
EISH WENA: Afrikaners go viral with Amazon grocery store shopping video
Viral videos never seem to dry up on the World Wide Web. Isn't it wild how there's always something bizarre or hilarious making the rounds?
From people surfing shopping trolleys on highways to cringeworthy challenge fails, the Internet never stops surprising us.
The latest viral sensation has grabbed the attention of millions, racking up likes and shares all over social media.
Today's Eish Wena segment features Afrikaners sparking buzz in SA with a video of their shopping experience at an Amazon grocery store in the USA.
Watch the video below @rikaaikie Just 3 South African 🇿🇦 girls shopping @Amazon Fresh ♬ original sound – rikaventer1975
Need your news quickly?
Visit The South African website for all you need to know.
Enjoy a wide variety of videos from news, lifestyle, travel, sports, viral videos and lots more!
There is always something to watch here!
Why not follow us on Facebook, Instagram and TikTok while you're at it?
Get ALL the news you need to know on the go at your convenience!
Submit your videos for a chance to be featured in the daily Viral Video article and get your name mentioned.
Let us know by leaving a comment below, or send a WhatsApp to 060 011 021 1
Subscribe to The South African website's newsletters and follow us on WhatsApp, Facebook, X and Bluesky for the latest news.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

IOL News
an hour ago
- IOL News
Rediscovering the soul of Maskandi music: A cultural renaissance among young South Africans
Once seen as music for older generations, Maskandi is now finding a new audience among youth, thanks to a wave of modern artists blending traditional sounds with contemporary influences. Image: Pexels/Anthonyshkraba Production In recent years, a growing number of young South Africans have been rediscovering the rich rhythms and lyrical storytelling of Maskandi music - a genre long associated with Zulu tradition and rural life. Once seen as music for older generations, Maskandi is now finding a new audience among youth, thanks to a wave of modern artists blending traditional sounds with contemporary influences like hip hop, house, and Afro-pop. Social media platforms like TikTok and YouTube have played a major role in this revival. Artists such as Khuzani, Mthandeni SK, Mzukulu and Ntencane are attracting millions of views and passionate young fans who appreciate both the genre's authenticity and its evolving sound - myself included. Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Next Stay Close ✕ On my personal playlist, the beats of Maskandi play consistently. Tracks like 'Uzophela Umcimbi' by Mafikizolo, 'Awuhlabe Kabili' by Limit Nala, 'Umkami Sengalile' by Mjolisi and 'Unikhodima' by Nhloso Khwela featuring Shenge Wasehlalankosi, are just a few examples of the electrifying music keeping my spirits elevated. It's clear that I'm not alone; scrolling through my social media feeds reveals a vibrant community of fellow Millennials and Gen-Zers equally entranced by the genre's spell. This resurgence is more than a trend - it's a cultural renaissance. Many young listeners say Maskandi connects them to their roots, their language and their identity in ways that modern pop often doesn't. From township taverns to urban music festivals, Maskandi is once again making people dance, think, and feel deeply. Recently, data from Spotify revealed that Maskandi has emerged as Mzansi's fastest-growing music genre over the past two years, capturing the ears of nearly half its listeners under the age of 35. The platform's Bhinca Nation playlist has exploded in popularity, growing by over 3,000% since 2022 and now achieving an impressive average of 2 million streams each month. This notable surge in streaming activity has translated into remarkable gains for both established artists and emerging talents. Since the beginning of 2023, streaming figures for various artists have soared, with notable increases including: Mafikizolo: +897% Mshinwemali: +495% Sminofu: +258% Inkos'yamagcokama: +86% Mzukulu: +79%. Additionally, burgeoning acts like Limit Nala and Menzi Music are rapidly gaining traction, expanding the genre's reach and diversity. 'Spotify is more than a streaming platform - it's a cultural catalyst,' asserted Phiona Okumu, head of music for Spotify Sub-Saharan Africa. 