
'Dear Ma' is about love that transcends blood ties, says director Aniruddha Roy Chowdhury
Aniruddha Roy Chowdhury
, best known in the country for his Hindi film 'Pink', said his latest Bengali flick 'Dear Ma' explores love, romance, and responsibility, with adoption woven in as a sub-plot - not the central theme.
Speaking to PTI on Friday, Roy Chowdhury described the film as an emotional journey centered on an adopted child and her parents, touching on multiple aspects of familial love.
Starring Bangladeshi actor
Jaya Ahsan
, along with Chandan Roy Sanyal, Dhritiman Chatterjee, and Saswata Chatterjee, the film released in theatres on July 18.
Roy Chowdhury told PTI that 'Dear Ma' is an extension of his first film 'Anuranan', followed by 'Antoheen', 'Pink', 'Kadak Singh' to name a few where romance and affection are portrayed in various shades.
"Dear Ma is one of the most poignant, expressive phrases ever uttered by a child. The film's ultimate message is what I call mom's magic," the director said.
The film centres on an adopted child and her parents, production house sources said.
"Didn't we once write in postcards 'Sri Charaneshu Ma'? Even today, we utter 'Ma' instinctively when overwhelmed with emotion," he said.
Mandira Bedi's filmmaker husband Raj Kaushal no more; suffered massive cardiac arrest
"The story is rooted in personal experiences-mine and screenwriter Sakayajit Bhattacharya's - and I believe every viewer will leave the theatre with moist eyes."
While developing the storyline, the title 'Dear Ma' automatically struck my mind and it stayed on, he added.
On the decision to return to Bengali cinema after a decade since his last Bengali film, Roy Chowdhury said, "I had to make this in Bengali. It felt personal and essential. That said, 'Dear Ma' is also being released in other regions to reach a wider audience."
Asked whether the film aims to raise social awareness about child adoption, the filmmaker said, "Adoption is just a layer in the story.
The film delves much deeper - into the bonds between mother and child, a husband and wife, and the emotional crises people face in life. Adoption is only one of the subplots."
He added that 'Dear Ma delivers' the message that life itself is magic.
"What matters is the emotional bond, not whether it's biological. The connection between souls can be stronger than blood," he added.
Talking about Bangladeshi actor Ahsan, he said, "She is one of the finest actors I've worked with - obedient, spontaneous, and deeply immersed in her character.
In one scene, she had tears in her eyes."
He also lauded the performance of the child actor who plays Ahsan's daughter in the film.
"She's incredibly spontaneous. In one scene, she had to question her mother and then hold a gaze. She nailed it in one take. The mandatory three-month workshop we held before the shoot really helped the cast inhabit their characters."

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Pink Villa
24 minutes ago
- Pink Villa
Did AR Murugadoss just blame Salman Khan starrer Sikandar's failure on his inability to understand Hindi?
Director AR Murugadoss is gearing up for the release of his next Tamil movie, Madharasi, starring Sivakarthikeyan in the lead. As part of the promotions, the director was seen at an event where he seemed to have indicated the failure of the Salman Khan starrer Sikandar, due to his inability to understand Hindi. AR Murugadoss about Salman Khan's Sikandar failure Talking about his recent venture, director AR Murugadoss said, 'When we make films in our mother tongue, it gives us strength. We know what is happening here. Today, there's a trend going and suddenly the audience gets connected with that trend.' 'When we shift language, we don't know what the youngsters are enjoying in that language. All we need is a script to believe it,' the director added. Highlighting how it feels working in other languages, Murugadoss revealed that Telugu is somewhat easy for him to understand, but he doesn't know Hindi at all. The filmmaker continued, 'For once, I can take up Telugu films, but Hindi may not work for us because after we write the script, they translate it into English. Then it is again translated into Hindi. When you make a film in an unknown language and place, it feels like you are handicapped. It is like you don't have hands.' More about Sikandar Sikandar, starring Salman Khan in the lead, is an action drama flick featuring the Bollywood superstar as Sanjay "Sikandar" Rajkot, the final heir of the Rajkot dynasty in Gujarat. Leading a life with his wife Saisri, he performs his duties as a king, standing up for his people. However, a fateful event leads to the death of his wife and the queen regent. As he is dealing with her loss, Sikandar learns his wife had decided to donate her organs to various people in Mumbai. Struck with grief, the king decides to safeguard everyone who received his wife's organs, with an old foe waiting to resurface. The movie was massively dealt with negative reviews upon release and eventually tanked at the box office. It is available for streaming on Netflix. AR Murugadoss' next Following Sikandar's failure, director AR Murugadoss' next film would be Sivakarthikeyan starrer Madharasi. The action thriller is slated to release on September 5, 2025, with the first single, Salambala, releasing on July 31, composed by Anirudh Ravichander.


