logo
Symphony of flavours & emotions at Tuya

Symphony of flavours & emotions at Tuya

Chef Suresh DC's journey from a passionate culinary enthusiast to a celebrated chef is a testament to his commitment to both innovation and tradition. An award-winning culinary maestro, he is acclaimed for his inventive flair in transforming familiar dishes into extraordinary gastronomic experiences. Fuelled by an unwavering passion for food, Chef Suresh has earned global recognition — featured in The World's 50 Best Discoveries and ranked as the 16th Best Chef by the prestigious Culinary Culture Awards, which celebrate India's finest culinary talent. Now, he brings his dream project, Tuya, to Hyderabad's Jubilee Hills. In a conversation with CE, Chef Suresh shares what Tuya truly represents, his deep-rooted connection to his heritage, and his firm belief that South Indian cuisine deserves a larger spotlight on the global stage.
Excerpts
Tell us about Tuya.
It means 'pure' in Tamil. It was a long-time dream. Like many chefs, right after college, the goal is to open your own restaurant. Unfortunately, that dream doesn't come true for many, but I was passionate. I always wanted to serve pure, authentic food. By authentic, I mean flavour-wise. But in terms of presentation, since I trained in European kitchens for six years, I try to bring those techniques to the food I grew up eating.We currently have 102 seats. It's actually pretty massive. Initially, I wanted a small space with a one-page menu. But the market here demanded a bigger menu, so I decided not to take that risk.
What kind of food can people expect at Tuya?
You'll find familiar local dishes, but reimagined. For instance, we have Sarva Pindi, but made with avocado. Then there's Muntha Masala, instead of the usual mirchi bhajji, we've done it with a Gongura tempura twist. We also serve a Hazelnut Pootharekulu. So the idea is to take favourites and improvise — make them fun, yet rooted.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Ed Sheeran's jam with Indian percussionist goes viral; ‘Shape of You' gets a ‘ghatam' twist
Ed Sheeran's jam with Indian percussionist goes viral; ‘Shape of You' gets a ‘ghatam' twist

Indian Express

time16 minutes ago

  • Indian Express

Ed Sheeran's jam with Indian percussionist goes viral; ‘Shape of You' gets a ‘ghatam' twist

British singer-songwriter Ed Sheeran's latest track Sapphire – with Indian musical sensation Arijit Singh – that dropped on June 6, has become a monster hit. Instagram alone has over 700K Reels made on the song, and on YouTube, the song has over 5.8 million views already. Now, an Instagram Reel posted by percussionist Ganesh Murali Iyer, showing a jamming session with Sheeran, with both of them playing the ghatam, has gone viral with nearly a million views. Ghatam is a traditional South Indian clay percussion instrument, known for its unique earthy tones. In the video, Iyer begins playing the rhythm of Sheeran's hit song Shape Of You, and the English singer soon joins in, trying his hand at the clay instrument. Soon, viewers are treated to a ghatam-backed cover of the song, sung by Sheeran himself. Captioning the post, Iyer wrote, 'Ed and me playing ghatam from our Mumbai jam. This just happened before we jammed sapphire. This is also one of the moments that actually led to it….' Iyer also wrote, 'These are 2 ghatams in C# and D# Ig. I gifted the C# ghatam to Ed. This is not REHEARSED I just gave the instrument to him and we both vibed and chilled. It was so much fun recording for him at Goa. Such a spontaneous musician.' Watch the video here: A post shared by Ganesh Murali Iyer (@ganeshmuraliiyer) Since Iyer mentioned that this happened just before jamming Sapphire, we watched the music video of the song – with far too many intercuts – closely, and found a sequence from the exact day. Here it is: In the background is Ganesh Murali Iyer, the ghatams and mics. In the comments section of the Reel, Iyer explained what a ghatam is. He wrote, 'The Ghatam is a percussion instrument used in various repertoires across the Indian subcontinent, especially in Southern India . Its variant called ghara in Punjab and Magda in Rajasthan . It is made mainly of clay, baked with brass or copper filings with a small amount of iron filings. It represents the pancha Maha bhoota's according to Vedic tradition ( five elements of nature) ie Earth (Prithvi), Water (Jala), Fire (Agni), Air (Vayu), and Space or Ether (Akasha).' Many Instagram users reacted to the post. One said, 'Bro got the entire country together with just 1 song.' Another user commented, 'True devotees of art together! What a moment.' A third user wrote, 'From class benches to with ed sheeran on ghatam we've seen it all!!' Watch Sheeran's Sapphire here: The Sapphire music video is also making headlines as it features Indian cinema giant Shah Rukh Khan in a one-second cameo. Khan appears between 42nd and 43rd seconds, for those who are keen.

