logo
Hysteria and Satisfaction when Rolling Stones performed in Dundee in 1965

Hysteria and Satisfaction when Rolling Stones performed in Dundee in 1965

The Courier12-06-2025
Screaming, fainting and sobbing teenagers caused pandemonium when the Rolling Stones performed in Dundee in June 1965.
The Marryat Hall was turned into a casualty station.
Mick Jagger, Keith Richards, Brian Jones, Bill Wyman and Charlie Watts could barely hear themselves play and dodged stuffed toys of all shapes and sizes.
It made national headlines.
The Stones were the band of the moment following the release of (I Can't Get No) Satisfaction, which dominated the airwaves in the summer of 1965.
The band first played the Caird Hall a year earlier.
Albert Bonici and co-promoter Andi Lothian booked the Stones to join the bill of a pop package tour which was headlined by Freddie and the Dreamers.
The Stones performed at 6.30pm and 8.50pm on on May 20 1964.
The band returned to Scotland for a headline tour in June 1965 which included dates at Glasgow's Odeon, Edinburgh's Usher Hall and Aberdeen's Capitol Theatre.
They received 40% of the gross box office and 'no less than £750 per venue'.
Everyone wanted to see them.
Four Dunfermline schoolgirls skipped lessons after the Edinburgh show.
Hitchhiking 23 miles to the Gleneagles Hotel where the band were staying, they managed to meet the Stones and get autographs and souvenirs.
Next stop was Aberdeen.
You can't always get what you want, it's true, but the Stones did when they enjoyed a hearty meal of sausages, eggs, bacon and chips in Laurencekirk.
The fry-up at a country pub prompted Jagger to sing a song for the locals.
'We had a great meal on the way up,' said Jagger.
'Laurencekirk, I think it was.
'And the people were very nice.'
They returned to Gleneagles before the two shows at the Caird Hall.
Tickets were priced from five shillings to 15 shillings.
The Stones chose the supporting acts and were backed by The Hollies, Doris Troy, Johnny Cannon and the Shades, and the West Five.
Before the gig they were taken to Broughty Ferry for a photo shoot for Romeo and Jackie teen girl magazines in the grounds of the Taypark Hotel.
The band members were all clad in suits.
The two shows at 6.30pm and 8.45pm were attended by 3,500 fans.
The Stones were drinking bottles of Coke backstage.
They played for 30 minutes.
Songs included Not Fade Away, It's All Over Now and The Last Time, although little could be heard because the screaming was so loud.
Jagger and his bandmates thought a young fan had fallen from the balcony during the show when an enormous cloth gonk was hurled on to the stage.
In fact, it was a gift from Jean Gracie from Dundee and Ann Brown from Monifieth.
The Stones brought the girls backstage during the interval.
They were photographed by The Courier for the following morning's paper.
It was the calm before the storm.
The screaming reached a crescendo at the second show.
The teenybop adulation threatened to become overwhelming.
Hundreds of hysterical teenage girls attempted to break the cordon of police and 50 stewards which were made up of amateur boxers and wrestlers.
However, one girl got through.
