Morgan Wallen Is Heading to London for a One-Night-Only Concert
Morgan Wallen is set to return to London later this month for a one-night-only show at Roundhouse on Wednesday, May 28. The show, which follows his 2024 BST Hyde Park headlining show, will mark Wallen's only concert announced outside of North America thus far in 2025.
Fans can access the exclusive ticket presale by pre-ordering Wallen's new album I'm the Problem through any format from the Morgan Wallen UK store prior to 10 a.m. BST on Tuesday, May 13.
More from Billboard
Rag'n'Bone Man Teases Danger Mouse-Produced 'Time to Love'
Shakira and Wyclef Jean Celebrate 20 Years of 'Hips Don't Lie' on 'The Tonight Show'
Big Thief Announce North American 'Somersault Slide 360' Tour Dates
Wallen's I'm the Problem is set to release May 16 and will feature collaborations with Post Malone, Tate McRae, Eric Church, ERNEST and HARDY. Wallen co-wrote 22 songs on the album, but also brought in the talents of 49 fellow writers, creating a track list that includes songs such as 'Love Somebody,' 'Lies Lies Lies' and 'Superman,' which is set to release Friday (May 9).
'A lot of the concepts and things we said were a little more difficult with this album,' Wallen said in a statement. 'We were trying to dig deep on things and trying to find new angles. And I feel like we did that. I feel like there's a lot of stuff that I haven't said in this record, which I'm really, really proud of.'
In North America, Wallen will launch his 2025 I'm The Problem Tour on June 20 at NRG Stadium in Houston. The 20-show tour will find Wallen playing shows in cities including Seattle, Toronto, and Madison, Wisconsin. Joining Wallen on the tour will be a rotating lineup of guest artists, including Brooks & Dunn, Miranda Lambert, Thomas Rhett, Koe Wetzel as direct support, with Gavin Adcock, Corey Kent, Ella Langley and Anne Wilson as first-of-three on select dates.
In addition to the North American tour dates and his upcoming London show, Wallen will also perform at his own Sand in My Boots Festival, which is slated for May 16-18 in Gulf Shores, Alabama.
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Janet Jackson's Biggest Billboard Hot 100 Hits
H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
8 hours ago
- Yahoo
GWAR Unleash New Single 'The Great Circus Train Disaster': Stream
The post GWAR Unleash New Single 'The Great Circus Train Disaster': Stream appeared first on Consequence. The intergalactic barbarians known as GWAR have unleashed a new single titled 'The Great Circus Train Disaster.' The song appears on the band's upcoming multimedia release, The Return of Gor Gor, set to arrive July 25 via Pit Records and Z2 Comics. 'The Great Circus Train Disaster' follows previous single 'Lot Lizard,' which Heavy Consequence named its Heavy Song of the Week upon its release in April. Get GWAR Tickets Here Guitarist Grodius Maximus stated of the new track, 'The song just kinda came to us one day while we were all hanging out injecting ketamine and crushed-up insects into our dick holes. We were fucked up for days as we experienced hallucinations of charred clown bodies, lobster people impaled on stalagmites, and the unholy image of our pet baby dinosaur being whored out as sexual meat to a greasy mass of scabies encrusted republicans and greased up catholic priests. When we came to, the song was fully formed. All we had to do was hit record and BOOM…'The Great Circus Train Disaster' was born.' He continued, 'Now, MTV and Def Jam Recordings are knocking down our door. Charlie XCX, Slipknot, and Garth Brooks all want to collaborate with us, and to be honest, this type of success is just a bit overwhelming. Yeah, we get it. We're amazing songwriters… Deal with it!' The new single and upcoming album are all part of GWAR's 40th anniversary celebration, which includes a current North American tour that runs through a June 21st show in Pelham, Tennessee. Pick up tickets here. Watch the animated music video for 'The Great Circus Train Disaster' below, and be sure to pick up some of GWAR's 'Bud of Gods' CBD products and accessories at this location. Popular Posts Sabrina Carpenter Announces New Single "Manchild" King of the Hill Revival Gets Hulu Release Date, New Opening Sequence Jack White Celebrates Trump and Elon Musk's Breakup: "More Popcorn Gruppenfuehrer!" Jonathan Joss, Voice of John Redcorn on King of the Hill, Shot and Killed by Neighbor T-Pain Announces 20th Anniversary US Tour King of the Hill Voice Actor Jonathan Joss Was Victim of Hate Crime, Husband Says Subscribe to Consequence's email digest and get the latest breaking news in music, film, and television, tour updates, access to exclusive giveaways, and more straight to your inbox.