Kuberaa box office collection day 1: Dhanush-starrer has a smaller opening than Kamal Haasan's Thug Life, earns Rs 13 crore
Kuberaa box office collection day 1: Dhanush-starrer has a smaller opening than Kamal Haasan's Thug Life, earns Rs 13 crore

Indian Express

time27 minutes ago

  • Indian Express

Kuberaa box office collection day 1: Dhanush-starrer has a smaller opening than Kamal Haasan's Thug Life, earns Rs 13 crore

Kuberaa box office collection day 1: The much-anticipated pan-India release Kuberaa, starring Dhanush, Nagarjuna, and Rashmika Mandanna, has made a notable impact on its opening day, despite mixed regional occupancy and a box office performance slightly lower than expected. According to industry tracker Sacnilk, Kuberaa opened with Rs 13 crore, which is slightly lesser than Dhanush's last Tamil release Raayan as that film made around Rs 16 crore on its opening day. The film was shot in both Telugu and Tamil simultaneously, and was released in both these languages along with dubbed versions in Kannada, Malayalam and Hindi. The Telugu-speaking regions led the charge, with the film recording an overall occupancy of 57.36%. Morning shows began modestly at 38.94%, but footfall increased steadily throughout the day, rising to 54.58% in the afternoon, 57.04% in the evening, and peaking impressively at 78.87% during night shows. In contrast, the film saw relatively low occupancy in other languages: 33.73% in Tamil Nadu, 6.54% in Karnataka, and just 6.73% in Hindi. Despite this, industry analysts are optimistic that Kuberaa could benefit from positive word-of-mouth and build momentum over the weekend. ALSO READ | In Sitaare Zameen Par, Aamir Khan finally faces the man in the mirror, as he trades perfection for vulnerability This year has been a mixed bag for the Telugu and Tamil film industry so far. In Telugu, films like Game Changer, Daaku Maharaj and HIT: The Third Case released amid major hype. Shankar's Game Changer, starring Ram Charan, opened with Rs 51 crore at the box office but managed to make Rs 131 cr, which was much lesser than its humungous budget. Nandamuri Balakrishna-starrer Daaku Maharaj made Rs 90 crore in the domestic market, after making around Rs 25 crore on opening day. Even Nani's HIT: The Third Case made Rs 21 crore on the first day, but ended its run at around Rs 80 crore. In Tamil, Ajith's Good Bad Ugly made Rs 153.18 crore after opening at Rs 29 crore. Kamal Haasan's Thug Life, which was the most hyped film of the year, opened at around Rs 15 crore, and is yet to cross Rs 50 crore after two weeks in theatres. Much of the buzz of Kuberaa surrounds Dhanush's transformative performance as a beggar, which has drawn praise across social media for its rawness and emotional depth. Fans have also lauded Rashmika Mandanna and Nagarjuna for choosing unconventional, meaningful roles. The trio's collaboration was a major factor driving pre-release hype. Adding a layer of emotional resonance to the film's debut, Dhanush was spotted watching Kuberaa on opening day with his son, Linga. The actor was visibly moved by the crowd's enthusiastic response.

The South Asian artistes redefining visual identities through heritage and sound
The South Asian artistes redefining visual identities through heritage and sound

