
Elon Musk Reacts to Sydney Sweeney Jeans Ad Backlash
Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content.
Elon Musk has reacted to Sydney Sweeney's controversial American Eagle jeans advertisement.
In the commercial titled "Sydney Sweeney Has Great Jeans," the Euphoria star, 27, says: "Genes are passed down from parents to offspring, often determining traits like hair color, personality and even eye color. My jeans are blue."
Newsweek reached out to Musk and Sweeney's representatives via email for comment on Thursday.
Why It Matters
Musk—who is the CEO of Tesla and founder of SpaceX—is the world's richest person and with a net worth of $407.3 billion as of July 31, per Forbes. The former head of the Department of Government Efficiency (DOGE) is also the owner of X. The 54-year-old bought the company, then called Twitter, in October 2022 for $44 billion.
Sweeney rose to fame on HBO's Euphoria and The White Lotus, both of which earned her Emmy nominations. Other notable credits to her name include The Handmaid's Tale and One Upon a Time... in Hollywood.
(L) Elon Musk attends the 2024 Breakthrough Prize Ceremony at the Academy Museum of Motion Pictures on April 13, 2024 in Los Angeles, California. (R) Sydney Sweeney is seen in Gramercy Park on May 4,...
(L) Elon Musk attends the 2024 Breakthrough Prize Ceremony at the Academy Museum of Motion Pictures on April 13, 2024 in Los Angeles, California. (R) Sydney Sweeney is seen in Gramercy Park on May 4, 2024 in New York City. More; Gotham/GC Images
What To Know
The wordplay between "jeans" and "genes" in Sweeney's American Eagle ad has sparked a firestorm on social media, with some TikTok users accusing the brand of promoting "eugenics" and "white supremacy." Others, meanwhile, have praised the fashion brand for pushing back against "woke" marketing campaigns.
On Wednesday, Tesla appeared to react to the commercial in a video posted to X with the caption: "Our seats robot also has great jeans." In the clip, a robot can be seen moving a pair of blue jeans over a white seat.
In response, Musk said: "Testing rubbing jeans on our seats," alongside a laughing emoji.
Testing rubbing jeans on our seats 😂 https://t.co/c0UxTbdZEr — Elon Musk (@elonmusk) July 30, 2025
Airbnb co-founder Joe Gebbia also voiced his thoughts on the ad on X, resharing a video of a TikToker who encouraged fans to "boycott American Eagle."
"The woke mind virus in full view," Gebbia captioned it, to which Musk replied with a hundred points emoji, seemingly signifying he agreed with the entrepreneur's message.
In 2023, Levi's sparked boycott calls over a resurfaced advertisement showcasing their gender-neutral clothing line. The ad featured a model called Jesus, who wore a denim dress. At the time, the company was accused of being "woke," meaning "aware of and actively attentive to important societal facts and issues," according to Merriam-Webster.
What People Are Saying
Jennifer Foyle, President and Executive Creative Director of American Eagle and Aerie said in a press release: "This fall season, American Eagle is celebrating what makes our brand iconic—trendsetting denim that leads, never follows. Innovative fits and endless versatility reflect how our community wears their denim: mixed, matched, layered and lived in. With Sydney Sweeney front and center, she brings the allure, and we add the flawless wardrobe for the winning combo of ease, attitude and a little mischief."
Sweeney said in the same press release: "There is something so effortless about American Eagle—it's the perfect balance of being put-together but still feeling like yourself. Their commitment to creating pieces that make you feel confident and comfortable in your own skin is something that resonates with me. It's rare to find a brand that grows with you, the way American Eagle has for generations. They have literally been there with me through every version of myself."
Robin Landa, an advertising expert and professor at Michael Graves College at Kean University, told Newsweek: "The campaign's pun isn't just tone-deaf—it's historically loaded."
White House Director of Communications Steven Cheung wrote on X: "Cancel culture run amok. This warped, moronic, and dense liberal thinking is a big reason why Americans voted the way they did in 2024. They're tired of this bulls***."
Political commentator Megyn Kelly said on The Megyn Kelly Show: "We're sick and f***ing tired of the nonsense, where you are not allowed to ever celebrate someone who is white and blond and blue-eyed. That we have to walk into a room apologetic for those things, or have for the past five years. In a way this ad is the final declaration that we're done doing that s***. It doesn't mean we're better, but you know what? We're no worse than any other race or any other hair color or eye color."
