
‘A medieval Russian fever-dream': Rachael Craw's favourite books
Welcome to The Spinoff Books Confessional, in which we get to know the reading habits of Aotearoa writers, and guests. This week: Rachael Craw, author of The Lost Saint.
The book I wish I'd written
The Bear and the Nightingale by Katherine Arden. I want to stuff the pages in my mouth until the words melt around my teeth. Exquisite, lyrical, deeply embedded in a landscape so exotic to me I could not get enough. It's a medieval Russian fever-dream.
Everyone should read
Pride & Prejudice by Jane Austen because then you can enjoy the memes.
The book I want to be buried with
The Lord of the Rings by JRR Tolkien.
The first book I remember reading by myself
The Lion, the Witch and the Wardrobe by C.S. Lewis. (At an age where half the words in each sentence were too difficult for me and I just slogged my way through it by inference because I knew there was magic waiting for me in those pages. I was also the kid who checked the back of her wardrobe – just in case.)
The book I pretend I've read
Michael King's The Penguin History of Aotearoa New Zealand because Rachael King is a dear friend and I don't want her to be mad with me.
Fiction or Nonfiction
Fiction, obviously, because reality is blergh.
The book that made me cry
The Lord of the Rings, at every re-read: when (spoiler alert) Gandalf dies.
The book that made me laugh
Jaclyn Moriarty's The Slightly Alarming Tale of the Whispering Wars (I was reading it aloud to my daughter and had to put it down because I was laughing so hard it brought tears to my eyes.)
Greatest New Zealand book
Hairy Maclary From Donaldson's Dairy by Lynley Dodd.
Greatest New Zealand writer
Elizabeth Knox.
Best food memory from a book
I know we've cancelled Neil Gaiman, and rightly so, but to this day I still think about the little slab of honey drizzled in jam in The Ocean At the End of the Lane that the little boy eats at the good witch's house after his demonic battle. I don't even think it would taste that nice but there's something about that description that's lodged itself in my synaptic highway.
Best place to read
Bed.
What are you reading right now
Physical Book: All Shall Mourn by Ellie Marney. Audio book: The Stand by Stephen King.
The Lost Saint by Rachael Craw ($30, Allen & Unwin) is available to purchase through Unity Books.
The Spinoff Books section is proudly brought to you by Unity Books and Creative New Zealand. Visit Unity Books online today.
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The Spinoff
18 hours ago
- The Spinoff
All the finalists in the 2025 NZ Book Awards for Children and Young Adults
Announcing all the books – and their authors, illustrators, translators and publishers – in the running for this year's New Zealand Book Awards for Children and Young Adults. The winter months are an apt time to celebrate the creators of books that feed future creators of books. With long nights and days punctuated by weather, here's an opportunity to gather around the best Aotearoa has to offer and their promises of armchair adventure. There were 156 entries to the awards this year (slightly down on 2024's 176). The judging panels were assisted by 450 reviews submitted by school students from 51 schools around Aotearoa. Among this year's finalists are books that, according to convenor of judges Feana Tu'akoi, present 'big ideas from our past, present and possible dystopian futures are considered in absorbing and thoughtful ways, providing springboards for deeper discussion. Themes include identity, connection, mental health, our histories, traditional wisdom, indigenous languages, and the importance of being exactly who we are.' Before we dive into some analysis of each category, a recap of what they are and the monies attached. There are six categories: Picture Book, Junior Fiction, Young Adult Fiction, Non-Fiction, Illustration and te reo Māori. Winners are announced at a ceremony at Pipitea Marae in Wellington on August 13 and will each take home $8,500. Of those winners, one will be named the Margaret Mahy Book of the Year and will receive an extra $8,500. The Best First Book prize winner gets $2,500. The Bookhub Picture Book Award finalists Ten Nosey Weka