'We're proud to support a new era of Maskandi artists and fans who are redefining what it means to be proudly Zulu in a global music world. We look forward to doing more work in this genre.' In a recent interview with Independent Media Lifestyle, actor Wiseman Mncube underscored the genre's significance in both media and society. Mncube articulated that African culture is often misrepresented and that no other musical genre encapsulates the essence of African culture as Maskandi does. He noted that while many young people are drawn to contemporary sounds out of fear of seeming 'old-fashioned', the genre retains a poetic and healing quality that resonates deeply. 'I feel inspired by listening to such songs; they relate to my art in ways that are profoundly meaningful,' he shared. maturing is realising that Maskandi music actually bangs, especially the love songs — — don (@dracosrevenge) June 16, 2025 Growing up in the early 90s, I was definitely lucky to be part of a generation that saw SA transitioning into a new era. Amid all the changes, one constant in my life was the presence of Maskandi music - a powerful voice of culture, identity and storytelling. Here's why I love the genre. Cultural identity and pride Maskandi isn't just music; it's a cultural archive. I see Maskandi as a connection to my roots. It celebrates language, customs and everyday struggles. It keeps me grounded in who I am and where I come from. Storytelling and honesty The raw, honest storytelling in Maskandi is something that always resonated with me. Whether it's songs about love, family, politics, or social issues, the lyrics are heartfelt and unfiltered. Artists didn't sugarcoat life - and that realness shaped my worldview. Unique sound and rhythm The guitar picking style, often fast and intricate, and the use of concertina and percussion make Maskandi sonically unique. That sound is not just music to my ears - it's a heartbeat. It's something I can immediately recognise and feel deep in my soul, no matter where I am. Generational connection I have strong memories of hearing Maskandi at family gatherings, on long taxi rides and on the radio. It became a bridge between generations - a way I connected with my family and friends through shared songs and dance. Personal nostalgia For me, Maskandi brings back memories of home, rural visits, community celebrations and the voices that shaped my childhood. It's not just music - it's a part of my emotional and personal history.


The South African
2 hours ago
- The South African
Andy Warhol, Irma Stern headline latest art auction: Estimated selling prices
Two giants of 20th-century art, Andy Warhol and Irma Stern, lead the catalogue for Strauss & Co's upcoming live-virtual auction of modern and contemporary art, to be held on Tuesday, 24 June in Cape Town. The 70-lot sale brings together a compelling selection of established names and emerging voices, including high-value works by William Kentridge, Erik Laubscher and Alexis Preller, alongside two floral still lifes by in-demand painter Vladimir Tretchikoff. 'The cover lot for our winter sale is Andy Warhol's Vesuvius (estimate R1.2–1.5 million / $67 650-84 560) , a striking screenprint depicting the famed Italian volcano near Naples,' says Elmarie van Straaten, Head of Sale at Strauss & Co. 'Created in 1985, this late work reflects Warhol's deepening engagement with themes of mortality and legacy. 'Combining beauty, violence and repetition, the piece stands as a powerful meditation on the anxieties of modern life. 'Although by no means a regular in our auctions, Strauss & Co have an excellent track record handling his work, with 87% of lots offered finding new homes.' A highlight from the South African selection is Irma Stern's Still Life with Lemons (estimate R2-3 million / $112 750-169 125), painted in 1954 during a period of remarkable creative energy. Then aged 60, Stern was widely regarded as 'an indefatigable ambassador of South African art,' and undertook extensive travels to the Belgian Congo, France, Germany, Israel, Italy and Turkey. As with much of her still life work, this composition reflects on the quiet harmony between the cultivated and the organic, the human and the natural. The post-war period saw the rise of numerous South African modernists, among