
Judas Priest former drummer Les Binks dead at 73: 'Your acclaim will live on'
Les Binks, the drummer responsible for Judas Priest's beats in the late-'70s, has died at 73.
A funeral notice for Binks lists his passing at a London hospital, with some reports adding his death occurred March 15.
The band announced Binks' death in an Instagram post Tuesday, stating, 'We are deeply saddened about the passing of Les and send our love to his family, friends and fans. The acclaimed drumming he provided was first class – demonstrating his unique techniques, flair, style and precision. Thank you, Les – your acclaim will live on …'
More: Clem Burke, legendary drummer for Blondie and the Ramones, dies at 70
Binks joined the British heavy metal band in 1977 after drumming with Eric Burdon and the Animals and War and made his first appearance on Judas Priest's major label debut, 'Sin After Sin,' that same year, playing on the bonus track, 'Race with the Devil.'
The sticksman's resume also included stints with Deep Purple bassist Roger Glover, as well as the pop band Fancy, before his Judas Priest association.
Born James Leslie Binks in Northern Ireland Aug. 8, 1951, Binks' two-year membership in the Rob Halford-fronted outfit included the band's tour supporting 'Sin After Sin,' which marked Judas Priest's first outing in America.
But it was Binks' double bass drum assault that earned his acclaim in the Judas Priest canon. The 1978 albums 'Stained Class' and 'Killing Machine' (released as 'Hell Bent for Leather' in the U.S.) as well as the 1979 live album 'Unleashed in the East,' spotlighted Binks' signature speedy playing, which featured prominently on the band's first hit in the U.K., 'Take on the World.'
The drum patterns from that song lived on in future generations, with both The Human League utilizing them during their 1980 tour and the indie rock band Spoon interpolating the patterns in their 2021 song, 'Wild.'
Binks also co-wrote 'Beyond the Realms of Death' from the 'Stained Class' album.
But two years after joining Judas Priest, Binks departed just before the tour behind 'Hell Bent for Leather.'
In a 2017 interview on a fan site for Judas Priest guitarist K.K. Downing, Binks cited management refusing to pay him for contributions on 'Unleashed in the East' that 'led to my decision to leave the band. I just didn't see the point in continuing to work with a band whose manager (Mike Dolan) didn't want me to receive any payment for that live album. A completely ludicrous scenario … But that's what happens if a band allows someone like that to manage them. They lose members. So exit drummer number four.'
Binks stayed active in his post-Priest years, joining British hard rock band Lionheart and the short-lived Tytan in the early '80s and since 2017 played Judas Priest songs in the band Les Binks' Priesthood.
Despite a somewhat acrimonious parting with Judas Priest, Binks joined his former mates at the 2022 Rock & Roll Hall of Fame induction ceremony and played three songs with the band. It was the first time he shared a stage with them in 43 years.
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New York Times
34 minutes ago
- New York Times
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Terence Stamp, the magnetic British actor whose film roles included a naïve 18th-century merchant seaman in 'Billy Budd,' a violent 19th-century swordsman in 'Far From the Madding Crowd,' a tyrant from another planet in 'Superman' and a transgender nightclub entertainer in 'The Adventures of Priscilla, Queen of the Desert,' died on Sunday. He was 87. His family confirmed his death but did not specify where he died or the cause. Mr. Stamp was a boyish 24 when 'Billy Budd' (1962), based on Herman Melville's seafaring novel, was released. He looked into the camera with what one journalist later called his 'heartbreak blue eyes' and let his tousled blond hair fall over his forehead whenever his character was provoked — which was often, since he was being accused of murder. And he could act: The role brought Mr. Stamp an Oscar nomination and a Golden Globe Award for most promising newcomer. He presented a very different image three years later, playing a dark-haired psychopath who loves butterflies but decides to move up to capturing humans in 'The Collector' (1965). As he carried a bottle of chloroform toward a beautiful art student (Samantha Eggar), those startlingly blue eyes now seemed terrifying. In The New York Herald Tribune, the critic Judith Crist called his performance 'brilliant in its gauge' of madness. He received the best actor award at the Cannes Film Festival. He grew a sinister black mustache to play the sadistic Sergeant Troy, who mistreats the heroine (Julie Christie) in 'Far From the Madding Crowd' (1967), based on Thomas Hardy's novel. Reviews were mixed, but Roger Ebert praised Mr. Stamp's performance as 'suitably vile.' Looking back in 2015, a writer for The Guardian observed, 'Stamp has an animation and conviction in this role that he never equaled