by Kate Preece, illustrated by Isobel Joy Te Aho-White (Ngāti Kahungunu, Kāi Tahu) (Bateman Books) Titiro Look by Gavin Bishop (Tainui, Ngāti Awa), translated by Darryn Joseph (Ngāti Maniapoto, Ngāti Rereahu) (Gecko Press, Lerner Publishing Group) You Can't Pat a Fish by Ruth Paul (Walker Books Australia) Picture books are an artistic collaboration. Words, text, design and format all have to work together perfectly. These finalists are all pros. Gavin Bishop, Ruth Paul, Juliette MacIver have all been here before, as have illustrators Lily Uivel and Isobel Joy Te Aho-White. Kate Preece is new to the awards with her first-of-a-kind counting book revolving around those curious, sneaky wee birds, the weka. In this interview with The Sapling, Preece explains how the book is tri-lingual and is the first to include Ta rē Moriori, the indigenous language of Rēkohu, where Preece now lives. Wright Family Foundation Esther Glen Junior Fiction Award finalists Brown Bird by Jane Arthur (Penguin Random House New Zealand) Detective Beans and the Case of the Missing Hat by Li Chen (Penguin Random House New Zealand) The Apprentice Witnesser by Bren MacDibble (Allen & Unwin) The Raven's Eye Runaways by Claire Mabey (Allen & Unwin) V iolet and the Velvets: The Case of the Missing Stuff by Rachael King, illustrated by Phoebe Morris (Allen & Unwin) This is all very … strange, for me. I love writing. I love writing novels for young readers because at heart I am still a young reader. It's extremely odd to be writing with this books editor hat on about this award with my author hat on. But the books editor is saying well done to the author and the author is chuffed (if not quite awkward). Mostly because of the company my first novel is keeping here. Back for the second year in a row is the unstoppable Rachael King (who was also a finalist in 2024 for The Grimmelings); I adored Jane Arthur's self-described 'quiet novel' about a character who now looms large in my mind. Bren MacDibble is an absolute powerhouse writer whose work is admirable for its voice, its world building and its control. And Li Chen's Detective Beans and the Case of the Missing Hat has stunning visual worldbuilding and a cute as leading cat. Note the mystery theme: definitely a trend I've noticed in international publishing. Young readers love intrigue just as much as anyone! Young Adult Fiction Award finalists Bear by Kiri Lightfoot, illustrated by Pippa Keel Situ (Allen & Unwin) Gracehopper by Mandy Hager (One Tree House) Migration by Steph Matuku (Ngāti Tama, Ngāti Mutunga) (Huia Publishers) The Mess of Our Lives by Mary-Anne Scott (One Tree House) The Paradise Generation by Sanna Thompson (umop apisdn press) Writing for young adults is a tall order. Young adults (otherwise known as teenagers) can be a tough crowd. What all of these books do is simply tell a story, build worlds, with teenage protagonists at the heart of them. Kiri Lightfoot's Bear is akin to acclaimed Patrick Ness novel, A Monster Calls, in that it uses a metaphoric beast to represent Jasper's rage, fear and consuming emotional undertow. Steph Matuku (no stranger to these awards) has written a brilliant dystopian sci-fi that reflects our present-day conflicts all too well. The Mess of Our Lives by Mary-Anne Scott is a story of overcoming an extremely challenging home life; while Mandy Hager (also no stranger to these awards) has written a story that centres on themes of identity and inclusion. First-time author Sanna Thompson is the wild card here: you can read an excerpt from The Paradise Generation over on Kete Books. Elsie Locke Award for Non-Fiction Finalists Black Magic by David Riley, illustrated by Munro Te Whata (Ngāpuhi, Ngāti Porou, Makefu) (Reading Warrior) Dear Moko: Māori Wisdom for our Young Ones by Hinemoa Elder (Te Aupōuri, Te Rarawa, Ngāti Kurī, Ngāi Takoto, Ngāpuhi nui tonu) (Penguin Random House New Zealand) Ruru: Night Hunter by Katie Furze, illustrated by Ned Barraud (Scholastic New Zealand) The Treaty of Waitangi / Te Tiriti o Waitangi by Ross Calman (Ngāti Toa, Ngāti Raukawa, Kāi Tahu) (Oratia Books) Tui Pea Luva by Mele Tonga Grant, illustrated by Luca Walton (Mila's Books) Huge names! These books are so crucial for education