Whitby dinosaur named Alan inspires electronic dance album
Two scientists have created a concept album partly inspired by a dinosaur named Alan found in North Yorkshire.Prof Claire Hind and Dr Rob Wilsmore from York St John University formed The Long Dead Stars, an electronic dance poetry group, with the duo also finding inspiration from the geology of the county's coastline.The creative project is part of a scheme aiming to find alternative ways to engage people with art, science, and the landscapes of North Yorkshire."Rocks have a life, they have vitality, and dance music is something that's vibrant, alive, and about the body and moving," Dr Wilsmore said.
The pair wanted to compose a track about a Sauropodomorph fossil found in 1995 in Whitby and on display at the Yorkshire Museum.Its name was inspired by Alan Gurr, who made the discovery, with the fossil regarded as the oldest sauropod dinosaur found in the UK."I felt like I was getting connected to deep time and this idea that there's layers of different rock formations that expose different fossils from different time periods," Prof Hind said.
The album also features tracks dedicated to the dark skies of the North York Moors National Park and the fossils of Jurassic-era "tiny sea creatures" found at Boggle Hole."Pop music is generally about love," Dr Wilsmore said."It's not generally about oolitic shelly lifeforms."
Speaking about creating the music, Dr Wilsmore said finding melodies was like finding fossils on the beach."Rather than being this really dry project, we wanted our research to be fun as well as serious," he added.Explaining the band's name, Prof Hind said: "We love this idea that a percentage of our atoms in our bodies come from an exploding supernova from a long dead star."
Listen to highlights from North Yorkshire on BBC Sounds, catch up with the latest episode of Look North.
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Daily Mail
31 minutes ago
- Daily Mail
How DOES Elizabeth Hurley look so good at 60? Secrets behind the actress's eternal youth as she shows off her 'birthday suit' in sultry snap
In the 1990s, a new era of It Girl took the social scene by storm - with Elizabeth Hurley emerging as Queen Bee. With hunky star Hugh Grant on her arm at the hottest parties in town and starring in one of the biggest comedies of the decade, the Basingstoke-born brunette bombshell dazzled audiences with her beauty - and 30 years on, she's still stunning on every red carpet. Hurley has rarely been off screens since the nineties, racking up acting credits over the years including in teen drama Gossip Girl in 2012 - but despite three decades in the spotlight, she appears not to have aged at all. After 'hard launching' her relationship with Billy Ray Cyrus in April, many fans were left gobsmacked at how young the actress looks - even after turning 60 on Tuesday and celebrating the milestone by posing completely nude outside in a meadow. Experts believe a cocktail of good skincare, well-maintained hair and a glamorous wardrobe has taken years off her appearance, as she exudes confidence and style prowess. One of the products that she swears by is moisturiser, previously admitting to Women & Home magazine that she applies it to her face and neck multiple times throughout the day. 'The one thing I swear by is moisturiser – and lots of it,' she told the outlet. 'I'll moisturise my face about six times a day and my neck about 10 times a day.' One of Hurley's favourite products is Estée Lauder's Advance Night Repair serum, £55, which she has been using for the past 30 years, ever since she became a spokesperson for the beauty brand in the 90s. However, despite Hurley not admitting to having any work done, the beauty experts suspect that the star may have had some minor tweakments to help elevate and preserve her strikingly good looks. Laura Kay, beauty expert and Founder of Laura Kay London told MailOnline: 'While she's certainly managed to keep a youthful appearance by staying active and paying attention to her diet and lifestyle, there are definitely hints that she's had a bit of 'tweakment' work done. 'Looking a bit closer, there are subtle signs she might have had light Botox treatments and a bit of filler, to restore some volume in her face. I'd also guess she's had some skin boosters or injectable hydrators to keep everything looking fresh and hydrated.' In an interview with the Sunday Times in 2021, Hurley was asked whether she was a fan of plastic surgery to which she said: 'No! I don't think it makes you look younger, I think it just makes you look like you've got filler. It's not my cup of tea.' Because of Hurley's dislike of unnatural cosmetic work, Dr Ellie Sateei says that Hurley would have likely gone for a low-key treatment. She said: 'Tweakments are all about subtle refinements, so think of tiny adjustments that enhance your features without making it obvious you've had anything done. 