Competing for Rogers $1M Prize: Canada's Got Talent Reveals All Performers Heading to The Eliminations on Citytv
– Stream tonight's episode of CGT on Citytv+. New episodes available every Tuesday on Citytv and Citytv+ –
– Interviews available by request –
– Download photography from tonight's episode here –
TORONTO, April 29, 2025 (GLOBE NEWSWIRE) -- On tonight's episode of Canada's Got Talent on Citytv, the #CGT judges – Howie Mandel, Shania Twain, Katherine Ryan, Kardinal Offishall – and host Lindsay Ell selected the 14 acts moving on to The Eliminations. They are:
BRITISH COLUMBIA
TWOFOURSEVEN – Dance, Vancouver
CARSIM BIRMINGHAM – Singer/Musician, Vancouver – **Kardinal's Golden Buzzer**
NEW BRUNSWICK
THE MARTIN BOYS – Singer/Musician, Woodstock
NEWFOUNDLAND & LABRADOR
JACOB LEWIS – Singer/Musician, Butlerville – **Shania's Golden Buzzer**
ONTARIO
DARREN LEO – Comedy, Toronto – **Katherine's Golden Buzzer**
SAI KIT LO – Comedy, Markham
ILLUMIN DRONE SHOWS – Variety, Toronto
BEN KAHAN – Magic, Toronto
FUNKYVERSE – Dance, Toronto – **Group Golden Buzzer**
NICOLINA – Singer/Musician, Vaughan – **Lindsay's Golden Buzzer**
PRINCE EDWARD ISLAND
DEEDEE AUSTIN – Singer/Musician, Abegweit First Nation – **Howie's Golden Buzzer**
INTERNATIONAL
THE JAMBO BROTHERS – Variety, Kenya
TULGA – Variety, Mongolia
CHANTAAAAL – Variety, France
Plus, key moments from tonight's episode of include:
WHYTE WHYNE AND YOUNG RIESLING (Toronto, ON) had the audience laughing with a funny, high-energy musical performance of their own original rap.
Singer and Shania Twain superfan, JULIANNA MOORE (St. Lazare, MB) delivered a stunning and heartfelt cover of Faith Hill's 'There You'll Be.'
AVA VAL (Whitby, ON) brought the house down with a raw, witty, stand-up performance rooted in her experience as a trans woman.
SANDRINE & ROBIN (Granby, QC) gave a mesmerizing dance performance, full of grace and precision, leaving the crowd cheering.
Dynamic dance crew FUNKYVERSE (Toronto, ON) received the Group Golden Buzzer after lighting up the stage with flawless synchronization.
Rogers is once again providing the winner of Canada's Got Talent with a life-changing prize of $1M (plus $50 from Howie Mandel) – the biggest cash prize in Canadian television history, plus financial advice from CIBC. And that's not all! Every Golden Buzzer recipient will receive $25,000 (totaling $150,000), courtesy of CIBC, to help realize their ambitions.
Tonight's Performances (Tuesday, April 29)
WHYTE WHYNE AND YOUNG RIESLING – Variety
Toronto, ONCheck Out WHYTE WHYNE AND YOUNG RIESLING's Performance
JULIANNA MOORE – Singer/Musician
St. Lazare, MB
Check Out JULIANNA MOORE's Performance
BADUNKAFUNK – Singer/Musician
Norfolk County, ON
AVA VAL – Comedy
Whitby, ONCheck Out AVA VAL's Performance
SANDRINE & ROBIN – Dance
Granby, QCCheck Out SANDRINE & ROBINs Performance
FORBIDDEN NIGHTS – Variety
London, UKCheck Out FORBIDDEN NIGHTS's Performance
FUNKYVERSE – Dance
Toronto, ONCheck Out FUNKYVERSE's Performance
**COMING UP**A Sneak Peek at Next Week's Contestants (Tuesday, May 6)
THE JAMBO BROTHERS – Variety
Nairobi, KENYA
CGT.Citytv.com / YouTube
TULGA – Variety
MongoliaCGT.Citytv.com / YouTube
THE MARTIN BOYS – Vocal Group
Woodstock, NB
CGT.Citytv.com / YouTube
DEEDEE AUSTIN – Singer/Musician
Abegweit First Nation, PEI
CGT.Citytv.com / YouTube
DARREN LEO – Comedy
Toronto, ONCGT.Citytv.com / YouTube
SAI KIT LO – Comedy
Markham, ON
CGT.Citytv.com / YouTube
ILLUMIN DRONE SHOWS – Variety
Toronto, ON
CGT.Citytv.com / YouTube
BEN KAHAN – Magic
Toronto, ON
CGT.Citytv.com / YouTube
CHANTAAAAL – Singer/Musician
Cancon, France
CGT.Citytv.com / YouTube
TWOFOURSEVEN – Dance
Vancouver, BC
CGT.Citytv.com / YouTube
FUNKYVERSE – Dance
Toronto, ON
CGT.Citytv.com / YouTube
NICOLINA – Singer/Musician
Vaughan, ON
CGT.Citytv.com / YouTube
CARSIM BIRMINGHAM – Singer/Musician
Vancouver, BC
CGT.Citytv.com / YouTube
JACOB LEWIS – Singer/Musician
Butlerville, NL
CGT.Citytv.com / YouTube
Canada's Got Talent is produced by MEM Inc., and Fremantle, in association with Citytv, a division of Rogers Sports & Media based on the Got Talent format owned by Fremantle and SYCO Entertainment.