at home and at school: they condense complex subjects and present them in fluid, learnable ways via text, image and design. I love Ruru: Night Hunter for its immersive journey through the nightlife of our little owls. Ross Calman's The Treaty of Waitangi | Te Tiriti o Waitangi is extremely useful: highly illustrated, clearly written, an all-ages text, really. Mila's Books are the only all-Pasifika publishing house in the world and they consistently put out books made by and for Pasifika children and families. Tui Pea Luva is Grant's poetry collection which passes down the wisdom of Pasifika women. David Riley's Reading Warrior is a multi-faceted organisation that publishes books, creates projects in collaboration with communities, runs workshops and puts student writing into print. Black Magic continues Reading Warrior's focus on sporting heroics with the story of how we got our all black uniforms with a silver fern. Russell Clark Award for Illustration Alice and the Strange Bird by Isaac du Toit (Isaac du Toit) Hineraukatauri me Te Ara Pūoro, illustrated by Rehua Wilson (Te Aupouri, Te Rarawa), written by Elizabeth Gray (Ngāti Rēhia, Ngāti Uepōhatu, Tama Ūpoko ki te awa tipua, Ngāti Tūwharetoa anō hoki) (Huia Publishers) Poem for Ataahua, illustrated by Sarah Wilkins, written by Alistair Te Ariki Campbell (Reading Warrior) Sad Sushi, Anna Aldridge (Anna Aldridge) You Can't Pat a Fish by Ruth Paul (Walker Books Australia) It's always amazing to me how illustrators find angles, perspectives, and wordless narratives that bring a text to life. Sarah Wilkins' illustrations for Poem for Ataahua first caught my eye on Instagram: they're stunning, ethereal. Wilkins is longlisted for the World Illustration Awards 2025 for this same work (selected from 5000 entries from 81 countries). I also adore Ruth Paul's bold style: there's such comedy in the images that work so well with Paul's rollicking rhyme (hard to do but Paul does it so well). Wright Family Foundation Te Kura Pounamu Award Finalists A Ariā me te Atua o te Kūmara by Witi Ihimaera (Te Whānau a Kai, Rongowhakaata, Te Aitanga a Mahaki, Ngāti Porou), illustrated by Isobel Joy Te Aho-White (Ngāti Kahungunu, Kāi Tahu), translated by Hēni Jacob (Ngāti Raukawa) (Penguin Random House New Zealand) *Hineraukatauri me Te Ara Pūoro by Elizabeth Gray (Ngāti Rēhia, Ngāti Uepōhatu, Tama Ūpoko ki te awa tipua, Ngāti Tūwharetoa anō hoki), illustrated by Rehua Wilson (Te Aupouri, Te Rarawa) (Huia Publishers) Ka mātoro a Whetū rāua ko Kohu i Rotorua by Hayley Elliott-Kernot, translated by Te Ingo Ngaia (Taranaki, Ngāruahine, Te Ātiawa, Waikato-Maniapoto, Ngāti Whakaue, Te Whānau-a-Karuai ) (Round Door Design) Ko ngā Whetū Kai o Matariki, ko Tupuānuku rāua ko Tupuārangi by Miriama Kamo (Ngāi Tahu, Ngāti Mutunga), illustrated by Zak Waipara (Ngāti Porou, Ngāti Ruapani, Ngāti Kahungunu, Rongowhakaata), translated by Ariana Stevens (Poutini Ngāi Tahu) (Scholastic New Zealand) * Ngā Kupenga a Nanny Rina by Qiane Mataa-Sipu (Te Waiohua, Waikato, Ngāpuhi, Ngāti Pikiao, Cook Islands), illustrated by Isobel Joy Te Aho-White (Ngāti Kahungunu, Kāi Tahu) (Penguin Random House New Zealand) * Indicates a finalist book originally written in te reo Māori A specialist judging panel was enlisted to analyse the merits of these books either translated into te reo Māori or originally written in te reo Māori. Many familiar names here including Mirama Kamo and Zak Waipara (who were finalists in 2019 for Ngā Whetū Matariki i Whānakotia, translated by Ngaere Roberts); and Witi Ihimaera and Isobel Joy Te Aho-White who were finalists in 2023 with Te Kōkōrangi: Te Aranga o Matariki (translated by Hēni Jacob). NZSA Best First Book Award Finalists Brave Kāhu and the Pōrangi Magpie by Shelley Burne-Field (Ngāti Mutunga, Ngāti Rārua, Te Ātiawa, Sāmoa) (Allen & Unwin) Play Wild by Rachel Clare (Bateman Books) The Raven's Eye Runaways by Claire Mabey (Allen & Unwin) The Witch of Maketu and the Bleating Lambs by Anika Moa (Ngāpuhi, Te Aupōuri), illustrated by Rebecca ter Borg (Penguin Random House New Zealand) The Writing Desk by Di Morris (Bateman Books) I don't think many of us on this list ever expected to see our names alongside queen Anika Moa. I loved her book