logo
Tom Cruise scores Guinness World Record for most burning parachute jumps

Tom Cruise scores Guinness World Record for most burning parachute jumps

CBC06-06-2025
Social Sharing
Tom Cruise has soared his way to a new stunt accolade: according to Guinness World Records, he has now performed the most burning parachute jumps by a single person.
This specific feat was achieved during the filming of Mission: Impossible - The Final Reckoning, the latest instalment of the action franchise that has become defined by Cruise's jaw-dropping stunts. Sixteen times in a row, Cruise leaped out of a helicopter and plummeted toward the ground strapped to a flaming parachute.
As the character Ethan Hunt, Cruise has performed a number of eye-popping feats since the first Mission: Impossible film, including clinging to an airplane as it was taking off, scaling the tallest building in the world and driving a motorcycle off a cliff before parachuting to safety.
In 2018's Mission: Impossible - Fallout, Cruise became the first actor to complete something called a HALO (high altitude, low opening) drop on camera, which involved jumping out of a plane and freefalling thousands of metres before deploying a parachute.
Craig Glenday, editor-in-chief of Guinness World Records, said Cruise didn't just "play action heroes" but was one himself, in a release about the new record. Cruise is known for his insistence on performing the stunts himself.
"A large part of his success can be chalked up to his absolute focus on authenticity and pushing the boundaries of what a leading man can do," Glenday stated.
Before each jump, the parachute would be soaked in fuel so that Cruise would be able to light it on fire mid-jump, according to a behind-the-scenes video of how the team set up the stunt.
"I have to kick out of the twist, and then ignite, within 10 seconds," Cruise says in the video.
Once the chute had burned up, Cruise would cut the lines free and activate a backup chute to glide safely to the ground. But since the parachute material burned so quickly, disappearing in a matter of seconds, they needed to perform the jump multiple times to get enough footage for the scene: sixteen times, to be exact.
Guinness World Records didn't specify if Cruise had to surpass anyone to get the record, although the organization noted that "no other actor or stuntman has come close" to that number.
WATCH: Tom Cruise performs dramatic parachute stunt for latest Mission: Impossible film:
Not every stunt has gone exactly to plan. Cruise broke his ankle on the set of Mission: Impossible - Fallout when he landed badly jumping from one building to another. The take made it into the film; he can be seen limping after pulling himself up.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Corporation for Public Broadcasting plans closure after U.S. government defunds the non-profit
Corporation for Public Broadcasting plans closure after U.S. government defunds the non-profit

CBC

time2 hours ago

  • CBC

Corporation for Public Broadcasting plans closure after U.S. government defunds the non-profit

The Corporation for Public Broadcasting (CPB), a cornerstone of U.S. culture for three generations, announced Friday it's taking steps toward its own closure after Congress defunded it. It would mark the end of a nearly six-decade era of fuelling the production of renowned educational programming, cultural content and even emergency alerts. The planned closure of CPB, which was established in 1967, is said to be a direct result of U.S. President Donald Trump's repeated claims that public media spread political and cultural views contrary to what the United States should be espousing. It's expected a CPB closure would have a profound impact on the journalistic and cultural landscape, in particular, public radio and TV stations in small communities across the United States. CPB helps fund both the Public Broadcasting Service (PBS) and National Public Radio (NPR), but most of the money it receives is distributed to more than 1,500 local public radio and television stations around the U.S. The corporation also has deep ties to much of the country's most familiar programming, from NPR's All Things Considered to, historically, Sesame Street, Mister Rogers' Neighborhood and the documentaries of Ken Burns. The corporation said its end, 58 years after being signed into law by Lyndon Johnson when he was president, would come in an "orderly wind-down." In a statement, it said the decision came after Congress passed a package that clawed back its funding for the next two budget years — totalling about $1.1 billion US. The Senate appropriations committee reinforced that policy change Thursday by excluding funding for the corporation for the first time in more than 50 years as part of a broader spending bill. "Despite the extraordinary efforts of millions of Americans who called, wrote and petitioned Congress to preserve federal funding for CPB, we now face the difficult reality of closing our operations," said president and CEO Patricia Harrison. Last-ditch try at funding fails Democratic members of the appropriations committee made a last-ditch effort this week to save the CBP's funding. As part of Thursday's committee deliberations, Sen. Tammy Baldwin, a Wisconsin Democrat, authored but then withdrew an amendment to restore CPB funding for the coming budget year. She said she still believed there was a path forward "to fix this before there are devastating consequences for public radio and television stations across the country." "It's hard to believe we've ended up in the situation we're in and I'm going to continue to work with my colleagues to fix it." But Republican Sen. Shelley Moore Capito of West Virginia sounded a less optimistic tone. "I understand your concerns, but we all know we litigated this two weeks ago," Capito said. "Adopting this amendment would have been contrary to what we have already voted on." CPB said it informed employees Friday that most staff positions will end with the fiscal year on Sept. 30. It said a small transition team will stay in place until January to finish any remaining work, including "ensuring continuity for music rights and royalties that remain essential to the public media system." "Public media has been one of the most trusted institutions in American life, providing educational opportunity, emergency alerts, civil discourse and cultural connection to every corner of the country," Harrison said. "We are deeply grateful to our partners across the system for their resilience, leadership and unwavering dedication to serving the American people." Widespread fallout expected NPR stations use millions of dollars in federal funding to pay music licensing fees. Now, many will have to renegotiate these deals. That could impact, in particular, outlets that build their programming around music discovery. NPR president and CEO Katherine Maher estimated recently, for example, that some 96 per cent of all classical music broadcast in the United States is on public radio stations. Federal money for public radio and television has traditionally been appropriated to the CPB, which distributes it to NPR and PBS. Roughly 70 per cent of the money goes directly to the 330 PBS and 246 NPR stations across the country. Trump, who has called the CPB a "monstrosity," has long said that public broadcasting displays an extreme liberal bias, helped create the momentum in recent months for an anti-public broadcasting groundswell among his supporters in Congress and around the country. It is part of a larger initiative in which he has targeted institutions — particularly cultural ones — that produce content or espouse attitudes he considers "un-American."