'For Liz, this likely means low-dose botulinum toxin to soften fine lines around her eyes and forehead, keeping her expressions natural and relaxed. She probably avoids over-relaxing the muscles, which helps her maintain that lively, approachable look.' Aesthetician Dr Ed Robinson suspects that Hurley may have had the 'occasional preventative Botox to reduce the formation of fine lines and lift the eyebrows'. Dr Barbara Kubicka of Clinicbe says that the actress' skin has 'shown signs of excellent collagen maintenance'. This could be down to remedies that stimulate the skin's own rejuvenation such as gentle radiofrequency, microneedling with platelet-rich plasma (PRP), or even bioremodelling injectables like Profhilo. Dr Kubicka says Hurley's lifestyle choices, such as using sun protection, prioritising hydration and using a simple skincare routine rich in retinoids, vitamin C and peptides, will have helped her skin remain dewy just like that of a 25-year-old. But one of the best beauty tips that Hurley has learnt over the years is allowing the skin to breathe by getting lots of fresh air. She previously told Harper's Bazaar: 'My grandmother had beautiful skin and she believed that fresh air was imperative. I never sleep with the heating on in my room and always have the window wide open - even if it's snowing.' The former girlfriend of Hugh Grant is also rarely seen without her signature smoky eye makeup, which adds to her youthful aura. Black kohl liner, shimmery grey eye shadow, light pink lip gloss and pink blush are Hurley's look of choice, mixing old-school Hollywood glamour with a slight edge. Ms Kay believes this look can bring a touch of radiance and make you look fresh-faced - even at 60 years old. She said: 'Liz is definitely not shy of makeup which makes her look younger - her signature look focuses on her eyes, with a smoky, smouldering style that she's stuck with for years. Her hair is usually done in soft waves, which really completes the look. And she loves a glossy lip to finish everything off.' Hurley has previously told You Magazine that she always curls her lashes and will often carry a Bobbi Brown Blush and lip gloss in her handbag to touch up throughout the day when she's on the go. While it is generally thought that sleeping in your eye makeup is bad for your skin health, controversially, Hurley admits to doing it 'quite often'. She told the magazine: 'Quite often I'll leave some of my eye make-up on if I think my eyelashes can last another day. I'll clean my face and apply serum and moisturiser but leave the eyes. It looks fabulous the next day – and you're ready in five seconds.' Ever since rising to fame, Hurley has always maintained her wavy chocolate mane, often playing the mysterious brunette bombshell in her acting roles. Although, like many 60-year-olds, Liz may have more than a few grey hairs creeping through, she's not letting those silver strands flow freely quite yet. Instead, she has caramel blonde highlights intertwined with her darker strands, a technique used by hairdressers to help frame the face. Tina Farey, editorial director at RUSH Hair said: 'Her chocolate brown base has golden highlights blended throughout which adds to her youthful and ultra-elegant appearance. 'The placement of the lighter pieces is crucial to achieve a more voluminous look, with the focus being on the top of her hair and framing her face, which amps up the dimension and movement.' Ms Farey says that Hurley choosing to wear her hair in her signature 'bombshell' loose waves helps give the illusion of thicker hair. She added: 'With a triangular face shape, her sharp jawline and gorgeous high cheekbones are her most defining features - this pairs beautifully with her long, luscious locks.' In her late teens and early twenties Hurley sported bleach blonde hair and several piercings after the height of the punk era in the 70s (pictured in 1983) Liz Hurley, who would have been around 18 years old in this picture, also donned brown spiky tresses during her punk phase (pictured in 1983) This is a far cry from her late teens and early twenties in the 80s where Hurley sported bleach blonde spiky hair and several piercings after the height of the punk era in the 70s. 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I do them while waiting for the kettle to boil or cleaning my teeth. 