based on the character in her superbly creepy song. Shelley Burne-Field is a gorgeous writer (you can read about why she writes for children on The Spinoff). Di Morris' The Writing Desk is a stunning graphic account of the lives of colonial women; and Rachel Clare's Play Wild is a guide to having little adventures outside (reminiscent of Giselle Clarkson's The Observologist, though more geared towards using natural materials to aid imaginative play). Thanks to the English and bilingual judging panel: Convenor of judges Feana Tu'akoi, a Kirikiriroa-based writer; Don Long, a children's and educational publishing expert; Linda Jane Keegan, a Singaporean-Pākehā writer and reviewer; Stacy Gregg (Ngāti Mahuta, Ngāti Pukeko, Ngāti Maru Hauraki), recipient of the Margaret Mahy Book of the Year at the 2024 NZCYA awards; and Mero Rokx (Ngāti Porou, Ngāti Awa, Ngāi Tai), an education specialist who is on the English-language and bilingual panel, as well as Te Kura Pounamu panel. And to the panel judging te reo Māori entries: Convenor Mat Tait (Ngāti Apa ki te Rā Tō, Rangitāne o Wairau, Ngāti Kuia), a freelance artist, illustrator, writer and te reo Māori tutor based in the Motueka area; Justice-Manawanui Arahanga-Pryor (Ngāti Awa ki Rangitaiki, Ngāti Uenuku, Ngāti Rangi, Ngāi Te Ruahikihiki), a kaitakawaenga / library programming specialist; and Maxine Hemi (Ngāti Porou, Ngāti Kahungunu, Rangitāne), a kaiako with over 30 years' experience teaching. And praise be for those who make the awards possible: Creative New Zealand, HELL Pizza, the Wright Family Foundation, LIANZA Te Rau Herenga o Aotearoa, Wellington City Council, BookHub presented by Booksellers Aotearoa New Zealand, New Zealand Society of Authors Te Puni Kaituhi o Aotearoa, the National Library of New Zealand Te Puna Mātauranga o Aotearoa, the Mātātuhi Foundation, and NielsenIQ BookData. The Awards are administered by the New Zealand Book Awards Trust Te Ohu Tiaki i Te Rau Hiringa.

1News
a day ago
- 1News
National Music Centre taking shape beneath Wellington Town Hall
Work on the Wellington Town Hall's $329 million redevelopment continues, with the new National Music Centre under construction in the building's basement. Minister for Arts, Culture and Heritage Paul Goldsmith announced an additional $2 million funding injection for the National Music Centre in the Budget last month and toured the site alongside media on Tuesday. "We're very delighted that the works, obviously as you can see, are underway," said Goldsmith. "There's been real pressure around the overall funding, so this extra two million dollars will help get this project over the line." Once completed, the centre would house recording studios, rehearsal spaces, a video production suite, and high-end audio facilities. ADVERTISEMENT The Town Hall had been closed since being deemed earthquake prone in 2013. Construction underway at Wellington Town Hall. (Source: 1News) New Zealand Symphony Orchestra chief executive Marc Feldman called the development of the National Music Centre a game-changer. "I'm smiling, just imagining what the opening of this place is going to be in 18 months. I would even say that on an international level, this really puts us on the map." The NZSO has already attracted high-profile film projects, including The Lord of the Rings and Minecraft. Orchestra lead Carmel Walsh said the new centre would support more international productions and expand revenue streams. A concept of the Fale Malae on Wellington's waterfront. (Source: Supplied) ADVERTISEMENT However, the advancement of the Music Centre came at a cost to other cultural projects. One of the hardest hit was the Fale Malae, a proposed pan-Pacific cultural and community centre on the Wellington waterfront. Originally allocated $6.6 million, the Fale Malae project has had most of its funding re-prioritised after spending only $2.7 million from its 2020 budget. "They just weren't ready yet to actually spend the money," Goldsmith said. "When the business case and consents are ready, then we can revisit the funding of the whare." Fale Malae Trust chairperson Adrian Orr said trustees were actively exploring various funding sources, including donors willing to support the project.


