The Grateful Dead toasts its 60th with concerts at San Francisco's Golden Gate Park
Dead & Company, featuring original Grateful Dead members Bob Weir and Mickey Hart, will play Golden Gate Park's Polo Field starting Friday with an estimated 60,000 attendees each day. The last time the band played that part of the park was in 1991 — a free show following the death of concert promoter and longtime Deadhead Bill Graham.
Certainly, times have changed.
A general admissions ticket for all three days is $635 — a shock for many longtime fans who remember when a joint cost more than a Dead concert ticket.
But Deadhead David Aberdeen is thrilled anyway.
'This is the spiritual home of the Grateful Dead,' said Aberdeen, who works at Amoeba Music in the bohemian, flower-powered Haight-Ashbury neighborhood. 'It seems very right to me that they celebrate it in this way.'
Formed in 1965, the Grateful Dead is synonymous with San Francisco and its counterculture. Members lived in a dirt-cheap Victorian in the Haight and later became a significant part of 1967's Summer of Love.
That summer eventually soured into bad acid trips and police raids, and prompted the band's move to Marin County on the other end of the Golden Gate Bridge. But new Deadheads kept cropping up — even after iconic guitarist and singer Jerry Garcia 's 1995 death — aided by cover bands and offshoots like Dead & Company.
'There are 18-year-olds who were obviously not even a twinkle in somebody's eyes when Jerry died, and these 18-year-olds get the values of Deadheads,' said former Grateful Dead publicist and author Dennis McNally.
Fitting in, feeling at home
Deadheads can reel off why and how, and the moment they fell in love with the music. Fans love that no two shows are the same; the band plays different songs each time. They also embrace the community that comes with a Dead show.
Sunshine Powers didn't have friends until age 13, when she stepped off a city bus and into the Haight-Ashbury neighborhood.
'I, all of a sudden, felt like I fit in. Or like I didn't have to fit in,' says Powers, now 45 and the owner of tie-dye emporium Love on Haight. 'I don't know which one it was, but I know it was like, OK.'
Similarly, her friend Taylor Swope, 47, survived a tough freshman year at a new school with the help of a Grateful Dead mixtape. The owner of the Little Hippie gift shop is driving from Brooklyn, New York, to sell merchandise, reconnect with friends and see the shows.
'The sense of, 'I found my people, I didn't fit in anywhere else and then I found this, and I felt at home.' So that's a big part of it,' she said of the allure.
Magical live shows
Sometimes, becoming a Deadhead is a process.
Thor Cromer, 60, had attended several Dead shows, but was ambivalent about the hippies. That changed on March 15, 1990, in Landover, Maryland.
'That show, whatever it was, whatever magic hit,' he said, 'it was injected right into my brain.'
Cromer, who worked for the U.S. Senate then, eventually took time off to follow the band on tour and saw an estimated 400 shows from spring 1990 until Garcia's death.
Cromer now works in technology and is flying in from Boston to join scores of fellow 'rail riders' who dance in the rows closest to the stage.
Aberdeen, 62, saw his first Dead show in 1984. As the only person in his college group with a driver's license, he was tapped to drive a crowded VW Bug from Antioch College in Yellow Springs, Ohio, to Syracuse, New York.
'I thought it was pretty weird,' he said. 'But I liked it.'
He fell in love the following summer, when the Dead played a venue near his college.
Aberdeen remembers rain pouring down in the middle of the show and a giant rainbow appearing over the band when they returned for their second act. They played 'Comes a Time,' a rarely played Garcia ballad.
'There is a lot of excitement, and there will be a lot of people here,' Aberdeen said. 'Who knows when we'll have an opportunity to get together like this again?'
Fans were able to see Dead & Company in Las Vegas earlier this year, but no new dates have been announced. Guitarist Bob Weir is 77, and drummers Mickey Hart and Bill Kreutzmann are 81 and 79, respectively. Besides Garcia, founding members Ron 'Pigpen' McKernan on keyboards died in 1973 and bassist Phil Lesh died last year at age 84.
Multiple events planned for Dead's 60th
Mayor Daniel Lurie, who is not a Deadhead but counts 'Sugar Magnolia' as his favorite Dead song, is overjoyed at the economic boost as San Francisco recovers from pandemic-related hits to its tech and tourism sectors.
'They are the reason why so many people know and love San Francisco,' he said.
The weekend features parties, shows and celebrations throughout the city. Grahame Lesh & Friends will perform three nights starting Thursday. Lesh is the son of Phil Lesh.
On Friday, which would have been Garcia's 83rd birthday, officials will rename a street after the San Francisco native. On Saturday, visitors can celebrate the city's annual Jerry Day at the Jerry Garcia Amphitheater located in a park near Garcia's childhood home.
