
Bill advances to support film, TV productions
ZACH DUGAN / FOX Local actor Kekoa Kekumano, left, and Alex Aiono star in Fox's 'Rescue : HI-Surf, ' which is filmed in Hawaii.
ZACH DUGAN / FOX Local actor Kekoa Kekumano, left, and Alex Aiono star in Fox's 'Rescue : HI-Surf, ' which is filmed in Hawaii.
Hawaii has been losing film and TV productions to other states and countries offering stronger incentives, but lawmakers have advanced a bill designed to help the industry thrive here, rather than elsewhere.
, which passed out of the House Committee on Finance Wednesday with amendments, would create the Island Film and Media Production Investment Fund, expand tax incentives for hiring local workers and extend support to streaming platforms such as Netflix and Hulu.
With productions dwindling and experienced professionals leaving, stakeholders stress that urgent action is needed to boost Hawaii's competitiveness in the global entertainment market.
Ricardo Galindez, co-founder of the Island Film Group production company, said major Hawaii-based television productions such as 'NCIS : Hawai 'i ' and 'Magnum P.I.' have been canceled, and Kevin Costner's 'Headhunters, ' a surf-themed thriller set in Bali, pulled out due to financial constraints.
'This is the worst year, actually, ever, ' said Brian Keaulana, a veteran of film and television productions, noting how the industry benefits other sectors including hotels, car rentals, food vendors and employment.
A 2022 report from the state Department of Business, Economic Development and Tourism found that film and TV productions contribute $1.2 billion to the state's gross domestic product, pay over $543 million in wages and generate $121.6 million in state tax revenue. Additionally, 4.5 million visitor days are directly tied to productions filmed in Hawaii.
Don 't miss out on what 's happening !
Stay in touch with breaking news, as it happens, conveniently in your email inbox. It 's FREE !
Email 28141 Sign Up By clicking to sign up, you agree to Star-Advertiser 's and Google 's and. This form is protected by reCAPTCHA.
Without intervention, proponents of SB 732 say the state risks losing its status as a prime filming destination, along with its skilled workforce.
That's why a crowd of more than 400 actors, writers, producers, tech crew members and community supporters of the local film and television industry rallied at the State Capitol Monday to support the measure, and it was standing room only Wednesday at the bill's hearing before the House Committee on Finance.
DBEDT Director James Tokioka testified at the hearing that 'the industry is at a crossroads right now. Prior to 'NCIS' leaving Hawaii, our studios were full. We have two huge studios for the size of the capacity that we have productions for, and they're both vacant right now.'
Galindez warned that if experienced production crew members migrate to other industries or leave, 'then we've lost the infrastructure we've been building over 20 years. There are currently a lot of (crew ) people that have not worked for well over a year.'
THE ISLAND Film and Media Production Investment Fund aims to offer financial incentives to keep productions in-state. SB 732 also proposes enhanced tax credits for productions hiring at least 80 % local workers, with an additional 5 % credit for workforce development.
To keep up with the rise of original content on streaming platforms, the bill would extend the same tax incentives to digital media productions. It also requires productions to consult with local labor unions to ensure fair practices in exchange for tax benefits.
Another key component of the measure would increase the annual tax credit cap currently limiting Hawaii's competitiveness for large-scale productions. SB 732 also seeks adjustments to the state's general excise tax, including a reduced rate for film productions and wage-related exemptions that would make filming more cost-effective.
In written testimony on the bill, Film Commissioner Walea Constantinau of the Honolulu Film Office said the recommended updates to Hawaii's film and television production tax credits would provide a degree of certainty needed to retain existing productions and attract new projects.
These currently include potential second seasons of Fox's 'Rescue : HI-Surf ' and 'Chief of War, ' a new Apple TV + miniseries set to debut in August that stars Jason Momoa as a Hawaiian warrior during Kamehameha the Great's bloody campaign to unify the islands. Also recently announced was director Martin Scorsese's untitled Hawaii-set crime drama film starring Dwayne Johnson, Leonardo DiCaprio and Emily Blunt.
Constantinau estimated the three projects alone would bring in over $300 million in direct spending. She also cited studies showing that production tax credits generate over $120 million in additional state tax revenue through film-related tourism.
INDUSTRY veteran Angela Laprete testified in favor of the bill Wednesday, speaking from her most recent experience as co-producer of 'Chief of War, ' which for financial reasons shot for 30 days in Hawaii and six months in New Zealand.