elsewhere.' Not long after that, Mr. Stamp largely disappeared for almost a decade. He came back as a character actor. When he made his entrance in Richard Donner's 'Superman' (1978), boldly crashing through a White House roof, audiences saw the young man who had been called the face of the '60s, now with a seriously receding hairline, devilish facial hair and a newly mature persona. His character, Zod, an alien supervillain with a burning desire to rule the world, returned in 'Superman II' (1980). Mr. Stamp had a busy career for the next half-century, perhaps most memorably in 'The Adventures of Priscilla, Queen of the Desert' (1994), with yet another new on-screen look. His character, Bernadette, a middle-aged transgender woman, wore dangly earrings, a grayish-blond pageboy, tasteful neutrals and not quite enough makeup to hide the age lines. 'I've got a kind of more developed feminine side of my nature,' he said in 2019 when asked about the role in a Reuters interview, 'so it was a chance to knowingly explore that.' 'I had to think about what it would be like to be born into the wrong body,' he added, 'and born into a body that wasn't the same as one's emotions.' Terence Henry Stamp was born on July 22, 1938, in London, one of five children of Thomas Stamp, a tugboat stoker with the Merchant Navy, and Ethel (Perrott) Stamp. In the low-income neighborhoods of the East End where the Stamps lived, expectations were low. 'When I asked for career guidance at school, they recommended bricklaying as a good, regular job,' Mr. Stamp recalled in a 2011 interview with the Irish newspaper The Sunday Business Post, 'although someone did think I might make a good Woolworths' manager.' After leaving school, Mr. Stamp worked in advertising agencies, but he secretly wanted to become an actor and began lessons at the Webber Douglas Academy of Dramatic Art in London. 'Billy Budd' is usually referred to as his first film, but in England, 'Term of Trial,' in which he appeared as a young tough alongside Laurence Olivier and Simone Signoret, was released a month earlier. (In the United States, 'Billy Budd' opened first.) He did theater work in England but had only one Broadway experience — a disaster. He played the title role in 'Alfie!,' a play about a callous young South London bachelor, which opened in December 1964 and closed three weeks later. Shawn Levy, in his book 'Ready, Steady, Go!,' had an explanation: 'It was so dark and frank and mean and true and generally disharmonious with the optimistic, up-tempo tenor of the moment.' But moments pass. Mr. Stamp turned down the same role in the 1966 film version, and Michael Caine — who happened to be his flatmate — took it instead. It made him a star. Mr. Stamp did star in 'Modesty Blaise' (1966), as a secret agent's Cockney sidekick; Ken Loach's 'Poor Cow' (1967), as a sensitive working-class guy; and Pier Paolo Pasolini's 'Theorem' (1968), as a mysterious stranger who beds every single member of a household, including the maid. Federico Fellini directed him as a self-destructive, alcoholic actor in 'Spirits of the Dead' (1968). In 1969, Mr. Stamp moved to an ashram in India and became a swami. Some said it was because of a romantic breakup, but he professed a simpler motive: He couldn't find work. Although he was barely in his 30s, casting agents were already looking for 'a young Terence Stamp.' Around eight years later, he received a message from his agent about the 'Superman' movie. He accepted, he often said, because he wanted to work with Marlon Brando, who played Jor-El, Superman's father. Between 1978 and 2019, Mr. Stamp appeared in more than 50 films. He received particular praise for Steven Soderbergh's 'The Limey' (1999), in which he played an ex-con on the trail of a drug-trafficking record producer (Peter Fonda) as he avenges his daughter's death. He also had roles in 'Legal Eagles' (1986), 'Wall Street' (1987), 'Young Guns' (1988), 'Alien Nation' (1988), and 'Star Wars: Episode 1 — The Phantom Menace' (1999), as chancellor of the Galactic Republic. In 'Unfinished Song' (2012, originally 'Song for Marion'), he played a gruff pensioner with a dying wife (Vanessa Redgrave). After having been a Superman-franchise villain, Mr. Stamp was the voice of the superhero's noble Kryptonian father in the television series 'Smallville.' His final film was the horror thriller 'Last Night in Soho' (2021). A Times review called his entrance alone 'a master class in minimalist menace.' In the 1960s, Mr. Stamp had highly publicized romances with the British supermodel Jean Shrimpton and with Ms. Christie. In 2002, at age 64, he married Elizabeth O'Rourke, a 29-year-old Australian pharmacist; they divorced in 2008. Information on survivors was not immediately available. Looking back philosophically in 2017 on his life's ups and downs, Mr. Stamp told The Telegraph, 'The thing that has been constant is that from the very beginning I always seemed to be the opposite to everybody else.'


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