them Alexis Preller and Vladimir Tretchikoff. The sale features Preller's Christ Head (estimate R2-4 million / $112 750–225 445), a fragmented devotional image, as well as two botanicals by Tretchikoff. Strauss & Co established the current world record for Tretchikoff following the May 2025 sale of Lady from the Orient for R31 million / $1.735 million. Other notable modernists represented in the sale include Gregoire Boonzaier, Pranas Domsaitis, Alfred Krenz, Maggie Laubser, Hugo Naudé, Frans Oerder and JEA Volschenk. A sense of the catalogue's range is evident in works such as Clement Sénèque's Dry Dock, Durban (1927, estimate R80 000-120 000 / $4 509–6 760), Erik Laubscher's Kouebokkeveld (1973, estimate R200 000–300 000 / 11 270–16 910), Gerard Sekoto's gouache on paper The Conversation in the Street (estimate R150 000–200 000 / $8 450–11 270), and Sydney Kumalo's drawing Reclining Figure (estimate R30 000–50 000 / $1 690–2 819). South Africa's re-entry into the global art scene in 1994 catalysed the international recognition of artists such as David Goldblatt and William Kentridge. This auction includes four of Goldblatt's photographs, among them his famous 1985 portrait of 15-year-old Lawrence Matjee (estimate R50 000–70 000 / $2 819–3 945), taken after his detention by security police. Kentridge is represented by two major works: the politically charged 1988 print Art in a State of Siege (100 Years of Easy Living) (estimate R300 000–400 000 / $16 910–22 555), and Untitled (Man with Globe), a 2010 bronze (estimate R350 000–550 000 / $19 735–31 015). The sculpture selection includes pieces by Deborah Bell, Willie Bester, Wilma Cruise, Brett Murray, Angus Taylor and Edoardo Villa, showcasing the vitality of South African three-dimensional practice. Young South African artists continue to command global attention. Athi-Patra Ruga, who appears in Irma Stern's first Berlin museum show next month, has two works in the sale: a photo from 2012 and the provocative 2009 tapestry Konflikt Free Blk Diamond, Teeth are the Only Bone that Show (estimate R150 000–200 000 / $ 8 455–11 270). Other contemporary highlights include Zander Blom's large-scale abstract canvas Untitled [1.495] (estimate R200 000–250 000 / $11 270–14 095) alongside pieces by Patrick Bongoy, Alex Emsley, Anton Karstel, Mongezi Ncaphayi, Cameron Platter, Brett Seiler and Pierre Vermeulen. The sale also debuts painter Philip Barlow. A preview exhibition is currently on view at Brickfield Canvas, 35 Brickfield Road, Woodstock, Cape Town, until 24 June. Pre-auction sundowners will be held on Thursday, 19 June, from 18:00-19:00. The live-virtual auction begins on Tuesday, 24 June at 19:00. For details and the full e-catalogue, visit – Thursday, 19 June | 09:00 – 17:00– Friday, 20 June | 09:00 – 17:00– Saturday, 21 June | 09:00 – 16:00– Sunday, 22 June | 09:00 – 16:00– Monday, 23 June | 09:00 – 17:00 – Tuesday, 24 June | 09:00 – 19:00

IOL News
3 hours ago
- IOL News
Venice residents protest against disruption caused by Jeff Bezos's wedding
Tensions are mounting in Venice ahead of the upcoming wedding of Jeff Bezos and Lauren Sánchez, as residents and activist groups prepare protests over the disruption of the city for the high-profile event. The lavish celebration, expected to attract hundreds of celebrity guests and occupy a large part of the historic city, has sparked concerns about the ongoing commodification of Venice and its prioritisation of tourism over local life. Between 23 and 28 June, the billionaire Amazon founder and his fiancée are expected to take over the island of San Giorgio, opposite St Mark's Square, for their multi-million-dollar nuptials. Reports suggest nearly every luxury hotel in the area has been booked out, along with many of the city's water taxis. The guest list is rumoured to include celebrities such as Kim Kardashian and Katy Perry, and members of the Trump family, while many guests will stay aboard Bezos' yachts. In response, local activists affiliated with the "No Space for Bezos" movement have launched a campaign of peaceful protest. The group, made up of various local collectives, argues that the event epitomises the exploitation of Venice as a backdrop for elite events, while residents struggle with a housing crisis and an economy increasingly reliant on mass tourism.