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ABC News
an hour ago
- ABC News
Model Cindy Rostron named this year's young achiever at the National Indigenous Fashion Awards
Backstage at a fashion show celebrating Australia's finest First Nations artists, model and youth leader Cindy Rostron is reflecting on her growing public profile. While those in the industry know Rostron best for her runway walk and features in Vogue Australia magazine, almost 6 million people have been introduced to the Bununggu and Warraingu woman through her TikTok and Instagram pages. "I started TikTok for fun, just being myself, but now it is my opportunity," Rostron said. "It is my job to do it." Whether it is print media or social media, Rostron said she recognised the opportunities to "show off and share my culture, and represent my community". On Wednesday night, at the National Indigenous Fashion Awards (NIFAs) in Darwin, Rostron was rewarded for her work with the Cecilia Cubillo Young Achiever Award. "It is incredible to see what Cindy has achieved in only a few years," judge Yatu Widders-Hunt said. "It is great to see Cindy carve out her own brand and use social media to tell stories on her own terms, and in her unique voice. "Her commitment to sharing her experiences and mentoring other young people is particularly impressive. It is clear that culture and community are what drives Cindy." Growing up in the small Northern Territory community of Kolorbidahdah in West Arnhem Land, Rostron said she assumed her career would follow in her father's footsteps. "Growing up watching my father doing the ranger job, land management, and collecting crocodile eggs, and killing feral animals, and looking after all the rock art, all the sacred sites, I wanted to be a ranger," Rostron said. But breaking into arts and modelling was always there in the back of her mind. "When I was little I was watching Magnolia Maymuru doing the modelling, and I was like, 'Maybe one day I'll be like her', so she kind of inspired me," Rostron said. In 2021, Rostron's sister-in-law took her to Barunga Festival — one of the NT's biggest celebrations of Indigenous art, sport, music and traditional craft — and encouraged her to take part in a runway show. The then-teenager said she was hesitant about the idea, but knew she had to "see what's out there". "I modelled the design Bàbbarra Design, one from my family in Maningrida and I just went up from there … unexpectedly," she said. Over the following years, Rostron continued to knit together her two passions: life out on country, where she worked for two years as a ranger like her father, and the fashion industry. It was this merging of worlds that secured Rostron her first feature in Vogue Australia in 2022. "I was doing a photo shoot in Broome and Kununurra and they invited me to go celebrate in Perth," she said. "From there, they told me to do a photo shoot in my country, my great-great-grandmother's country in Dukala-djarranj, and I did the first photo shoot there, when I had pink hair." It was not until some time later that she realised the photos would be published in Vogue. "I didn't really know what Vogue means … because I was a bush girl," she said. Rostron has since been featured in the high-profile fashion publication several times. Passion for the arts runs in Rostron's family, with her mother Jay Jurrupula Rostron winning the Textile Design award at the 2024 NIFAs. "My mum … was watching my grandfather doing all the arts, the weaving, and she was doing the paintings … when she was young, I think at 14 or 15." At Rostron's high school graduation, she donned one of her mother's very own designs, while her father sang to her the "MiMi (Bungal)" songline, which she described as "very special and sacred … because it was given from all the spirits". Now 20 years old, Rostron says her family has continued to support her modelling career. "I want to keep doing this modelling … and [also] my goal is to go back out country and help my families," she said. "At the moment I'm helping my dad … back at home, cleaning the roads with the grader." Rostron's down-to-earth nature is evident in her personal style. To other young First Nations women aspiring to a career in modelling, Rostron said: "Don't be shy, don't feel shame." "Don't be me," she added. "Just be yourself."
