
Kingdom Box Office Collections: Vijay Deverakonda starrer opens with 32cr first day worldwide
The film grossed Rs. 14.50 crore approx in the Telugu states, similar to the first-day business of Devarakonda's other films, Liger and Kushi. However, considering the ticket prices have increased in Andhra Pradesh since then, it could have done better in the state. As is usual with Devarkonda films, it performed best in the urban centres of Hyderabad in Nizam and Vizag and Vijayawada in Coastal Andhra. The smaller centres did better than Kushi, but they were below Liger. The film also did well in Karnataka, which is essentially Bengaluru city.
The film was also released with two dubbed versions: Tamil and Hindi. Tamil did put up some numbers in Tamil Nadu and Kerala, though they are unlikely to take it anywhere. They are better than what most other Telugu films do, so that is something. Hindi was more like a token release and was pretty much a washout.
The film has huge costs involved, and even after non-theatrical recoveries, theatrical has a lot to cover. The film could have done with a better opening from that perspective, now it needs to sustain from here and sustain very well. The initial reception seems to be on the mixed side, so that is a big task at hand.
The Territorial Breakdown for Kingdom is as follows:

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Hindu
2 minutes ago
- The Hindu
Gowtam Tinnanuri interview: ‘Kingdom' being compared to ‘Chatrapathi' gives me a high
Gowtam Tinnanuri is a man of few words and rarely courts the spotlight. The Telugu films Malli Raava and Jersey earned him immense admiration for narrating stories that emotionally resonate with the audiences. As his latest film, Kingdom, led by Vijay Deverakonda, opened to a warm reception, the reticent filmmaker looks back at its journey. Gowtam has been in the thick of media interactions all day, when we meet for this brief interview at Sithara Entertainments' office in Hyderabad. 'The release time is always overwhelming. At the moment, I am relieved that the journey of over two years is complete and the film has reached the audiences. It will take me a few days to judge how happy I am with the film,' he says with a warm smile. Kingdom was intermittently paused when Vijay Deverakonda worked on Shiva Nirvana's Kushi. The challenge for a writer-director, during such delays, is to remain focused on the story. When asked if he had second thoughts on the relevance of the story as the film faced delays, he avers that the breaks helped better the narrative: 'I was aware that this story would remain relevant. We used the breaks effectively to improvise the scenes that were already written or assess the portions that had been filmed. If we thought an emotion or a plot point was conveyed sufficiently, we re-examined what we were planning to shoot to avoid repetitions.' Two-part story Kingdom is the latest in the list of films to opt for a two-part story. Gowtam says this was part of the initial plan, so as to do justice to the multiple characters and subplots. 'The promotional plans were designed to reveal different aspects of the protagonist's character and the subplots. The first poster revealed that he is a cop, the next visual teaser pertained to a subplot, and the next one outlined his bond with his brother. We thought all this would culminate in giving people an idea of the film.' In an earlier interview with The Hindu, Gowtam had revealed that Jersey went through eight or nine drafts. In the case of Kingdom, he lost count, says the director with a laugh. 'The challenge here was to weave in multiple subplots and characters, so it went through several iterations. If one sub-plot doesn't work, it will affect the story and the core emotion. That was always the concern.' Batting for originality There have been comparisons to older films, ranging from SS Rajamouli's Chatrapathi to Karthik Subbaraj's Retro. Both Retro and Kingdom were in production at the same time, and broad similarities would be incidental. Gowtam considers the comparisons to Chatrapathi and says with a smile, 'To be even compared to that film gives me a high. But honestly, both are very different films. I am most sincere in my efforts to write an original story and never seek shortcuts of replicating a scene from any other film. If someone in my team points out any similarities, I rewrite it. My writing will never consciously replicate an existing work.' He is yet to take a closer look at the feedback on Kingdom and is yet to watch the film in theatres. He admits that he is reluctant, even scared, to watch his films in the theatres. 'I remember watching Malli Raava in a hall. The guy next to me got up and walked away. I cannot take it if someone pulls out a phone, etc. I haven't even watched Jersey completely in a theatre; I watched a few scenes and exited.' The anticipation for Kingdom stemmed from Gowtam's collaboration with Vijay, and recently, the director revealed that he had first pitched Malli Raava to the actor before Sumanth came on board. Gowtam states that he does not get weighed down by expectations: 'I don't write a script to suit an actor or to cater to a particular market. Once the story is completely done, there may be some enhancements for popular appeal. But the story and its emotional connect are of prime importance to me.' Adventurous colour palette The visual palette is one of Kingdom's highlights and Gowtam credits it to production designer Avinash Kolla and cinematographers Girish Gangadharan and Jomon T John. 'When I write, I have a fair idea of the shot divisions, visual texture and music. But a lot depends on the cinematographers and I had great people on board. Girish began working with us and because of a six-month break, he moved on to work in Coolie. Jomon stepped in. We tried to be slightly adventurous with the colour palette. For example we had a greenish tinge in the prison sequence, contrasted by darkness. In one scene, you can see the shadows and highlights of faces but not the expressions; we tried to capture the mood. These creative calls worked.' Filming in real locations, as opposed to relying on VFX, also helped. Gowtam explains, 'I could see the energy of the actors on locations; a real location helps enhance performances and removes artificiality.' Next up, 'Magic' In between Kingdom, Gowtam also quietly completed a film titled Magic, an Anirudh Ravichander musical starring relatively new and young actors. 'This isn't a Hollywood or Broadway sort of musical where dialogues are conveyed through lyrics. This will be a chilled out film about a music band in school; it has 11 songs.' The film is likely to be up for release in a month or two. Before Kingdom 2, Gowtam hopes to take a break and work on another film. 'Vijay is busy with Rahul Sankrityan's and Ravi Kiran Kola's films, and I have been invested in Kingdom for too long. It will help to take a break and return with a fresh perspective.'