'It should have been in Hawaii and the cast should have been (all ) Hawaiian, ' Laprete said. 'We saw so many missed opportunities come out of 'Chief of War.' What we're doing now is being proactive and asking, if it gets picked out for Seasons 2 or 3, what do we need to do to save a show like that and not lose it to New Zealand again ?
'I understand, from a business standpoint why films would go there to shoot in New Zealand, ' she added. 'It's way cheaper. I'm saying it shouldn't be, but if it is, we need to have good tax credit—that's what we need to be competitive. The legislators all think that they're going to come anyway, and it's not true.'
Galindez also referenced 'The Wrecking Crew, ' an action-comedy buddy film starring Momoa and Dave Bautista and set in Hawaii that filmed only 12 days in the state in January before relocating to New Zealand.
He said that just two years ago, film and TV productions spent half a billion dollars in Hawaii, but this year the industry is at a standstill.
'If $20 million has been spent this year, I would be surprised, ' Galindez said.
He emphasized that while Hawaii remains a prime destination for some outdoor location shoots—hosting blockbusters such as 'Jurassic Park ' and 'Jumanji '—the lack of soundstages here forces productions to film elsewhere.
'The work that's done here is location work, ' Galindez said. 'So if it's a big movie, they come, they shoot a cool, low-range, do all their exteriors here, but because we don't have adequate stages, they take all that work to Atlanta, New Mexico or Los Angeles.'
He believes that with more modern soundstages and stronger tax incentives, Hawaii's film and television industry could become a billion-dollar powerhouse instead of losing projects to other states and countries.
DURING Wednesday's House Finance Committee hearing, many government officials, representatives of the film and television industry, and members of the general public, offered support for SB 732.
Rep. Kyle Yamashita (D, Upcountry Maui ), committee chair, recommended passage of SB 732 with amendments, which was supported by committee members. However, he indicated the updated bill is very different from the version the Senate had sent to the House, so it's unclear whether it will win final passage.
Yamashita also suggested that perhaps the federal government, which he acknowledged is unlikely, or even the counties should cover some the cost of the film industry incentives, perhaps as much as 40 % in the case of the counties.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Business of Fashion
2 hours ago
- Business of Fashion
Beauty's Hottest New Trend: The Founder Buyback
On Tuesday, influencer-turned-mogul Huda Kattan announced that she had regained majority ownership of her eponymous makeup brand, Huda Beauty, after buying back the minority stake private equity firm TSG Consumer Partners took in 2017, The Business of Beauty reported. The news arrived months after Kattan's sister Mona Kattan purchased Kayali, the fragrance brand she co-founded, alongside PE firm General Atlantic; that transaction set up funding for Huda Beauty's buyback. It was a sister act of multimillion dollar proportions. After last week's billion dollar acquisition of Rhode by E.l.f. Beauty and Church & Dwight's $700 million purchase of hand sanitiser label Touchland, the 2025 M&A beauty market appears to be looking up. But the arc of Huda Beauty traces along a bigger shift in the beauty industry. When the brand launched in 2013, it did so in the heat of the celebrity makeup moment; Kylie Jenner's pigmented lip kits and Rihanna's 40-shades of foundation came next. Billion dollar valuations followed for an elite set that included Kattan, Jenner and makeup artists like Anastasia Soare, Charlotte Tilbury and Pat McGrath. In the years since, some have seen their businesses flourish (see: Puig's majority acquisition of Charlotte Tilbury, valued at $1.2 billion) while others have lost their grip. In the decade since Huda Beauty's debut, a shiny new class of celebrity founders, like Bieber's Rhode and Selena Gomez's Rare Beauty, have risen to the vanguard, succeeding with direct customer relationships and outsize sales, strong operational teams and a simple but refined focus on exactly what they do well. A following is no longer enough in the cut-throat beauty business, unless you can continuously convert them to shoppers. The Social Network What does Kattan have? In addition to an estimated $450 million in annual sales as of 2024, the brand benefits from a wide international distribution and a wide array of best-sellers. But its most impressive feat may be that, despite 12 years in business — 120 years in beauty — Kattan hasn't lost her relevance online. Huda Beauty's best asset is Huda herself. As a vlogger, the US-born and Dubai-based Kattan was perhaps something of the original beauty influencer. Her own line, which she founded with her sisters Mona and Alya, was an instant hit, as her high-definition makeup looks (fluffy lashes, sleek contours) and a critic's eye toward formulas translated seamlessly into a cosmetic range that still mints regular hits, like last year's Easy Blur airbrush foundation. In 2014, four years after Instagram launched, Kattan hit 1 