
Infamous Aussie outback pub up for sale
An infamous Aussie pub at the centre of an eight-year-old outback mystery and a Netflix series that gripped the world has hit the market.
The Larrimah Hotel in the Northern Territory is for sale for the first time since the popular two-part series was released in 2023.
The show delved into the disappearance of Paddy Moriarty who was one of town's 12 residents and a regular at the pub when he went missing.
The Irish-born 70-year-old was last seen with his red kelpie cross Kellie leaving the Pink Panther Hotel in Larrimah on December 16, 2017.
Publican Steve Baldwin bought the pub from Barry Sharpe in 2018 not long after Mr Moriarty went missing. Paddy Moriarty lived in Larrimah for 11 years when he mysteriously disappeared after leaving the Larrimah Hotel in December 2017. Helen Orr Credit: News Corp Australia
The hotel is located about 500km south of Darwin in the middle of the Northern Territory along the Stuart Highway and is a popular stopover for travellers and tourists keen to know more about the town where Mr Moriarty disappeared.
Real estate agent Warren Andrews is selling the property listed for $795,00 saying, 'You have to see it to believe it'.
He describes the hotel as everything you would expect and want in a 'true blue Aussie bush pub.'
'From the pink panthers, the giant draught stubble, to the resident emus and crocodiles, this pub is steeped in history and mystique,' he said. Real Estate agent Warren Andrews said the classic Aussie bush pub had everything from pink panthers, giant stubbies, emus, crocodiles and was steeped in history and mystique. Jason Walls Credit: Supplied
Mr Baldwin told NewsWire there was more to the pub's history than the tale about one of its most regular punters disappearing.
'The pub will be 100 years old in five years, it was created during the war by the military and played a big part,' he said.
'We're at the end of the railway line from Darwin, where a lot of troops would come from down from, then go south to Alice Springs and then to Mount Isa and end up back here on the train.
'They built an airstrip here after the bombing in Darwin.
'There were nearly 10,000 people here which is huge, now there is eight.'
Mr Baldwin said three of its residents had died since Last Stop Larrimah first aired on Netflix.
'They were all geriatrics,' he said.
'According to Carl, who was in the Netflix show and lived across the road, he reckons there was no beer on tap here for about 30 years,' he said.
'There were taps in the cool room when I got here that weren't being used so we opened the place up and rebuilt the bar.' The Larrimah Hotel, also known as the Pink Panther Hotel, is located about 500km south of Darwin in the NT. Jason Walls Credit: Supplied
Mr Baldwin said it was hard to quantify how many visitors passed through the hotel each year but more and more people stopped to find out more about the mysterious town.
He said a new gas plant in the Beetaloo Basin was due to start soon which would bring more workers to the region.
The pub also comes with two crocodiles called Sneaky Sam and Agro that live out the back of the hotel and are fed by Mr Baldwin.
'We say we are selling the crocs and we'll chuck in the pub,' he said.
When asked how much a crocodile was worth, Mr Baldwin replied, '$795,000.' Publican Steve Baldwin said the NT government recently increased the reward to find out what happened to missing punter Paddy Moriarty to $500,000. Jason Walls Credit: Supplied
'I just want to slow down a bit and retire,' he said.
'It's a good opportunity for a low level entry into a good business that has lots of opportunity going forward.
'You don't often get a 100-year-old building here in the tropics, or in the Territory, or one at the centre of a Netflix series, and he still hasn't been found.
'There was a reward of $250,000 to find out what happened to Paddy Moriarty, and in the budget last week the treasurer upped it to $500,000.
'I don't know it will ever be solved, and the old publican has died.
'Fran still lives here, she's 81 years old now, she'll stand on the balcony or come in here and say, 'He's leaving, don't go missing now'.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Courier-Mail
3 hours ago
- Courier-Mail
The Project hosts awkwardly fail to address ‘cancellation'
Don't miss out on the headlines from TV. Followed categories will be added to My News. It was one of the biggest entertainment stories in Australia on Thursday - The Project is reportedly being axed. While no official word has been given from Channel 10, viewers expected the hosts of Friday's episode to make a formal announcement following widespread reports the show would be ending after years on the air. Despite reported news of the cancellation spreading, when the show aired on Friday evening there was zero mention of it. 'That is it for tonight,' said host Georgie Tunny at the end of the show. 'Please thank Max Rushden, Susie, and we will see you Sunday.' The hosts of Friday's episode of The Project refused to address reports the show is ending. Picture: Channel 10. 'I heard the project is dead?' remarked on viewer on the show's official Twitter page. 'Wait … is it still on?!' questioned another. The confusion comes as viewers delivered their damning verdict on The Project reportedly being replaced by a new show. Social media was littered with thousands of comments from Aussie viewers who appeared glad to see the back of the once well-received panel show. 'That is the best news I have heard in a while' remarked one viewer, with another commenting: 'Thanks God. No one on there was even remotely funny.' 