Omani pavilion wins award at London Design Biennale
Muscat – Oman's pavilion – titled 'Memory Grid' – has won the Best Design Award at the opening of the London Design Biennale 2025 last week. The recognition marks a significant achievement for the sultanate in its debut participation at the global cultural platform.
The pavilion has been designed by multidisciplinary artist Haitham al Busafi and curated by the Zawraq Collective. Commissioned by the Ministry of Culture, Sports and Youth, the project reflects the ministry's broader efforts to promote artistic and intellectual creativity among Omani youth. Haitham al Busafi
'Memory Grid' explores the ideas of memory, value and preservation in a fast-changing world. Visitors are invited to observe how perception shifts with perspective, with meaning transforming depending on how closely or distantly the work is viewed.
Drawing inspiration from Oman's pottery traditions, the installation reimagines ancient clay vessels – once vital for carrying water and connecting communities – as symbols of cultural memory. The pavilion presents these traditional forms as metaphors for protecting what is valued, both in the past and present.
In a modern context, the installation proposes that data is the new essential resource – requiring safeguarding much like water once did. Through the immersive experience, visitors are encouraged to reflect on how heritage, knowledge and identity are passed through generations.
The project represents how traditional symbols can guide modern questions about preservation. The win at the biennale highlights Oman's increasing engagement with contemporary art and design on a global stage.
The Ministry of Culture, Sports and Youth said the pavilion represents the strategic direction to elevate creative output by young Omanis to international platforms.
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Omani pavilion wins award at London Design Biennale
Muscat: Oman's pavilion – titled 'Memory Grid' – won the Best Design Award at the opening of the London Design Biennale 2025 last week. The recognition marks a significant achievement for the sultanate of Oman in its debut participation at the global cultural platform. The pavilion has been designed by multidisciplinary artist Haitham al Busafi and curated by the Zawraq Collective. Commissioned by the Ministry of Culture, Sports and Youth, the project reflects the ministry's broader efforts to promote artistic and intellectual creativity among Omani youth. 'Memory Grid' explores the ideas of memory, value and preservation in a fast-changing world. Visitors are invited to observe how perception shifts with perspective, with meaning transforming depending on how closely or distantly the work is viewed. Drawing inspiration from Oman's pottery traditions, the installation reimagines ancient clay vessels – once vital for carrying water and connecting communities – as symbols of cultural memory. The pavilion presents these traditional forms as metaphors for protecting what is valued, both in the past and present. Haitham al Busafi with his award In a modern context, the installation proposes that data is the new essential resource – requiring safeguarding much like water once did. Through the immersive experience, visitors are encouraged to reflect on how heritage, knowledge and identity are passed through generations. The project represents how traditional symbols can guide modern questions about preservation. The win at the Biennale highlights Oman's increasing engagement with contemporary art and design on a global stage. The Ministry of Culture, Sports and Youth said the pavilion represents the strategic direction to elevate creative output by young Omanis to international platforms.
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Muscat – Oman's pavilion – titled 'Memory Grid' – has won the Best Design Award at the opening of the London Design Biennale 2025 last week. The recognition marks a significant achievement for the sultanate in its debut participation at the global cultural platform. The pavilion has been designed by multidisciplinary artist Haitham al Busafi and curated by the Zawraq Collective. Commissioned by the Ministry of Culture, Sports and Youth, the project reflects the ministry's broader efforts to promote artistic and intellectual creativity among Omani youth. Haitham al Busafi 'Memory Grid' explores the ideas of memory, value and preservation in a fast-changing world. Visitors are invited to observe how perception shifts with perspective, with meaning transforming depending on how closely or distantly the work is viewed. Drawing inspiration from Oman's pottery traditions, the installation reimagines ancient clay vessels – once vital for carrying water and connecting communities – as symbols of cultural memory. The pavilion presents these traditional forms as metaphors for protecting what is valued, both in the past and present. In a modern context, the installation proposes that data is the new essential resource – requiring safeguarding much like water once did. Through the immersive experience, visitors are encouraged to reflect on how heritage, knowledge and identity are passed through generations. The project represents how traditional symbols can guide modern questions about preservation. The win at the biennale highlights Oman's increasing engagement with contemporary art and design on a global stage. The Ministry of Culture, Sports and Youth said the pavilion represents the strategic direction to elevate creative output by young Omanis to international platforms.