'And when I'm in the country I do lots of walking and gardening. I'm always moving furniture, too. I'm pretty active. I don't really sit down until 6pm – I think it's quite good for you. Then you can flop!' She also admitted to the Telegraph that she does a lot of gardening and house work, adding that she doesn't like to sit still very much. Hurley is often showing off her toned washboard abs by stripping down to her bikini on Instagram, often to promote her swimwear brand, Elizabeth Hurley Beach, which she launched in 2005. She has sported some legendary dresses over the years, including her £3,000 black safety pin Versace gown often referred to as 'THAT dress' when she accompanied Hugh Grant to the premiere of Four Weddings and a Funeral in 1994. 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Daily Mail
39 minutes ago
- Daily Mail
EXCLUSIVE The women who were too much for Jeremy Clarkson: The aunt-and-niece duo who sneered at his Farmer's Dog pub enjoy the high life in the Cotswolds after parting company with TV star over THOSE umbrellas
They faced a backlash from viewers after Jeremy Clarkson hired them to help him through the chaos of getting his Cotswolds pub the Farmer's Dog up and running. Loyal fans of the TV presenter were not impressed with the efforts of well-to-do entrepreneurs Sue and Rachel Hawkins who were branded 'snobby' and 'rude' after a series of clashes with the star. The pub transformer duo - who appeared in the final episodes of the latest series of Clarkson's Farm - ended up quitting the project just 48 hours after the grand opening of the country hostelry. That appeared to rattle viewers even more with accusations Sue and her niece Rachel had 'jumped ship' when 'the going got tough' while one went as far as accusing them of being an 'awful pair of individuals'. Rachel, 40, had pointed out the pub formerly known as The Windmill was 'not fit for purpose' with 'too many issues to run a successful business' that included 'failing water, no toilets, no gas, leaking roofs, and struggling staff'. While admitting he was battling to overcome 'massive, massive struggles, Clarkson's biggest bone of contention with the high spending pair seemed to be the cost of three massive umbrellas to cover his terrace which, along with lighting and heating, would set him back a staggering £40,000. Despite their sudden exit, Sue and Rachel are unlikely to be spending much time drowning their sorrows, MailOnline can reveal. The hospitality entrepreneurs are very familiar with the quaint Cotswolds pub scene and are well known in the area for revamping and bringing new life to struggling establishments. And while Sue, 58, prefers to stay out of the limelight, Rachel, 40, is happy to share insights into her lavish life amid the growing list of A-list celebrities settling in the area. Rachel is well-established within the Cotswolds horse racing fraternity along with her long-term partner former National Hunt jockey Will Kennedy, 43. 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Rachel's appearances at leading race meetings have certainly not gone unnoticed. In 2015 she landed a trip-of-a-lifetime for the dazzling blue and white outfit she was wearing at that year's Goodwood Festival. Rachel Hawkins featured among the supporting cast of the latest series of Clarkson's Farm after being hired by the TV star to provide expert advice Her prize for winning the 'best dressed' contest was a holiday for two in Cape Town with a VIP day out at the races. As Irish-born Will - who had more than 450 winners in a 25 years career before retiring in 2023 - was busy racing, Sue accompanied her on the trip. Rachel later told how she was 'so excited' by her experience after meeting up with England cricketer Jonny Bairstow who she said 'is a friend of mine' and was there with his mother and sister. She ended up 'a table behind' cricket legend Ian Botham while she also got to rub shoulders with the late sporting icons Eddie Jordan and Lester Piggott. She said afterwards: 'We were looked after like royalty.' Last week MailOnline told how Rachel is set to make a tidy profit after putting her detached period country home for £2.8 million country home up for sale in a raffle. She bought the property - which is nestled in the heart of Stow-on-the-Wold in Gloucestershire - for £750,000 in November 2015. For as little as £10, entrants are being offered the chance to win the six bedroom house, which is crafted from classic Cotswold stone, and comes complete with stylish furniture. Organisers of the draw, Raffle House, promised the lucky winner of the competition would be able to have their own 'dream hom'e in an area where 'so many celebrities had chosen to live'. Alongside the original Chipping Norton set of the likes of Clarkson and David Cameron, more recent residents have included David Beckham, Ellen DeGeneres and superstar DJ Calvin Harris and his TV presenter wife Vick Hope. 