Hindustan Times

timean hour ago

  • Hindustan Times

The South Asian artistes redefining visual identities through heritage and sound

It's been a long time coming, but South Asian musicians are finally having their moment in the sun as they take over airwaves and top playlists. We speak to musicians who are reinventing what it means to have a distinct visual identity that evolves with them, both sonically and sartorially. L-R: Dohnraj, Dhee, Yung Raja Photo: Instagram/dohnraj With structured blazers, metallic makeup and offbeat charm, Delhi-based Dohnraj seems like he's stepped out of an '80s synth-pop dream — but he's quick to clarify, 'I wasn't consciously thinking about the '80s at all, because what do I know about the '80s?' His music, much like his aesthetic, is a touch enigmatic. 'It's emotional music, something cinematic [with a] slightly off-kilter edge,' he explains, adding, 'I like things that feel intimate but a little strange, the kind that sits with you after the lights go out.' The singer-songwriter, who also fronts Dohnraj and The Peculiars, is especially inclined towards exploring the human condition with the sounds (and shapes) of years bygone — something that shines on his last album, Gods & Lowlifes. And while he might not have been consciously aiming for it, the old-time rocker vibe is unmistakable. 'I don't know about being a rockstar; all I know is I'm definitely a star in my world, and that's how I hope people can feel about themselves. I don't think about perception too much; I have so many curiosities to attend to, to wonder about how I am being perceived,' he muses. The flamboyance is just the tip of the iceberg. It might be a lot for some, but for Dohnraj, it's a reflection of his curiosity and creative instinct. While his creative process has been one of 'stumbling, stretching and slowly figuring it out', his current sartorial sense came naturally. 'It wasn't some big aha moment,' he says. 'It just came together over time — what I felt good in, what felt true. I started noticing patterns in what I gravitated towards: stuff that holds a little weight, a little texture, maybe a story. I'm not trying to look like anyone else — just trying to look like myself, more and more. Some days it's clean, some days it's chaotic. But it's always me.' Dhee Photo: Madhavan Dheekshitha Venkadeshan's musical breakthrough has been a long time coming. The Australian-Tamil singer began singing playback around 2013, but it was with Rowdy Baby (2018) and Enjoy Enjaami (2021) that her unique alto broke through to a larger audience. Her move to English pop with the upcoming album Jackfruit might seem like a major pivot, but Dhee says there couldn't have been a more natural progression: 'I grew up listening to South Indian music and English pop so it doesn't feel like much of a departure. I've also been working on these songs since I was 19; I've grown with them.' While she laughingly describes her current sound as 'a colourful bag of jelly beans,' a common thread through the 26-year-old's multicultural musical sojourn has been the search for 'home'. I Wear My Roots Like a Medal, one of the two singles from her album, was shot at her maternal grandmother's house in Jaffna, Sri Lanka. Dhee admits that navigating a sense of belonging has been a significant challenge, but she's quick to acknowledge that it's evolved into a talent. This gives her music an emotional, storytelling quality that translates to her wardrobe, too. 'I like feeling like I'm dressed like a character — fashion is such a joyful thing. Currently, my style feels like I'm in a Sanjay Leela Bhansali movie, but in everyday street style!' she says. A lot of that self-expression comes from the women in her life, particularly her mother: 'When I was younger, mum would wear butte (South Indian style earrings) with normal clothes in Sydney in the early 2000s and she would rock it. So now doing that for me is a no-brainer. Now I want to be way more expressive with my fashion.' Yung Raja Photo: Instagram/yungraja Rapper-songwriter Rajid Ahamed Yousuf Arafat's Tanglish flows aren't the only thing making noise. Since first rising to fame with his 2019 track Mad Blessings, the Singaporean has been synonymous with a vibrant sonic and visual style — and growing up as part of the Tamil diaspora has been foundational to this journey. Now, eight years into his music career, the 29-year-old's fashion is a riot of colour and cultural callbacks. 'My parents and sisters played dress-up with me when I was a kid. It became second nature,' he says. That early exposure, layered with the larger-than-life presence of Rajinikanth on-screen and the audacity of American hip-hop giants such as Ye and Jay Z, built his fashion sense into something vibrant, unpredictable and entirely his own. It now reflects in his style philosophy: 'Rajinikanth would rock anything and make it look super cool. His aura and swagger were extremely foundational. My style principle is to be able to pull anything off, contextualising it in my own way.' Whether he's in co-ord sets drenched in neon or sporting jewellery that nods to his Thanjavur roots, his style walks the same tightrope his music does: part heritage, part hype. His goal, Yung tells us, is to take Tamil culture to the world (case in point, NALLA NERAM, his collab with rapper Prabh Deep). 'I've always believed that you don't know where you're going if you don't know where you came from. It's always front and centre in my mind that I wouldn't have had the opportunity to approach my art the way I do [if it were not for my background],' he adds. BombayMami Photo: Instagram/bombaymami; @ On the face of it, the idea of someone barreling down the Swiss Alps in a lehenga is a visual gag. It's exactly what Indo-Swedish rapper BombayMami did for Fire In Delhi. 'Snowboarding in a lehenga,' she previously explained to us, 'was born out of my desire to merge two integral parts of my identity — Swiss and Indian heritage — in a way that felt bold, unexpected, and deeply personal,' she told us of her now-viral music video. And that duality runs deep. Formerly known as Ta'shan (an anagram of her name, Shanta), her artistry was, in part, born out her desire to see South Asian women in spaces she wanted to be in when she was growing up. 'There was always this unspoken rule about how we should behave, dress, or dream. I wanted to break that and change the narrative,' she noted. Her latest release, Hot Boyz, is a Pride Month anthem — an R&B track set to live instrumentation that includes a sitar, a sarod and a tabla — that turns desire on its head, and towards the female gaze. Her musical influences (pioneering female rappers such as Missy Elliott, Aaliyah, and M.I.A, coupled with years of Hindustani classical training) show up constantly in her fashion, too. This balancing act comes in full force in her style, where dupattas become capes, jhumkas dangle against tracksuits, and bindis hold their own against bucket hats. Whether she's raiding her parents' wardrobes or bending genres, it's all done 'in ways that feel unique to me,' she said. Gayathri Krishnan With a distinctive blend of pop, R&B and neo-soul influences, it's difficult to box Los Angeles-based Gayathri Krishnan into a single genre. With a bright sound offset by her Carnatic training, the singer has been taking the scene by storm since she dropped her 2020 EP, Create To Express. Gayathri has more than once described growing up in her South Indian household as being 'literally surrounded' by music. Take into account the fact that she learnt Bharatanatyam during her formative years in Irvine, California and the sonic big picture comes right into focus. Last year's single F*** S***! was an anthem of rebellion, her April release Made It is experimental through and through — a love letter to her roots and firm assertion of her right to be in the spaces she carves for her self in Western music. Bridging the gap between the East and West was less an intentional choice and more 'subconsciously woven' into her tastes and her fashion shifts as often as she genre-jumps. Her current style has moved away from the earthier, more Bohemian aesthetics of Create To Express and Arunachala (2023) to channel old-school West Coast hip-hop. Think oversized varsity jackets and baggy silhouettes, all softened by distinctly South Indian flourishes. A long braid adorned with a jada and a delicate nose ring accompany her onstage and off, subtly anchoring her in heritage in her experiments. Her fashion, much like her music, feels less curated than instinctive.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store