Yahoo
9 hours ago
- Yahoo
'Wicked: For Good' trailer gives us 1st look at Dorothy and the hunt for the Wicked Witch: Watch it here
Grab your broomstick and your bestie: Wicked returned to select theaters on Wednesday — and it brought the Wicked: For Good trailer along with it. The first part of the Broadway musical adaptation hit theaters on Nov. 22, 2024, to critical and commercial acclaim. The final half of the two-part film is slated to arrive in theaters almost exactly one year later, on Nov. 21, 2025. The two-and-a-half-minute trailer, which premiered at special one-night screenings in North American theaters on Wednesday night, features Cynthia Erivo as 'Wicked Witch' Elphaba and Ariana Grande as the supposedly 'good' witch Glinda reprising their roles and singing "For Good" as they return to Oz. The trailer also gives fans a first look at Dorothy and the yellow brick road. Wicked: For Good picks up after Elphaba defied gravity on her broomstick and narrowly escaped the Wizard (Jeff Goldblum) and Madame Morrible (Michelle Yeoh) in order to save the animals subjugated by their tyrannical rule. Meanwhile, Elphaba's best friend, Glinda — afraid to give up her social status — chose to stay behind rather than join in on her mission. A new poster for the film shows the new looks for the characters in Wicked: For Good. Glinda is sporting a blue dress, while Elphaba is wearing an all-black ensemble — and the hat Glinda gifted her. Wicked: For Good places Glinda and Elphaba on opposite sides of major drama in Oz, with Glinda — who is still dating prince Fiyero (Jonathan Bailey) — acting as the Wizard's spokesperson. Meanwhile, the Wizard's henchmen are seeking to find and kill Elphaba, who all of Oz now considers 'wicked' thanks to good old-fashioned propaganda. How will this story end? Well, if you saw The Wizard of Oz, you probably think you know — with Dorothy and company dousing poor Elphie with water and killing her. Yet Wicked: For Good may surprise you — at least, if you haven't seen the musical.
Chicago Tribune
10 hours ago
- Chicago Tribune
Review: ‘Alice's Adventures in Wonderland' is Joffrey Ballet's wacky and wonderful season closer
The Joffrey Ballet's season rarely extends this far into summer, but it's safe to say 'Alice's Adventures in Wonderland' was worth the wait. This beast of a ballet by the Tony Award-winning choreographer Christopher Wheeldon had its North American premiere at the Lyric Opera House on Thursday. If, like for me, Lewis Carroll's 1865 fairy tale about a girl who stumbles into Wonderland is a core memory, all those beloved characters are there, with a splendidly cogent (and at times delightfully grotesque) libretto. It's more Tim Burton than Disney, but you'll recognize moments no matter your preferred version (including my personal favorite, the 1985 TV movie musical starring Jayne Meadows and Carol Channing). Following a drowse-inducing garden party at her Victorian Oxford estate, Alice (magnificently danced Thursday by Amanda Assucena) awakens to find an anxiously tardy White Rabbit (Stefan Gonçalvez). She of course must follow him, kicking off a series of Don Quixote-style adventures with wild, wacky and terrifying characters. Letting her curiosity guide her, she encounters a tea party hosted by a tap-dancing Mad Hatter (Edson Barbosa) and a slithering Cheshire Cat (whose dismantlement is made possible by a corps of dancer-puppeteers). Indeed, 'Alice's Adventures in Wonderland' will resonate strongly with those who adore 'Alice' — so much so that Joffrey extended the production to three weekends before it opened. In any case, exploiting its usefulness as a ballet was far overdue. There is much within Wheeldon's zany world for everyone to admire. Very small children may not appreciate some scarier moments, most notably a scene at the Duchess' house, in which viewers quite literally see how the sausage gets made. The brutish Duchess (Dylan Gutierrez) and her ax-wielding cook (Lucia Connolly) contribute some of the night's most, um, salient imagery. The pair of them (along with henchmen Valentino Moneglia Zamora, Hyuma Kiyosawa and Xavier Núñez) are terrifically terrifying. 