Jessie Noble from Fintry raced past Wyman and Jones to the centre of the stage.
She threw her arms around Jagger and started hugging and kissing him.
Two burly stewards dragged her to the wings.
'I kissed Mick,' she said. 'I touched him and hugged him.'
There was a short spell of peace. Then it was back to the yelling, stamping, screaming and fainting again.
Jessie broke through the cordon a second time.
She was promptly carted out again.
The Courier said the floor of the hall became a battlefield.
The screaming girl fans stood on seats and chanted: 'Mick! Mick! Mick!'
Rooster-strutting Jagger looked in his element on stage and the cheering got louder when he took his jacket off and threatened to throw it to the audience.
Red Cross workers had stationed themselves around the hall.
Forty 'hysterical and fainting girls' were carried to the Marryat Hall.
They were laid out on blankets, then revived and treated at the scene.
One girl who collapsed unconscious was taken to Dundee Royal Infirmary for treatment after attendants worked unsuccessfully for half an hour to revive her.
Maureen Rooney of Mid Craigie was suffering from 'acute hysteria'.
She regained consciousness and was sent home.
Other teenagers attempted to reach the stage but were held back by stewards.
After the final song, many girls, who were still in the venue, were sobbing with disappointment because the band had left the stage.
The fans left behind a litter of dolls, papers, autograph books and sweets.
There were a number of broken seats.
A car was waiting for the band in Castle Street. The Stones drove back to Gleneagles.
A policeman grabbed a girl who attempted to throw herself in front of the car.
Jagger defended the group's followers after the Dundee gig.
'The fans don't mean to break the seats,' he said.
Afterwards, the band flew back to London from Renfrew Airport without Jagger.
He spent the weekend in Scotland with 19-year-old girlfriend Christine Shrimpton.
They visited Fort William, Oban and Loch Lomond.
Jagger and Shrimpton stayed in the Loch Lomond Hotel.
They flew back to London before the band went on tour to Scandinavia.
The Stones never returned to Dundee.
However, Bill Wyman did. He left the Stones in 1993 and later formed Bill Wyman's Rhythm Kings.
Wyman returned to the Caird Hall with his new band in February 2008.
There was also an equally famous 'what if?'
Charlie Watts might have performed at the Dundee Jazz Festival.
He put together his own 33-piece extra-big band in 1985 featuring many of the biggest stars of British jazz – including Jimmy Deuchar from Dundee.
Deuchar stayed in Barnhill.
Watts described him as 'quite brilliant' and 'probably the best writer in the band'.
The friendship almost brought the Stones drummer back to Dundee.
Alan Steadman was the organiser of Dundee Jazz Festival. He tried to persuade Watts to join the bill.
The plan never came to fruition, though, and Steadman was left waiting on a friend.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Revealed, after 58 years... What Mick Jagger told police about Marianne Faithfull on night that sparked 'Mars bar' myth
Revealed, after 58 years... What Mick Jagger told police about Marianne Faithfull on night that sparked 'Mars bar' myth