What Happens Next
At the time of publication, Sweeney and American Eagle have not yet commented on the internet debate.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Newsweek
an hour ago
- Newsweek
Sydney Sweeney's 'Great Jeans' Illuminate the Dangerous Resurgence of Eugenics
American Eagle came under fire recently for an ad campaign featuring actress Sydney Sweeney. In one ad, Sweeney fiddles with her jeans, saying, "Genes are passed down from parents to offspring, often determining traits like hair color, personality, and even eye color. My genes are blue." A male narrator finishes with, "Sydney Sweeney has great jeans." It's a play on homophones, but the wordplay reveals a more sinister element: Sweeney does not just have great American Eagle jeans, she has great American genes. Picking a blonde, blue-eyed, able-bodied all-American girl was not an accident. It was about showcasing what are "good genes," and thus what are "bad genes." It's a modern eugenics movement proudly re-emerging amid a welcoming political climate. A window display of actress Sydney Sweeney is seen on a window of an American Eagle store on Aug. 1, 2025, in New York City. A window display of actress Sydney Sweeney is seen on a window of an American Eagle store on Aug. 1, 2025, in New York City. Michael M. Santiago/Getty Images The American eugenics movement has historically promoted the superiority of Anglo-Saxon, able-bodied, wealthy people, leading to harmful policies from the Immigration Act of 1924 barring immigrants from Asia to a practice of unnecessary and undisclosed hysterectomies performed on Black women in the South so widespread it was coined the "Mississippi appendectomy." Eugenicists promoted anti-miscegenation laws and forced sterilization of those in prison and in poverty and of those with disabilities or mental illness. These practices have not died. In 2020, low-income immigrant women detained by ICE in Georgia were forcibly sterilized. As we hear rhetoric from the current administration about immigrants "poisoning the blood" of our country, it invites horrifying thoughts of what may be happening to immigrants currently being detained by ICE. Even more sinister, however, is a modern eugenics movement camouflaged by in vitro fertilization (IVF). IVF is increasingly popular, and rightfully so. Couples with fertility issues can conceive. Women can freeze eggs. Queer couples can have genetically related kids. IVF can also ostensibly prevent harm. IVF clinics might screen embryos for sickle cell disease, cystic fibrosis, BRCA1, and Down syndrome. Things get confusing and uncomfortable, however, when we try to define what harms are worth preventing. In a world where whiteness and conventional beauty are tightly coupled with success, couldn't selecting for these features be a way to minimize a child's future suffering? Most sperm donor companies have a height minimum of 5'9". Harvard graduate egg and sperm donors are highly sought after. While it's hard to fault parents for wanting the best for their children, as a geneticist, it is concerning to me how much stock people put into the inheritance of such complex and environmentally influenced traits. With biotech companies explicitly offering genetic testing, I am even more concerned. Last October, Helios Genomics offered to boost a couple's future child's IQ via genetic screening. Nucleus Genomics recently took this a shocking step further by announcing it is offering genetic testing for traits like eye color, hair color, height, BMI, and IQ. Companies perform these screens with polygenic risk scoring, which makes use of genetic mutations identified from large scale population studies to be associated with a complex trait like intelligence. But these findings are just that: associations. We barely understand the true, context-dependent function of all the genes and mutations associated with complex traits. The idea that a company could confidently boast a six-point increase in a trait as socially and environmentally modified as intelligence is naïve at best and deceptive at worst. It also plays directly into the ideals of eugenics: that all social disparities and ailments are genetically determined, and that there is one correct way to be. Amid devastating cuts to everything from Medicaid to education, it is curious that one of the few spaces the Trump administration has pledged to increase federal funding is in vitro fertilization. Is this a random act of kindness amid an onslaught of cruelties? Or is it one of several strategies for breeding a homogenous generation of nationalistic Americans—ones with "good genes" and predetermined allegiances to the regime (thanks to $1,000 savings accounts established in their name from birth)? In this modern era of eugenics, as immigrants are expelled while neo-Nazis spew hateful theories of "great replacement," it is no wonder American Eagle felt bold enough to declare that Sydney Sweeney has great genes. America must reject this renewed, government-endorsed eugenics. Scientists must think deeply about ramifications: Just because we can, or think we can, does not mean we should. IVF companies should be barred from making false promises about the heritability of traits like intelligence, BMI, and hair color. While fatal diseases like breast cancer are fair to select against, prospective parents should think twice about what is lost when selecting for subjective social norms. We all have great genes and we all deserve a society that embraces us, that makes us feel whole, and bold, and beautiful—like a pair of great jeans. Tania Fabo, MSc is an MD-PhD candidate in genetics at Stanford University, a Rhodes scholar, a Knight-Hennessy scholar, a Paul and Daisy Soros fellow, and a Public Voices fellow of The OpEd Project. Her PhD research focuses on the interaction between genetics and diet in colorectal cancer risk. The views expressed in this article are the writer's own.