The Spinoff
a day ago
- The Spinoff
‘It's about a man who turns into a shark': Georgia Lines on the book that made her cry
Welcome to The Spinoff Books Confessional, in which we get to know the reading habits of Aotearoa writers, and guests. This week: Aotearoa musician, Georgia Lines, headline act at the Auckland Live Cabaret Festival. The book I wish I'd written The books that have moved me the most have often come from places I'd never want to have been. I find it's the same with music. I've wished I'd written certain songs, but the circumstances that led to them aren't ones I'd want to have lived through. That said, one of my favourite books is The Choice by Dr Edith Eger. It's her story of surviving the Holocaust and her journey to becoming a psychologist. I don't wish I'd written that book because that would mean having to walk in her shoes. But I do hope to live my life in a way that carries the essence of it: recognising that no matter what, we always have a choice. And more than that, I hope I can live a life that carries meaning and that the hard things I walk through can become some kind of offering to those who choose to listen to what I create. Everyone should read This might be a slightly unconventional answer, but Unreasonable Hospitality by Will Guidara is one of those books I started recommending to every second person just a few chapters in. It reminded me that hospitality and care can be an art form and that small, thoughtful gestures can become moments people carry with them for years. It shifted how I think about running a business, leading a team, and ultimately, how I create. It's a beautiful invitation to be more generous, more present, and more human in the spaces we shape. The book I want to be buried with This is probably the hardest question to answer. To be honest, I'm not sure what book I'd want to be buried with. It reminds me of the panic I felt at the start of high school when I had to create a career pathway plan for Year 9 Social Studies. The pressure of making a 'final' decision and mapping out every move for my career felt so huge and overwhelming that I lost sleep and clearly created a core panic-filled memory for me. Maybe it's the same with this question – the idea of choosing just one book feels way too big, and maybe a little impossible. If I ever decide on one book, I'll let you know. The book that made me cry Earlier this year, I was up north for a week with some friends when I read Shark Heart by Emily Habeck. One of them had insisted I read it, but when she described the plot – a man slowly turning into a great white shark – I wasn't convinced it was my kind of book. But I've never cried reading a book like I did with this one. And I don't mean a tear or two, I mean full-on ugly crying. I had to put the book down just to catch my breath and debrief with friends over a glass of wine and a very large handful of cheese and crackers. I've been raving about it to anyone who'll listen ever since. The premise might sound strange on paper, but once you embrace the world it builds, it's absolutely devastating in the most beautiful, tender way. The first book I remember reading by myself I'm not sure if it was the very first book I read on my own, but I vividly remember winning a reading prize pack from What Now, filled with Jacqueline Wilson novels. I spent the entire day hiding away in my wardrobe, which I'd turned into a secret hut/journaling spot/reading nook, completely absorbed in Tracy Beaker. (Side note: how impossible was it to get through to the Telly Ops on a Sunday morning? IYKYK.) The book I wish I'd never read I vividly remember reading Ripley's Believe It or Not in primary school and becoming both fascinated and completely terrified by a section about ghosts and it stuck with me in the worst and weirdest way. My friends and I somehow decided the library was the only safe haven from these ghosts, and it turned into this odd little game. We'd rush back there at break times, hunting for more 'ammunition' to defeat them. Looking back, I kind of wish I'd never read it – it probably would've saved me a few night terrors, but then again, those irrational fears sparked some of the most bizarre, and oddly brilliant memories. The book that haunts me Between Two Kingdoms by Suleika Jaouad has stayed with me in a way few books do. It's not just about her journey with cancer, it's about what it means to live when everything you thought defined you has been stripped away. The book I pretend I've read Atlas of the Heart by Brené Brown. It's one of those books that's lived on my bedside table forever, and I keep meaning to actually read it. I've flicked through it enough to fake my way through a conversation, but I haven't properly read it cover to cover. I think I feel a bit behind for not having read it yet. If I could only have three books to read for the rest of my life they would be Prayer in the Night by Tish Harrison Warren, The Body Keeps the Score by Bessel van der Kolk, and The Choice by Edith Eger (even though I've already mentioned it, it's still a favourite). What I'm reading right now I'm one of those people who always has a few books on the go at once which definitely makes it harder to actually finish them. It's usually a mix of fiction, nonfiction, a self-help book I've read three chapters of, and a laryngeal biomechanics textbook I keep telling myself I'll get through. But there's usually one novel that trumps all the others and currently that's Prima Facie by Suzie Miller. I'm down to the final few pages and haven't been able to put it down. It's confronting and heavy, and dives into themes of power, justice and consent in a way that feels deeply important.