million followers; three years later, she had 18 million, and has 57 million today, according to the app. RivalIQ calculated that @hudabeauty's engagement rate is eight times the going average for beauty brands. If Kattan's public support of Palestinians in the Gaza war has polarised some of her audience, the tens of thousands of comments her posts draw seem only to strengthen her reach. Trends like the clean girl aesthetic and 'Euphoria' makeup may have come and gone, but Kattan's influence still powers Huda Beauty the brand; it consistently outranks others when it comes to social media performance. It was the #4 top ranked makeup brand in 2024, beating out LVMH's Dior and Fenty, said Launchmetrics. In the first quarter 2025, it was the top of CreatorIQ's list, narrowly besting Selena Gomez' Rare Beauty. Spate analyst Mathilde Riba reported that Huda Beauty charts nearly a 7 out of 10 on the firm's 'sentiment index.' Buyback to Bounce Back As a Revlon makeup artist living in opulent Dubai, Kattan's ultra-glam look hooked a generation of beauty obsessives on her cosmetics almost immediately. But two subsequent skincare forays, Wishful (launched in 2020) and Glowish (in 2021) were less successful, and ultimately didn't satisfy customers who had fallen for Kattan's contours and cut creases. The lines were eventually phased out of Sephora, and now linger on the line's e-commerce website. Kattan heads into the next phase 'hyper-focused' on Huda Beauty, she told Women's Wear Daily — an easier task without the distractions of the fragrance and skincare businesses. But the founder-led buyback can be tricky: French conglomerate Coty took a $71 million loss when it sold its stake in skincare brand Skkn back to founder Kim Kardashian three years after its purchase. And the clean label Beautycounter, which founder Gregg Renfrew bought out of bankruptcy last year, has taken time to reposition itself ahead of a relaunch scheduled for this summer. Huda Beauty and TSG may not have had the fairytale exit that Charlotte Tilbury scored with Puig, but given the glut of colour cosmetics brands currently in market, maybe it was the best outcome. The San Francisco-based TSG Consumer Partners, is known to be more of a short-term investor; the firm took a minority stake in It Cosmetics in 2012, cashing out in 2016 when the brand sold to L'Oréal for $1.2 billion. It made a similar manoeuvre with E.l.f., in which it bought a minority stake in 2011 that grew to a majority stake by 2014, two years before the line's IPO. More recently, it announced a 'strategic growth investment' in Marianna Hewitt and Lauren Ireland''s Summer Fridays, implying that influencer-fronted brands still have bright futures ahead. And what of the fierce competition? As more and more beauty brands come to market and also languish in the M&A waiting room, they'd be wise to stay close to their core. That's the thing about a once-in-a-lifetime founder: There's only one person who can see the vision through. Otherwise, they have to let it go. With additional reporting by Priya Rao. Sign up to The Business of Beauty newsletter, your complimentary, must-read source for the day's most important beauty and wellness news and analysis.
Yahoo
2 hours ago
- Yahoo
Carnival street band to bring workshops and performances to Taunton
A carnival street band is bringing workshops and performances to Taunton this summer. Youth music charity Kinetika Bloco, known for its mix of young brass and woodwind players, drummers, steel pan, and dancers, will be performing in Taunton town centre. The London-based street band draws its influences from the Caribbean, Brazil, Africa, and New Orleans. The group will be offering young musicians the chance to explore the world of street music with a special workshop at The Castle School on Monday, July 7. The workshop will focus on wind, brass, and drums, but all young musicians can join in and play percussion, provided they are Grade Three standard and above. For more information and to book a place, interested parties can contact Tim Hill at tim@ or Nic Adams at nadams@ On Sunday, July 13, the Museum of Somerset will host a street band workshop open to all ages and abilities. Participants will have the chance to play alongside Kinetika Bloco in a giant street band around Taunton after the workshop. This event is part of the Sound of the Streets event in Taunton town centre on the same day. The day will feature two performances from Kinetika Bloco at Castle Green and Corporation Street at 12.30pm and 2pm. The Sound of the Streets Festival will be a celebration of street bands and carnival music in the centre of Taunton. The day promises to be a festival of musical joy with dancing in the streets with Kinetika Bloco, local bands, and young musicians. Alongside the performances, there will be music in Castle Green, and workshops and events in the Museum of Somerset. The festival will also feature a stage in the centre of town, along with plenty of eating options at the independent market and museum café. The festival and both workshops are organised by The Sound of the Streets, with funding from Arts Council England, Taunton Town Council, and Make Music Repeat. More information can be found on the Sound of the Streets website.