Social Media LinksCanada's Got Talent on InstagramCanada's Got Talent on TikTokCanada's Got Talent on YouTube Canada's Got Talent on Twitter Canada's Got Talent on Facebook Hashtag: #CGT
Official CGT Destination: https://CGT.Citytv.com/Citytv on InstagramCitytv on TwitterCitytv on FacebookRogers Sports & Media on Twitter
For interview opportunities, please contact:Citytv – Alessia Staffieri, Alessia.Staffieri@rci.rogers.com, 647.262.8412Unit Publicists – Erin Richards, erin@hypepr.ca, 416.627.5728Brigitte Kenny, brigitte@hypepr.ca, 647.967.3272
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Yahoo
a day ago
- Yahoo
Animation, Writers & Actors Guilds Hold 'Historic' Anti-Generative AI Protest At Annecy: 'GenAI Seeks Not To Support Artists, But To Destroy Them'
Representatives of international animation, screenwriters and actors guilds staged a protest at the Annecy Animation Film Festival on Thursday to voice their fears over the implications of generative AI for their professions and human creativity in general. Around 150 people joined them on the stretch of grass known as Le Paquier in front of the festival's key hub of the Bonlieu National Theater, holding guild flags and banners expressing their rejection of AI. More from Deadline Warner & DC Studios Making 'Mister Miracle' Animated Series With Showrunner Tom King 'Animal Farm' Review: Andy Serkis Directs Seth Rogen And All-Star Voice Cast In Clever And Chilling Take On Orwell's Classic Novella – Annecy Animation Festival 'In Your Dreams' Trailer: Netflix Unveils Animated Comedy Adventure With Craig Robinson & Simu Liu In Voice Cast AI and generative AI is a hot button topic at Annecy this year. Many animation professionals are wary about what AI means for their creativity, skills and livelihoods, while a small but growing group is advocating for the sector to embrace the technology. Belgian-based director, storyboard, layout and background artist Lauri Sanders, who heads up the AI task force at Belgium's animation workers union ABRACA, read out a statement laying out their concerns and demands. Read the full transcript below. 'Generative AI is neither a tool, nor effective, nor cheap. It is a copying machine that is flawed, destructive and expensive to run. GenAI literally builds upon and draws not only from the copyrighted works it was trained on, but also from the local human cultural values and norms embedded within those works,' read one extract. (scroll down for full statement) It has been signed by more than 20 guilds representing creative professions including the UK's Bectu, Ireland's video game org GWUI and animation workers union AWI, America's The Animation Guild, Netherlands' Kunstenbond and a number of French bodies including writers' bodies La Guilde and Syndicat des Scénaristes and animation union SPIAC-CGT. As well as raising the alarm over the threat posed by unchecked generative AI, the statement also makes demands around consent in relation to work being used to train Generative AI, compensation and control for artists over how their work is then used. Thursday's protest and the statement were spearheaded by France's Les Intervalles, the association against abuse and discrimination in animation. French actor and animator Milo Hustache-Mathieu and SPIAC-CGT member told the assembled crowd that the protest marked an 'historic' event. 'Having a such a coalition right now takes us so high. The whole sector is in crisis and AI is looming over our heads. It's amazing that, thanks to Les Intervalles, we managed to gather that many associations, unions and organizations from all the around the world,' he said, calling on other bodies to sign up too. 'This danger of generative AI shows the bonds between workers internationally, even if we're all in different countries and can't negotiate the same things. We need to bond together. Let's keep up the fight.' Speakers from crowd included UK hand-drawn animation specialist and influencer Howard Wimshurst who said the gathering was an important step. 'What we see here with these flags represents something essential. It is not the solution but without it we have no hope and that is solidarity,' he said. 'This year, I've seen a lot of films. Luckily there are less AI entries which is good because it means I have to walk out less times but there are panels where you'll hear people get up on stage and say things like, it's just a tool, we need to use it, otherwise we'll be left behind. 'There are speakers here who want to collect their thirty pieces of silver and they will turn on friends they've known for years and decades and it's really sad. Don't listen to them. They also want to dazzle you with this idea, that it's all about the technology. 