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San Francisco Chronicle
a day ago
- San Francisco Chronicle
A guide to the Grateful Dead's 2025 Meet-Up at the Movies
The Grateful Dead's annual Meet-Up at the Movies is expanding in honor of the 60th anniversary of the legendary Bay Area band's founding. Traditionally celebrated only one day each year, its 2025 edition — featuring a 4K restoration of the 1977 concert film 'The Grateful Dead Movie' — can be seen in theaters starting Wednesday, Aug. 13, through Sept. 2. What's more, this year's Meet-Up will include IMAX screenings for the first time, Wednesday-Sunday, Aug. 13-17. 'It was the greatest screening I've ever experienced of a film I've seen hundreds of times,' declared David Lemieux, Grateful Dead archivist and legacy manager, in a statement after seeing a preview of the film in IMAX. What is Meet-Up at the Movies? It is an annual event in which concert videos and films of the Grateful Dead are screened in movie theaters around the world, allowing Deadheads, as the band's superfans are known, to gather together for a communal experience. This year in the Bay Area, it also serves as a special treat for those who attended this months' anniversary concerts at Golden Gate Park earlier in the month. The first event occurred in the United States on April 20, 2011 — appropriately 4/20, the cannabis holiday — with screenings of 'The Grateful Dead Movie.' What is 'The Grateful Dead Movie'? Though released in 1977, 'The Grateful Dead Movie' was filmed in October 1974 during a five-night run at San Francisco's now-defunct Winterland Ballroom. At the time, they were thought to be the band's final performances, with the Oct. 20 show billed as 'The Last One.' The concerts featured in the film showcase the Dead's Wall of Sound — the sound system designed specifically for the band — that redefined concert audio. The film also includes interviews with band members and crew, as well as a rare portrait of the band's fans and even some animation. The movie had a budget of $600,000 and was directed by the band's frontman, Jerry Garcia, and documentarian Leon Gast. It opened in theaters on June 1, 1977. In addition to the first Meet-Up, 'The Grateful Dead Movie' was screened at the 2017 event. It has since been restored in 4K with remastered sound. Where can I see it in IMAX? 'The Grateful Dead Movie' will be available to watch on several IMAX screens across the Bay Area, including the traditional large IMAX screens at the AMC Metreon 16 in San Francisco and the Regal Hacienda Crossings in Dublin. Is it only showing in IMAX? What else will be screened? 'China Cat Sunflower > I Know You Rider,' a bonus live performance from the Winterland shows not included in the official film release, will make its theatrical premiere after 'The Grateful Dead Movie.' How can I get tickets? Will there be merchandise? Of course! Many theaters will offer hats, T-shirts, hoodies, posters, etc. How can I keep the party going? Last October, the band released 83 minutes of additional footage that didn't make it into its final cut on its YouTube channel. The bonus material, previously included in a 2004 DVD release, has been remastered in HD and includes performances of 'Uncle John's Band,' 'Sugaree' and a handful of extended numbers.


San Francisco Chronicle
a day ago
- San Francisco Chronicle
Grateful Dead concerts boost S.F.'s Haight-Ashbury merchants: ‘Biggest weekend for us of the year'
The massive, 60,000-person crowds celebrating the Grateful Dead's 60th anniversary this past week were a major economic boost for the Haight-Ashbury neighborhood where the band spent many of its early years. 'All the Deadheads, they all want to come to the Haight,' said Robert Emmons, president of the Haight Ashbury Merchants Association. 'This is definitely the biggest weekend for us of the year.' Foot traffic on Haight Street was about five times the norm, said Emmons, who is also owner of the San Francisco Mercantile, a gift and souvenir store. 'It brought people from all over the U.S.,' Emmons said. That's particularly important given the decline in international tourism, especially from Canada and Mexico, to the U.S. and California in the face of the Trump administration's crackdown on immigration. Hotels around the city saw a major spike in demand. Demand was up over 65% between July 31 and Aug. 3, compared to the same period in 2024, according to TravelClick Demand360 data provided by San Francisco Travel, the city's tourism bureau. The momentum is continuing, according to the bureau. Between Aug. 8 and 10, hotel occupancy bookings are up an average of 12.5% around San Francisco thanks to the Outside Lands music festival, compared to a year earlier when the festival was held on the same dates. Emmons said Outside Lands, which is happening this weekend, is also expected to boost the Haight's businesses, though not as much as the Grateful Dead events. More Grateful Dead celebrations were happening on Monday. In the Sunset, Salem Ofa, owner of Eye of the Tiger Tattoo, was inking for the 12th annual Bolt Day — named after the band's distinct lightning bolt logo. Ofa gathered a dozen tattoo artists from around the country who were offering around 90 different bolt designs for $100 to $150 each. Fans started lining up at 6 a.m. and 94 people signed up to get a tattoo. About 20 merchandise vendors were also set up in the parking lot down the street from Ofa's studio. 'This is our biggest Bolt Day that we've ever had,' he said, thanks in part to a grant from the Civic Joy Foundation that helped fund the event. Emmons said he is also encouraged about the reactions from tourists visiting the city. They hear about crime and dirty streets from national and local media coverage, but then San Francisco exceeds their expectations. 'They're very pleasantly surprised that San Francisco is in great shape,' he said. Not everything is rosy for local businesses. Tariffs are still a major concern, and Emmons' wholesale business has grappled with import charges that are around 30% higher than before. Around half of his souvenir business, including apparel and tote bags, are made in San Francisco. But products like mugs and water bottles are produced in Asia, which has been subject to various new tariffs. Yet, he's still encouraged by new businesses opening in the Haight, which was hit by the pandemic but is now bouncing back. A bar called the Green Heron is opening in the former Hobson's Choice space this fall. The bar Trax closed but is reopening with new management as Mary's on Haight. And a new record store owned by San Francisco punk musicians just opened, cheekily titled I Hate Records. Chronicle staff writer David Hernandez contributed to this report.


