logo
Tourist leaves Australians appalled after sharing a shocking video: 'How stupid are you?'

Tourist leaves Australians appalled after sharing a shocking video: 'How stupid are you?'

Daily Mail​11-07-2025
Alarming footage of a Canadian influencer taking a freshwater crocodile out of the water and holding it for the camera has sparked widespread outrage.
Colton Macaulay, 27, who has more than 15 million followers across multiple social media platforms, is known for filming footage with wildlife and exotic animals.
A stunt filmed in Australia earlier this year racked up almost half a million views before it was deleted from most of his social media platforms.
Titled 'Catching crocodiles in Australia', the footage showed a shirtless Macaulay standing in a creek at night, using his bare hands to pick up a freshwater crocodile.
The influencer held the crocodile up by the neck for the camera as the animal's tail dangled in the air.
The crocodile didn't appear happy about being handled and was seen thrashing around while being held, with its jaws wide open as it growled.
'Hey guys, I'm in Australia right now, and we just yoinked a freshwater croc,' Macaulay explained in a voiceover.
'I don't think he was happy about it because he started making these sounds like a chainsaw. Or maybe that's the sound they make when they decide to cry like a little b***h.'
Colton Macaulay has more than 15million followers across multiple social media platforms
The clip includes a disclaimer claiming it was 'performed by a professional'.
The footage attracted a barrage of backlash from viewers who branded him a 'moron' and 'idiot'.
'How stupid are you?' another viewer commented.
The clip remains on Facebook but has no comments.
Found in northern Australia, freshwater crocodiles aren't considered as dangerous or aggressive as the saltwater species.
However, they can cause a serious bite if they feel threatened or cornered.
Experts have questioned whether Macaulay had a permit required for handling crocodiles in Australia.
Authorised individuals are the only ones permitted to handle crocodiles in Australia.
'No random person can obtain a permit to catch crocodiles unless it is specifically for research purposes,' conservationist Paul Bowen told news.com.au.
The crocodile thrashed around while it was held by the Canadian student
'Permits are generally required for specific activities like farming, education, or egg harvesting.'
Macaulay has been contacted for comment.
Another video shared to Facebook in July showed Macaulay jumping into a croc-infested creek in the Northern Territory, despite multiple warning signs to not enter the water.
'I swam in croc-infested waters,' the clip is captioned.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Carrie Bickmore's shock Logies afterparty admission as she flaunts her cleavage on the red carpet
Carrie Bickmore's shock Logies afterparty admission as she flaunts her cleavage on the red carpet

Daily Mail​

time41 minutes ago

  • Daily Mail​

Carrie Bickmore's shock Logies afterparty admission as she flaunts her cleavage on the red carpet

Carrie Bickmore has made a shock admission about the afterparty for the 2025 Logie Awards. Taking to her Instagram Stories on Tuesday, the popular broadcaster, 44, shared two photos that showed her posing on the red carpet in her would-be afterparty attire. Carrie put on quite the busty display in the photos, stepping out in a figure-hugging mini-dress from Australian designer Rebecca Vallance. The low-cut dress, which featured eye-catching floral diamante appliqués, flaunted Carrie's ample cleavage. Carrie's party dress finished at her thigh, showing off her trim and toned pins. Carrie appeared ready for a big night post-Logies, happily hamming up for the camera on the red carpet. However, the dress was not given its moment in the spotlight, with Carrie admitting she skipped the afterparty antics in favour of a good night's sleep. Carrie did reveal that she attempted to put in an appearance, but her hotel pillow was more inviting than hitting the dance floor with fellow celebs. 'When you get changed to go to the after party... walk down to the party then walk back up to bed because suddenly a full night's sleep in a hotel bed sounds more appealing than a dance floor,' Carrie wrote, augmenting the sentiment with a laughing face emoji. Carrie had earlier turned more than a few heads when she arrived at Australian television's night of nights on Sunday. Known for flaunting her innate sense of style on the Logies red carpet, Carrie certainly didn't disappoint this year. She looked radiant in her one-shoulder design – the subtle shimmer highlighting her spectacular figure as she sashayed down the carpet. Her hair was immaculate and while the heavy eye makeup was a bold move, it worked beautifully with her minimalist accessories and ultra-natural look. Carrie's post-Logies admission comes as rumours continue to swirl about a potential romance with Lee Elliott. Carrie posted a series of photos to Instagram on Sunday, showing off her stunning Logies red carpet look. 'Dress of dreams... Thank you to the amazing team who pulled this look together,' Carrie wrote, before tagging the designer and make-up artist. Lee, 43, showed his support by liking Carrie's social media post. According to Woman's Day, Carrie and Lee have been spending a lot of time together at Carrie's home. The publication claimed the pair were introduced by mutual friends and the relationship is 'heating up quickly'. 'They've been trying hard to keep things under wraps. But there's definitely something romantic going on. They're a beautiful couple!' a source allegedly told the magazine. Lee is newly single after splitting from his wife, Georgia, earlier this year. He and Georgia, who first met on the 2016 season of The Bachelorette, announced their separation with identical posts to Instagram in May.

