Guitar company wants to find Marty McFly's Gibson in Back To The Future
Marty McFly's iconic guitar, used for the Johnny Be Good musical number in the 1985 comedy Back To The Future, went missing shortly after filming 40 years ago. Doc Crotzer made a new documentary about the missing instrument called Lost to the Future, and Mark Agnesi from Gibson guitars says that numerous viewers have gotten in touch with tips.
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Globe and Mail
20 minutes ago
- Globe and Mail
World Cafe Live Saved from Closure With New Leadership, Vision, and Funding Campaign Aimed to Transform Iconic Philadelphia Venue
World Cafe Live Faces the Music — and Fights Back with Comprehensive Rescue Plan Philadelphia, Pennsylvania - In a dramatic turn of events, World Cafe Live, Philadelphia's beloved nonprofit music venue and cultural hub, has been pulled back from the brink of closure. Earlier this year the landmark institution was rescued by Joe Callahan, a proud Philadelphia native, who has stepped in to lead World Cafe Live into a bold new chapter. As part of this revitalization effort, World Cafe Live has launched the 'Save The World Cafe Live' campaign, a $10 million fundraising initiative designed to stabilize, transform, and reignite the venue as a future-facing cultural force. The campaign is currently underway. You can support directly at World Cafe Live or through The Bean Foundation. 'This is more than saving a building — it's about protecting a cornerstone of Philadelphia's creative soul,' said Joe Callahan, now CEO of World Cafe Live. 'We're not just preserving a music venue. We're building a next-generation platform for artists, audiences, and community innovation.' Founded in 2004 and established as a 501(c)(3) nonprofit in 2010, World Cafe Live has hosted over 20,000 performances and impacted more than 300,000 youth and educators through music education programs. Yet despite this legacy, the venue now faces $6 million in accumulated debt due to pandemic-related disruptions and systemic underfunding. The 'Save The World Cafe Live' campaign outlines a comprehensive investment strategy aimed at both stabilizing and future-proofing the organization. Of the total goal, $6 million will be used for debt relief to eliminate long-term liabilities and reduce creditor risk. An additional $2 million is dedicated to recruiting and empowering a high-performing executive leadership team capable of guiding the organization through a transformative era. Another $1 million will support the development of cutting-edge digital infrastructure, including immersive media programming and metaverse performance initiatives. To ensure ongoing artistic and community impact, $500,000 will fund artist residencies and educational outreach, while the final $500,000 will be invested in operational efficiency and sustainability improvements designed to streamline internal systems and reduce long-term costs. 'This is a moment of rebirth,' Callahan continued. 'We're bringing in fresh executive leadership, embracing digital innovation, and recommitting to the mission that made World Cafe Live a vital part of Philadelphia's identity.' At the heart of this transformation is a renewed commitment to equity, technology, and community access, including immersive digital performance environments and expanded education initiatives aimed at underserved youth. 'We're determined to preserve World Cafe Live as a home for the arts in Philadelphia, but we need the community's voice, partnership, and philanthropy to do it,' Callahan said. 'Every donation is a step toward not just saving WCL, but future-proofing it.' 'Joe is a hometown guy with a deep personal connection to Philadelphia — not just as a leader, but as a music lover. When he introduced himself to the board, his emotion and authenticity made a lasting impact. That kind of passion is what World Cafe Live needs right now.' — Supporter, World Cafe Live Board Meeting 'This is where we saw Adele for the first time. Where Billie Eilish gave a goosebump-inducing early performance. And where countless Philly musicians got their first big break. That's what we're fighting for — a place where music lives, legacies begin, and communities come together.' 'This truly is a rescue — a big-time one — and it's worth rooting for. We can't assume the public knows what World Cafe Live means to this city, but once they do, we know they'll want to be part of saving it.' World Cafe Live's mission remains to 'open doors to music and culinary experiences that create connections, inspire learning, and celebrate who we all are.' Now, with a clear plan and visionary leadership, the organization is poised to expand that mission for decades to come. To support the campaign and learn more, visit the Beans Foundation website. Or contribute directly at the Word Cafe Live website. About World Cafe Live World Cafe Live is a nonprofit independent music venue, arts incubator, and community space located in Philadelphia. Since opening its doors in 2004, WCL has become a hub for live music, education, and cultural connection, bridging generations, genres, and communities through the power of the arts.