USA Today
a day ago
- USA Today
One Dead & Company fan's nearly 50-year journey to Golden Gate Park
SAN FRANCISCO – Here's a prediction for you: The Dead will never die. Not going to happen. Ever. Why? Because at this point, 60 years after the Grateful Dead made their mark on this psychedelic town, it's no longer about the band personnel as much as it is all about The Vibe. Sure, the music creates that vibe, which summons the tribe with its swirling jam-band sound, but arguably those tunes can be conjured by others possessing the right Dead mojo. All to say that Dead & Company's final show of a three-night stand in Golden Gate Park Sunday, Aug. 3, was nothing less than a reaffirmation that what the original quintet forged with spirited abandon is likely to live on well past any mortal expiration dates. Anchored by two original members, guitarist Bob Weir and drummer Mickey Hart (drummer Bill Kreutzmann has retired to Hawaii), Dead & Company tore through two sets filled with hits that left 60,000 fans singing, twirling, grooving and communing in a large but orderly field, with not a disagreement in sight. As the "Scarlet Begonias" lyric goes, "Strangers stopping strangers / just to shake their hand." Credit goes to singer and guitarist John Mayer in particular, who has taken on the Jerry Garcia mantle with both reverent study and spirited abandon. His blistering, weaving solos on songs like "China Cat Sunflower," "Shakedown Street," "Deal" and "Sugar Magnolia" deftly mixed his blues chops with Garcia's trademark flights of fancy. But if there was a closing night highlight, that came courtesy of the frontman from the evening's opening act, the Trey Anastasio Band. Anastasio, Phish's co-founder, who memorably anchored guitar and singing duties for the Dead's 2015 Fare Thee Well tour, joined the band for the second-set opener, "Scarlet Begonias," which transitioned memorably into "Fire on the Mountain," a one-two punch known to Deadheads as "Scarlet-Fire." Seeing Anastasio resume his lead guitar duties with the band was to witness a man in the midst of a joyous epiphany, never more so than when he and Mayer faced each other for dueling solos. If the Polo Fields in Golden Gate Park could have levitated, they would have. For those keeping track, the other songs the band broke out Sunday included "I Know You Rider" (which pro forma came right out of "China Chat Sunflower"), the Buffalo Springfield tune "Broken Arrow," the Weir-John Barlow-Brent Mydland rocker "Hell in a Bucket," the retro "Cumberland Blues" and the close-out favorite, "Touch of Grey." Weir, who at 77 looked like a bearded poncho-wearing gun slinger, mostly contributed his trademark up-stroke rhythm chords, and occasionally took the mic. His voice, once a youthful bellow on staples such as "Samson and Delilah," is now more of a whisper, and it was deftly dispatched to handle songs such as "Standing on the Moon" and "Sugaree." Looking around the crowd, it was fascinating to note the breadth of ages, which suggests that by continuing in various incarnations since 2005, a decade after Garcia's death in 1995, the band has managed to mainline its music into a new generation of fans. Stints like the one the group performed at the Sphere in Las Vegas, which brought an appropriately trippy visual sensibility to a vast catalog of trippy tunes, has also helped keep the band's legacy alive. It was hard not to chuckle looking around at the various T-shirts and hoodies that read "Dead & Company Final Tour 2021," right next to another one that said the same thing only with a different year. Speaking of years, it was 1979 when I dashed to my seats inside Madison Square Garden, a high-schooler newly baptized into the world of the Grateful Dead. Of course, by then, I had a small suitcase full of Maxell tapes from epic Dead shows in 1969 and 1972 and felt that, by 1979, I had essentially missed the Dead bus. If someone back then had said, "Rest easy, you'll see most of these guys conjure this ephemeral magic in 2025," I'd have surmised the drugs must have been powerful. And yet, here we are. Mark my words, at some point soon folks will roll out to a concert to hear the Dead do their musical best, and not one of the original members will be there. And it won't matter. Humans may fade way, but the music never stops.