you reference your mom's stories about 'Martha's Vineyard Sign Language.' What's that? A. Oh! My mom was fascinated with that. There was a gene for deafness that came from England back when people first settled on Martha's Vineyard. [Over generations] there was a prevalence of deafness. My mother remembered, growing up, a lot of people were deaf and used 'Martha's Vineyard Sign Language.' Even hearing fishermen out on the sea would use it. The sign for 'cod fish' — you draw your fingers down from your chin like a beard. Or poking one finger out from your forehead, that swordfish. That is not American Sign Language. It's Q. That's so interesting. So you've got two story lines here, Mari and the Smiths. Are you a plotter or a pantser? Advertisement A. I plotted the story of two sisters in 1942. But I was growing tomatoes and thought, 'How do I cook green tomatoes?' I looked up 'fried green tomatoes' and while I was making the recipe, I watched the movie. And, I don't know if you remember, Kathy Bates, there's a frame. Q. I know what you mean. She's the current-day listener, like Mari. A. Exactly! I pantsed Mari's story. Once I added that, the story came alive. Q. You said you initially didn't have books in the novel. A. I was having [writer's block] early on, wishing my mother had told me more about Martha's Vineyard … from when she was growing up. One day I went into the attic and found this manila envelope. I pulled out a stack of essays my Aunt Mary had written, about growing up on Martha's Vineyard. It was an amazing piece of research. In the stack, there was another little envelope with a list of all the books my mom thought my daughter should read. When I tilted the envelope, a gold heart [charm] fell out. She was not sentimental. I thought: 'This is her telling me [to add the books to the story.]' There's no doubt in my mind she led me to that. Interview was edited and condensed. Lauren Daley can be reached at

French Open order of play and Roland Garros schedule including Novak Djokovic
French Open order of play and Roland Garros schedule including Novak Djokovic

Yahoo

timean hour ago

  • Yahoo

French Open order of play and Roland Garros schedule including Novak Djokovic

Novak Djokovic will be in action on Thursday (Getty) The second round of the French Open continues at Roland Garros on a big day for home players in Paris. World No 1 Jannik Sinner will be facing the retiring Richard Gasquet, Britain's Jack Draper takes on the popular veteran Gael Monfils in the night session, and three-time French Open champion Novak Djokovic meets another home favourite in Corentin Moutet. Advertisement British No 1 Katie Boulter faces Australian Open champion Madison Keys, while Jacob Fearnley looks to back up his opening win over Stanislas Wawrinka against another Frenchman in Ugo Humbert. Coco Gauff, Alexander Zverev and Mirra Andreeva are also in action on day five. Today's order of play is below. French Open order of play (Thursday 29 May) all times BST Court Philippe-Chatrier (start 11:00) Ann Li (USA) vs. Jessica Pegula (USA) [3] Jannik Sinner (ITA) [1] vs. Richard Gasquet (FRA) Madison Keys (USA) [7] vs. Katie Boulter (GBR) Night session, not before 19:15 Gaël Monfils (FRA) vs. Jack Draper (GBR) [5] Advertisement Court Suzanne-Lenglen (start 10:00) Jaume Munar (ESP) vs. Arthur Fils (FRA) [14] Tereza Valentova (CZE) vs. Coco Gauff (USA) [2] Corentin Moutet (FRA) vs. Novak Djokovic (SRB) [6] Daria Kasatkina (AUS) [17] vs. Leolia Jeanjean (FRA) Court Simonne-Mathieu (start 10:00) Mirra Andreeva [6] vs. Ashlyn Krueger (USA) Alexander Zverev (GER) [3] vs. Jesper de Jong (NED) Elena-Gabriela Ruse (ROU) vs. Paula Badosa (ESP) [10] Jacob Fearnley (GBR) vs. Ugo Humbert (FRA) [22] Court 14 (start 10:00) Alex de Minaur (AUS) [9] vs. Alexander Bublik (KAZ) Barbora Krejcikova (CZE) [15] vs. Veronika Kudermetova João Fonseca (BRA) vs. Pierre-Hugues Herbert (FRA) Advertisement Victoria Azarenka vs. Sofia Kenin (USA) [31] Court 7 (start 10:00) Henrique Rocha (POR) vs. Jakub Mensik (CZE) [19] Andrey Rublev [17] vs. Adam Walton (AUS) Anhelina Kalinina (UKR) vs. Lois Boisson (FRA) Alycia Parks (USA) vs. Elsa Jacquemot (FRA) Court 6 (start 10:00) Magdalena Frech (POL) [25] vs. Marketa Vondrousova (CZE) Elisabetta Cocciaretto (ITA) vs. Ekaterina Alexandrova [20] Flavio Cobolli (ITA) vs. Matteo Arnaldi (ITA) Denis Shapovalov (CAN) [27] vs. Filip Misolic (AUT)

