logo
Heirloom Glamour: Tracing Family Threads Through Fashion Talk

Heirloom Glamour: Tracing Family Threads Through Fashion Talk

Scoop29-05-2025
A stunning hand-made, beaded, flapper dress from the 1920s is the star of Whanganui Regional Museum's next Outfit of the Month fashion talk, taking place at 12:15pm on Friday 6 June.
Presented by Pou Tiaki/Collections & Curatorial Lead, Trish Nugent-Lyne, the talk will delve into the fascinating story behind this exquisite garment – from its possible origins in the Netherlands or Indonesia to its journey to New Zealand in the 1950s.
The dress was donated to the Museum in 1996 by Christiana Rietveld. Christiana'sdaughter Melanie Ellis recently visited the museum to share her memories and provide valuable context, including a photograph of Christiana wearing the dress in the early 1970s. Raised in Holland after a dramatic start to life in Indonesia, Christiana had treasured this heirloom, passed down through the family.
'This dress is a beautiful example of 1920s fashion and craftsmanship, but it's also a deeply personal piece with a story that spans continents and generations,' says Trish Nugent-Lyne. 'It's a privilege to share not only the garment itself, but the life and memory of the woman who wore and cared for it.'
Following the talk, the outfit will be on display throughout June, giving visitors a chance to admire the intricate beadwork and craftsmanship up close.
This event is free and open to all, with koha or donations welcomed to support the Museum's work in preserving and sharing our region's rich history.
Don't miss this chance to step back into the glamour of the Jazz Age and uncover the moving story behind one woman's cherished dress.
Founded in 1892, the Whanganui Regional Museum is internationally renowned for its Taonga Māori Collection. Located in Pukenamu Queen's Park, visitors can view the exceptional creations of tupuna (ancestors) of Whanganui tangata whenua (indigenous people) alongside a changing exhibition programme encompassing a world-class collection of natural and human history, with a regional emphasis. The ground level boutique museum store sells a range of local and Māori jewellery, books, cards, art, and other New Zealand-made gift items.
The Whanganui Regional Museum Trust is an independent legal entity that owns the collection and governs the development of the Museum on behalf of the Whanganui community.
Open to visitors daily from 10.00am to 4.30pm (except Christmas Day and Good Friday), entry to Whanganui Regional Museum is free. Connect with Whanganui Regional Museum at www.wrm.org.nz
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Exhibition explores iconic performers
Exhibition explores iconic performers

Otago Daily Times

time13 hours ago

  • Otago Daily Times

Exhibition explores iconic performers

There is plenty of glitter, glamour and outrageous style in Auckland Museum's ''Diva'' exhibition but it is the underlying story that really resonates, finds Rebecca Fox. Getting up close to outfits most only see on the big or small screens at the ''Diva'' exhibition, there are two things that hit you. One is the extraordinary lengths artists will go to make a statement at the cost of their own personal comfort, and the other is how small they are. Discovering the mannequins the garments are hung on were all custom-made to fit the outfits only reinforces that - such as the Louis XIV-inspired look with towering powdered wig and train worn by Sir Elton John for his 50th birthday celebration, designed by Sandy Powell, or designer to the stars Bob Mackie's Cher costumes or Rihanna's 2018 Met Gala crystal outfit. They are among 280 objects, including show-stopping costumes, fashion, photography and music, that form ''Diva'', an exhibition by the Victoria and Albert Museum in London that has travelled to Auckland Museum. Each garment arrived already on its mannequin in crates. The exhibition is split into two acts: the first traces the origin and legacy of the diva across opera, stage and screen; the second explores the construction of the modern diva through fashion, voice, image and political power. ''Diva'' curator Kate Bailey says ''Diva'' explores the performer, not just as an artist, but as a trailblazer and how they have leveraged their fame to advocate for change from civil rights to gender equality. ''At the heart of this exhibition is a story of iconic performers who, with creativity, courage and ambition, have challenged the status quo and used their voice and their art to redefine and reclaim the diva.'' A highlight is the inclusion for Auckland of Dame Kiri Te Kanawa's millennium coat, worn at the New Year's Day 2000 performance that was broadcast to 1 billion people around the world. Auckland Museum curator of social history Jane Groufsky says it was selected from Dame Kiri's collection at Te Papa because it is one of the most conspicuously Aotearoa garments of the opera singer's due to its reference to the kākahu (adorned Māori cloak). ''She also fulfills a lot of the other things that we see with the other divas. She really fought for what she did, she worked hard, but then now in her more retired career, she has the foundation where she's supporting other young singers to come up and come through and follow that same path - which is kind of something she has in common with a lot of the divas in the exhibition, is that they're all using their voice to kind-of effect change in some positive way or bring up others and to follow in their footsteps.'' But there are also the stories of the first divas, with one of Groufsky's favourites, the Mariano Fortuny dress worn by American dancer and choreographer Isadore Duncan (1877-1927). ''It's hard to remind yourself how groundbreaking that style, that lack of form-fitting, was in the early 20th century. I think its still not known today how he did those pleats. So it's really special to see it in the museum.'' Another standout for her is the only known surviving dress worn by American actress Clara Bow (1905-65), who rose to fame during the silent film era of the 1920s, that is rarely seen outside of the United States. ''I went through a big silent film phase in my teens. She was the original ''it'' girl. It's amazing it survived.'' Accompanying all of these items is a soundtrack to match, played through headphones which cleverly pick up where you are looking and play the corresponding track, adding to the immersive feel of the exhibition. To see: DIVA, Tmaki Paenga Hira Auckland War Memorial Museum, until October 19.