Conspiracy theory emerges over why the same Aussie celebrities such as Sonia Kruger and Julia Morris are nominated for a Logie every year
Conspiracy theory emerges over why the same Aussie celebrities such as Sonia Kruger and Julia Morris are nominated for a Logie every year

Daily Mail​

time43 minutes ago

  • Daily Mail​

Conspiracy theory emerges over why the same Aussie celebrities such as Sonia Kruger and Julia Morris are nominated for a Logie every year

A media commentator has come up with a theory as to why the same Aussie celebrities are nominated at the Logies year after year. Taking to TikTok, Josh Fox pointed out that veteran TV hosts Julia Morris, Sonia Kruger and Hamish Blake seem to be the only real 'talent' in Australia. 'Am I missing something or do you all actually love the Logies because I am baffled every year by how media froth over it,' he said after Sunday's telecast. 'The media pretend it's like the Oscars, but I don't know anyone who cares?' Fox scrutinised a list of the Gold Logie nominees, and pointed out that Kruger, 59, who won the top gong in 2022, has been up for the prize every year since. He also shared that I'm a Celebrity... Get Me Out of Here! host Julia Morris, 57, has been nominated for the coveted Gold Logie 'four times in four years'. I'm a Me Out of Here! host Julia Morris, 57, has been nominated for the Gold Logie 'four times in four years' 'Hamish Blake has had three Gold Logie nominations in the last four years,' he continued. 'It's like Australia has no new talent.' 'Who will be nominated when all these old television people die?' one fan replied in the comments. 'A lot of people care [about the Logies] and you won't find them here as they are all over the age of 50,' another added. 'They're nominated every year because we don't have new celebs. Anyone trying to make it leaves Australia,' one argued. 'I don't care for it, I didn't know most of the shows nominated.' Meanwhile, a similar conspiracy theory also surfaced on The Beetoota Advocate. Titled 'Woman Who Hasn't Watched Free To Air TV Since 2008 Still Able To Recognise Every Person At The Logies', the satire story was shared on Monday and has attracted a whopping 12,360 likes since. 'TIME WARP: A woman who hasn't watched free to air television since 2008 was surprised to discover that she could still recognise 90% of the celebrities at this year's Logie Awards, which has led her to believe that the Australia media industry might be stuck in a bit of a time warp,' the story read. The satire yarn claimed that the '35-year-old woman called Anita Shafe' did not know 'most international celebrities', but this did not pose an issue. '[Because] with the Australian media landscape as it is, it rarely gives any airtime to any talent born after 1985,' the mocking story added. 'It's genuinely pathetic how accurate this is,' one person commented. 'All we have to show for "successful" entertainers are washed up and still doing the same s*** they were doing 20 years ago.' 'Nobody born after 1998 is allowed on TV,' another viewer commented. It comes after viewers slammed the telecast, with many viewers lashing out at the 'boring' awards show. Several people took to X to mock the annual ceremony and claim the Logies simply aren't relevant anymore. 'No better confirmation that free-to-air TV is dying than the #Logies - a mixture of yesterday's celebrities and nobodies talking about themselves,' one person wrote. 'It's quaint how they still have the Logies - a dying medium celebrating mediocrity #Logies,' another said. Still, despite drubbing the ceremony received online the 2025 Logies proved to be a ratings success. It was the biggest show during Sunday's prime time, scoring an impressive national average of 1,425,000 viewers.