'The technology is a vehicle for exploitation. It's a vehicle to extract data that people have worked their entire lives to create, they put everything into that data. It's not just data. Data is such a reductive word, but unfortunately that is how it can be exploited. So don't listen to them.' Here's the full statement: This statement was composed and supported by a collective of international Animation Unions, federations, and organisations calling for action in regards to the usage of generative Artificial Intelligence and its destructive impact, not only on the global animation industry and the craft itself, but also on everyone who is employed by it, our culture and our is an undeniable fact that the animation industry has been suffering greatly these last few years. The economics of streaming have been proven to be not at all lucrative and the increased spending during the pandemic led to the unavoidable burst of the streaming bubble. It is the workers that were staffed up with false promises that are feeling the repercussions through mass layoffs, the increased use of outsourcing, mergers and acquisitions that lead to the closure of studios and ever decreasing echoes across multiple audiovisual entertainment industries and affects workers in animation, music, VFX and the gaming rapid expansion of Generative AI in animation is propelled by the perceived beliefs that it is the answer to these developments. To work in these industries is a constant battle to prove our economic worth to a very small number of people, and to those people genAI brings an offer too good to be true: a near magical machine that can produce words and images from a simple and vague AI is neither a tool, nor effective, nor cheap. It is a copying machine that is flawed, destructive and expensive to run. GenAI literally builds upon and draws not only from the copyrighted works it was trained on, but also from the local human cultural values and norms embedded within those works. It poses an immediate threat to creative innovation and renewal, replacing the richness and diversity that characterize human creativity with a creativity shaped by the biases of those controlling and using it. It actively pushes creatives out of their respective industries, which will not only lead to the inevitable loss of knowledge and talent that will never be recuperated fully, but also directly leads to the privatisation of allart process and is a technology that seeks not to support artists, but to destroy them. The absence of humans is a feature, not a bug, of AI art. It is not a tool. We do not 'use' genAi – we negotiate with it to try and make it do the things we want it to do. GenAI promises only the loss of employment and livelihood for the millions of people worldwide that work at keeping the world connected through their the audiovisual industry is not the only victim of this increasingly damaging tech development. This same technology is being used to foster dissent, confusion and distrust among the public and has wide-ranging implications beyond international security, including the fabrication of criminal evidence and news, new forms of sexual harassment including deepfake pornography and/or privacy computational power required to train and use generative AI models demands a staggering amount of electricity and water which directly strains municipal water supplies and disrupts local ecosystems. This unchecked growth and unjustified techno-optimism comes with incredible environmental consequences, including expanding demand for computing power, larger carbon footprints, shifts in patterns of electricity demands and an accelerated depletion of natural resources, additionally exploiting without any respect for human such, there is a need for protection frameworks around the ethical and fair use of AI. For this we refer to the research brief of the International Labour Organization (ILO) which proposes the concept of '3Cs' (compensation, control on the use of the work of the creator, informed consent), but also for policies, nationally and internationally, to manage workforce transition through skills development, as well as the use of social protection to support workers affected by A reasonable balance between on the one hand technological innovation and on the other hand a sustainable and strong cultural and creative sector, requires that training AI with copyright-protected works should only be possible with the (informed) consent of the author(s) of those Performers and creators should be fairly compensated for the use of their work including but not limited to illustrations, animations, writing, voicework, likeness, or image, in AI generated Creators—such as writers, musicians, filmmakers, visual artists, and