Polyfest returns
Polyfest returns

Otago Daily Times

time2 days ago

  • Otago Daily Times

Polyfest returns

REPORT & PHOTO: NINA TAPU The best of Māori and Pasifika culture was brought to the ILT Stadium Southland stage for the first day of the Murihiku Polyfest yesterday. More than 8000 performers — including pupils from Te Kura O Rimu School (pictured) — will perform over the week to bring the sights and sounds of Polynesia to Southland. Over 1000 spectators, including whānau and friends, filled the auditorium armed with cameras and video recorders, cheering on their tamariki. More than 120 schools from across the region will be taking part in the annual festival, now in its 16th year.

TE WHATU STARDOME: A New Dawn For Tāmaki Makaurau's Planetarium
TE WHATU STARDOME: A New Dawn For Tāmaki Makaurau's Planetarium

Scoop

time2 days ago

  • Scoop

TE WHATU STARDOME: A New Dawn For Tāmaki Makaurau's Planetarium

Press Release – Elephant Publicity It reflects a bold new direction for the observatory as it deepens its commitment to Te Tiriti o Waitangi, honours its role as leaseholder on this sacred maunga, and shows how Indigenous knowledge and cosmological science can walk hand in hand to … At the first light of dawn on Monday 18 August, Auckland's Stardome unveiled its new name: Te Whatu Stardome, in a special ceremony held in partnership with mana whenua, Ngāti Whātua Ōrākei, on Maungakiekie. The renaming marks a major milestone in Stardome's five-year strategic journey to embrace biculturalism and embed mātauranga Māori into every part of its work. It reflects a bold new direction for the observatory as it deepens its commitment to Te Tiriti o Waitangi, honours its role as leaseholder on this sacred maunga, and shows how Indigenous knowledge and cosmological science can walk hand in hand to educate and inspire. 'Te Whatu is more than a name — it's a commitment,' says Stardome Chief Executive, Kelly Bewley. 'It invites us to honour the knowledge systems that have long guided people across land and sea, and to create a space where Indigenous perspectives and scientific exploration sit side by side. This is about how we see the universe — and how we see each other.' Te Whatu links the concept of 'the eye' to the phases of the maramataka, the cycle of life death and renewal within the cosmos and on Earth, planetary orbit, and has physical connections to an aerial view looking down upon Maungakiekie, and the telescope dome on the roof of Stardome itself. The new visual identity and tohu were created by artist Graham Tipene (Ngāti Whātua, Ngāti Kahu, Ngāti Hine, Ngāti Haua, Ngāti Manu), whose work across Tāmaki Makaurau is known for seamlessly weaving Māori values into the built environment. The design draws on the puhoro pattern, a motif that represents movement, water, and navigation. The symbolism of the puhoro acknowledges waka journeys guided by the stars and the twin harbours visible from the summit of Maungakiekie. Te Whatu Stardome is now one of only a handful of planetariums in the world to carry a name that reflects a meaningful and ongoing partnership with Indigenous knowledge systems. Other examples include the Imiloa Astronomy Center in Hawai'i, which means 'exploring new knowledge'; the Waasa Debaabing Observatory in Ontario, Canada, meaning 'seeing far'; and the Rapanui Planetarium on Easter Island, whose name translates to 'Eyes that Look to the Heavens'. From its home on Maungakiekie, Te Whatu Stardome stands proudly as a bicultural organisation delivering inspiring, relevant experiences that reflect many ways of knowing. Visitors will be invited to explore the cosmos through a variety of lenses – from the maramataka to modern astrophysics, from traditional navigation to cutting-edge telescope technology, creating connections between people, the planet, and the universe.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store