28 Years Later star Jodie Comer makes 'beautiful man' claim about Stephen Graham
Jodie Comer is one of the biggest names in the acting world at the moment. She has gained fame for her performances both on stage and screen. For her work, she has received two BAFTA Television Awards, one Laurence Olivier Award, one Primetime Emmy Award, and one Tony Award.
The actress has also received plenty of nominations for her roles, including nominations for a Screen Actors Guild Award, two Critics' Choice Awards, and two Golden Globe Awards. The latest project the Liverpool-born star is involved in is Danny Boyle's 28 Years Later.
The film is set in the same world as the 2002 apocalyptic horror 28 Days Later, which saw Cillian Murphy's character awake from a coma to discover the accidental release of a highly contagious, aggression-inducing virus has caused the breakdown of society.
READ MORE: BBC Strictly Come Dancing's Gorka Marquez shares 'heartbreaking' family update
READ MORE: Ringo Starr's son says other Beatles' children have 'loads of money because their dads are dead'
Jodie will play a lead role in the zombie movie, which premieres in UK cinemas today. The 31-year-old is part of the cast alongside fellow stars, Aaron Taylor-Johnson and Ralph Fiennes.
Appearing on Capital Radio yesterday, Jodie discussed the highly-anticipated movie, but also spoke about her fondness of Stephen Graham and what he has meant to her career. She said: "He's beautiful, he has helped me out so much and he is a dear, dear, friend now.
"He gives back to the community, the city and encourages young talent. He is a beautiful, beautiful man, he is like so ridiculously talented but equally such a lovely human being. It's lovely to have those people kind of lead by example."
Jodie and fellow Scouse actor Stephen share a close professional relationship, with Stephen playing a key role in launching Comer's career. Jodie impressed the Adolescent star in a 2012 BBC miniseries and recommended her to his agent. The two later co-starred together in 2021 drama 'Help', which was a hard-hitting show about the Covid-19 pandemic.
In 2022, after winning the prestigious Best Leading Actress BAFTA for Help, Jodie vowed in her acceptance speech to thank Stephen 'for the rest of her life'. She also expressed gratitude to Stephen when she won the Best Leading Actress BAFTA in 2019 for her role in Killing Eve.
Thanking him for his support and saying: "I want to take this moment to thank Stephen Graham. If I didn't owe you a pint before then, I do now. Thank you for the generosity you showed me all those years ago."
Recalling their first meeting and the development of their friendship, Jodie said: "I met Stephen for the first time 10 years ago. Stephen very kindly introduced me to his agent who then became my agent. He made that introduction out of pure kindness in order to help me get more opportunities."
It is an exciting week for Jodie with the premiere of 28 Years Later. It will be the third film in the classic zombie horror franchise. The film marks the reunion of Danny Boyle and Alex Garland, who directed and wrote the 2002 original, 28 Days Later. The two worked as executive producers on the 2007 sequel, 28 Weeks Later.
28 Years Later will serve as the first in a trilogy of sequel films. It was shot back-to-back with 28 Years Later II: The Bone Temple, the second film in the trilogy, directed by Nia DaCosta. In July the Childwall actress was spotted on the set of the upcoming film.
Some scenes were filmed in Northumberland and Jodie was pictured enjoying herself on set. Onlookers reported she couldn't contain her laughter as some cast members, presumably playing Zombies, ran past her naked between takes in the Northumberland hills.
Jodie's character, playing a human survivor in this apocalyptic world, looked battle-scarred with dirt on her face, marks on her clothes and straggly hair. She was also seen running with a young boy holding a bow and arrow in the fields, before taking shelter in a run-down petrol station.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
26 minutes ago
- Yahoo
Global Toy Of The Year Winner WOW! Stuff Wins Investment
WOLVERHAMPTON, England , June 19, 2025 /PRNewswire/ -- UK Headquartered Toy innovation company WOW! Stuff has secured a significant strategic investment from the Dutch based Troy Companies group as it looks to grow 4 fold over the next 2 years. Following multiple toy awards for innovation, including winning the overall Toy Of The Year award (TOTY) in New York, USA, for its Disney Stitch Puppetronic toy in 2025, this strategic investment signals a bold new chapter for WOW! Stuff. The increased funding will enable the business to expand its footprint with new offices across Europe and supercharge growth across the USA and other global markets. Richard North, pictured, President and co-founder of WOW! Stuff - together with the management team - an investor in Troy Companies, will remain in place. Richard says about this investment, "WOW! Stuff is about innovation in toys. Our mission, our passion and our love is to create that signature WOW! moment for kids of all ages and genders and this investment is testament to the belief both businesses have in the company, the group and its people". "This partnership is about growth – bold, ambitious growth," said Dawn Lavalette, Managing Director, WOW! Stuff, also pictured. "With the backing of the Troy Companies group, we're now better positioned than ever to expand globally, scale our creative and commercial operations, and stay laser-focused on innovation. An immediate example of the benefits of this deal is our signing of many tier 1 brand licenses and expansion of the Puppetronics brand, launching globally in 2026". John Huiberts, Troy Companies group CEO added, "We are so excited that WOW! Stuff has joined the Troy family of companies. We have created a world class manufacturing and logistics operation and have the scale and support to amplify WOW! Stuff's business while keeping the brand's DNA intact. This is a tremendous opportunity for us to compete on the same level as the biggest toy companies globally". Photo - - View original content:


New York Times
26 minutes ago
- New York Times
‘28 Years Later' Review: Danny Boyle Revives His Monsters