San Francisco Chronicle
an hour ago
- San Francisco Chronicle
Aubrey Plaza to star as Hollywood madam Heidi Fleiss in new biopic
Aubrey Plaza is set to return to the spotlight with a characteristically offbeat new role portraying Heidi Fleiss, the infamous Hollywood madam. Titled 'The Heidi Fleiss Story,' the dark comedy biopic will follow the chaotic final days leading up to Fleiss's 1993 arrest, when authorities exposed her high-end prostitution ring operating in Los Angeles, according to Deadline and other industry publications. Plaza, who splits her time between Los Angeles and Marin County, will star and produce the film through her company, Evil Hag. The project marks her first major role since the death of her husband, filmmaker Jeff Baena, in January. Fleiss rose to prominence in the early 1990s for allegedly running a clandestine operation that catered to celebrities, executives and other powerful figures. She was said to have taken over the business from her mentor, convicted madam Elizabeth 'Madam Alex' Adams, and quickly expanded it into a multimillion-dollar enterprise. That empire collapsed in June 1993, when Fleiss was arrested and later charged with pandering, tax evasion and money laundering. Prosecutors alleged she laundered more than $1.5 million through shell companies and false records. The case drew national headlines, fueled by speculation over a still-sealed list of high-profile clients. Plaza has been gradually returning to public life following Baena's death by suicide. In February, she appeared on 'SNL50: The Anniversary Special,' wearing a pink tie-dyed T-shirt — a quiet tribute to Baena's pandemic-era hobby and the couple's wedding-day attire. The pair had been together for more than a decade, though they had separated in the months before his death. Plaza's upcoming slate also includes a leading role in 'Honey Don't!,' the latest film from Ethan Coen, arriving in theaters on Aug. 22. She also appears in Francis Ford Coppola 's 'Megalopolis' and previously earned praise for her performances in 'The White Lotus' Season 2 and in the Sundance Film Festival favorite ' My Old Ass. ' Next, she'll star alongside Susan Sarandon in 'The Accompanist,' an indie drama that marks the feature directorial debut of 'The Office' alum Zach Woods.


New York Post
an hour ago
- New York Post
How Seth Rogen pulled double duty with ‘The Studio' and ‘Platonic': ‘Hard work pays off'
Seth Rogen doesn't take his job lightly. The star, 43, was so invested in both of his Apple TV+ shows that he pulled double duty while filming. Rogen currently stars as Matt Remick in the Emmy-nominated dark comedy, 'The Studio,' and also portrays Will on the dramedy series, 'Platonic.' 11 Luke Macfarlane attends the season two premiere of 'Platonic.' Apple TV+ via Getty Images His 'Platonic' co-star, Luke Macfarlane, revealed how the actor was able to pull it off. 'Going into season two, you know, Seth had just finished filming 'The Studio,'' he exclusively told The Post. 'So we were very curious what 'The Studio' was going to turn into. And now, of course, we know what 'The Studio' turned into.' Macfarlane, 45, added, 'It is this incredible, brilliant, beautiful show. That he was, by the way, working on while he was filming Season 1 of 'Platonic.' Which is also, just as an actor, an incredible sort of reminder that hard work can pay off.' 11 Luke Macfarlane talks to Alexandra Bellusci of the Post. 11 Seth Rogen in 'The Studio.' The Hallmark star reminisced about how Rogen would juggle both roles at the same time. 'He was literally finishing scenes on 'Platonic' and going in his trailer and typing away,' continued Macfarlane. 'So it's delightful to come back and do a second season of the show. I think we all had a tremendous amount of time. It also feels like a lot of people that enjoy working together, and getting to work together again.' Looking back at filming the second season, one memory in particular has stuck with the 'Bros' vet. 11 Seth Rogen as Matt Remick in 'The Studio.' Apple+ 'Seth really respects what everyone does,' Macfarlane said. 