News.com.au
2 hours ago
- News.com.au
Champion jockey Glen Boss pays tribute to semi-retired legendary trainer Lee Freedman
Twenty years after Lee Freedman's famous Melbourne Cup quote, champion jockey Glen Boss revealed he believed the legendary trainer's 'find the smallest child' remark was completely off the cuff. Shortly after the great mare Makybe Diva had won a record third straight Melbourne Cup carrying 58kg at Flemington, Freedman came up with the line that will be forever etched in the history of the race that stops a nation. 'Go out and find the smallest child here because that child might be the only person who lives long enough to see something like this again,' Freedman said at the time. For Boss, the clever comment encapsulated the trainer's razor-sharp wit and intelligence that helped him jag 124 Group 1s and cemented his standing as a household name in Australia. , opting not to renew his trainer's licence for the new racing season. He is now solely the manager of his Gold Coast stable, which has been handed over to his younger brother and Sydney trainer Michael Freedman. Boss chatted to Racenet this week about the profound effect that Lee Freedman and his brothers Anthony, Richard and Michael had on his illustrious career which ended in 2021. Hall of Fame trainer Freedman gave Boss his big break in 1995 on Flying Spur, who the Queenslander rode to victory in the Golden Slipper just a few days after Jim Cassidy's licence had been disqualified due to the 'jockey tapes' scandal. 'Until you sit back and look at his record, you forget how great this bloke was,' Boss said from South Africa, where the retired hoop is holidaying with his family. 'His sense of timing was always good. 'I mean that pivotal moment when the mare (Makybe Diva) won in the Cup in 2005 and he said that line 'go find the smallest child', those sort of things go down in history. 'I don't think he scripted that, I think it came straight out of his mouth. 'I remember seeing Lee around parties and things like that and he's a funny guy with a great sense of humour. 'He's great company and super intelligent to talk to. Not that many people would've got to see the fun side of Lee.' Lee Freedman won five Melbourne Cups, with Boss on board for two of those victories on Makybe Diva in 2004 and 2005, plus four Caulfield Cups, four Golden Slippers and two Cox Plates. 'Having been around him and observed him a fair bit, Lee has an incredible eye for detail which never ceases to amaze me,' said the 55-year-old Boss, who won 90 Group 1s. 'He always knew exactly where his horses were and how to push the button at the right time. 'It'd amaze me how he'd just look at a horse and say 'yep, we're ready now' or he'd say 'nup, we need to do one more thing'. 'He was never set to a pattern with a horse. He'd change his mind on the fly and he had unbelievable instincts.' As the driving force behind the famous Freedman Brothers Incorporated (FBI), Lee played a key role in bringing then-teenage apprentice jockey Damien Oliver from Perth to Melbourne in 1990 when he won the Group 1 Caulfield Guineas on Centro for the powerful stable. Oliver and the Freedmans combined for a superb 24 elite-level victories in the 1990s, including champion stayer Doriemus winning the Melbourne Cup-Caulfield Cup double in 1995. 'They played a big part in getting me over to Melbourne and gave me fantastic opportunities as a young apprentice,' said Oliver, who won an Australian record 129 Group 1s. 'Lee and all the brothers were very ambitious and that sort of shone through to me. 'I was a bit like that anyway but they really brought that side out of me.'
ABC News
2 hours ago
- ABC News
Gifted balloon sculpture by Jeff Koons is unveiled in the National Gallery of Australia
The National Gallery of Australia (NGA) in Canberra has received a balloon sculpture that could be the most expensive piece ever gifted to the national collection. The sculpture by American artist Jeff Koons — Balloon Venus Dolni Vestonice (Yellow), 2013–17 — is a nearly three-metre-tall polished stainless steel statue. It is inspired by a small artefact made of mammoth ivory from about 45,000 years ago that depicts fertility and the human body. NGA director Nick Mitzevich did not want to put a price on the piece when asked if it could be worth about $20 million. "The value is really set by the market, and as a gift, we don't really comment on the price," he said. "But Jeff Koons's artworks sell up to that price and beyond … He is the highest selling living artist in the world today. "He makes these extraordinary objects that seduce us in, that pull us in, and it asks us to look a bit closer." He said he believed its true value was in its meaning. "The work, for me, references art history. It references a fertility object from about 45,000 years ago, and I love that he is always thinking about art history," Dr Mitzevich said. "And he gives it a 21st-century approach by turning a fertility object, a Venus, into a balloon sculpture. So, he collides history and the present. The gallery's acquisition is part of a five-piece balloon sculpture series known as Antiquity. The pieces differ in colour, but each took years to bring to life, with the others on show all over the world. In a statement, Jeff Koons said he was "happy" Balloon Venus had been gifted to the national collection so it could be digested by the public. "I always enjoyed working with a metallic surface because it reflects us and affirms us. "Whatever [the viewer is] thinking about, if they're feeling a sense of connection to memory and history, this is the art they're experiencing — and when they leave the room, the art leaves with them." The sculpture was gifted by collectors Steve and Kylie Shelley, who said in a statement: Another major gift to the gallery came earlier this year, with philanthropist Geoff Ainsworth donating Edvard Munch's Man with Horse to the national collection. "In the last six months, we've made two extraordinary acquisitions of artists that have really been influential over the last 150 years," Dr Mitzevich said. He invited people to have their own views on the works.