After more than two decades of dipping in and out of genres that have taken him from the Milky Way to Mumbai, Danny Boyle has returned to the juicily gruesome world of consuming violence, human and otherwise, with '28 Years Later.' Once again, flesh-eating creatures are wandering, crawling and, most worryingly, running amok, ravaging every conceivable living being. Humanity remains on the run with some souls safely barricaded in isolation. It's a sensible precaution that — along with all the gnawed bodies, shredded nerves and broken relationships — makes this futuristic freakout seem as plausible as it is familiar. Pitched between sputtering hope and despairing resignation, the movie is a classic boys-into-men coming-of-age story updated for the postapocalypse and future installments. On a lushly green British island, a ragtag collection of adults and children are doing their best to keep the tattered remains of civilization intact. Inside a protected hamlet, they live and congregate much as their peasant forbears might have centuries earlier. They share precious resources; nuzzle sexily in the dark. There are threats and some provocative mysteries, like the figure who appears in a ghoulish mask that's suggestive of Edvard Munch's 'The Scream.' This is the third addition to a cycle that opened with '28 Days Later' (2002), a violent parable also directed by Boyle in which humanity is stricken into near-oblivion. (The 2007 follow-up, '28 Weeks Later,' was directed by Juan Carlos Fresnadillo.) The 2002 movie opens in Britain with animal-rights activists set on freeing some lab chimps. Even after an on-site scientist helpfully explains that the animals are infected with rage, the activists keep blundering toward doom. As they restrain the scientist, he shouts, 'You've no idea—' just before a chimp chows down on a would-be liberator in a flurry of blood-red imagery. Like the new movie, '28 Days Later' was written by Alex Garland and draws on different influences, most obviously zombie movies. (Boyle directed the screen adaptation of Garland's novel 'The Beach'; they also collaborated on 'Sunshine,' a very different dystopian fantasy.) In interviews, Boyle readily discussed the inspirations for '28 Days Later,' realistic and otherwise, citing the Ebola virus as well as 'The Omega Man' (1971), a thriller set in the wake of germ warfare. Even so, he pushed back against genre-pigeonholing '28 Days Later.' 'See, it's not a film about monsters — it's a film about us,' he told Time Out. That our monsters are always us is as obvious as the all-too-human face of Frankenstein's creature. Whether zombies or not, the infected in '28 Days Later' kill indiscriminately, much like the undead that George A. Romero first sicced on us in 1968 with 'Night of the Living Dead.' One striking, nerve-thwacking difference between these generations of insatiable ghouls is their pacing. Along with Zack Snyder in his zippy 2004 remake of Romero's 'Dawn of the Dead,' Boyle popularized the now-familiar fast zombie. Romero's tend to stagger and lurch with their arms raised like scarily ravenous toddlers, moving slowly enough for some of their swifter would-be victims to escape, though not always. Quickening the pace of the creatures added genre novelty, and it expressed the real world's ever accelerating rhythms. The pace complemented Boyle's filmmaking, which tends toward speed. That's very much in evidence in '28 Years Later,' which opens with some pro forma background about the state of the world (it's still bad) and a freaky episode in a house that echoes the opener in the previous movie. The scene here begins with a group of obviously terrified children shut up in a room watching 'Teletubbies' on a TV. It's an unsettling scene that grows all the more disturbing as noises from outside the room grow progressively louder. As the thumps and panicked voices rise, increasing and then converging, the editing rapidly goes into overdrive and grows choppy, finally becoming a grim churn of tots, Teletubbies and flesh-eaters. Want all of The Times? Subscribe.
Yahoo
26 minutes ago
- Yahoo
Miss Wales finalist who won £6m Omaze house still waiting to move in three months later
The winner of a £6m home is still waiting to receive their keys after an anonymous complaint has sparked a planning dispute. Vicky Curtis-Cresswell from south Wales, won the luxury house in Blakeney, Norfolk, in an Omaze and Comic Relief raffle in March, which raised more than £4m for the charity. The former Miss Wales finalist said at the time that she plans to sell the house and buy a property in Wales. But North Norfolk District Council has started an investigation into the home after an anonymous member of the public raised their concerns that it had not been built to the approved designs. Omaze has said it did submit a pre-application for the house and is now also submitting a retrospective planning application for the property. But while the dispute is ongoing, Ms Curtis-Cresswell is unable to access her prize. However, there is a possibility the plans could be refused by the authority, meaning it could take enforcement action and force the company to make changes. The planning documents appear to show the house was built larger than permitted, the BBC reported. It added that a tennis court and swimming pool built at the property do not appear to have planning permission Omaze said the planning discrepancies were not revealed during checks and surveys of the property before it was purchased. An Omaze spokesperson said: 'Omaze continues to work with North Norfolk District Council in relation to recommendations made regarding the property in Norfolk. Omaze has submitted a pre-application to the council and is submitting a retrospective planning application. 'Omaze reiterates that it guarantees no house winner would ever have to incur any costs whatsoever to remedy any historical planning issue. Omaze further guarantees that all house prizes are transferred to winners with good and marketable title." A North Norfolk District Council spokesperson said: 'At present we are waiting for an application to be submitted by the owners to try and regularise the current breaches of planning control. 'We are expecting an application to be submitted by the end of this month.'