CBC
an hour ago
- CBC
Tom Cruise scores Guinness World Record for most burning parachute jumps
Social Sharing Tom Cruise has soared his way to a new stunt accolade: according to Guinness World Records, he has now performed the most burning parachute jumps by a single person. This specific feat was achieved during the filming of Mission: Impossible - The Final Reckoning, the latest instalment of the action franchise that has become defined by Cruise's jaw-dropping stunts. Sixteen times in a row, Cruise leaped out of a helicopter and plummeted toward the ground strapped to a flaming parachute. As the character Ethan Hunt, Cruise has performed a number of eye-popping feats since the first Mission: Impossible film, including clinging to an airplane as it was taking off, scaling the tallest building in the world and driving a motorcycle off a cliff before parachuting to safety. In 2018's Mission: Impossible - Fallout, Cruise became the first actor to complete something called a HALO (high altitude, low opening) drop on camera, which involved jumping out of a plane and freefalling thousands of metres before deploying a parachute. Craig Glenday, editor-in-chief of Guinness World Records, said Cruise didn't just "play action heroes" but was one himself, in a release about the new record. Cruise is known for his insistence on performing the stunts himself. "A large part of his success can be chalked up to his absolute focus on authenticity and pushing the boundaries of what a leading man can do," Glenday stated. Before each jump, the parachute would be soaked in fuel so that Cruise would be able to light it on fire mid-jump, according to a behind-the-scenes video of how the team set up the stunt. "I have to kick out of the twist, and then ignite, within 10 seconds," Cruise says in the video. Once the chute had burned up, Cruise would cut the lines free and activate a backup chute to glide safely to the ground. But since the parachute material burned so quickly, disappearing in a matter of seconds, they needed to perform the jump multiple times to get enough footage for the scene: sixteen times, to be exact. Guinness World Records didn't specify if Cruise had to surpass anyone to get the record, although the organization noted that "no other actor or stuntman has come close" to that number. WATCH: Tom Cruise performs dramatic parachute stunt for latest Mission: Impossible film: Not every stunt has gone exactly to plan. Cruise broke his ankle on the set of Mission: Impossible - Fallout when he landed badly jumping from one building to another. The take made it into the film; he can be seen limping after pulling himself up.
CTV News
2 hours ago
- CTV News
Patti LuPone's drama is dividing the Broadway community ahead of the Tony Awards
Patti LuPone arrives at an FYC screening for "Agatha All Along" on April 19, 2025, at the DGA Theater Complex in Los Angeles. (Andrew Park/Invision/AP via CNN Newsource) Patti LuPone may have apologized for some recent controversial remarks, but that doesn't mean the curtain has dropped on the drama. The actress sparked a major backlash after disparaging comments she made about fellow Broadway stars Kecia Lewis and Audra McDonald in a recent interview with the New Yorker. LuPone referred to Lewis as a 'b**ch' and said McDonald was 'not a friend.' Hundreds of performers from Broadway and other theater communities then wrote a letter in which they characterized LuPone's comments as 'degrading and misogynistic—it is a blatant act of racialized disrespect.' 'It constitutes bullying. It constitutes harassment,' they wrote. 'It is emblematic of the microaggressions and abuse that people in this industry have endured for far too long, too often without consequence.' The group called for LuPone to be disinvited from industry events, including Sunday's Tony Awards. LuPone apologized last weekend on social media, posting a statement in which she said she hoped to be able to speak with the pair to make 'sincere apologies.' 'I am deeply sorry for the words I used during The New Yorker interview, particularly about Kecia Lewis, which were demeaning and disrespectful,' Lupone wrote. 'I regret my flippant and emotional responses during this interview, which were inappropriate, and I am devastated that my behavior has offended others and has run counter to what we hold dear in this community.' The controversy ahead of the Tony Awards has raised interest in the event, sparking conversation about whether LuPone, who has long reigned as Broadway star, will make an appearance. But not everyone feels harshly towards her. Actress Mia Farrow has garned a Tony nomination for the Broadway play 'The Roommate' in which she costars with LuPone. In a recently published interview with Deadline, Farrow talked about her 30-year friendship with the woman she dubbed the 'goddess of Broadway.' 'We live near each other. Always have. Two of our kids were in the same class at school, at the same school, her son and my son, and I met her on New Year's Eve, actually,' Farrow told the publication. 'She and her husband gave a New Year's Eve party, and Steve Sondheim, who was one of my oldest friends, 50 years, he invited me to come to the party at Patti's 30 years ago, and that's how I met Patti.' Farrow, who mentioned the New Yorker interview in her conversation with Deadline without addressing the controversy, said working with her neighbor and friend was a positive experience. 'Patti and I never had a negative moment, by the way,' Farrow said. 'Working together didn't change our friendship. I think our friendship is deeper now.' 'Abbott Elementary' star Sheryl Lee Ralph, who is also a decorated Broadway performer, most notably playing the role of Deena Jones in the original 1981 production of 'Dreamgirls,' weighed in as well. 'Why not be nice?' Ralph said of LuPone. And while Ralph said she was 'not going to judge' LuPone, she did have some words of wisdom for the 'Evita' star. 'It was a moment where maybe you want to zip it,' she said. 'Inner thoughts don't always have to be outer thoughts, that might have been one of those moments.' British weekly conservative magazine writer Ella Whelan penned a piece with the headline, 'Patti LuPone is a diva – not a racist.' 'LuPone is notorious for putting the broad in Broadway – her loud mouth is infamous,' Whelan wrote, noting some of her other outspoken comments. 'Forget white privilege, this is diva privilege – when you're that good an entertainer, you can pretty much say what you want,' Whelan added. Lisa Respers France, CNN