'Alice's' third and final act is devoted almost wholly to the search for who stole the Queen of Hearts' tart. It begins with a game of croquet, played with bendy flamingoes on pointe as the mallets, striking adorable summersaulting hedgehogs. This not-so-regal realm, ruled by prima ballerina Victoria Jaiani as supreme leader, embarks on a tribunal when it's uncovered that the Knave of Hearts — a two-eyed Jack danced by the princely Alberto Velazquez — is most likely the offender and about to lose his head. Hilarity ensues. As hard as it will be to peel your eyes from Jaiani, every once in a while, be sure to glimpse her ridiculous King (marking David Gombert's glorious return to the Joffrey stage 15 years after retirement). There are tender moments, too, particularly in a satisfyingly sweet duet for Assucena and Velazquez as Alice tries to accept the blame in tart-gate. She eventually prevails, if only by waking up back in Oxford. If there's a lesson to be learned from 'Alice's Adventures in Wonderland,' it might be that taking the blame for your boyfriend's impropriety could turn out poorly. That, and vindictive, power-hungry leaders whose kingdoms are built on a literal house of cards are not likely to succeed. Cleverly, 'Alice' borrows hallmarks from the ballets of Carroll's time, winking at canonical works like 'The Nutcracker,' 'Sleeping Beauty' and 'Cinderella.' There's a waltz of flowers; a for our protagonist and her scrappy love interest; a hilariously satirized 'Rose Adagio' for the Queen of Hearts and four suitors (in this case, hearts and clubs); and a shirtless, hookah-smoking sultan-turned-Caterpillar (Jonathan Dole) performing a seductive take on 'the worm' with a quartet of scantily clad temple women. I'm pretty sure we didn't need that last one when 'Alice' premiered in London in 2011, and I'm certain we don't need it in 2025 — though I'll take the cameo of academy kids as sparkly pointe-shoed caterpillar legs all day, every day, plus Sunday. To be clear, such tongue-and-cheek references now to 19th century ballet are generally welcome and especially fun for those who see the parallels — perhaps even more so to those familiar with Wheeldon's catalog, too, which includes Joffrey's nearly decade-old 'Nutcracker.' In some instances, that ballet and this one parrot one another; Wheeldon went so far as to use some of the exact same ideas in his 'Nutcracker's' transformation and snow scenes, further tugging the plot parallels to these two coming-of-age stories set in magical fairy lands that may or may not have all been a dream. But 'Alice's' superpowers, all due respect to 'The Nutcracker,' are its magnificently evocative original score (by Joby Talbot) and Wheeldon's pinpointed attention to detail in every character, masterfully embraced by the Joffrey's excellent dancers, whose full-throttled performances and comedic prowess grab you and hold on for the entirety of this (very, very long) spectacle. Another thing: Wheeldon's imagination could only run this wild in a superbly-crafted Wonderland, made possible through the ingenuity of scenic and costume designer Bob Crowley, lighting designer Natasha Katz, projectionists Jon Driscoll and Gemma Carrington and puppeteer Toby Olié — seamlessly executed by a Joffrey team that, frankly, has never attempted something this big. 'Alice' was originally created for London's Royal Ballet, a company of 100 dancers and nearly 10 times Joffrey's budget. Until Thursday, it had not been performed this side of the Atlantic. Pulling it off was going to be a challenge. But they did. And Wonderland turned out to be a risk that will pay off in Joffrey Ballet presents 'Alice's Adventures in Wonderland' (4 stars) When: Through June 22 Where: Lyric Opera House, 20 N. Wacker Drive Running time: 2 hours, 50 minutes with 2 intermissions Tickets: $45-$233 at 312-386-8905 and