Time of India
29 minutes ago
- Time of India
Kannada blockbuster 'Su From So' set to release in Telugu; Release date to be revealed soon
After a successful stint in Karnataka, the Kannada film 'Su From So' can be equally enjoyed by the Telugu-speaking audiences. The rustic supernatural drama, which became a word-of-mouth blockbuster, is set to make its mark in the Telugu states. Tired of too many ads? go ad free now Release date to be revealed soon The movie will be distributed in the Telugu states by the makers who backed films like 'Pushpa 2', 'Rangasthalam', 'Uppena' and more. Sharing the news on their social media handle, they wrote, "The highly acclaimed & successful film #SuFromSo is coming to entertain the Telugu audience Grand release across the Telugu States soon by @MythriRelease" About the film Directed by debutant J. P. Thuminad, 'Su From So' has supernatural mystery, local folklore, and grounded humour. The movie is set in a sleepy coastal village, and follows an unusual and entertaining narrative rooted deeply in native culture and eccentric characters. It stars Shaneel Gautham, J. P. Thuminad, Sandhya Arakere, Prakash Thuminad, Deepak Rai Panaje, Mime Ramdas, and features a striking appearance by . The first film directed by J. P. Thuminad has received a lot of appreciation for its original plot, realistic acting, and how well the humour, horror, and emotional impact have been put in the 2-hour 17-minute film. The film uses weird personalities, a peculiar spiritual presence that becomes important to the plot, and the rhythms of village life to softly tell its story instead of relying on jump scares or dramatic discoveries. The movie was recently dubbed into Malayalam after its success in Kannada, and it has done well there as well. With its Telugu version now complete, the makers hope to expand its audience throughout South India. Although 'Su From So' has not yet been given an official release date, it is thought that, with careful scheduling, it might be in Telugu theatres as early as this Friday.


Time of India
30 minutes ago
- Time of India
'The Fantastic Four: First Steps' box office collections day 9: Pedro Pascal's superhero flick sees fresh momentum; Global collection crosses Rs 2252 crore mark
After a lukewarm run during its initial week, 'The Fantastic Four: First Steps' appears to be getting a second wind. The film, headlined by Pedro Pascal , has seen a significant boost in collections on its ninth day. The global earnings soared to an impressive Rs 2252.45 crore, according to data from Sacnilk website. The early days showed signs of decline. Post-Day 5, the Day 9 numbers suggest growing interest, possibly due to strong IMAX 3D appeal and word-of-mouth buzz finally catching on. India Contribution Modest But Steady; English Version Leads the Pack In India, the film has earned Rs 30.09 crore net, with Rs 22.06 crore coming from the English version alone. The Hindi version has brought in Rs 6.59 crore, followed by Tamil at Rs 86 lakhs and Telugu at Rs 58 lakhs. Interestingly, the English version has maintained the highest day-to-day consistency. Day 9 alone added Rs 1.91 crore to the English total, showing a slight rebound from the mid-week dip. In contrast, the Hindi version saw a smaller Rs 19 lakhs on Day 9, while Tamil and Telugu made marginal additions of Rs 6 lakhs and Rs 2 lakhs, respectively. No Final Verdict Yet; But Revival Sparks Hope for Extended Run Despite its box office turnaround, 'The Fantastic Four: First Steps' is yet to receive an official verdict in any language. The numbers are promising, but the lack of a declared hit or average status leaves room for cautious optimism. Still, fans and analysts alike are hopeful. Pedro Pascal's presence and the film's high-concept visual storytelling seem to be finding traction with a wider audience, especially those seeking immersive big-screen experiences. ETimes review for the film reads, "Pedro Pascal stands out as Reed Richards, portraying the duality of a brilliant scientific mind who views everything through a pragmatic lens. His internal conflict over his unborn child's normalcy—constantly running scans and tests—is handled with finesse. Vanessa Kirby impresses as Sue Storm, balancing her duty as a superhero with that of a mother who refuses to sacrifice one for the other." Vanessa Kirby & Pedro Pascal Lead Marvel's First Family; Fantastic Four Teaser Ignites Fan Hype