'You know, Seth did an amazing thing once, actually. Somebody on set who kind of shouldn't have said this told me to do something.' He explained, 'I was wearing a lav, a microphone, and I brought my hand to my lav, and I covered the lav in the scene. And somebody said something to me like, 'Oh, don't do that with your hand, you'll cover your lav.'' Rogen made sure that was the end of stepping in where you shouldn't. 11 Luke Macfarlane in 'Platonic.' 'And Seth actually said to that person, 'Don't tell an actor what to do. That's not your job,'' Macfarlane shared. 'Just watching somebody look out for his fellow actors – that's what he does.' 'He's got integrity,' Macfarlane gushed. 'He knows how to look out for his actors. He really cares about an actor feeling comfortable.' Rogen also made sure to keep the laughs coming. 11 Seth Rogen and Rose Byrne in 'Platonic.' 'Seth is very famous for a lot of things. I think he's really famous for that laugh, you know?' Macfarlane mused. 'And I will say, working with Seth, you always want to get him to do that laugh. It makes you very happy when you make Seth laugh. So I will say the most Seth Rogen thing you can get him to do is laugh.' Rogen wasn't the only one who hit Macfarlane's funny bone. 'Rose makes me laugh a lot,' he dished about his on-screen wife. 'I think we're filming a scene where I was, like, popping in and out of a doorway, and of course, the timing was hilarious. So we were just making each other laugh because I felt like I kept on missing the entrance.' 11 Luke Macfarlane, Rose Byrne, and Seth Rogen speak at Apple's 'Platonic' Los Angeles event. Getty Images for Today at Apple 'It's something early in the season where I'm sort of like, you know, doing the sticking my head [in], and I just kept on sticking my head in at the wrong time. So that made us both laugh quite a bit.' These days, the Canadian hunk is focused on bringing Season 2 to the masses. 'Platonic' follows former best friends, Sylvia (Byrne) and Will (Rogen), who reconnect after a years-long rift. The second season drops on Wednesday, August 6, with Macfarlane describing what fans are in store for. 11 Carla Gallo, Luke Macfarlane, Rose Byrne and Seth Rogen. Getty Images 'Friendship, chaos, and comedy,' he stated. Macfarlane's Charlie, meanwhile, is trying to navigate his partner's reignited friendship. 'This second season is different for my character, because in the first season, my character is the rock,' he detailed. 'This season, he's definitely the character that is, oof, a little bit sort of lost. Lost in the weeds. So it was fun to kind of explore this other side of him where he's a little bit more sort of floundering in the universe.' 11 Seth Rogan in a scene from 'The Studio.' Apple+ But Macfarlane is happy to step back into Charlie's shoes for such a hilarious and sweet series. After all, he is 'most comfortable [in] comedy.' 'I get to wear sort of the most normal clothes,' elaborated Macfarlane. 'I like doing comedy. That's what I feel the most comfortable in.' 11 Seth Rogan looks upset in a scene from 'The Studio.' Apple+ Rogen is serving all sorts of comedy playing Remick – the newly appointed head of Continental Studios. He is juggling corporate demands, talent, and his own ambitions, all while trying to keep movies relevant. In June, Rogen opened up about what he wanted to portray with the show, which many people in the industry have related to in a very real way. 'I mean, I don't know if our specific goal was to trigger a trauma in people,' he told The Playlist, 'but it was meant to capture our own experiences with it as viscerally as possible. And that was a word we used a lot.' 11 A still from the 2025 drama 'The Studio.' 'So yeah,' he went on. 'I think the idea that people who have experienced similar things have a visceral reaction to it, I think it does mean that it is a good expression of our experience and what we were trying to put out there.' Rogen noted: 'But yeah, it's based on a lot of traumatic things I've experienced, so…'