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The pair went on to open up a bed and breakfast in the town and the following year they sold the properties with 13 'boutique style bedrooms' between them to brewing giants Young's for a 'seven figure sum'. The pair had previously transformed seven properties together including converting a 400-year-old building in Stratford-upon-Avon, which had previously been used as a dental practice, into a small hotel. Rachel has told how she was working as a 16-year-old bistro restaurant when she first teamed up with Sue who had began revamping businesses starting with a small fish restaurant in the 1990's. She first went to work for her aunt at the Fox & Goose pub in Armscote, Warwickshire, which Sue had turned into 'a stylish foodie venue' before selling it a year or so later. Sue once said she couldn't 'necessarily turn' businesses into 'a gold mine' but that she knew 'the takings and certainly the morale of the staff could be increased relatively simply and quickly'. As they got up and running they operated together on 'a 50-50' basis with Sue concentrating on 'design and set up' while Rachel 'took over operations'. Sue, whose father worked 'in the world of sales and marketing' says she was born in the inner-city area of Sparkhill in Birmingham, and once told how she started out selling timeshare apartments in Tenerife. But realising she wasn't going to make much money she quickly switched to selling her own t-shirts to fed-up tourists saying: 'Shove off - I don't want a timeshare!' In an interview with Warwickshire Life magazine she said: 'They sold like hotcakes. I took them round the swimming pools and bars and people were falling over themselves to buy them.' She was described in the article as 'an award-winning business woman whose motto could be 'no fun - no point'. Sue said that while she 'was very single-minded' she was 'always game for a laugh' adding: 'I couldn't see the point of something I didn't enjoy doing. 'I just enjoy life and I enjoy what I do. Admittedly I have had to be very determined at times but I never let that stop me from having a laugh, that's just the way I am.' Sue told how she 'travelled and worked her way around most parts of the globe over a six year spell' before returning to the UK and taking on jobs in London in pubs, bars. She began managing a restaurant in Stratford after the person the owners offered the job to pulled out the night before they were due to start. Sue told how she quickly settled into the role and it was not long before she was looking around for a place to run herself despite being short of money. She said she came up with a 'brilliant plan' - which may have also proved to be the inspiration for Rachel's raffle sale. Sue was selling a one bedroomed house in the medieval market town - and instead marketed it to buyers as 'a complete change of lifestyle.' She produced hundreds of flyers revealing along with the house she was 'throwing in' a soft top Volkswagen Golf and a crate of champagne'. Sue told how the property 'sold it in no time' and used the money to buy a Grade II-listed pub which, after a 'top-to-toe refurbishment' she reopened as Bar Humbug. After three years, the brewery made 'an offer she couldn't refuse' and once again Sue was on the lookout for new premises. She decided that her business strategy would be to overhaul a pub then put it up for sale once it was up and running - for the right price. She said: 'I love refurbishing the places, designing how they should look, working out what interior design fits with the structure of the place. 'It's what I do. I love doing it and can't imagine doing anything else.' And it appears, despite the disapproval of viewers, there's no hard feelings between Clarkson and his consultants over those umbrellas. On Tuesday, he posted a photo of the three huge umbrellas which now cover the decking at the back of the pub on Instagram saying: 'Turns out Sue and Rachel had a point. The Farmer's Dog did need big umbrellas after all!!' In response, Rachel shared Clarkson's photo on her own Instagram and replied: 'And behold... the exact 40k umbrellas that have been the topic of so much discussion. 'Not blocking the view and providing a year round weather solution with heating and lighting in order that 75 guests can dine comfortably on the terrace all year round … seems like 40k well spent?'