A baseball field in a racetrack? MLB's Speedway Classic makes history
A baseball field in a racetrack? MLB's Speedway Classic makes history

CTV News

time5 hours ago

  • CTV News

A baseball field in a racetrack? MLB's Speedway Classic makes history

Rod Bruchell installs signs outside Bristol Motor Speedway, Friday, Aug. 1, 2025, in Bristol, Tenn., the day before the MLB Speedway Classic baseball game between the Cincinnati Reds and Atlanta Braves. (AP Photo/George Walker IV) BRISTOL, Tenn. — A 110-foot Ferris wheel. Race cars painted in MLB team colors. Food trucks. Live music. Pitching tunnels and batting cages. A chance for photos with the Commissioner's Trophy. And Clydesdales. Of course, there's merchandise available for any fans who forgot to grab their gear supporting the Atlanta Braves or Cincinnati Reds or simply commemorating a spectacle unlike any other. 'My sister's already texted me asking for a t shirt,' said Marcia Lorenzo, 39, from Charleston, South Carolina. After about four years in the planning, it's finally time for the MLB Speedway Classic to play ball Saturday night on the diamond constructed on the infield at Bristol Motor Speedway at the place called the 'Last Great Colisseum!' 'When you walk up to Bristol Motor Speedway, much like many of our venues, you know you're at a big iconic sports location,' said Jeremiah Yolkut, MLB's senior vice president of global events. 'You feel it. You walk into Wrigley Field, Fenway Park, you feel it. And that's what Bristol Motor Speedway is for NASCAR.' The MLB Speedway Classic was first announced nearly a year ago as part of Commissioner Rob Manfred's push to take MLB to places where baseball isn't played every day live. MLB played a game at the movie site in Iowa in both 2021 and 2022. Alabama, North Carolina and Pennsylvania, too. Now it's time for Tennessee, which has teams in the NFL, NBA, NHL and MLS but no MLB team even as a group chases an expansion franchise for Nashville. This game mixes the rich racing history of both Bristol, which hosts a pair of NASCAR races each year, and Tennessee. 'So we quickly worked to make it so that we could viably create this magic moment and give fans that don't get regular season baseball all the time, an opportunity to see it right there in their backyard in Tennessee,' Yolkut said. The Reds, chasing an NL wild-card berth, split the first two games in this series with Atlanta. The rubber match will be a part of history as the first Major League Baseball game played in the state of Tennessee. They will play before the largest crowd ever to see an MLB regular-season game, too. Reds outfielder Austin Hays said this will be a fun game and can't wait to see how loud it gets. 'I used to go to the truck races and the (Daytona) 500, the Rolex. I went to high school near Daytona,' Hays said Friday after the Reds' 3-2 win over Atlanta. 'It is the only track I've ever been to. It's a pretty big track. I imagine it's going to be similar standing on the infield, but it will be a baseball field this time.' MLB didn't try to sell every ticket inside the speedway that drew 156,990 for the Battle of Bristol college football game in 2016. The track with a racing capacity of 146,000 could host 90,000 or more even with sections blocked off. Officials announced Monday more than 85,000 tickets had been sold — topping the previous paid attendance of 84,587 set Sept. 12, 1954, when Cleveland Stadium hosted the New York Yankees. Sean Casey, a three-time All-Star now on the MLB Network, sees this as two super powers coming together in a perfect partnership. NASCAR and baseball already cross over in the Atlanta and Cincinnati markets, and this crossover exposes fans to the other sport. 'It's such a unique situation,' Casey said Friday after broadcasting from the field with MLB Network. 'Kudos to (Commissioner) Rob Manfred of Major League Baseball and also NASCAR and Bristol Motor Speedway for putting this event together because it's going to be one of a kind.' Once the time comes for fans to move inside Bristol, the schedule features a pre-game concert with Jake Owen joining stars Tim McGraw and Pitbull. A flyover by Navy jets, and a pair of Hall of Famers in Atlanta's Chipper Jones and Johnny Bench of the Reds will handle the ceremonial first pitch. Hunter Greear from Charleston, South Carolina, bought tickets with three friends a year ago. They arrived Thursday camping out and enjoying the weekend. Greear said they really didn't know what to expect from MLB putting a baseball field in the infield of a racetrack. 'We had an idea,' Greear said. 'But everything that's been leading up to (the game) really has been making that idea even bigger than we could possibly expect it to be.' AP Freelance Writer Gary Schatz in Cincinnati contributed to this report.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store