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In the era of reboots, what does a great series finale mean?

In the era of reboots, what does a great series finale mean?

Boston Globe23-05-2025

But what it also excelled at was its bittersweet tone. Sometimes, in medicine and in his personal life, things didn't work out the way J.D. wanted. Sometimes, in fact, they worked out tragically, or even just disappointingly.
It was an emotional balance that Lawrence would continue honing on shows including '
That tone was particularly evident in the original finale of 'Scrubs,' (original, yes, because the show backtracked and came back with a new set of young doctors for a couple of extra seasons) which saw J.D. leave Sacred Heart, the hospital where he worked, for a new job.
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What set that sort-of-finale apart from other series finales was what happened as he exited the hospital. True to J.D. and his active fantasy life, he imagined what his future might be — he saw himself marrying Elliot and having a baby with her, he celebrated Christmas with Turk and Dr. Cox, he finally got a big hug from Dr. Cox, his kid married Turk's kid. It was all very cheesy, but knowingly so.
It was the type of wish fulfillment that TV shows often seem to feel obligated to close with (ahem, 'Friends'), but in perfect 'Scrubs' fashion, its final scene doesn't say any of this will actually happen. As a Peter Gabriel cover of the classic Magnetic Fields song 'The Book of Love' plays (a Lawrence show always has excellent music thanks to his wife and frequent star, Christa Miller), J.D. thinks about how nice it would be if it did. Wouldn't it be wonderful if marriages always lasted lifetimes, and we always stayed central to the lives of all the people we love?
With a reboot set to happen, we'll find out whether any of J.D.'s dreams came true. The potentials will become facts, one way or another. As show after show gets rebooted, it's a little sad to see all of those endings undone. Sure, it can be fun and comforting to revisit these worlds. But as 'Scrubs' so often pointed out, sometimes the real joy was in leaving room for uncertainty.
Lisa Weidenfeld can be reached at

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Jack Link's Marks 40th Anniversary with "Christmas for Carnivores" Promotion to Celebrate National Jerky Day, June 12

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Spoilers below. Getting into Gilead as part of a Mayday plan was easy. Getting out is what causes issues for June (Elisabeth Moss) and Moira (Samira Wiley) in the aftermath of the lockdown at Jezebel's. Crossing paths with Commander Lawrence (Bradley Whitford) is a surprise that pays off as it turns out he also has a target on his back and can get the pair across the border before dawn. However, the letters and map detailing their plans, which are still in a Jezebel's safe, are a ticking time bomb that could sabotage their entire operation. FIND OUT MORE ON ELLE COLLECTIVE At this halfway point of the final Handmaid's Tale season, there are still plenty of twists and turns, with season 6, episode 6, 'Surprise', delivering a devastating personal blow to June. A night in New Bethlehem offers a chance for some revelatory conversations with Nick (Max Minghella) and Serena (Yvonne Strahovski), leading to an unexpected betrayal that will change June's entire outlook. 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It's a busy night for visitors at Jezebel's, even with a lockdown, as Aunt Lydia (Ann Dowd) stops by with some homemade cookies and good news for Janine. However, Janine is not interested in the fertility center because the notion of being a free woman is impossible in Gilead. 'There is no way out,' Janine tells the aunt. Lydia responds to Janine's defiance by slapping her and immediately regrets striking Janine. Janine says she will only forgive her if Lydia can reunite her with her daughter. 'You stole my child,' Janine reiterates. Lydia can't oblige and so Janine tells her to 'get the fuck out' before trashing the dressing room. Nick doesn't return within five minutes, so June heads to Serena's home. Of course, Serena is surprised to see June and asks why she is there in a Martha outfit. June lies about asking Nick to move to Alaska, and that he said no. June isn't particularly convincing, but Serena buys this lie and seems touched when June says she needed someone she could trust. It helps that June saved Serena and Noah on the train, for which Serena is grateful. However, Serena points out how selfish June is for trying to break up Nick's family. June reminds her frenemy that her relationship with Nick began because of Serena. 'I had to pay for your love affair,' says Serena about her time in prison in Canada. 'The two of us keep getting thrown back together,' Serena observes. She also tells June about her recent engagement to Commander Wharton, and June can't help but mention that Serena will be Nick's mother-in-law. Serena wants to make clear that Wharton is not like Fred. 'Was Fred like Fred in the beginning?' asks June. We got a glimpse of Wharton's vicious temper when he confronted Nick, proving Serena doesn't know every side of her fiancé. Serena argues that New Bethlehem is not like OG Gilead. Once again, Serena is making a choice that benefits her while also subjecting herself to a man. There is a great deal of history between these two women, and Serena thinks she can wave a wand and make the past disappear. 'I know I was awful once,' Serena says. Understatement of the year! Serena thinks trying to make amends is enough and wants June to forgive her. 'I can't forgive you. You don't think I wish I could. If I could, I'd finally get rid of you,' says June. In the morning, Serena acts as if none of this conversation had happened. Instead, she reveals that Rita (Amanda Brugel) is living with her. When Serena goes to tend to the baby, June tells Rita she is there for Mayday, not Nick. June says they could use Rita's help, but Rita wants to focus on keeping her family safe, and June respects her decision. 'You deserve peace,' June says. When Nick arrives, he has an almost manic energy, telling June to forget Mayday as he has papers for them to leave together. He wants to take her to Paris and make the fantasy a reality. Nick says he wants to be a family with her and Holly, and that he is no good for Rose. 'It's always been you,' Nick says. That part is genuine, but alarm bells start ringing because he is so cautious; however, between kisses, June agrees to this plan. A knock at the door from Wharton interrupts this spontaneous gesture, and they have to hide in the closet. Wharton is in a great mood as he finally shut down Jezebel's and credits 'God and my son-in-law' for providing the reason. Wharton found out about the planned massacre because Nick told him everything—or a version of the Mayday plan. June looks like she has been punched in the gut. No wonder he wanted to get on the plane to Paris as quickly as possible. It is going to be challenging for Nick to come back from a betrayal where he damned the women at Jezebel's to a likely death. We don't know the fate of these women (including Janine) but it can't be good. Either way, Mayday will have to regroup and rethink where to strike next, and June has suffered another devastating loss. ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE. Emma Fraser is a freelance culture writer with a focus on TV, movies, and costume design. You can find her talking about all of these things on Twitter.

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