other professionals—need to be able to govern how their works, identities, and creative inputs are used, adapted, or reproduced by AI systems. This control ensures that the creators' intellectual property (IP), labour, and reputations are respected and that they receive fair recognition and compensation. In order for this to be realized, creators need to have an understanding on what AI – and particularly GenAI – entails; it is also necessary to build agency among them to negotiate relevant employment call upon the regulators, lawmakers and governments to fight for culture and art and the value it provides, to draft and implement legislation that protects those workers and those call upon producers, showrunners, studio heads and production staff to understand and protect our creative culture and to prioritize both the workers and our call upon all creative workers worldwide to unite. We ask that you support human made works. We ask that you speak up against the implementation of AI. We ask that you become informed and unionise with your fellow workers to protect ourart and culture, our work and our and supported by:ABRACA (Belgium, animation workers union)AGrAF (France, directors, graphic authors and writers association)BECTU (Broadcasting, Entertainment, Communications and Theatre Union)AWI (Ireland, animation workers union)CNT-SIPMCS (France, press media culture and show union)CSVI (Spain, video game union)FIA (The International Federation of Actors)FIM (The International Federation of Musicians)FNSAC-CGT (France, CGT Federation of Entertainment Unions)La Guilde française des scénaristes (France, writers union)GWUI (Ireland, videogame workers union)Les Intervalles (France, association against abuse and discrimination in animation)Kunstenbond (Netherlands, illustration, comic and animation workers)La Ligue des auteurs professionnels (France, authors union)Syndicat des Scénaristes (France, writers union)SFA-CGT (France, actors dubbing, comedians union)Snam-CGT (France, musicians union)SNTPCT (France, animation and VFX workers union)SPIAC-CGT (France, animation workers union)STJV (France, video game workers union)The Animation Guild (USA, animation workers and writers union)TouchePasàMaVF (France, actors dubbing association against GenAI)Uni MEI (International Art and Entertainment Alliance) Best of Deadline 'Stick' Release Guide: When Do New Episodes Come Out? 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Yahoo
06-06-2025
- Yahoo
Tracy Moore, 50, says there was a 'little bit of denial' when she started experiencing menopause symptoms: 'Hold on, I'm at that age...'
Less than two months after she was let go from Citytv, Tracy Moore found herself doing yoga in Costa Rica with a group of strangers. What began as an excuse to leave a cold Toronto winter to process a major career change in solitude quickly turned into a bonding experience that celebrated sisterhood, menopause and the idea that mid-life could be the perfect time to start all over again. The 50-year-old television personality is set to appear in a panel talk at the first Women's Healthy Living Show in Toronto this weekend for an unfiltered discussion about women's health. Yahoo Canada spoke to Moore ahead of the event to discuss navigating change, menopause and much more. In February 2025, fans were surprised when Citytv announced it was foregoing plans to create a new hour of Breakfast Television with Moore and Cheryl Hickey at the helm. The decision ended a 20-year relationship between the network and Moore, who had previously served as host of Cityline for 16 years. She addressed the news in a video posted to Instagram that was gracious and measured; it wasn't what you'd expect from someone who had just received career-altering news. Moore said the writing was on the wall when the network decided to cancel Cityline, she just didn't know when that chapter of her career would end.'I had many, many months to wrap my head around a new way of defining myself — and my friends and family did not. The viewers did not...,' she said, adding that the public's reaction to the news was overwhelming. "I was drowning in inertia. It was being bombarded with everyone's reactions. I feel very deeply. I was taking on people's disappointment, people's congratulations, people's anger... I'm wearing it all. I just needed to sit on the couch and let it flow through me. Cry a little bit. Walk a little bit. Do all the things." I realized that there were a lot of people that were invested in my Moore A visit to her parents helped Moore understand the impact of her career; she was a trailblazing figure — the first Black woman to host a daytime talk show in Canada. "I realized that there were a lot of people that were invested in