Jack Draper earning more ‘respect' with rise but insists attitude will not change
Jack Draper earning more ‘respect' with rise but insists attitude will not change

Yahoo

time2 hours ago

  • Yahoo

Jack Draper earning more ‘respect' with rise but insists attitude will not change

Life as a top player at a grand slam has always been a world apart from the sober reality of being one of the rank and file. The best are routinely scheduled on the biggest stadiums, sometimes assigned exclusive changing rooms and receive preferential practice‑court assignments, among countless other advantages. Over the past few years, Jack Draper has experienced how differently his peers treat him as he has achieved greater success. Four years ago, when he made his ATP debut at the Miami Open, he struggled to secure a hitting partner. It is a different story today. Advertisement Related: Draper and Norrie help British players set best first-round return in 52 years at French Open 'It's natural,' Draper said. 'When you are new, nobody knows you. Especially on the tour. It's work. You want to hit with a good player. And if you don't know that person, if they are young or whatever, then you might probably think: 'Oh, I'd rather hit with someone else.' 'I have never been like that. I don't really care who I hit with, whether it's a hitting partner or a top player. I always try to get the best out of myself. That is natural – as you play more, as you are in the changing rooms more, as you win more matches, people give you the respect.' Although many tend to pair status and on-court achievements with respect, Draper says he is only interested in the character and integrity of those around him: 'Some players definitely give respect because of the tennis. Whereas I have always been the person [who thinks] it's just hitting a ball over a net. I give respect to people who are good people and who have good values, who show their character in a really good way. That's most important to me.' Advertisement At a time when his success continues to generate more interest and attention, the past few months have underlined to Draper the importance of leaning on his family and close friends. He constantly speaks about his family and tries to spend the free time he has at home with them. This time, they have come to him. Alongside his coaching team and his brother, Ben, who is also his agent, Draper is joined in Paris by his mother, Nicky, and his maternal grandfather, Chris. 'He doesn't do too much travel,' Draper said, smiling, while discussing his grandfather. 'My grandparents are a huge part of my world. He's always on the live ranking, watching my tennis. He's obsessed with it. Gives him so much life. So to have him out here … my brother and mum can look after him a little bit. Related: Jack Draper's feats of clay spark hope of making deep run at French Open 'He knows everything that is going on around the world, on the tours, he knows what all the Brits are up to. He just loves tennis so to have him here is a massive thing for me. His wife, my nana, who has dementia, that was a big part of her world. To have him here it's very, very special.' Advertisement With five British singles players – Draper, Katie Boulter, Jacob Fearnley, Sonay Kartal and Cameron Norrie – in second-round action on Thursday, Draper will have to face one of the most adversarial audiences of his career when he plays Gaël Monfils in front of the 38-year-old's notoriously harsh home crowd. Monfils pulled off a typically magical comeback on Tuesday night, fighting back from two sets down to defeat the Bolivian Hugo Dellien. 'I always said Jack would be a top-10 player,' Monfils said. '[When] he was a youngster, played a lot in the practice. I really like the kid. He's a fantastic player. He's a top five. He has a lot of weapons. It's going to be a hard one. He's in full confidence.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store