Yahoo
2 hours ago
- Yahoo
A Key 'Back to the Future Prop' Has Been Missing Since Filming Wrapped. Why Michael J. Fox Is Hoping to Find It (Exclusive)
The iconic Gibson guitar Marty McFly plays in Back to the Future has been missing for nearly 40 years As the film approaches its milestone, its stars are reuniting to try and find the prop, in a hunt documented in a new film, Lost to the Future Stars Michael J. Fox and Lea Thompson speak to PEOPLE exclusively about their movie memories as they embark on the search alongside their costarsFire up your flux capacitors, because we may need a time machine for this one. In honor of the 40th anniversary of the release of Back to the Future, the film's primary cast members have joined forces with Gibson Guitars on a quest to track down one of the most iconic pieces of memorabilia from the film: Michael J. Fox's (Marty McFly's) red ES-345 that he played 'Johnny B. Goode' on at the Enchantment Under the Sea Dance. 'I was born in the '60s when there was an explosion of very important music," Fox, 63, tells PEOPLE of the genesis of his love for music that ultimately manifested in the iconic film scene. "My brother listened to them all, and I was 7 years old listening to Blind Faith and Rare Earth. I always wanted to be a rock 'n' roll guitarist, that's all I wanted to do. It's always been a passion of mine, rock 'n' roll, and particularly the guitar, there's just something about it, like you are wringing the magic and the music out of it.' To accomplish this monumental feat and hopefully unearth a lost treasure of film history, the legendary instrument manufacturer has launched an international hunt for the guitar, accompanied by a call-to-action video released on Tuesday, June 3, featuring Fox, as well as fellow cast members Lea Thompson, Christopher Lloyd, Harry Waters Jr., Huey Lewis and more. Thompson, 64, tells PEOPLE that although she considers Fox's famed BTTF instrument "an incredible guitar," she really has little idea what could have happened to it once filming wrapped. "When we made [the first] Back to the Future, we didn't even think we were going to make a sequel," Thompson tells PEOPLE. "There was no sequel deal, there was no concept of that. I mean, that's how long ago it was. So people weren't like Star Wars taking the props and everything. I only have the dress and the shoes and the jewelry from the prom." Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. The actress continues, "I have no idea how [the guitar] slipped through people's hands. I mean, the first thing I thought was maybe one of the prop masters had it ... but then I knew it was super expensive ... so it had to go somewhere." Lewis shares a similar sentiment to PEOPLE, noting that Back to the Future has become "The Wizard of Oz for a new generation" while pondering what could have happened to Fox's instrument. "Well, it's pretty amazing, really. I mean, to think about what it might be worth, right?" says "The Power of Love" singer, 74. "So whoever's got this thing, wherever it is. I mean, forget the actual guitar and the financial thing, there's a great story there, obviously." Lewis continues by noting that there were "quite a few guitar techs" working on the production at the time. "Maybe somebody fell on hard times and had to sell it, or I don't know. Who knows what that story is, but it's fairly interesting and apparently, because of the frets, it will be identifiable." To accompany the hunt for the guitar, Gibson Films has begun production on a new documentary film titled Lost to the Future. The forthcoming project will peel the curtain back even further on the hunt for the ES-345, featuring even more in-depth interviews with Fox, Thompson, Lloyd, Waters Jr., Lewis and the film's co-creator/screenwriter/producer Bob Gale, as well as a select group of world-renowned musicians that have been inspired by the film over the decades. The documentary's director, Doc Crotzer (Roadhouse, Glee), as well as Mark Agnesi (Director of Brand Experience at Gibson), "will guide viewers in the global hunt for this legendary instrument, from long-forgotten film prop warehouses, fascinating vintage guitar shops, auction houses and shadowy back alleys," according to an official press release from Gibson. Those who may have any information related to the whereabouts of the guitar are encouraged to submit tips by visiting and calling the tip line at 1-888-345-1955. The site also allows those who are curious to sign up and stay updated about the hunt, and whether or not the instrument is ultimately found. Read the original article on People