my career. There's aunts, uncles and cousins, and then there's visible minority communities," she said. "There's racialized people that were watching the show because they saw themselves reflected in a daytime show. They saw their people." Her father was the one who suggested she take a trip to get away and "gain some clarity." Moore remembered an invitation she received to Flip Flops and Hot Flashes, a menopause-focused yoga retreat in Costa Rica. She accepted the invitation on one condition: she did not want to have to be "on" for the group. Moore was on a mission to find her centre. She thought she was in need of solitude and peace. She was as the saying in reality TV goes, not here to make friends — even though that's exactly what happened. "I wanted to gaze at beauty — the sky, the trees the water,' she said. 'It turned int this incredibly bonding, beautiful, raw and authentic experience. It was a bonus, over and above anything I was expecting." Menopause and the realities of mid-life are topics Moore embraces discussing with her community of fans and followers. Her own journey with perimenopause began at 47, when she noticed her base temperature rising. "I used to be a cold girlie…I was always cold," she said. "Then all of a sudden I wasn't. It wasn't hot flashes, in general, I was hotter.' ...I thought to myself, 'Hold on, I'm at that age. This could be menopauseTracy Moore Initially, Moore said "there was a little bit of denial" about her symptoms. Although signs of perimenopause vary from person to person, there was one symptom that pushed her to visit her doctor. 'The biggest telltale sign for me was my inability to tamp down irritation," she said. "I'm the calm parent. I'm the patient one…. All of a sudden, I was the one arguing and so I thought to myself, 'Hold on, I'm at that age. This could be menopause.'" Moore began hormone replacement therapy (HRT) for progesterone and estradiol, which she said have helped manage hot flashes and other symptoms. The ability to talk candidly about women's health is something Moore said she had to fight for during her time on Cityline. There was an "unwritten rule" that menopause wasn't meant for daytime television, but a host in perimenopause meant the subject was unavoidable. "It's sort of a new generation and a new vibe," she said. "I think that people were willing to jump in and get into it." The push and pull behind the scenes was something Moore had been living with since she began working in television in 2001. Along the way, Moore said there were many times she had to make compromises and navigate micro-agressions over the way she styled her hair and what stories she wanted to feature. "I had to forgive myself constantly," she said. "I felt the burden of trying to make the show more accessible for more people and not just the Black community, but gay men and non-binary people. Everybody should be able to have a piece of the show and see themselves reflected in some way.... I felt the burden of trying to make the show more accessible for more peopleTracy Moore "Some days I thought to myself that I'm not supposed to be in media, because I think I'm too soft for this industry — and that was the wrong way for me to think. My sensitivity is the reason I was able to operate the way I was and reach the people I was meant to reach." The end of her time at Citytv presented an opportunity for Moore to take inventory of her hopes and goals for the future. She describes it as "divine" timing that she was let go from Citytv the same year she turned 50. In many ways, she's navigating her next steps with more than just her career in mind, it's something deeper. "There is a 'me' that exists outside of — I hate to call it this — but this 'circus' of being in a public-facing role. I have to refine and be 100 per cent sure of what and who I am," she said. "What do I really like? What do I really dislike? What do I actually want to do with my life?" I'm proud of myself, though, for walking myself through thisTracy Moore In addition to re-evaluating what she wants to create, she's also exploring how to participate in content creation without relying on social media for external validation. "I feel like that's always been my journey," she said. "You can't take all of those compliments that people are giving you to heart, because it means you also have to take all of the criticisms and all of the hate and all the vitriol to heart. "It's sometimes been a little bit sad, and it's sometimes been so happy," she said. "I'm proud of myself, though, for walking myself through this."
Yahoo
06-06-2025
- Yahoo
Tracy Moore, 50, says there was a 'little bit of denial' when she started experiencing menopause symptoms: 'Hold on, I'm at that age...'