'I wasn't going to have a beer tonight but after hearing this I will have a few,' joked another. Despite the wave of support for its reported axing, some fans of the show did share their upset at it disappearing from screens. Everything seemed to be business as usual on Friday's show. Picture: Channel 10 'I'll be sorry to see it go,' wrote one on Facebook, with another agreeing, adding: 'It's become an institution, what a shame!' Reports first emerged on Thursday that a yet-to-be-revealed new show will usher in a new format that will transform The Project's current timeslot. The insider claimed that development of the show has been underway for quite some time and that it could be launched as soon as next month. It will mark a huge shift for the timeslot, with the new show thought to be set to run four times a week for thirty minutes, a big change from The Project's six hour-long shows a week. It's currently unclear what Channel 10 will air during the other half an hour. has reached out to Channel 10 for comment. Once an iconic mainstay of current affairs television Down Under, the show has struggled in recent years to keep hold of its audience as viewing habits have shifted from live free-to-air TV to streaming. Ratings for the beloved panel show, which made its debut in 2009, have halved in recent years and sparked numerous rumours about its demise which Channel 10 have previously denied. Ten's new recuits The rumours around The Project's impending demise came just days after it was reported that three Channel 7 reports have jumped ship to 10. Veteran investigative reporter and Spotlight producer Denham Hitchcock started at the Paramount-owned network on Monday telling his social media following, 'Well here we go. I've switched channels.' Former foreign correspondent Amelia Brace and Senior 7News Sydney reporter Bill Hogan, are also on their way over to Channel 10, according to The Australian. Brace was reportedly offered a $50,000 pay rise to move over from the troubled Channel 7 and is said to be working on a new, long-form investigative offering established by 10's head of broadcast news Martin White. Her two former Seven colleaugues, Hitchcock and Hogan, are also believed to have been recuited for the same show which is set to rival Nine's 60 Minutes and the ABC's Four Corners. Originally published as The Project hosts awkwardly fail to address 'cancellation'

Sydney Morning Herald
4 hours ago
- Sydney Morning Herald
Filled with nostalgia and great music, this Gen X romantic drama hits the right notes
Mix Tape ★★★ Mix Tape is all about the wonder. First love, favourite songs and inescapable heartbreak are the building blocks of this Irish-Australian romantic drama. Ricocheting between past and present, the teenage protagonists and their middle-aged successors, these four hour-long episodes have an inexorable momentum. It's not subtle, but it's effective. Yes, the plot forcefully pushes these characters into bitter circumstances, but there's also a deeper recognition that sometimes a gesture, or an unspoken decision, or a great song, can add more than carefully crafted detail. Sheffield, England, 1989: lanky teen Dan O'Toole (Rory Walton-Smith) sights high school classmate Alison Connor (Florence Hunt) across the room at a house party. New Order's Bizarre Love Triangle is playing: 'I feel shot right through with a bolt of blue.' Cut to the present day and Dan (Jim Sturgess) is a music journalist, still based in Sheffield and married with a son to Katja (Sara Soulie), while Alison (Teresa Palmer) is getting far more sunshine in Sydney, mother of two daughters and married to surgeon Michael (Ben Lawson). Why aren't they together? When will they get back together? Joy Division's Love Will Tear Us Apart is obviously cued up, but this adaptation of Jane Sanderson's 2020 novel knows, as does the viewer, that Dan and Alison are meant to be together, both as a means of healing and a wellspring of happiness. Their children are mostly leaving home and their partners are slightly off – the emphasis Michael puts on the 'my' in 'you're my wife' lingers uneasily. Loading 'You never forget the boy who makes you your first mix-tape,' Alison tells her daughter, Stella (Julia Savage), which means more once Alison explains to her Spotify-era child what a mix-tape is. Irish writer Jo Spain (Harry Wild) and Australian director Lucy Gaffy (Irreverent) treat love and longing as a magnetic force. It draws the teenagers together, with montages and shared reveries that come with an impeccable soundtrack – Psychedelic Furs, The Church, The Cure – and immaculate production design for the adolescent bedrooms.

The Age
4 hours ago
- The Age
Filled with nostalgia and great music, this Gen X romantic drama hits the right notes
Mix Tape ★★★ Mix Tape is all about the wonder. First love, favourite songs and inescapable heartbreak are the building blocks of this Irish-Australian romantic drama. Ricocheting between past and present, the teenage protagonists and their middle-aged successors, these four hour-long episodes have an inexorable momentum. It's not subtle, but it's effective. Yes, the plot forcefully pushes these characters into bitter circumstances, but there's also a deeper recognition that sometimes a gesture, or an unspoken decision, or a great song, can add more than carefully crafted detail. Sheffield, England, 1989: lanky teen Dan O'Toole (Rory Walton-Smith) sights high school classmate Alison Connor (Florence Hunt) across the room at a house party. New Order's Bizarre Love Triangle is playing: 'I feel shot right through with a bolt of blue.' Cut to the present day and Dan (Jim Sturgess) is a music journalist, still based in Sheffield and married with a son to Katja (Sara Soulie), while Alison (Teresa Palmer) is getting far more sunshine in Sydney, mother of two daughters and married to surgeon Michael (Ben Lawson). Why aren't they together? When will they get back together? Joy Division's Love Will Tear Us Apart is obviously cued up, but this adaptation of Jane Sanderson's 2020 novel knows, as does the viewer, that Dan and Alison are meant to be together, both as a means of healing and a wellspring of happiness. Their children are mostly leaving home and their partners are slightly off – the emphasis Michael puts on the 'my' in 'you're my wife' lingers uneasily. Loading 'You never forget the boy who makes you your first mix-tape,' Alison tells her daughter, Stella (Julia Savage), which means more once Alison explains to her Spotify-era child what a mix-tape is. Irish writer Jo Spain (Harry Wild) and Australian director Lucy Gaffy (Irreverent) treat love and longing as a magnetic force. It draws the teenagers together, with montages and shared reveries that come with an impeccable soundtrack – Psychedelic Furs, The Church, The Cure – and immaculate production design for the adolescent bedrooms.