Daily Mail​

time3 hours ago

  • Daily Mail​

Revealed, after 58 years... What Mick Jagger told police about Marianne Faithfull on night that sparked 'Mars bar' myth

It is one of the most famous rock scandals of all time. In February 1967, police stormed the Rolling Stones guitarist Keith Richards ' country house in West Sussex and arrested Richards and Mick Jagger for drug possession, leading to the pair spending several hours in jail. Now a newly unearthed statement made by the Stones' lead singer while he was on bail reveals extraordinary details about the circumstances of the Redlands raid – including that Jagger believed he was under state surveillance at the time, and that the phone line to his flat in London 'was being tapped'. The 14 pages of typed statement – described by Rolling Stones biographer Philip Norman as 'highly significant' – reveal Jagger believed his calls were 'not being monitored but being taped' and that the authority for this had been given 'from quite high up'. He also believed his flat was being watched. In the statement, taken shortly after the raid, he says: 'I am sure I was being watched at my flat. The method of observation was either from a florists' van or a removal van. 'Apart from my own observation, I was being told by two sources that I was being watched [including] Keith Richards' chauffeur.' Jagger, then 24, also said his phone was 'always going wrong and people were getting through with wrong numbers'. The 14 pages of typed statement (pictured) – described by Rolling Stones biographer Philip Norman as 'highly significant' – reveal Jagger believed his calls were 'not being monitored but being taped' and that the authority for this had been given 'from quite high up' He added: 'I was told that the telephone was being tapped by a contact at the GPO [General Post Office]... He told me I should be careful what I said. He said he thought it was being done with authority from quite high up.' The statement was discovered during a London house clearance in the 1980s and was passed to a collector. It has never before been made public. Mr Norman called the statement 'a fascinating addition to one of the great rock scandals of all time'. He said the details of the alleged surveillance support claims that the FBI had plotted to persuade the British establishment to secure drugs charges against the Stones. Such charges would prevent their entry to the US, where authorities feared they could add fuel to the cultural revolution. The incident saw Jagger take responsibility for amphetamines found at Redlands which were said to have belonged to his then-girlfriend Marianne Faithfull, who was not charged. Richards was charged with allowing cannabis to be smoked on the property, and another guest, Robert Fraser, was charged with possessing heroin. Jagger was jailed for three months in October 1967 and Richards for one year, but the pair spent only one night in prison. Jagger was taken to Brixton Prison and Richards to Wormwood Scrubs, but Jagger's punishment was quickly overturned and Richards' conviction quashed. The case caused an outcry and Times editor William Rees-Mogg criticised their harsh treatment in an essay entitled 'Who Breaks a Butterfly on a Wheel?' The trial, in Chichester, heard lurid details that Ms Faithfull had been naked but for a fur rug, which she was said to have partially dropped in front of police. It also led to unfounded rumours that Jagger had been performing a sex act on her with a Mars bar when the 18 officers burst into the mansion. Convent-educated Ms Faithfull, who died this January, was reportedly traumatised by the allegations. In the statement Jagger – who was knighted in 2003 – says 'there is no truth in the allegation Marianne allowed the rug to drop' and that it covered more of her than the clothes she normally wore. Mr Norman said the remark from Jagger about the rug was important because 'he's never commented about that at all'. The fascinating pages were discovered in a brown envelope rescued during the house clearance by an alarm fitter, who passed them to a Rolling Stones fan. The fan, who declined to comment, is selling the statement alongside other memorabilia. Mr Norman described its contents as significant because Jagger has still, to this day, never publicly commented about being under surveillance or even the raid. 'He's said he can't even remember which prison he was in, which is ridiculous,' Mr Norman said. The author said Jagger's statement 'adds substance' to the idea that the FBI were 'in cahoots' with UK spies to stop the Stones going back to America: 'Police alone wouldn't have watched [Jagger] like that or tapped his phone.' Mr Norman also highlighted the 'clear details' Jagger set out. The statement reveals how he recalled Ms Faithfull wearing 'black velvet trousers, white bra, white blouse and black coat' and 'mauve boots' before she went to bed for a brief nap. She then reappeared in the lounge not long before police turned up at 8pm 'wearing only a large fur rug'. Mr Norman said: 'He has always just said he can't remember anything about anything. Yet there's this spot-on memory of what Marianne took off before [wearing] the rug.' He added that Jagger's statement 'adds fresh detail to the scandal which [Redlands] was'. Mr Norman branded the authorities 'disgraceful' for targeting 'musicians doing nothing terrible other than making rather louche singles'. The statement details what everyone did on the day and the drugs taken – but potentially incriminating comments are crossed out. The party was said to be the first time Jagger took hallucinogen LSD. Surrey auctioneers Ewbank's, who are selling the statement on August 21 with other Stones memorabilia from the same fan, described it as a 'significant historic document'. The company's specialist John Silke said: '[Jagger's] testimony is the most extraordinary document.'

Madonna looked after me financially, says DJ PAUL OAKENFOLD
Madonna looked after me financially, says DJ PAUL OAKENFOLD

