
Palace intrigue conquers global screens: are C-dramas China's new soft power?
Over the past month, one of the biggest hit streaming shows globally has been a fictional drama about a young man who plots revenge after his family is murdered. The made-in-China historical fantasy is the latest major production to showcase the growing international influence of one of the country's fastest growing cultural exports – storytelling.
In the week after its May 18 debut, Legend of Zang Hai topped multiple overseas rankings in 15 regions, including the No 1 spot on Disney+ in Taiwan for seven days, while becoming the only mainland Chinese production in the local top 10 in Hong Kong. The 40-episode series also trended globally at No 12 on social media platform X, hitting No 1 in Thailand and charting in the top 10 in Vietnam and Malaysia. It has even trended in Ukraine.
It rates 8.8 out of 10 on the online entertainment database IMDb, making it the highest-rated Chinese suspense drama on the platform, attracting praise for its intricate plot, stunning visuals, and exceptional acting, as well as its use of Chinese intangible heritage like shadow puppetry and Kunqu opera.
The story follows protagonist Zang Hai, who, after his family is massacred, seeks revenge through years of meticulous planning and strategic cunning to infiltrate the enemy's ranks. As he gains power amid political intrigue, he shifts his focus from personal vengeance to protecting his people.
Xiao Zhan in a scene from Legend of Zang Hai (2025). Photo: Handout
'For fans of epic historical dramas with soul, this is a must-watch. And for those unfamiliar with Chinese television, Legend of Zang Hai is the perfect gateway – a show that proves great storytelling transcends language and borders,' one viewer wrote on IMDb.
It is not the only Chinese TV drama to find acclaim overseas. The expanding popularity of Chinese TV dramas – known as C-dramas – has become a potent indicator of China's improving soft power, according to observers. Driven by increasing production quality, industry advancement and the global reach of Chinese celebrities, such dramas have fused Chinese history, culture, language and values into a formidable entertainment export.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


South China Morning Post
3 hours ago
- South China Morning Post
Thousands flock to Chiikawa gift set giveaway in Hong Kong ahead of exhibition
Thousands of Hong Kong fans of the hugely popular Japanese anime and manga series Chiikawa lined up for a merchandise giveaway in the run-up to a summer exhibition featuring the characters that are expected to draw local and foreign visitors alike. Fans queued at Austin MTR station and other locations on Sunday afternoon to collect their free party hats and balloons, which featured either Chiikawa, Usagi or Hachiware – the three most recognisable characters from the series. Gift sets were handed out at random to fans who had preregistered for the event. Those who were unable to pick up their favourite characters ended up trading their gift sets with others, their faces lighting up after making a successful swap. Among those assembled at the station was Michelle Tsang, 27, who showed up in a Chiikawa T-shirt. She said she loved the franchise because the plot, which relates closely to the lives of an employee, had a certain healing power for her. 'Usagi does not care about others' opinions and lives true to oneself, while Chiikawa is the one who works diligently but quietly,' she said.


South China Morning Post
3 hours ago
- South China Morning Post
How John Woo's Face/Off, Windtalkers and Paycheck showed his experimental side
John Woo Yu-sum's final Hollywood films before he returned to Hong Kong in the mid-2000s were excellent – with one exception. Here we look at the films made near the end of his first Hollywood adventure. 1. Face/Off (1997) Play Face/Off, which starred John Travolta and Nicolas Cage , was the first – and only – film in which he succeeded in inserting his unique approach to action in a US film. The result rivals Woo's Hong Kong classics like The Killer and Hard Boiled 'For the first time, Woo has successfully incorporated his style into an American film,' this writer wrote in the Post in 1997. 'It is a suspenseful work with a slick plot, chock-full of Woo touches. 'Woo gives his fans the best of both worlds. He makes use of the resources that American studios can offer to stage scenes, as well as investing his own visual style in the details.'


South China Morning Post
8 hours ago
- South China Morning Post
World's largest Legoland set to open in Shanghai, China
Visitors ride a rollercoaster in the new Legoland in Shanghai. Photo: EPA-EFE Visitors ride a rollercoaster in the new Legoland in Shanghai. Photo: EPA-EFE share