Spectator
an hour ago
- Spectator
Ingenious: the Globe's Romeo & Juliet reviewed
Cul-de-Sac feels like an ersatz sitcom of a kind that's increasingly common on the fringe. Audiences are eager to see an unpretentious domestic comedy set in a kitchen or a sitting-room where the characters gossip, argue, fall in love, break up and so on. TV broadcasters can't produce this sort of vernacular entertainment and they treat audiences as atomised members of racial ghettos or social tribes. And they assume that every viewer is an irascible brat who can't bear to hear uncensored language without having a tantrum. The result is that TV comedy often feels like appeasement rather than entertainment. Theatre producers are keen to fill the gap, and the latest effort by writer-director David Shopland declares its ambitions in its title. Cul-de-Sac is set on a housing estate where Frank and Ruth are busy destroying their marriage. Ruth lounges on the sofa all day drinking sherry and mourning the loss of her career as a therapist. Frank is a depressed salaryman who rants and raves obsessively about a mysterious Mercedes parked by his kerb. The couple make friends with a timid bisexual neighbour, Simon, whose wife has just run off with his brother. More characters arrive. Marie is a beautiful, nerdy evangelical who recruits worshippers for her husband's church by knocking on strangers' doors. Her latest disciple, Hamza, is a Kurdish businessman who owns the Mercedes that blocks Frank's drive. Thus the messy social circle is complete. The characters are quirky, likeable and easy to relate to. And the show is full of awkward comic moments and latent sexual conflict. The best character, Simon, is perhaps too obviously based on Alan Bennett. He has a squashed blond hairdo and geeky black-rimmed glasses, and he speaks in a lugubrious, wheedling Yorkshire accent. The show is good fun for 90 minutes but after the interval, disaster strikes. The script morphs into an anguished memory play and the characters become self-pitying bores. They take it in turns to describe the most grisly moment of their lives. Ruth explains the crisis that terminated her therapy career. Marie reveals the difficult truth about her missionary work. The men recount tales of loss and bereavement caused by lethal explosions and murderous terrorist attacks. These distressing back-stories have no shape or dramatic direction and the show becomes an interminable group-therapy session. At the climax, a suitcase is opened to reveal a blood-stained item of clothing, and the script delivers 'messages' about the virtues of tolerance. We're warned not to indulge in xenophobia or to lay blame on a particular faith for the crimes of a few extremists. In other words, it feels like a TV show. Perhaps Netflix will pick it up. At the Globe, Sean Holmes offers an ingenious new take on Romeo and Juliet. His inspiration? Set the show in the Wild West. It makes sense, just about, to plonk the story into a frontier town where two murderous families are locked in a deadly feud. The Victorian age was a time of stylish and dignified fashions so the show looks terrific. The women swish around in sumptuous full-length gowns while the men sport frockcoats, hip-hugging trousers and chic leather boots. The cowboy hats are a bit of a problem. Thesps hate wearing headgear that conceals their faces, and in this production the actors wear their hats shoved well back on their heads so that their handsome mugs can be seen at all times. Perhaps the hats could be ditched altogether. This feels like a TV show. Perhaps Netflix will pick it up Most of the cast are pretty good, some are exceptional. Michael Elcock's Mercutio is a mischievous, charming street hustler who turns the tricky Queen Mab monologue into a tour de force by pretending that it's the most hilarious joke he's ever heard. (On the page, the speech reads like a bad dream about a spider improvised by a stoned poet.) Elcock's playful, fleet-footed Mercutio makes Romeo seem like an angry dullard by comparison, but that's always a risk with this play. At least Rawaed Asde (Romeo) has the dreamy good looks of a movie star. His Juliet (Lola Shalam) plays the part as a cheery Essex blonde with a heart of steel. When her father threatens to force her out of the house, he looks more scared than she does. Jamie Rose-Monk's Nurse is too young to perform the role as a venerable lady's maid and she plays it like Juliet's best mate from school. Dharmesh Patel works wonders with the small role of Peter by adding balletic little hand gestures and other physical absurdities. None of his play-acting is in the script but it comes across beautifully in the festive, carefree atmosphere of the Globe. This is an object lesson in how to reconceptualise Shakespeare. The idea of the Wild West is lightly handled and it offers witty suggestions rather than imposing ugly restrictions.