Less than two months after she was let go from Citytv, Tracy Moore found herself doing yoga in Costa Rica with a group of strangers. What began as an excuse to leave a cold Toronto winter to process a major career change in solitude quickly turned into a bonding experience that celebrated sisterhood, menopause and the idea that mid-life could be the perfect time to start all over again. The 50-year-old television personality is set to appear in a panel talk at the first Women's Healthy Living Show in Toronto this weekend for an unfiltered discussion about women's health. Yahoo Canada spoke to Moore ahead of the event to discuss navigating change, menopause and much more. In February 2025, fans were surprised when Citytv announced it was foregoing plans to create a new hour of Breakfast Television with Moore and Cheryl Hickey at the helm. The decision ended a 20-year relationship between the network and Moore, who had previously served as host of Cityline for 16 years. She addressed the news in a video posted to Instagram that was gracious and measured; it wasn't what you'd expect from someone who had just received career-altering news. Moore said the writing was on the wall when the network decided to cancel Cityline, she just didn't know when that chapter of her career would end.'I had many, many months to wrap my head around a new way of defining myself — and my friends and family did not. The viewers did not...,' she said, adding that the public's reaction to the news was overwhelming. "I was drowning in inertia. It was being bombarded with everyone's reactions. I feel very deeply. I was taking on people's disappointment, people's congratulations, people's anger... I'm wearing it all. I just needed to sit on the couch and let it flow through me. Cry a little bit. Walk a little bit. Do all the things." I realized that there were a lot of people that were invested in my Moore A visit to her parents helped Moore understand the impact of her career; she was a trailblazing figure — the first Black woman to host a daytime talk show in Canada. "I realized that there were a lot of people that were invested in my career. There's aunts, uncles and cousins, and then there's visible minority communities," she said. "There's racialized people that were watching the show because they saw themselves reflected in a daytime show. They saw their people." Her father was the one who suggested she take a trip to get away and "gain some clarity." Moore remembered an invitation she received to Flip Flops and Hot Flashes, a menopause-focused yoga retreat in Costa Rica. She accepted the invitation on one condition: she did not want to have to be "on" for the group. Moore was on a mission to find her centre. She thought she was in need of solitude and peace. She was as the saying in reality TV goes, not here to make friends — even though that's exactly what happened. "I wanted to gaze at beauty — the sky, the trees the water,' she said. 'It turned int this incredibly bonding, beautiful, raw and authentic experience. It was a bonus, over and above anything I was expecting." Menopause and the realities of mid-life are topics Moore embraces discussing with her community of fans and followers. Her own journey with perimenopause began at 47, when she noticed her base temperature rising. "I used to be a cold girlie…I was always cold," she said. "Then all of a sudden I wasn't. It wasn't hot flashes, in general, I was hotter.' ...I thought to myself, 'Hold on, I'm at that age. This could be menopauseTracy Moore Initially, Moore said "there was a little bit of denial" about her symptoms. Although signs of perimenopause vary from person to person, there was one symptom that pushed her to visit her doctor. 'The biggest telltale sign for me was my inability to tamp down irritation," she said. "I'm the calm parent. I'm the patient one…. All of a sudden, I was the one arguing and so I thought to myself, 'Hold on, I'm at that age. This could be menopause.'" Moore began hormone replacement therapy (HRT) for progesterone and estradiol, which she said have helped manage hot flashes and other symptoms. The ability to talk candidly about women's health is something Moore said she had to fight for during her time on Cityline. There was an "unwritten rule" that menopause wasn't meant for daytime television, but a host in perimenopause meant the subject was unavoidable. "It's sort of a new generation and a new vibe," she said. "I think that people were willing to jump in and get into it." The push and pull behind the scenes was something Moore had been living with since she began working in television in 2001. Along the way, Moore said there were many times she had to make compromises and navigate micro-agressions over the way she styled her hair and what stories she wanted to feature. "I had to forgive myself constantly," she said. "I felt the burden of trying to make the show more accessible for more people and not just the Black community, but gay men and non-binary people. Everybody should be able to have a piece of the show and see themselves reflected in some way.... I felt the burden of trying to make the show more accessible for more peopleTracy Moore "Some days I thought to myself that I'm not supposed to be in media, because I think I'm too soft for this industry — and that was the wrong way for me to think. My sensitivity is the reason I was able to operate the way I was and reach the people I was meant to reach." The end of her time at Citytv presented an opportunity for Moore to take inventory of her hopes and goals for the future. She describes it as "divine" timing that she was let go from Citytv the same year she turned 50. In many ways, she's navigating her next steps with more than just her career in mind, it's something deeper. "There is a 'me' that exists outside of — I hate to call it this — but this 'circus' of being in a public-facing role. I have to refine and be 100 per cent sure of what and who I am," she said. "What do I really like? What do I really dislike? What do I actually want to do with my life?" I'm proud of myself, though, for walking myself through thisTracy Moore In addition to re-evaluating what she wants to create, she's also exploring how to participate in content creation without relying on social media for external validation. "I feel like that's always been my journey," she said. "You can't take all of those compliments that people are giving you to heart, because it means you also have to take all of the criticisms and all of the hate and all the vitriol to heart. "It's sometimes been a little bit sad, and it's sometimes been so happy," she said. "I'm proud of myself, though, for walking myself through this."