Mint
24 minutes ago
- Mint
Hari Hara Veera Mallu Box Office Collection Day 7: Pawan Kalyan's movie falls further, mints THIS amount
Hari Hara Veera Mallu Box Office Collection Day 7: Actor-turned-politician Pawan Kalyan's film Hari Hara Veera Mallu - Part 1 Sword vs Spirit is likely to record its lowest single-day earnings on day 7. The film completed its first week run at the ticket window on Wednesday. While it is still far from reaching the ₹100 crore mark in India, the film's shows are being reduced with each passing day. Hari Hara Veera Mallu Box Office Collection Day 7 According to industry tracker Sacnilk, Hari Hara Veera Mallu - Part 1 Sword vs Spirit earned ₹60 lakh so far from morning and afternoon shows. These are the live data from the website, which are subject to change. The final figures will be updated after the night shows. Currently, the total earnings of the film in India are ₹79.7 crore net. Hari Hara Veera Mallu had an overall 13.35% occupancy among the Telugu audience on Wednesday. The occupancy was as follows: Morning Shows: 12.51% Afternoon Shows: 14.19% Evening Shows: Awaited Night Shows: Awaited The film was also released in Hindi, Tamil, Kannada and Malayalam languages. While Hyderabad recorded the highest occupancy, the number of screenings has decreased compared to previous days. On day 6, Hyderabad recorded 430 shows for the film. On day 7, it came down to 418 shows. Similar decrease in shows has been reported in other regions as well. Hari Hara Veera Mallu Box Office Collection Worldwide On day 6, Hari Hara Veera Mallu's India Net Collection was ₹ 79.10 crore. While its Worldwide Collection was ₹ 107.30 crore, its Overseas Collection was ₹ 14.10 crore. The film was directed by Krish. However, he walked out on the film and the project was finished by AM Rathnam's son Jyothi Krisna. Besides Pawan Kalyan in the lead, the film also has Nidhhi Agerwal, Sathyaraj and Bobby Deol. Hari Hara Veera Mallu is a two-part film. The second part is titled Hari Hara Veera Mallu: Part 2 – Battlefield (Yuddhabhoomi in Telugu). Hari Hara Veera Mallu re-release The film was criticised for its poor VFX and CGI shots after its release last week. The first weekend saw an impressive footfall in theatres. However, gradually the business of the film fell over time. Recently, Hari Hara Veera Mallu was re-released with tweaked CGI scenes. Additionally, some scenes in the film had been removed, while a huge chunk towards the end was edited out of the film, reducing the overall run time. The climax was also reportedly tweaked, where Pawan as Veera Mallu and Bobby as Aurangzeb lock horns amid a tornado. Many noticed that the scene had been completely removed from the film.


Time of India
an hour ago
- Time of India
When Raj Babbar revealed he was smitten by Smita Patil from their very first meeting: ‘She did not seem to care about..'
Raj Babbar was one of the top actors of the 1970s. Known for his strong performances and striking screen presence, he made a mark not just in Hindi films but in Punjabi cinema and on television too. But beyond his successful career, it was his personal life, and especially his bond with actress Smita Patil , that often made headlines. Let's look back at the moment when Raj Babbar first met Smita Patil and how that meeting changed everything for him. When Raj Babbar met Smita Patil Raj Babbar and Smita Patil first worked together in the 1980 film Bheegi Palkein. But according to Raj, their first meeting actually happened before that—on the sets of the same film in Rourkela, Odisha. In a note published on Rediff in 2006, Raj opened up about how it all began. He said, 'I met her for the first time in Rourkela in Orissa, where we had gone to shoot Satish Misra's film Bheegi Palken. Our first meeting ended in a sort of clash — a sweet clash that laid the foundation of a relationship later.' Even though their meeting began with a bit of a disagreement, something about Smita Patil left a strong impression on Raj. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Your donations can help this little boy see again clearly Donate For Health Donate Now Undo He added, 'She was there with her assistant. I was impressed by her from the word go. She did not seem to care about people around her, and refused to acknowledge the presence of many. I would say that she was a bit mizaazwali (this is being said with all the respect and humility towards her). But that was the impression I got from our first meeting on the sets. ' A short-lived marriage In 1983, Raj Babbar and Smita Patil got married. Though their relationship had already faced a lot of judgement, the couple stayed strong. Their love story took a new turn in 1986 when they welcomed their son, Prateik Babbar . Sadly, their happiness did not last long. On 13 December 1986, just 15 days after giving birth to their baby boy, Smita Patil passed away due to complications related to childbirth. Her sudden death left not just Raj Babbar, but the entire film industry and fans in shock.