Daily Mail​

time5 hours ago

  • Daily Mail​

Madonna looked after me financially, says DJ PAUL OAKENFOLD

Paul Oakenfold is a DJ and record producer. The 61-year-old Londoner has remixed songs for U2, Madonna and the Rolling Stones among other artists, and was voted No 1 DJ in the world in 1998 and 1999 by DJ Magazine, writes York Membery. At a time when top DJs could make a five-figure fee from one gig, he was the first to play the main stage at Glastonbury. He also supported Madonna on her Confessions tour and was the opening act for the Pet Shop Boys and New Order on their Unity Tour in 2022. The father-of-two – and lifelong Chelsea FC fan – lives in Los Angeles. What did your parents teach you about money? I was one of three children and grew up in Highbury, north London, and then south London. My dad Peter delivered the London Evening News for most of his working life and my mum Sheila, now in her mid-80s, worked for British Telecom. We were a normal, hard-working London family. My parents taught me the importance of working hard and saving for a rainy day. And that rainy day finally came 40 years later, when Covid prevented me from working – doing live events – for 18 months. I didn't get any help from the government in America, where I lived. As a result, I had to live off my savings during those dark days. Have you ever struggled to make ends meet? Yes, I left school at 16, trained to be a chef and then got a job at London's Army and Navy Club, which paid £24 a week. That wouldn't get you a round at the pub now, and didn't go far back then either. But then I got into the music business and things began to look up. Have you ever been paid silly money? Not compared to what some of the world's top DJs can earn now. Sure, I got well paid in the 1990s and 2000s – but today's superstar DJs can get paid a six-figure sum for one show. Sadly, I missed that money boat! It's a bit like the difference between what top footballers got paid then and now. But I'll never stop, because music is my passion. What was the best year of your financial life? Probably in the late 90s or early noughties, though I never got into music just for the money. In music, the money just comes when you become the best at what you do. Touring with the likes of U2 and Madonna was financially rewarding, and artists look after you, although Madonna would fly on her own plane and I'd be on the staff plane! Some of the remixes I've done have paid well, but you just get a fee, not a percentage of sales. The most expensive thing you bought for fun? I'm a huge James Bond fan, and several years ago bought a used Aston Martin DB9 for around £60,000-£70,000. I'd never really had a nice car, so I thought I'd treat myself. Driving it around LA was fun, but I spend so much time on the road touring – I'm gigging pretty much every weekend – that I sold it in the end. Nowadays I just use Uber to get around town. What has been your biggest money mistake? I've spent a fortune on records – I've got about 35,000 – and on seeing my beloved Chelsea, and some people might regard that as a money mistake! But both have given me plenty of pleasure so I can't complain. I've also bought some stage outfits that only saw the light of day once or twice, so they weren't a good buy. Best money decision you have made? My record collection, which spans the decades. I've got all sorts of records, though no 78 RPMs – I'm not that old! My favourite record in my collection? It's got to be Chelsea's Blue Is The Colour – a top-five hit for the team in 1972. I'm a huge Chelsea fan, always buy their latest strip and see them whenever I'm in the UK. I'm hoping for a top-four finish this season. Will you pass money down or spend it all? I've got a son who is 18 and a daughter who is 14, so if I've got any money left when I meet my maker, I'll give it to them. But I'm not going to tell them that. I come from a hard-grafting family, was given nothing and had a paper round at 14 paying a fiver a week. I want them to grow up with the same values as me, and an understanding that you have to work for the good things in life. Do you have a pension? Yes, I've paid into a private pension for donkey's years so I hopefully won't be short of a quid or two. Mind you, I plan to keep working until I drop. If Mick Jagger can do it, so can I. Do you own any property? No, I rent a three-bedroom house in LA. I was in LA last year when the wildfires broke out and got evacuated. Luckily my house was fine. But I'd like to move back to the UK because I miss family and friends, not to mention beans on toast, British beer and the sense of humour. What would you do if you were Chancellor? In a perfect world, I'd like to lower taxes so people had more money to spend. To be honest, I'd rather leave that sort of thing to the experts. What is your number one financial priority? To build my rainy day fund back up. It got hammered during the pandemic, so I'll be a lot happier when it's looking a bit healthier.

From the Stones to Cardi B, this college haunt has attracted big acts for 50 years
From the Stones to Cardi B, this college haunt has attracted big acts for 50 years

The Independent

time3 days ago

  • The Independent

From the Stones to Cardi B, this college haunt has attracted big acts for 50 years

