A sprawling family epic full of brains and mystery

Telegraph

3 days ago

Flashlight, the engrossing sixth novel by the American writer Susan Choi, opens with Louisa and her father making their way down a breakwater at the tail end of a Japanese sunset. Louisa's mother is absent: she 'isn't well'. Her father, who holds a flashlight in one hand and Louisa's hand in the other, confesses that he has never learned to swim: 'I grew up a poor boy. I had no YMCA.' He tells Louisa to 'act thankful now' to her mother for making her learn. And, Choi, writes, 'those are the last words he ever says to her. (Or are they the last words that she can remember? Did he say something more? There is no one to ask.)' He vanishes into the water. No body is ever found.
Fans of Choi's work – which delights in playing with the reader's expectations – may remember the set up. This prelude was first published four years ago as a short story, also called Flashlight. At the time, Choi talked about 'wrestling with this material… trying to figure out what it wants to be – a short novel, or a long novel, or stories, or one story'. Her 447-page, six-part, sprawling family epic, which takes in five countries, spans several decades, and is mostly written in a free-indirect style that allows Choi to switch between four main characters, is her answer.
The narrative proper begins with Louisa's father. It's spring 1945; he's six years old. His parents are Korean exiles, who left their homeland, Jeju island, for Japan, and while his Japanese name is Hiroshi, at home he is Seok. Later, when he emigrates to the US on a graduate visa, he goes by Serk. (Shifting identities are a running theme in Choi's work, not least in her last novel, Trust Exercise, a bestseller that won the 2019 National Book Award.) Next, we meet Anne, Louisa's mother, who has abandoned her family and her chances of a high school diploma for a man who abandons her once she becomes pregnant. She is forced to give up the baby, Tobias – after a vivid labour 'where the vengeance of God tore her entrails out by the roots' – but he will re-emerge later as a pivotal character.
Novels developed from a short story are legion: Virginia Woolf's Mrs Dalloway, Jonathan Franzen's The Corrections, Haruki Murakami's The Wind-Up Bird Chronicles, Charles Baxter's Saul and Patsy. But in freeing their writer from length restrictions, novels pose a counter-challenge: can a writer justify the many tangents of their narrative? Choi stripped most of the backstory out of her original story leaving her with plenty of gaps to fill in. Is Louisa's mother ill? Why did her father make them leave the US, and Louisa's fourth grade, for a sabbatical in Japan? And what is the significance of her father's flashlight?
Choi takes too long to get to the meat of her story: what happened, or will happen, to Serk? Less patient readers may stop. But it pays to persevere. Choi is an astute, convincing writer, whose prose bristles with vivid imagery. In that opening section, 10-year-old Louisa lies in bed while 'the dark slid itself onto her chest like a snake, organising its weight into nearly stacked coils that might go on forever and bury her, crush her, if she didn't leap out of bed just in time.' Choi's choppy rhythm conveys a child's breathless angst.
If Trust Exercise was about who controls a story, then Flashlight is about what happens when your own story is out of control. Louisa spends her life dealing with the aftermath of her father's supposed drowning. A child psychologist reminds her that she told the person who found her that her father had been kidnapped. 'No I didn't,' she retorts – the reality of what happened to them remaining a riddle for most of the novel.
The book's title, Flashlight, is a metaphor that works hard throughout, illuminating certain events while keeping others in the dark. Serk doesn't know about Anne's son; Anne doesn't know about Serk's Korean heritage. The flashes of understanding that occur to characters as the decades roll by are like shapes that emerge from the gloom when someone sweeps a torch beam to and fro. And ultimately, the light Choi shines on an astonishing international scandal – revealed in the 'Acknowledgements' section for those who want to skip ahead – makes Flashlight a rewarding read. The expansion was well worth it.