
The 10 best new London theatre openings in June 2025
If you want to look for unifying trend in June 2025 London theatre, then it's very much about classic shows being brought back: last year's Fiddler on the Roof, 2019's A Midsummer Night's Dream, 2011's London Road and most remarkably still, a sort of (it's complicated) reprise for the original 2000 production of Sarah Kane's posthumous masterpiece 4.48 Psychosis. On the other hand, there's more to the month than old stuff and for many the real treat will be a first chance to see a couple of big shiny American shows: David Adjmi's wildly acclaimed Fleetwood Mac (sort of) drama Stereophonic, and the latest massive Disney musical Hercules, which makes its English language premiere at Theatre Royal Drury Lane this month.
The best London theatre openings in June 2025
1. Stereophonic
US playwright David Adjmi's drama – with songs by erstwhile Arcade Fire man Will Butler – comes to the West End as the most Tony-nominated play of all time. It's still pretty bold of producer Sonia Friedman to plonk a three-hour play with no famous people in it directly into the West End, although the subject matter should serve as enticement: Stereophonic is a fictionalised account of the legendarily fraught recording sessions for Fleetwood Mac's landmark album Rumours.
Duke of York's Theatre, now until Sep 20. Buy tickets here.
2. 4.48 Psychosis
To state this straight away, 4.48 Psychosis is totally sold out already: the only day you're getting in is on a Monday when all 90 tickets to the Royal Court's tiny Upstairs space go on sale on the day itself. Sarah Kane's final play, 4.48 Psychosis is a sort of generically unclassifiable freeform poem – which some have referred to as a 'suicide note' – that was originally staged at the Royal Court a couple of years after her death. This unusual production reunites the entire original team behind James Macdonald's production, including a cast that includes current RSC boss Daniel Evans. It's not as simple as restaging the original show: the idea seems to be to come up with a new production that saves the original from the darkness.
Royal Court Theatre, Jun 12-Jul 5.
3. London Road
Although it actually dates back to the Nicholas Hytner era, Alecky Blythe and Adam Cork's London Road was clearly the best thing just departed NT boss Rufus Norris directed for the theatre. So it was great that he brought the visionary verbatim musical about an Ipswich community's reaction to the Suffolk Strangler killings back for his final season. But there won't be much coverage this time, due to the media blackout around Steven Wright's latest trial causing the NT to decide to pull press night. Which seems a bit excessive (Wright isn't even a character in it) but hey ho – it's one of the most remarkable shows of our time and you really should see it.
National Theatre, Olivier, Jun 6-21. Buy tickets here.
4. A Midsummer Night's Dream
In a very big month for returning shows, here comes a welcome second crack at Nicholas Hytner's sublime 2019 production of A Midsummer Night's Dream. There is some fun genderfluid stuff at work here, with many of the lines for fairy king and queen Oberon and Titania swapped over. But really it's about bagging the standing tickets and getting swept up in a joyous production that ends up as full-on dance party. JJ Feild and Susannah Fielding lead the cast.
Bridge Theatre, May 31-Aug 23. Buy tickets here.
5. Hercules
If the recent live action screen version of Snow White and the Seven Dwarves taught us anything, it's that even the biggest of Disney's old hits aren't necessarily suited to a 2025 makeover. Conversely, a big glossy musical version of 1997's Hercules makes perfect sense: the film wasn't a big hit for Disney but was well-regarded, is relatively contemporary, and a musical is a fine opportunity to bring it to a wider audience. In addition the Greek mythology setting is a great opportunity to go nuts with the special effects and means everyone kind of knows the story already.
Theatre Royal Drury Lane, booking Jun 6-Jan 10 2026. Buy tickets here.
6. Fiddler on the Roof
Jordan Fein's production of Bock & Stein's immortal musical set in the last days of the shtetl was a massive hit at the Regent's Park Open Air Theatre last summer and subsequently won three awards at this year's Oliviers. Now it's back for an indoor stint at the Barbican and what a treat it'll be to have this excellent production back again. It perfectly mixes joy in the classic songs with a deft awareness of the unsettling undercurrents to the story.
Barbican Centre, now until Jul 19. Buy tickets here.
7. A Moon for the Misbegotten
The Almeida's in-house hard-hitter Rebecca Frecknall turns her sights on Eugene O'Neill for the first time, directing Michael Shannon and Ruth Wilson in O'Neill's sort of sequel to the monumental Long Day's Journey Into Night. US star Shannon is a particularly intriguing piece of casting because he played the role of the alcoholic James Tyrone Jr in a 2016 Broadway production of Long Day's Journey, making him possibly the first actor in history to have played James in both shows.
Almeida Theatre, Jun 18-Aug 16.
8. Intimate Apparel
Lynette Linton has directed phenomenal productions of Lynn Nottage plays for each of the previous two Donmar artistic directors, and now she makes her Timothy Sheader-era debut with a third. Where Sweat and Clyde's were UK premieres, this will be the first revival of the excellent Intimate Apparel, which will this time feature US star Samira Wiley as Easther, a Black seamstress in early twentieth century New York. She dreams of finding a man and saving up enough money to open her own Black beauty parlour – but that might be easier said than done.
Donmar Warehouse, Jun 20-Aug 9.
9. Showmanism
Hampstead Theatre has been on a mercurial course since its last artistic director Roxana Silbert quit in 2022 (after the theatre lost its Arts Council funding). Undoubtedly the highlight of the new era to date was lip sync performance artist Dickie Beau's deeply moving Re-Member Me, a light hearted tribute to Shakespeare's Hamlet that became ever more powerful as it unexpectedly changed shape. So what a treat to have him back with Showmanism, his attempt to trace a complete history of the stage, from Greek tragedy to nightclub queens. As with its predecessor, expect it to start funny and get intense.