Nestled on a narrow, one-way street among Yale University buildings, a pizza joint and an ice cream shop, Toad's Place looks like a typical haunt for college kids. But inside the modest, two-story building is a veritable museum of paintings and signed photos depicting the head-turning array of artists who've played the nightclub over the years: The Rolling Stones. Bob Dylan. Billy Joel. Bruce Springsteen. U2. The Ramones and Johnny Cash. Rap stars Kendrick Lamar, Drake, Kanye West, Cardi B, Run-D.M.C., Snoop Dogg and Public Enemy. Blues legends B.B. King, Bo Diddley, Muddy Waters, Willie Dixon and John Lee Hooker. And jazz greats Count Basie, Dizzy Gillespie and Herbie Hancock. This year, the New Haven institution is celebrating 50 years in business. And the people who made it happen are reflecting on Toad's success in attracting so many top acts to a venue with a standing-only capacity of about 1,000. 'You know, I thought it would be good for a few years and then I'd be out doing something else,' said owner Brian Phelps, 71, who started as the club's manager in 1976. 'And then the thing started to happen when some of the big bands started to come here.' Music and cheap beer fuel success Original owner Mike Spoerndle initially opened Toad's Place in January 1975 as a French restaurant with two friends he later bought out. Before that, the building had been a burger and sandwich joint. But when the restaurant got off to a slow start, Spoerndle had an idea for bringing in more customers, especially students: music, dancing and beer. A Tuesday night promotion with bands and 25-cent brews helped turn the tide. Among the acts who performed was New Haven-born Michael Bolotin, who would change his name to Michael Bolton and go on to become a Grammy-winning ballad writer and singer. The gregarious and charismatic Spoerndle, who died in 2011, endeared himself to bands and customers. A local musician he tapped as Toad's booking agent used his connections to bring in area bands and, later, major blues acts. Then, in 1977, came a crucial moment. Spoerndle met and befriended concert promoter Jim Koplik, who would bring in many big names to Toad's over the years, and still does today. 'Mike knew how to make a really great room and Brian knew how to really run a great room,' said Koplik, now president of Live Nation for Connecticut and upstate New York. A year later, Springsteen stopped by Toad's to play with the Rhode Island band Beaver Brown after he finished a three-hour show at the nearby New Haven Coliseum. In 1980, Billy Joel stunned Toad's by picking it — and several other venues — to record songs for his first live album, 'Songs in the Attic.' That same year, a little-known band from Ireland would play at Toad's as an opening act. It was among the first shows U2 played in North America. The band played the club two more times in 1981 before hitting it big. An unforgettable show for $3.01 On a Saturday night in August 1989, Toad's advertised a performance by a local band, The Sons of Bob, and a celebration of Koplik's 40th birthday, followed by a dance party. The admission price: $3.01. After The Sons of Bob did a half-hour set, Spoerndle and Koplik took the stage. 'Ladies and gentlemen,' Spoerndle said. Koplik followed with, 'Please welcome the Rolling Stones!' The stunned crowd of around 700 erupted as the Stones kicked off an hourlong show with 'Start Me Up.' 'Thank you. Good, good, good. We've been playing for ourselves the last six weeks,' Mick Jagger told the crowd. The Stones had been practicing at a former school in Washington, Connecticut, for their upcoming 'Steel Wheels' tour — their first in seven years — and had wanted to play a small club as a warmup. The band's promoter called Koplik, who recommended Toad's. The band agreed, but insisted on secrecy. Those at Toad's kept a lid on it for the most part, but swirling rumors helped pack the club. Doug Steinschneider, a local musician, was one of those at the venue that night after a friend told him the Stones would be playing. He wasn't able to get in, but managed to get near a side door where he could see Jagger singing. 'It was amazing!' said Steinschneider. 'For being a place where major bands show up, it's a tiny venue. So you get to see the band in their real element. In other words, you're not watching a screen.' A few months later, Bob Dylan's manager reached out looking for a club where he could warm up for an upcoming tour. Dylan's 1990 show at Toad's sold out in 18 minutes. He played four-plus hours — believed to be his longest performance — beginning with a cover of Joe South's 1970 song 'Walk a Mile in My Shoes' and ending with his own 'All Along the Watchtower.' 'That was a good one,' Phelps recalled. Variety is the key to longevity Phelps — who bought out Spoerndle's stake in Toad's in 1998 — believes the secret to the venue's longevity has been bringing in acts from different genres, along with events such as dance nights and 'battle of the bands'. Rap shows especially draw big crowds, he said. Naughty by Nature and Public Enemy played Toad's in 1992. After releasing his first album, Kanye West played there in 2004 with John Legend on keyboards. Drake played Toad's in 2009, early in his music career. And Snoop Dogg stopped by to perform in 2012 and 2014. 'When you have all these things, all ages, all different styles of music, and you have some dance parties to fill in where you need them, especially during a slow year, it brings enough capital in so that you can stay in business and keep moving forward,' Phelps said. On a recent night, as local groups took the stage for a battle of the bands contest, many were in awe of playing in the same space where so many legends have performed. Rook Bazinet, the 22-year-old singer of the Hartford-based emo group Nor Fork, said the band members' parents told them of all the big acts they'd seen at the New Haven hot spot over the years. Bazinet's mom had seen Phish there in the '90s. 'Me, the Stones and Bob Dylan,' Bazinet added. 'I'm glad to be on that list.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store