TonyInterruptor by Nicola Barker review – satire that sees right through you
TonyInterruptor by Nicola Barker review – satire that sees right through you

The Guardian

time43 minutes ago

  • The Guardian

TonyInterruptor by Nicola Barker review – satire that sees right through you

As TonyInterruptor begins, musician Sasha Keyes is in the middle of an improvised trumpet solo. A man stands up in the audience and says, 'Is this honest? Are we all being honest here?' He points at Sasha and adds, 'You especially.' Soon a video of the episode appears online, with a companion clip of Sasha's vitriolic reaction: 'Some random fucking nobody … some dick-weed, small-town TonyInterruptor.' Given the times we live in, this naturally leads to Sasha's trial by social media for artistic fraudulence and abusive conduct. But the shockwaves soon extend to everyone adjacent to the event: Fi Kinebuchi, the self-styled 'Queen of Strings', who was playing with Sasha at the time; India Shore, the teenager who posted the first video; India's father, Lambert, an architecture professor with a secret crush on Fi Kinebuchi; his wife Mallory, who divides her time between parenting her daughter, Gunn, who has special needs, and venting intellectual spleen; and even to TonyInterruptor himself, real name John Lincoln Braithwaite, an otherworldly outsider whose 'main occupation – his duty, even – is to observe and assess the falling and the catching of light'. The author of more than a dozen books, including the Goldsmiths prize winner H(a)ppy and the Booker‑shortlisted Darkmans, Barker is known for experiment and brainy whimsy. There could be no better person to write a comedy about art and its discontents. The novel is devastatingly on the money about the ways we're all not being honest here: whether as flawed, self-conscious humans, or in the special case of artists, who strive harder for honesty and thus fall harder into affectation. Even the unworldly Braithwaite isn't immune. What are we to make of a man who smokes because 'smoking is a condensed and bastardised form of fire-watching', and when asked to shake hands responds with, 'I object to handshaking on ideological grounds … but you seem well-meaning so I'm happy to respond in the vernacular you're most comfortable with.' Sincerity here is just the youthful illusion that we're exempt from universal impostordom; or the lovely illusion of lovers that their inamorata is the one in a million who is really real. Sign up to Bookmarks Discover new books and learn more about your favourite authors with our expert reviews, interviews and news stories. Literary delights delivered direct to you after newsletter promotion The characters' sensitivity to the falseness all around them – and in them – gives them no peace. Lambert describes his wife, Mallory, as relentless in her criticisms, 'like a seagull up to its knees in sea-swell, determinedly dissecting a crustacean as it rolls ceaselessly back and forth'. But this is true in various ways of all the characters, who are always finding fault. Sometimes this means railing at others, as when India tells her dad to 'stop always making everything so … so INTELLECTUAL, so META … and just … just … for once in your life risk being real'. Sometimes they bemoan their own artificiality, as when Lambert conceives of himself as being 'like a Moneymaker tomato: ripened to an unnaturally bright hue on a constant drip-diet of Baby Bio'. The prose is a profusion of thoughts and associations, and shadings of the thoughts, and metaphors extending from the associations. All this is delivered in long, manic sentences that love to chase their own tails. When we're told Braithwaite is 'like a leading character in a bad 1980s American capitalist drama (say Dallas: the over-indulged younger brother, the prodigal son who returns to the oilfield and promises his tough yet paradoxically indulgent slate-eyed, tan-faced father that he will learn the trade from the ground up; prove himself). But also like a character from an excellent, slightly clunky but extremely sincere first play about a demoralised primary school teacher who is struggling to nurture a gifted but troubled Irish Traveller child written by a 23-year-old northern prodigy whose uncle once ran (and possibly still runs) an abbatoir' – well, are we really expected to parse all that? I suspect not. The excess is the joke, and the joke is sometimes on the reader who struggles to get anything as sensible as an image out of Barker's imagery. It's a rollercoaster kind of excess, where the best part is that it's too much. Sometimes, I think, we're being invited to enjoy the slapstick experience of losing our footing mid-sentence, and to join the laugh if we fall flat. Midway, the book takes a turn into romantic comedy, with a series of scenes where unlikely characters fall for each other. The honesty they've been pursuing, it turns out, consists not in improvised jazz, but in becoming besotted with an inappropriate person and blowing up your life. Barker manages this shift with an extraordinary lightness and perceptiveness, making it feel as though the rogue wave of love sweeping through her narrative was inevitable as soon as the words 'Are we all being honest here?' were spoken. In a pivotal scene, a bewildered Sasha Keyes sums up all we've learned by citing the 'Buddhist Lineage of Mis-steps', in which it is the seeker's mistakes and failings, not their spiritual achievements, that lead to enlightenment. It is a somehow fitting climax to a book in which Barker seems incapable of putting a foot wrong. This is satire that sees right through you, but forgives you and teaches you to forgive yourself. It's that rare thing, a serious work of art that is also a giddy confection: a vehicle of pure delight. TonyInterruptor by Nicola Barker is published by Granta (£16.99). To support the Guardian, order your copy at Delivery charges may apply.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store