Hampstead Theatre, Jun 18-Jul 12. Buy tickets here.
10. North By Northwest
North Londoners can enjoy a quick London stop for the latest from British theatre's whimsical genius Emma Rice, as her adaptation of Hitchcock's North By Northwest calls in at Ally Pally for a couple of weeks. Yes, it seems fairly nuts to adapt his kinetic spy thriller about a man who finds himself thrust into a vast, country-spanning conspiracy after a mix up at a restaurant. But you could say that about almost everything Rice has ever adapted. Alexandra Palace Theatre, Jun 11-22.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Evening Standard
12 hours ago
- Evening Standard
Ryan Reynolds wants to shake up Star Wars with sex, swearing and grit – is the franchise ready for R Rated?
Imagining this adult take, industry insiders have speculated what it might look like. One anonymous source familiar with Disney's strategy told Variety that 'a Tarantino-style Star Wars, with explicit violence and mature themes, would be a bold move - something to distinguish the franchise in a crowded streaming and cinema market.'


Daily Mail
12 hours ago
- Daily Mail
ADRIAN THRILLS reviews Miley Cyrus: Something Beautiful - She came in like a wrecking ball… is she now giving us what Spinal Tap might describe as her free-form jazz odyssey?
MILEY CYRYUS: Something Beautiful (Columbia) Verdict: There's nothing memorable Rating: [THREE STARS] The new Miley Cyrus album comes with a lofty billing. The former Disney child star says that Something Beautiful – accompanied by a promotional feature film due on June 6 – is a concept release exploring themes of healing, transformation and finding beauty in darkness. It's 'an attempt to medicate somewhat of a sick culture through music,' she tells us. She came in like a wrecking ball… is she now giving us what Spinal Tap might describe as her free-form jazz odyssey? The answer is: not quite. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's showbiz newsletter to stay in the loop. There are moments here where she tests the limits of what might be expected from a mainstream pop star. Something Beautiful, supposedly inspired by Pink Floyd's 1979 rock opera The Wall, begins with an overture in which she intones a few spoken words about trains and passing landscapes. Elsewhere, there are two instrumental interludes and a second spoken contribution, this time from Naomi Campbell. Despite those minor surprises, it's hard to discern much of an underlying concept here. Lyrically, there are songs – the funky Easy Lover and trip-hop ballad Pretend You're God – that appear to allude to an ongoing, if uncertain, romance. On Give Me Love, the 32-year-old singer addresses the perils of showbiz fame. 'Behind the curtains, terror awaits,' she sings. But, essentially, Something Beautiful is a pop album with a few additional whistles and bells. And, on that score, it's an uneven affair that skips haphazardly between genres. There are some strong moments – plus a fair amount of filler. Despite Miley's grandiose aspirations, there's nothing here as memorable as 2013's Wrecking Ball, 2020's Midnight Sky or 2023's Flowers – pop hits that admittedly set a very high bar – although you could never accuse her of lacking ambition (pictured in her music video Wrecking Ball) Many of the highlights appear early on. On heartache ballad More To Lose, Miley sings with an impressive, Stevie Nicks-like huskiness. End Of The World, with a piano riff that nods to Abba's Dancing Queen, is the big pop moment on a record not exactly packed with bangers. The title track starts as a mellow soul number before bombastic guitars come in to lend it an overwrought feel. The second half, which pivots towards electronic dance music, feels more generic. Every Girl You've Ever Loved and Walk Of Fame, the latter with an energetic cameo from Brittany Howard, of the Alabama Shakes, are 1980s dance pastiches. The idyllic love song Golden Burning Sun looks to the strain of 1970s soft-rock that turned Harry Styles into a superstar. Despite Miley's grandiose aspirations, there's nothing here as memorable as 2013's Wrecking Ball, 2020's Midnight Sky or 2023's Flowers – pop hits that admittedly set a very high bar – although you could never accuse her of lacking ambition.


South Wales Guardian
12 hours ago
- South Wales Guardian
First official Jaws documentary to examine film's impact 50 years on
Jaws At 50: The Definitive Inside Story will feature interviews with director Steven Spielberg, Ian Shaw, the son of Robert Shaw – who played professional shark hunter Quint, and Lorraine Gary who played Ellen Brody, along with other cast members, when it airs on National Geographic and Disney+. The 90-minute documentary will also feature home videos and rare outtakes from Spielberg and writer Peter Benchley's personal archives, and a behind the scenes look at the making of the movie, including its malfunctioning animatronic shark and Spielberg's fears the film would end his career. The feature will also look at the wave of shark fear from the public following the movie's release, and will look at the novel which started the story through interviews with Benchley's wife, ocean policy advocate Wendy Benchley and their children. Famous fans including JJ Abrams, Emily Blunt, James Cameron, Cameron Crowe, George Lucas, Steven Soderbergh, Guillermo del Toro and Robert Zemeckis will also speak about the film along with marine experts. Jaws At 50: The Definitive Inside Story will be directed by Laurent Bouzereau, and will be produced by Spielberg's Amblin Documentaries and Nedland Films. The documentary frames Jaws, released in 1975, as the 'first summer blockbuster', with the movie being the highest-grossing picture of all time until the release of Star Wars two years later. Jaws tells the story of a man-eating shark, named Bruce by the film's crew, that attacks beachgoers at a resort town on Amity Island, and the attempts of police chief Martin Brody (Roy Scheider), marine biologist Matt Hooper (Richard Dreyfuss) and professional shark hunter Quint (Shaw) to hunt it down. The film, based on the 1974 novel by Benchley, was followed by three sequels, and has inspired theme park rides at the Universal Studios theme parks as well as video games. The documentary will premiere on July 11 at 8pm on National Geographic and will stream the same day on Disney+.